MANY HANDS MAKE A QUILT: SHORT HISTORIES OF RADICAL QUILTING (SECOND EDITION) by Jess Bailey

HOW TO READ DONALD DUCK: IMPERIALIST IDEOLOGY IN THE DISNEY COMIC by Ariel Dorfman and Armand Mattelart

DISORDERED ATTENTION: HOW WE LOOK AT ART AND PERFORMANCE TODAY by Claire Bishop

ANONYMOUS OBJECTS: INSCRUTABLE PHOTOGRAPHS AND THE UNKNOWN by Kim Beil

TO BE DETERMINED: PHOTOGRAPHY AND THE FUTURE by Duncan Wooldridge

SAKÉ BLUE. SELECTED WRITINGS by Estelle Hoy

BITING THE HAND: TRACES OF RESISTANCE IN THE ART & LANGUAGE DIASPORA Ed. by Paul Wood

DISPERSED EVENTS. SELECTED WRITINGS by Nick Mauss

OEI #102-103: PHOTOGRAPHY ON THE EDGE

WHAT LOOKS GOOD TODAY MAY NOT LOOK GOOD TOMORROW: THE LEGACY OF MICHEL MAJERUS Ed. by Bettina Steinbrügge

PAINTING PHOTOGRAPHY PAINTING: SELECTED ESSAYS by Carol Armstrong

AESTHETICAL RELATIONS by Christina Catherine Martinez

THE IMPOSSIBILITY OF SILENCE by Ian Lynam

LA CAPTIVE by Christine Smallwood

MY FRIEND VAN GOGH by Émile Bernard

ANY DAY NOW: TOWARD A BLACK AESTHETIC by Larry Neal

ENCOUNTERS – EMBODIED PRACTICES by Various Artists

CORRECTED PROOFS. PREVIOUSLY UNPUBLISHED, UNCOLLECTED, UNWANTED by Bob Nickas

…THE OBTRUSIVE PRESENCE OF AN ABSENCE… by Neil Clements, Irina Gheorghe & Alexi Kukuljevic

ON MY PAINTING by Max Beckmann

SKIN IN THE GAME by Clémentine Deliss

ADJUSTED MARGIN: XEROGRAPHY, ART, AND ACTIVISM IN THE LATE TWENTIETH CENTURY by Kate Eichhorn

PHOTOGRAPHY AFTER CAPITALISM by Ben Burbridge

LAST MOVIES by Stanley Schtinter