128 x 182mm, 101 pages, Colour printing, Perfect bound, Softcover, 2022

Organising the book’s chronology around the time log of a public event, Anne Tallentire invites us into the activity of plotting a number of (1:1) diagrams of domestic rooms across the emptied-out ICA theatre in London.

Upon this joyous illumination of the stains of past productions and mass gatherings appears a new assembly of enactors, who summon the social sediment of the ICA as a spirit of communal activity. This new event butts against the extremities of the room. A laser level and tape measure cut across the seams of dusty bricks, the patchwork painted floorboards, a leftover bass bin, electric cables, and plywood stage to inscribe abstractions of interior spaces in builder’s graphic tape.

These ambiguously intentioned drawings gain political purchase when we imagine ourselves residing within the cramped dimensions being unfolded. We remember the premise of our lives upon the buildings that we have subsided into, and those responsible for them. This act of contextual comparison is a key leverage of the book. A socialist motivation that ignites the agency of our collective imagination to participate in the language and critique of housing provision.

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