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I ONLY BELIEVE IN MYSELF: CONVERSATION WITH MURIELLE JOUDET by Catherine Breillat

THE HORROR THEORY READER by Jeffrey Andrew Weinstock (Ed.)

THE HUNGER: FILM WRITING 2012–2024 by Melissa Anderson

INTERWOVEN HISTORIES - CONTEMPORARY ART, MIGRATORY NARRATIVES AND TEXTILES by Christel Vesters (Ed.)

FIVE FOOTNOTES TOWARD AN ARCHITECTURE by Mark Lee

DESTINATION: TASHKENT – EXPERIENCES OF CINEMATIC INTERNATIONALISM

INSTITUTING – SPACE-MAKING, REFUSAL, AND ORGANIZING IN THE ARTS AND BEYOND

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THE THIRD ANNUAL

OEI #108–109: MÖGEL & SPOR-RADISKA FÖRBINDELSER; KANSLISPRÅK & BERNADETTE MAYER + ANNE-MARIE ALBIACH by Jonas (J) Magnusson & Cecilia Grönberg (Eds.)

VISIO – MOVING IMAGES IN EUROPE SINCE THE 2010S by Leonardo Bigazzi (Ed.)

JOHN REINHARD WEGUELIN R.W.S. R.O.I. (1849 - 1927): AESTHETICISM AND DECADENCE IN FIN DE SIECLE BRITISH PAINTING by Kevin McKenzie Brown

HUGUETTE CALAND by Omar Kholeif

ABHARTACH MAGAZINE: ISSUE 1

THE SOUND OF THINGS TO COME: AN AUDIBLE HISTORY OF THE SCIENCE FICTION FILM by Trace Reddell

THE WORD FOR WORLD: THE MAPS OF URSULA K. LE GUIN by So Mayer & Sarah Shin (Eds.)

CHRIS MARKER: EARLY FILM WRITINGS by Steven Unger (Ed.)

THE ANARCHIST REVIEW OF BOOKS ISSUE #10

BOOKSELLERS REFLECT ON SELF-PUBLISHING

QUEER NETWORKS: RAY JOHNSON'S CORRESPONDENCE ART by Miriam Kienle

GUTTER 32

MOULDY-WARP by Adam Robson

TANGENTS: THE FIRST ONE AND A HALF YEARS by Various Artists