ALIA SYED: IMPRINTS, DOCUMENTS, FICTIONS Edited by María Palacios Cruz

BLACK CINE-BODY SONICS: RACIALIZING THE SOUNDTRACK by Philip Brophy

BREATH, RHYTHM, SILENCE, RESONANCE: LISTENING BEYOND SEEING IN THE FILMS OF TRINH T. MINH-­HA by David Toop

ECSTATIC DISLOCATION: SLIP-SYNCS COLLAPSE AND STRANGE UNREALITIES IN THE FILMS OF SOGO/GAKURYU ISHII by Jennifer Lucy Allan

FILMING A LAND IN FLUX by Wang Bing

IN THE MIDST OF THE END OF THE WORLD: ANTÓNIO REIS AND MARGARIDA CORDEIRO by Raquel Morais & Stoffel Debuysere (Eds.)

IRONIC RESONANCE, ANTI-SOUND DESIGN AND RADICAL CACOPHONY IN JIA ZHANGKE'S XIAO WU by Morgan Quaintance

LIVING ON AIR: THE FILMS AND WORDS OF SANDRA LAHIRE Edited by María Palacios Cruz & Charlotte Procter

OF SEA AND SOIL: THE CINEMA OF TSUCHIMOTO NORIAKI AND OGAWA SHINSUKE