CENTREFOLD 1974: A MEMOIR by Louise O'Hare

WHY SELF-PUBLISH UNDER FASCISM? by Marc Fischer

WHO SHARES THE RESTROOM CODE WITH ICE AGENTS?

BOOKSELLERS REFLECT ON SELF-PUBLISHING

GROUP WORK: A COMPILATION OF QUOTES ABOUT COLLABORATION FROM A VARIETY OF SOURCES AND PRACTICES

FRAMING THE ARTISTS: ARTISTS & ART IN FILM & TELEVISION

22 UNREALIZED PUBLIC PROJECT PROPOSALS

LEFT CULTURES ISSUE 04

GRAVITY ROAD: A ROLLERCOASTER READER by Jesse Darling

THE WALKATIVE REVOLUTION by Alec Finlay

WONDROUS SORE by Alec Finlay

WILD CITY | FIADH-BHAILE | ORASUL SALBATIC by Various Artists

LIGHT IS A RIGHT by Alec Finlay, Hester Parr, Hayden Lorimer & Shawn Bodden

THE MATERIAL KINSHIP READER by Kris Dittel

PARALLAX: CONSPIRACY THEORIES, DETAILS, AND THE ACT OF LOOKING CLOSELY

RECUPERA by Emma Gomis

WHAT WE OWE THE DEAD: AN EXPERIMENTAL DETECTIVE NOVEL SET IN A DYSTOPIAN SOCIETY by Stefano Gualeni

I LOVE SHOPPING by Lauren Cook

ARTISTS' DRAWINGS – ISSUE #1: DRAWING SCULPTURE by Matt Page (Ed.)

SHAPES FOUND FOR LIVING by Nick Norton

TANGENTS: THE FIRST ONE AND A HALF YEARS by Various Artists

WHISHT… BÍ CIÚIN. (SHH… BE QUIET). by Ash…shh

IMPOSSIBLE DREAMS by Pati Hill

IN THE DELIRIUM OF THE SIMULATION – BAUDRILLARD REVISITED by Achim Szepanski