THE ANARCHIST REVIEW OF BOOKS ISSUE #10

BOOKSELLERS REFLECT ON SELF-PUBLISHING

QUEER NETWORKS: RAY JOHNSON'S CORRESPONDENCE ART by Miriam Kienle

GUTTER 32

MOULDY-WARP by Adam Robson

TANGENTS: THE FIRST ONE AND A HALF YEARS by Various Artists

EXOCAPITALISM – ECONOMIES WITH ABSOLUTELY NO LIMITS by Marek Poliks & Roberto Alonso Trillo

I'M LIKE A PDF BUT A GIRL by Ester Freider

LETTERBOXD REVIEWS by April Forrest Lin

ERIK SATIE THREE PIECE SUITE by Ian Penman

STANDPOINT AUTOTHEORY: WRITING EMBODIED EXPERIENCES AND RELATIONAL ARTISTIC PRACTICES

A GRAMMAR BUILT WITH ROCKS by Shoghig Halajian & Suzy Halajian

OFFAL ISSUE 2

THE CLICHÉ by Ruoru Mou

KAFKA & I by Can Xue

AFTER WORDS: VISUAL AND EXPERIMENTAL POETRY IN LITTLE MAGAZINES AND SMALL PRESSES, 1960–2025 by Steve Clay & M.C. Kinniburgh

ANNIHILATING NOISE by Paul Hegarty

MOVEMENT RESEARCH PERFORMANCE JOURNAL: ISSUE #58/59

BODY HIGH: DEATH, DRUGS, AND EVA HESSE by Ryann Donnelly

COPY ISSUE 02 by Moa Hjärre Nettleton & Lydia Harris (Eds.)

SPACESCAPES – DANCE & DRAWING SINCE 1962 by Sarah Burkhalter & Laurence Schmidlin (Eds.)

BRACKISH ZINE by Liv Aldridge & Endija Lukstina (Eds.)

SCI-FI, MAGICK, QUEER L.A. | SEXUAL SCIENCE AND THE IMAGI-NATION by Alexis Bard Johnson & Kelly Filreis (Eds.)

EVERYTHING IS NOW: THE 1960S NEW YORK AVANT-GARDE—PRIMAL HAPPENINGS, UNDERGROUND MOVIES, RADICAL POP by J. Hoberman