TWO FRICTIONS by Josh Dodds and Abby Sunde

THE CURE by Catalina Lozano

TELLING INVENTS TODD by Lis Rhodes

FLARE OUT: AESTHETICS 1966–2016 by Peter Gidal

CONVERSATIONS WITH FILMMAKERS by Jonas Mekas

WOMEN LOOKING AT WOMEN LOOKING AT WOMEN: RECLAIMING HISTORIES OF WOMEN IN THE ARTS AND PROPOSING MODELS TO FACILITATE FUTURE FRIENDSHIPS by Annemarie Wadlow

IS NOW THE TIME FOR JOYOUS RAGE? Edited by Jacqueline Francis & Jeanne Gerrity

OBJECTIONS, FORMS OF ABSTRACTION, VOLUME 1 by Sven Lütticken

WHAT WE DO IS SECRET, CONTEMPORARY ART AND THE ANTINOMIES OF CONSPIRACY by Larne Abse Gogarty

REGENESIS by Euan Moreland

CASUAL OBSERVER by Euan Moreland

NO MORE (CRUEL) OPTIMISM by Various Artists

THE SMALL PRESS MODEL by Simon Cutts

PIDGINIZATION AS CURATORIAL METHOD by Bonaventure Soh Bejeng Ndikung

BLUE by Derek Jarman

BORDERWORK by Katarina Zdjelar

FOLDERS AND SEEKERS: THE REPORT OF THE 2019 JOSEPH BEUYS IN CONNEMARA RESIDENCY

A LOVE AFFAIR Edited by Lou-Atessa Marcellin

PROJECTIONS OF LOVE: ON LOVE AND MOVING IMAGE by Various Authors

HOUSES TO DIE IN / AND OTHER ESSAYS ON ART by Ina Blom

BETWEEN THE MATERIAL AND THE POSSIBLE: INFRASTRUCTURAL RE-EXAMINATION AND SPECULATION IN ART edited by Bassam el Baroni

PRESS & FOLD #0 Edited by Hanka van der Voet

PRESS & FOLD #2 Edited by Hanka van der Voet

PRESS & FOLD #1 Edited by Hanka van der Voet