BRACKISH ZINE by Liv Aldridge & Endija Lukstina (Eds.)

SCI-FI, MAGICK, QUEER L.A. | SEXUAL SCIENCE AND THE IMAGI-NATION by Alexis Bard Johnson & Kelly Filreis (Eds.)

EVERYTHING IS NOW: THE 1960S NEW YORK AVANT-GARDE—PRIMAL HAPPENINGS, UNDERGROUND MOVIES, RADICAL POP by J. Hoberman

THE SAN FRANCISCO TAPE MUSIC CENTER: 1960S COUNTERCULTURE AND THE AVANT-GARDE by David Bernstein (Ed.)

SLIPS OF THE MIND: POETRY AS FORGETTING by Jennifer Soong

CONVIVIALITIES by Michael Nardone

CONCEPTUAL ART IN A CURATORIAL PERSPECTIVE: BETWEEN DEMATERIALIZATION AND DOCUMENTATION by Nathalie Zonnenberg

DISPLAY, DISTRIBUTE, DISRUPT: CONTEMPORARY MOVING IMAGE PRACTICES by Wolfgang Brückle & Fred Truniger (Eds.)

RADIOPHILIA by Carolyn Birdsall

JUNE GIVANNI: THE MAKING OF A PAN-AFRICAN CINEMA ARCHIVE by Onyeka Igwe (Ed.)

OEI #106-107: LETTRISTS & PHOTOGRAPHY

UNCURATING SOUND: KNOWLEDGE WITH VOICE AND HANDS by Salomé Voegelin

WRITING THE FIELD RECORDING: SOUND, WORD, ENVIRONMENT by Stephen Benson & Will Montgomery (Eds.)

IMAGES OF CLASS: OPERAISMO, AUTONOMIA AND THE VISUAL ARTS (1962-1988) by Jacopo Galimberti

THE CINEMA HOUSE & THE WORLD: THE CAHIERS DU CINEMA YEARS 1962–1981 by Serge Daney

REVOLUTIONARY ROMANCES?: GLOBAL ART HISTORIES IN THE GDR

MAINFRAME EXPERIMENTALISM: EARLY COMPUTING AND THE FOUNDATIONS OF THE DIGITAL ARTS by Hannah B Higgins & Douglas Kahn (Eds.)

BEAUTIFUL MADNESS: ART WRITING AS ART CURATING by Mark Kremer

MOTHERING MYTHS: AN ABC OF ART, BIRTH AND CARE by Laurie Cluitmans & Heske ten Cate (Eds.)

TWO-HEADED DOCTOR: LISTENING FOR GHOSTS IN DR. JOHN’S GRIS-GRIS by David Toop

THE ANARCHIST REVIEW OF BOOKS ISSUE #9

ABOUT NARRATION by Ingemo Engström & Harun Farocki

CHANGING ART FROM THE OUTSIDE IN by Charlotte Laubard

POST-DIGITAL PRINT: THE MUTATION OF PUBLISHING SINCE 1894 by Alessandro Ludovico