INCANTATION, WENDY by Frances Scott

NOTE(S): WORK(ING) PROCESS(ES) RE: CONCERNS (THAT TAKE ON / DEAL WITH) by Dara Birnbaum

MOMENTS OF RUPTURE - SPACES, MILITANCY AND FILM by Sandra Schäfer

PERSONAE by Margaret Tait

OEI #80–81: THE ZERO ALTERNATIVE: ERNESTO DE SOUSA AND SOME OTHER AESTHETIC OPERATORS IN PORTUGUESE ART AND POETRY FROM THE 1960S ONWARDS edited by Jonas (J) Magnusson and Cecilia Grönberg

NO END TO ENDERBY by Graham Eatough and Stephen Sutcliffe

HOW DOES THE WORLD BREATHE NOW? – FILM AS WITNESS, ARCHIVE, AND POLITICAL TOOL

LONELY AT THE PARTY by Eleonora Bonino, Valerio Conti, Pauline Maure, Stefano Pelosato, Giulia Savorani

OPPOSIZIONI ed. Malvina Borgherini and Lorenzo Lazzari

PERFIDIA by Sky Hopinka

MY CHÉRIE JANE: A JANE BIRKIN FANZINE ISSUE 2 by Raechel Leigh Carter

PICTURE CYCLE by Masha Tupitsyn

O FORTUNA by Jacob Dwyer

INFERNO: VOLUME 1 by Ken Hollings

MORE THAN STORIES by Anya Lewin

FILM AS FILM: THE COLLECTED WRITINGS OF GREGORY J. MARKOPOULOS

HAHA HORRORS by James Holcombe

PETER & NOU by Jane Topping

MAKING VISIBLE By Maj Hasager

MATTERS by Lauren Anderson

ITA By Amanda Siegel

BLACK FILM BRITISH CINEMA II Edited by Clive Nwonka and Anamik Saha

DOWSER ISSUE 5: _BEATING_ by Seán Elder

DOWSER ISSUE 4: PERSISTENT VISION by Lesley Keen