HOW TO DISAPPEAR by Haytham El-Wardany

OEI #82-83: ART IN THE AGE OF KLEPTOMANIA edited by Aeron Bergman and Alejandra Salinas

NO END TO ENDERBY by Graham Eatough and Stephen Sutcliffe

IMMUNODEMOCRACY by Donatella Di Cesare

PETIT OISEAU by Jatinder Singh Durhailay and Suren Seneviratne

PERSONALISING DEATH: DISCUSSIONS WITH WOMEN WORKING... by Alexandra Mascolo

QUEER FORMALISM: THE RETURN by William J. Simmons

ECONOMIC SCIENCE FICTIONS edited by William Davies

INHABITING THE NEGATIVE SPACE by Jenny Odell

I’M GOOD AT LOVE, I’M GOOD AT HATE, IT’S IN BETWEEN I FREEZE by Michael Rakowitz

FORCES OF ART: PERSPECTIVES FROM A CHANGING WORLD

LET THE RIVER FLOW: AN INDIGENOUS UPRISING AND ITS LEGACY IN ART, ECOLOGY AND POLITICS by Katya García-Antón, Harald Gaski and Gunvor Guttorm

QUEER ACCOMPLICES: THIS IS NOT ANOTHER PHOTO OF A GAY CISGENDER WHITE MAN by Be Oakley

PALA ISSUE 1: DARK MATTER

MICROBURSTS by Elizabeth Reeder and Amanda Thomson

GENDERFAIL READER 3 by Be Oakley and Noah LeBien

MULTIVOICES: A SCRIPT BY RESEARCHERS by Jonathan Orlek

MSHERESIES 3: AMNIOTECHNICS

MSHERESIES 2: USEFUL WORK VERSUS USELESS TOIL

EXHIBITION-ISM: TEMPORAL TOGETHERNESS by Mieke Bal

POLITICS OF STUDY by Various Artists

NOTES ON THE TYPE, TIME, LETTERS and SPIRITS by Dexter Sinister

GOLEM SOVETICUS: PRIGOV AS BRECHT AND WARHOL IN ONE PERSONA by Aleksandr Skidan

FUTURE TECHNO FOSSIL TUMBLEWEED by Thomas Øvlisen