CYCLE SHORTS ISSUE 1

THE ANARCHIST REVIEW OF BOOKS ISSUE #5

LETTERPRESS REVOLUTION: THE POLITICS OF ANARCHIST PRINT CULTURE by Kathy E Ferguson

STATEMENTS TOWARDS THE ESTABLISHMENT OF A PROOF-OF-REST PROTOCOL (OFFLINE EDITION) by Em Reed

RESUME & COVER LETTER by Shay Overstone

UTILE by Cal Mingus

THE FEMINIST SUBVERSION OF THE ECONOMY: CONTRIBUTIONS FOR LIFE AGAINST CAPITAL by Amaia Pérez Orozco, Translated by Liz Mason-Deese

COMEDY AGAINST WORK: UTOPIAN LONGING IN DYSTOPIAN TIMES by Madeline Lane-McKinley

PRINT CULTURE AND THE FORMATION OF THE ANARCHIST MOVEMENT IN SPAIN, 1890–1915 by James Michael Yeoman

WORKADAY STRANGENESS: GYRATING DEATH THROES FROM A VOID AXIOM by Wormhook

THE LISTENING BIENNIAL READER – VOL. 1: WAVES OF LISTENING Edited by Brandon LaBelle

WAGES FOR WAGES AGAINST – VOLUME 2 – WE KNOW WHAT REMAINS UNSAID Edited by Tiphanie Blanc and Ramaya Tegegne

PERFORMING A LIFETIME by Saara Mahbouba & Gladys Camilo

ART FOR UBI (MANIFESTO)

AN ONGOING-OFFCOMING TALE – RUMINATIONS ON ART, CULTURE, POLITICS AND US/OTHERS by Bonaventure Soh Bejeng Ndikung

GENDERFAIL READER 4 by Be Oakley & Yvonne Lebien

QUEER PRINT IN EUROPE Edited by Glyn Davis & Laura Guy

THE RISING OF THE WOMEN: FEMINIST SOLIDARITY AND CLASS CONFLICT, 1880–1917 by Meredith Tax

RA!SE ISSUE 2 by Danny Passarella & Kingsley Gratrick

RA!SE ISSUE 3 by Danny Passarella & Kingsley Gratrick

WHO CAN AFFORD TO BE CRITICAL? by Afonso Matos (Ed.)

THE JUNCTION: DOCUMENTATION OF A PERFORMANCE BY TEDDY COSTE

MORBID OBSESSIONS by Frankie Miren & Alison Rumfitt

THE GOOD LIFE FOR WAGE SLAVES by Robert Wringham