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  • IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance
  • IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance
  • IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance
  • IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance
  • IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance
  • IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance

IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance

131 x 192mm, 52 pages, Colour printing, Perfect bound, Softcover, 2024

In the context of The Skin of the World program at Courtisane festival 2024, we invited Morgan Quaintance to reflect on the use of sound in Jia Zhangke’s Xiao Wu (Pickpocket).

This is the second publication in the Echoes of Dissent series, devoted to the politics of the soundtrack.

Published by 

Courtisane

£7.50