100 x 150mm, 120 pages, Black & white printing, Perfect bound, Softcover, 2004

A small, irregular publication entirely dedicated to the new art forms that emerged in the early 2000s, amidst the burgeoning information society, where data profoundly influences how we navigate the world. These ‘information arts’ – often computer-generated or algorithmic – challenged traditional paradigms, categories, and labels that had long defined artistic practices. Through interviews, articles, and essays featuring, amongst others, media theorist Lev Manovich and conceptual designer Stephen Wilson, Unsorted serves as a dynamic companion to the then- and still-evolving landscape of technological art. 

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