THE TEXAS CHAINSAW MASSACRE by Josiah Morgan

TENDER NOTED by Shala Miller

AT THE SHORE, EVERYTHING TOUCHES by Tako Taal

IN A QU*A*RE TIME AND PLACE by Tim Stüttgen

EXPERIMENTAL FILMMAKING AND PUNK: FEMINIST AUDIO VISUAL CULTURE IN THE 1970S AND 1980S by Rachel Garfield

ONE, 2, 3 by Jenna Collins

ON THE ANARCHIC ORGANIZATION OF CINEMATIC SPACES by Rosa Barba

MY MOTHER LAUGHS by Chantal Akerman

THE OTHERWISE by Mark E. Smith and Graham Duff

THE TEMPEST SOCIETY by Bouchra Khalili

WRITINGS by Tony Conrad

SETSUKO HARA by Setsuko

TUMMY RUMBLE (TO ME, RUBBLE) by Rudy Guedj & Will Pollard

INCANTATION, WENDY by Frances Scott

NOTE(S): WORK(ING) PROCESS(ES) RE: CONCERNS (THAT TAKE ON / DEAL WITH) by Dara Birnbaum

MOMENTS OF RUPTURE - SPACES, MILITANCY AND FILM by Sandra Schäfer

PERSONAE by Margaret Tait

OEI #80–81: THE ZERO ALTERNATIVE: ERNESTO DE SOUSA AND SOME OTHER AESTHETIC OPERATORS IN PORTUGUESE ART AND POETRY FROM THE 1960S ONWARDS edited by Jonas (J) Magnusson and Cecilia Grönberg

NO END TO ENDERBY by Graham Eatough and Stephen Sutcliffe

HOW DOES THE WORLD BREATHE NOW? – FILM AS WITNESS, ARCHIVE, AND POLITICAL TOOL

LONELY AT THE PARTY by Eleonora Bonino, Valerio Conti, Pauline Maure, Stefano Pelosato, Giulia Savorani

OPPOSIZIONI ed. Malvina Borgherini and Lorenzo Lazzari

PERFIDIA by Sky Hopinka

MY CHÉRIE JANE: A JANE BIRKIN FANZINE ISSUE 2 by Raechel Leigh Carter