EXHIBITING FOR MULTIPLE SENSES: ART AND CURATING FOR SENSORY-DIVERSE BODIES by Eva Fotiadi (Ed.)

RIVERSIDE TOPOGRAPHIES: PHASE I, A READER FOR THE GOVAN GRAVING DOCKS by Eleni Wittbrodt

STUDIO VISIT ETHICS by Feminist Culture House

COPY ISSUE 02 by Moa Hjärre Nettleton & Lydia Harris (Eds.)

AGAINST MORALITY by Rosanna McLaughlin

DANCE POLICY ISSUE 008 WITH BRADLEY ZERO

EVERYTHING I MADE WHILST COUNTING LAMBS by Georgia R Lawrence

IRRATIONAL: A VISUAL DIRECTORY TO A WORLD WITH NO REASON by Francesco Jodice & Francesco Zanot

CURATORIAL CONSTELLATIONS: ISSUE 1

A RETURN TO THE ISLAND by Helena Lugo

BEAUTIFUL MADNESS: ART WRITING AS ART CURATING by Mark Kremer

WE WANT TO LOOK UP AT THE SUN, BUT COULD THE SUN BE LOOKING DOWN ON US? by Rudy Guedj & Olivier Goethals

CURATORIAL DESIGN – A PLACE BETWEEN by Wilfried Kuehn & Dubravka Sekulić (Eds.)

CHANGING ART FROM THE OUTSIDE IN by Charlotte Laubard

HENRY MARTIN: AN ACTIVE EAR - SELECTED WRITINGS, CONVERSATIONS AND CORRESPONDENCES by Emanuele Guidi (Ed.)

DAS CATHRIN PICHLER ARCHIV by Magdalena Stöger & Leon Hösl

ART WORKER: DOING TIME IN THE NEW YORK ARTWORLD by Alan W. Moore

AJÍ PRESS VOL. 1

A-Z OF EXHIBITION FOR CHICKENS by Jared Schiller

LUMBUNG, COMMONS AND COMMUNITY ART by Simon Kentgens & Florian Cramer

VERTICES by Olga Balema and Anne Tallentire / Mark O'Gorman

THE AUTONOMY OF ART IS ORDINARY by Kim West

THE ANNOTATED READER by Ryan Gander & Jonathan P. Watts (Eds.)

CARE WHERE NO-ONE DOES: A GRASSROOTS STYLE GUIDE TO PROGRESSIVE CULTURAL PRODUCTION... by Freek Lomme