STUART CROFT RETURNS by Emma Bennett (Ed.)

CINEMATIC GRIMOIRE ZINE 1 by Kachine Moore

SPOILERS by Marie Buck & Matthew Walker

LETTERBOXD REVIEWS by April Forrest Lin

PRIVILEGE – YVONNE RAINER FILMOGRAPHY

TIME TELLS by Masha Tupitsyn

LET ME DREAM: MORPHING MASCULINITIES IN THE FILMS OF SAMI BOUAJILA

A SEAT AT THE TABLE: REFLECTIONS AND RECIPES FROM SARAH MALDOROR'S UN DESSERT POUR CONSTANCE

SARITA 4 EVA by Athen Kardashian & Nina Mach Durban (Eds.)

TH4Y 2025 by Various Artists

THE MOUNTAIN SPEAKS TO THE SEA by Silvia Franceschini

I'M NOT BUYING IT: THE WATCHDOG FANZINE by Jared Schiller

THE LAND'S MARK by Dee Derkin

THE ASSASSINATION OF PIER PAOLO PASOLINI IN THE GARDEN OF EARTHLY DELIGHTS by Derek Jarman

TANYA ZINE

ALL THOUGHTS FLY by Sasha Litvintseva & Beny Wagner

IN THE MIDST OF THE END OF THE WORLD: ANTÓNIO REIS AND MARGARIDA CORDEIRO by Raquel Morais & Stoffel Debuysere (Eds.)

DISPLAY, DISTRIBUTE, DISRUPT: CONTEMPORARY MOVING IMAGE PRACTICES by Wolfgang Brückle & Fred Truniger (Eds.)

JUNE GIVANNI: THE MAKING OF A PAN-AFRICAN CINEMA ARCHIVE by Onyeka Igwe (Ed.)

SNOW, ALWAYS SNOW... by Gareth Evans & Stanley Schtinter

CURATORIAL CONSTELLATIONS: ISSUE 1

THE CINEMA HOUSE & THE WORLD: THE CAHIERS DU CINEMA YEARS 1962–1981 by Serge Daney

A NON-COINCIDENTAL MIRROR by Carmen Amengual

THE HOUNDS OF LOVE HAVE GONE NONVERBAL by Matthew Lax