THE GHOULS ON FILM ZINE: ISSUE 1

SELECTED WORKS by Charlotte Prodger

DOWSER 6: VARIANT by Alan Robertson, Chris Byrne & Malcolm Dickson, Ann Vance

MEIN BODY BRAUCHT VIEL MEHR RESPONSE by Melina Hennicker and Michael Schmidt

TALKER #11: MIRANDA JULY by Giles Bailey

LANGUAGE COMPENDIUM by Various Artists

THE TEXAS CHAINSAW MASSACRE by Josiah Morgan

TENDER NOTED by Shala Miller

AT THE SHORE, EVERYTHING TOUCHES by Tako Taal

IN A QU*A*RE TIME AND PLACE by Tim Stüttgen

EXPERIMENTAL FILMMAKING AND PUNK: FEMINIST AUDIO VISUAL CULTURE IN THE 1970S AND 1980S by Rachel Garfield

ONE, 2, 3 by Jenna Collins

ON THE ANARCHIC ORGANIZATION OF CINEMATIC SPACES by Rosa Barba

MY MOTHER LAUGHS by Chantal Akerman

THE OTHERWISE by Mark E. Smith and Graham Duff

THE TEMPEST SOCIETY by Bouchra Khalili

WRITINGS by Tony Conrad

SETSUKO HARA by Setsuko

TUMMY RUMBLE (TO ME, RUBBLE) by Rudy Guedj & Will Pollard

INCANTATION, WENDY by Frances Scott

NOTE(S): WORK(ING) PROCESS(ES) RE: CONCERNS (THAT TAKE ON / DEAL WITH) by Dara Birnbaum

MOMENTS OF RUPTURE - SPACES, MILITANCY AND FILM by Sandra Schäfer

PERSONAE by Margaret Tait

OEI #80–81: THE ZERO ALTERNATIVE: ERNESTO DE SOUSA AND SOME OTHER AESTHETIC OPERATORS IN PORTUGUESE ART AND POETRY FROM THE 1960S ONWARDS edited by Jonas (J) Magnusson and Cecilia Grönberg