GENERALIZED VISUAL RESISTANCE – PHOTOBOOKS AND LIBERATION MOVEMENTS (ANGOLA, MOZAMBIQUE, GUINEA-BISSAU AND CAPE VERDE, 1960-1980)

TEN WEEK GARDEN by Cary Scher

SAMPLER by Kasper Andreasen (Ed.)

NOISE RECEPTOR JOURNAL: VOLUME 2: SOUND WITH IMPACT - ANALYSING THE ABSTRACT

MAINTENANCE, METHODS, MOVES: CONVERSATIONS WITH INDEPENDENT PUBLISHERS AND PUBLIC-MAKERS IN ASIAN DIASPORAS - VOL. 1

MAINTENANCE, METHODS, MOVES: CONVERSATIONS WITH INDEPENDENT PUBLISHERS AND PUBLIC-MAKERS IN ASIAN DIASPORAS - VOL. 2

GENDERTRASH FROM HELL by Mirha-Soleil Ross (Ed.)

RADICAL MEDIA ARCHIVE VOL. 1/7

IN THE WAKE OF BLIND NAVIGATION: BOEKIE WOEKIE - BOOKS BY ARTISTS

HOW TO BUILD YOUR OWN LIVING STRUCTURES by Ken Isaacs

WRESTLING REVUE by Paul Bareham

PUBLISHING ON BRAZIL’S MARGINS: CORDEL LITERATURE, 1970S-’80S

WHY SELF-PUBLISH UNDER FASCISM? by Marc Fischer

BOOKSELLERS REFLECT ON SELF-PUBLISHING

ARTIST PUBLISHERS REFLECT ON BOOK WASTE

SHELTER COOKBOOK by Leopold Banchini & Lukas Feireiss (Eds.)

ARMED BY DESIGN: POSTERS AND PUBLICATIONS OF CUBA’S ORGANIZATION OF SOLIDARITY OF THE PEOPLES OF AFRICA, ASIA, AND LATIN AMERICA (OSPAAAL)

CLARA ISTLEROVÁ: A LIFE AMONG LETTERS by Anezka Minaríková (Ed.)

CAN NON-EUROPEANS PUBLISH? (VOL. 1) by Paola Jalili

SEIZED BOOKS! by Sarah Pyke & Leila Kassir

POST-PLATFORM DIGITAL PUBLISHING TOOLKIT by Ipek Burçak & Eren Ileri (Eds.)

AFTER WORDS: VISUAL AND EXPERIMENTAL POETRY IN LITTLE MAGAZINES AND SMALL PRESSES, 1960–2025 by Steve Clay & M.C. Kinniburgh

UNPACKING CRITICAL FRIENDSHIP, AND IF YOU EAT THAT TICKET, IT WILL BRING YOU LUCK! by Marlies van Hak & Seda Yıldız

WHAT SHOULD AN ARTIST LOOK LIKE? WHAT SHOULD A PRACTICE FEEL LIKE? by Jessica Williams