IN THE GOOD SEATS: ESSAYS ON FILM

MOTOR DANCE JOURNAL ISSUE 2: DUETS AND DIALOGUES

BODY IMAGES: PHOTOGRAPHY, TECHNOLOGY, AND BEAUTY CULTURE by Liz Barr

FEMINISM, PEDAGOGY AND THE STUDIO: REFLECTIONS ACROSS FOUR DECADES by Griselda Pollock

GREETINGS ALIENS by Efe Levent

SEARCH FOR ORIGIN by Ana Mendieta

FUSION! FROM ALICE COLTRANE TO MOOR MOTHER by Alex Coles

WAITING BEHIND TORNADOS FOR FOOD by Tongo Eisen-Martin

COLOSSAL EQUINE STATUE by Nic Wilson

TO AFTER THAT (TOAF) by Renee Gladman

FILM UNDONE – ELEMENTS OF A LATENT CINEMA

THE AGENCY OF ACCESS: CONTEMPORARY DISABILITY ART & INSTITUTIONAL CRITIQUE by Amanda Cachia

ARE WE HAVING FUN YET? by Manca G. Renko

A PROGRAMME OF ABSOLUTE DISORDER: DECOLONIZING THE MUSEUM by Françoise Vergès

OTHER INFLUENCES: AN UNTOLD HISTORY OF FEMINIST AVANT-GARDE POETRY Edited by Marcella Durand & Jennifer Firestone

TRANSATLANTIQUE - EVA HESSE Edited by Sébastien Gokalp

LUMBUNG, COMMONS AND COMMUNITY ART by Simon Kentgens & Florian Cramer

PUB GIRL by Elspeth Walker

THE WEIRD SISTER COLLECTION: WRITING AT THE INTERSECTIONS OF FEMINISM, LITERATURE, AND POP CULTURE Edited by Marisa Crawford

PARADISE: THE PSYCHOANALYSIS OF TRASH by Ken Hollings

I SPIT ON YOUR CELLULOID: THE HISTORY OF WOMEN DIRECTING HORROR MOVIES by Heidi Honeycutt

THE AUTONOMY OF ART IS ORDINARY by Kim West

WOMEN ARTISTS TOGETHER by Amy Tobin

PAPER REVOLUTIONS: AN INVISIBLE AVANT-GARDE by Sarah E. James