SLIPS OF THE MIND: POETRY AS FORGETTING by Jennifer Soong

CONVIVIALITIES by Michael Nardone

SELF-PORTRAIT by Miriam Yammad

NOT QUITE GOOD ENOUGH TO BE ON TV HARMONIES by Joanne Robertson

CONCEPTUAL ART IN A CURATORIAL PERSPECTIVE: BETWEEN DEMATERIALIZATION AND DOCUMENTATION by Nathalie Zonnenberg

HOLD THAT LINE! CLASS STRUGGLE IN THE WATERFRONT WORKER by Jessalyn Aaland

HOLDING VIGIL by Rickey Cummings

WITCH by Michelle Tea (Ed.)

EVEN WHEN IT MAKES NO SENSE – THE BROKEN FLAG STORY by Steve Underwood

THE SECOND ANNUAL

LANGUISHING, CUTE: GATE by Ian Macartney & Maria Sledmere

GLASGOW 1975: THE MURDER OF HECTOR SMITH AND THE BATTLE AGAINST THE FAR-RIGHT... by Liam Turbett

ARCHIPELAGO by Tom Sewell

HYPERSEX by Luz Olim

GREAT DORSET STEAM FAIR by Jason Kerley

MISHMASH #2 by Julius Smit

PATHEMATA: OR, THE STORY OF MY MOUTH by Maggie Nelson

SILK WORK by Imogen Cassels

HUSH, SUZANNE by Me, Claudius

DISCOISHI by Oishi

ALL THE HOLLOW DECK BIRD-DOG by Sirpa Kalla

FRAMES THAT LEAN, PICTURES THAT ROAM by Ailie Ormston

CARE AT THE END OF THE WORLD: DREAMING OF INFRASTRUCTURE IN CRIP-OF-COLOR WRITING by Jina B. Kim

THE DESERTERS by Mathias Enard