ARCHIVE OF DREAMS: SURREALIST IMPULSES, NETWORKS AND VISION

CASABLANCA ART SCHOOL Edited by Morad Montazami, Madeleine de Colnet & Esther Schlicht

EXPERIMENTAL TRANSLATION: THE WORK OF TRANSLATION IN THE AGE OF ALGORITHMIC PRODUCTION by Lily Robert-Foley

RUINS AND RESILIENCE: THE LONGEVITY OF EXPERIMENTAL FILM by Karel Doing

MANIFESTES 7: WHY HISTORY MATTERS TO GRAPHIC DESIGN by Clémence Imbert

WRONG IS NOT MY NAME: NOTES ON (BLACK) ART by Erica N. Cardwell

MANY HANDS MAKE A QUILT: SHORT HISTORIES OF RADICAL QUILTING (SECOND EDITION) by Jess Bailey

HOW TO READ DONALD DUCK: IMPERIALIST IDEOLOGY IN THE DISNEY COMIC by Ariel Dorfman and Armand Mattelart

DISORDERED ATTENTION: HOW WE LOOK AT ART AND PERFORMANCE TODAY by Claire Bishop

ANONYMOUS OBJECTS: INSCRUTABLE PHOTOGRAPHS AND THE UNKNOWN by Kim Beil

TO BE DETERMINED: PHOTOGRAPHY AND THE FUTURE by Duncan Wooldridge

SAKÉ BLUE. SELECTED WRITINGS by Estelle Hoy

BITING THE HAND: TRACES OF RESISTANCE IN THE ART & LANGUAGE DIASPORA Ed. by Paul Wood

DISPERSED EVENTS. SELECTED WRITINGS by Nick Mauss

OEI #102-103: PHOTOGRAPHY ON THE EDGE

WHAT LOOKS GOOD TODAY MAY NOT LOOK GOOD TOMORROW: THE LEGACY OF MICHEL MAJERUS Ed. by Bettina Steinbrügge

PAINTING PHOTOGRAPHY PAINTING: SELECTED ESSAYS by Carol Armstrong

AESTHETICAL RELATIONS by Christina Catherine Martinez

THE IMPOSSIBILITY OF SILENCE by Ian Lynam

LA CAPTIVE by Christine Smallwood

MY FRIEND VAN GOGH by Émile Bernard

ANY DAY NOW: TOWARD A BLACK AESTHETIC by Larry Neal

ENCOUNTERS – EMBODIED PRACTICES by Various Artists

CORRECTED PROOFS. PREVIOUSLY UNPUBLISHED, UNCOLLECTED, UNWANTED by Bob Nickas