210 x 300mm, 40 pages, Black & white printing, Saddle stitched, Softcover, 2024

Learning from the inscription in the courtyard of the Ducal Palace of Urbino, typeface designer Radim Pesko considers different approaches based on the original letterforms from the Renaissance. This leads to experimentation with technologies, using different methods, and constructing new typefaces to not only demonstrate the resulting fonts but also give context to their origins. The publication features texts by Pesko alongside contributions by Francesco Delrosso, Stuart Bertolotti Bailey, James Langdon, Daniele Bursich, and Jonathan Pierini. Designed by Pesko and Pierini.

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