DISPERSED EVENTS. SELECTED WRITINGS by Nick Mauss

OEI #102-103: PHOTOGRAPHY ON THE EDGE

WHAT LOOKS GOOD TODAY MAY NOT LOOK GOOD TOMORROW: THE LEGACY OF MICHEL MAJERUS Ed. by Bettina Steinbrügge

PAINTING PHOTOGRAPHY PAINTING: SELECTED ESSAYS by Carol Armstrong

AESTHETICAL RELATIONS by Christina Catherine Martinez

THE IMPOSSIBILITY OF SILENCE by Ian Lynam

LA CAPTIVE by Christine Smallwood

MY FRIEND VAN GOGH by Émile Bernard

ANY DAY NOW: TOWARD A BLACK AESTHETIC by Larry Neal

ENCOUNTERS – EMBODIED PRACTICES by Various Artists

CORRECTED PROOFS. PREVIOUSLY UNPUBLISHED, UNCOLLECTED, UNWANTED by Bob Nickas

…THE OBTRUSIVE PRESENCE OF AN ABSENCE… by Neil Clements, Irina Gheorghe & Alexi Kukuljevic

ON MY PAINTING by Max Beckmann

SKIN IN THE GAME by Clémentine Deliss

ADJUSTED MARGIN: XEROGRAPHY, ART, AND ACTIVISM IN THE LATE TWENTIETH CENTURY by Kate Eichhorn

PHOTOGRAPHY AFTER CAPITALISM by Ben Burbridge

LAST MOVIES by Stanley Schtinter

WINDFALL* ISSUE 4

MIGRANT MOTHER, MIGRANT GENDER by Sally Stein

A NEW CONCISE REFERENCE DICTIONARY OF ART by Neal Brown

AFTER THE EDUCATIONAL TURN Edited by Catalin Gheorge

EXHIBITIONARY ACTS OF POLITICAL IMAGINATION Edited by: Catalin Gheorghe and Mick Wilson

LEARNING BY CURATING: CURRENT TRAJECTORIES IN CRITICAL CURATORIAL EDUCATION Edited by Catalin Gheorghe

1971 – PARALLEL NONSYNCHRONISM Edited by Dóra Hegyi, Zsuzsa László, Zsóka Leposa, Enikő Róka