TRANSATLANTIQUE - EVA HESSE Edited by Sébastien Gokalp

LUMBUNG, COMMONS AND COMMUNITY ART by Simon Kentgens & Florian Cramer

PUB GIRL by Elspeth Walker

THE WEIRD SISTER COLLECTION: WRITING AT THE INTERSECTIONS OF FEMINISM, LITERATURE, AND POP CULTURE Edited by Marisa Crawford

PARADISE: THE PSYCHOANALYSIS OF TRASH by Ken Hollings

I SPIT ON YOUR CELLULOID: THE HISTORY OF WOMEN DIRECTING HORROR MOVIES by Heidi Honeycutt

THE AUTONOMY OF ART IS ORDINARY by Kim West

WOMEN ARTISTS TOGETHER by Amy Tobin

PAPER REVOLUTIONS: AN INVISIBLE AVANT-GARDE by Sarah E. James

ARCHIVE OF DREAMS: SURREALIST IMPULSES, NETWORKS AND VISION

CASABLANCA ART SCHOOL Edited by Morad Montazami, Madeleine de Colnet & Esther Schlicht

EXPERIMENTAL TRANSLATION: THE WORK OF TRANSLATION IN THE AGE OF ALGORITHMIC PRODUCTION by Lily Robert-Foley

RUINS AND RESILIENCE: THE LONGEVITY OF EXPERIMENTAL FILM by Karel Doing

MANIFESTES 7: WHY HISTORY MATTERS TO GRAPHIC DESIGN by Clémence Imbert

WRONG IS NOT MY NAME: NOTES ON (BLACK) ART by Erica N. Cardwell

MANY HANDS MAKE A QUILT: SHORT HISTORIES OF RADICAL QUILTING (SECOND EDITION) by Jess Bailey

HOW TO READ DONALD DUCK: IMPERIALIST IDEOLOGY IN THE DISNEY COMIC by Ariel Dorfman and Armand Mattelart

DISORDERED ATTENTION: HOW WE LOOK AT ART AND PERFORMANCE TODAY by Claire Bishop

ANONYMOUS OBJECTS: INSCRUTABLE PHOTOGRAPHS AND THE UNKNOWN by Kim Beil

TO BE DETERMINED: PHOTOGRAPHY AND THE FUTURE by Duncan Wooldridge

SAKÉ BLUE. SELECTED WRITINGS by Estelle Hoy

BITING THE HAND: TRACES OF RESISTANCE IN THE ART & LANGUAGE DIASPORA Ed. by Paul Wood

DISPERSED EVENTS. SELECTED WRITINGS by Nick Mauss

OEI #102-103: PHOTOGRAPHY ON THE EDGE