A PARALINGUAL SCORE by Clara Mosconi

ANNIHILATING NOISE by Paul Hegarty

BASS INSTINCT by Two Fingas

UNRECOGNIZED ANGER: THE STORY BEHIND KICK FIGHTS TO LOSE by Zac Burger

SOUND OBJECTS by James A. Steintrager & Rey Chow

DANCE OR DIE: A HISTORY OF HARDCORE by Holly Dicker

UNEARTHING THE MUSIC: FOOTNOTES TO SONIC RESISTANCE IN NON-DEMOCRATIC EUROPE (1950-2000)

AFROSONICA – SOUNDSCAPES by Olivier Duport, Madeleine Leclair & Alan Marzo

EPISTEMIC IMAGINARIES: LEARNING AS FESTIVITY by Katía Truijen & Brandon LaBelle (Eds.)

ERRANT SOUND READER: THOUGHTS AND PRACTICES FROM THE BERLIN ARTIST-RUN SPACE

ENDLESS SHOUT by Anthony Elms (Ed.)

STUDIO ELECTROPHONIQUE: THE SHEFFIELD SPACE AGE, FROM THE HUMAN LEAGUE TO PULP by Jamie Taylor

DANCE POLICY ISSUE 008 WITH BRADLEY ZERO

EVERYBODY’S HEAD IS OPEN TO SOUND: WRITINGS ON TOM WILSON by Anaïs Ngbanzo (Ed.)

BLANK FORMS 10: ÉLIANE RADIGUE: ALIEN ROOTS

TRAVELLING TIME by Arie Altena (Ed.)

MEREDITH MONK: CALLING by Anna Schneider (Ed.)

THE SAN FRANCISCO TAPE MUSIC CENTER: 1960S COUNTERCULTURE AND THE AVANT-GARDE by David Bernstein (Ed.)

NOT QUITE GOOD ENOUGH TO BE ON TV HARMONIES by Joanne Robertson

EVEN WHEN IT MAKES NO SENSE – THE BROKEN FLAG STORY by Steve Underwood

NEUMUSIK – THE COMPLETE EDITION by David Elliott (Ed.)

THE SECOND ANNUAL

JUST GLITTERING/IDWAL FISHER by Mark Wharton

THE AQUARIUM IS A LISTENING GLASS by Louise E. Carver & Angela Rui (Eds.)