ADRIAN PIPER: PERFORMING OBJECTS I HAVE BEEN, 1972-2018 edited by Rhea Anastas

ANEMONES: A SIMONE WEIL PROJECT by Lisa Robertson

BLACK REVELRY: IN HONOR OF ‘THE SUGAR SHACK’ edited by D.A. Carter

CHROMA LIVES by Erin Alexa Freedman & Lili Huston-Herterich

COLONIAL TOXICITY: REHEARSING FRENCH RADIOACTIVE ARCHITECTURE AND LANDSCAPE IN THE SAHARA by Samia Henni

EVENT AND DURATION edited by Susan Gibb and Becket MWN

KEYON GASKIN: NASHA by d.a. carter

MAQUILLAGE AS MEDITATION: CARMELO BENE AND THE UNDEAD by Sara Giannini

READING / FEELING edited by Tanja Baudoin, Frédérique Bergholtz, and Vivian Ziherl

REQUIEM FOR MIRRORS AND TIGERS by Naufus Ramírez-Figueroa

RITUAL AND DISPLAY edited by Giulia Damiani

SOCIAL MOVEMENT: THROUGH THE LENS OF PERFORMANCE AND PERFORMATIVITY Edited by Anik Fournier

STORIES OF WOUNDS AND WONDER by Nuraini Juliastuti

WHEN TECHNOLOGY WAS FEMALE: HISTORIES OF CONSTRUCTION AND DECONSTRUCTION, 1917-1989 by Susanne Altmann

WHO TOUCHED ME? by Fred Moten and Wu Tsang