PUBLISHING ON BRAZIL’S MARGINS: CORDEL LITERATURE, 1970S-’80S

WHY SELF-PUBLISH UNDER FASCISM? by Marc Fischer

BOOKSELLERS REFLECT ON SELF-PUBLISHING

ARTIST PUBLISHERS REFLECT ON BOOK WASTE

SHELTER COOKBOOK by Leopold Banchini & Lukas Feireiss (Eds.)

ARMED BY DESIGN: POSTERS AND PUBLICATIONS OF CUBA’S ORGANIZATION OF SOLIDARITY OF THE PEOPLES OF AFRICA, ASIA, AND LATIN AMERICA (OSPAAAL)

CLARA ISTLEROVÁ: A LIFE AMONG LETTERS by Anezka Minaríková (Ed.)

CAN NON-EUROPEANS PUBLISH? (VOL. 1) by Paola Jalili

SEIZED BOOKS! by Sarah Pyke & Leila Kassir

POST-PLATFORM DIGITAL PUBLISHING TOOLKIT by Ipek Burçak & Eren Ileri (Eds.)

AFTER WORDS: VISUAL AND EXPERIMENTAL POETRY IN LITTLE MAGAZINES AND SMALL PRESSES, 1960–2025 by Steve Clay & M.C. Kinniburgh

UNPACKING CRITICAL FRIENDSHIP, AND IF YOU EAT THAT TICKET, IT WILL BRING YOU LUCK! by Marlies van Hak & Seda Yıldız

WHAT SHOULD AN ARTIST LOOK LIKE? WHAT SHOULD A PRACTICE FEEL LIKE? by Jessica Williams

AUGURE I by Rodrigue de Ferluc

EVEN WHEN IT MAKES NO SENSE – THE BROKEN FLAG STORY by Steve Underwood

NEUMUSIK – THE COMPLETE EDITION by David Elliott (Ed.)

JUST GLITTERING/IDWAL FISHER by Mark Wharton

ELK by Jocko Weyland

NOT JUST BITS OF PAPER by Mickey Penguin & Greg Bull (Eds.)

POST-DIGITAL PRINT: THE MUTATION OF PUBLISHING SINCE 1894 by Alessandro Ludovico

A MEANINGFUL ORDER by Oliver Knight, Rory McGrath (OK-RM) & James Langdon

THE VERY NATURE OF MATERIALITY IS AN ENTANGLEMENT by OK-RM, Lila Matsumoto & Goldwin 0

BRICKS FROM THE KILN #7

PUBLICATIONS 1977 – 2019 by David King