IN THE MIDST OF THE END OF THE WORLD: ANTÓNIO REIS AND MARGARIDA CORDEIRO by Raquel Morais & Stoffel Debuysere (Eds.)

DISPLAY, DISTRIBUTE, DISRUPT: CONTEMPORARY MOVING IMAGE PRACTICES by Wolfgang Brückle & Fred Truniger (Eds.)

JUNE GIVANNI: THE MAKING OF A PAN-AFRICAN CINEMA ARCHIVE by Onyeka Igwe (Ed.)

SNOW, ALWAYS SNOW... by Gareth Evans & Stanley Schtinter

CURATORIAL CONSTELLATIONS: ISSUE 1

THE CINEMA HOUSE & THE WORLD: THE CAHIERS DU CINEMA YEARS 1962–1981 by Serge Daney

A NON-COINCIDENTAL MIRROR by Carmen Amengual

THE HOUNDS OF LOVE HAVE GONE NONVERBAL by Matthew Lax

BUILDING MATERIAL: A BRICK READER by Malia Haines-Stewart, Jacob Lindgren & Alan Medina (Eds.)

ABOUT NARRATION by Ingemo Engström & Harun Farocki

GAZA ON SCREEN by Nadia Yaqub (Ed.)

GHOST OF AN IDEA: HAUNTOLOGY, FOLK HORROR, AND THE SPECTRE OF NOSTALGIA by William Burns

REQUIEM FOR MIRRORS AND TIGERS by Naufus Ramírez-Figueroa

THE VERDICT ON NOSFERATU by Jamie Johnston

THE NEW TELEVISION: VIDEO AFTER TELEVISION by Rachel Churner, Rebecca Cleman & Tyler Maxin

FEMINISM AND THE CINEMA OF EXPERIENCE by Lori Jo Marso

RITUAL ZINE

CHANTAL AKERMAN: TRAVELLING

IN THE GOOD SEATS: ESSAYS ON FILM

WHERE IS CINEMA? by Anouk De Clercq

SCENES FROM THE POLDER WESTERN by Pilar Mata Dupont & Erika Roux

UNCONSCIOUS/TELEVISION by Lucas Ferraço Nassif

DIALOGUES ON CORECORE & THE CONTEMPORARY ONLINE AVANT-GARDE Edited by 0nty & OnMyComputer

FOR THE LOVE OF GREGG ARAKI