SCARY BOOTS ISSUE 3: NOSTALGIA

UP ALL NIGHT: A HISTORY OF GOING OUT by Imogen Willetts

RETROGRADE PROMETHEUS: SUBJECTIVITY & COMPUTATION by Christian Nirvana Damato

EMOTIONAL BAGGAGE by Emily Mesner & Victoria Petersen

SALTWATER SWANS by Emily Mesner & Victoria Petersen

RUSKIN'S TRIANGLE by Murdo Macdonald

AN ECHO IN SEARCH OF ITS SHADOW, AESTHETICS OF THE REPRESSED by Adam HajYahia & Haitham Haddad

FRAYED EDGES by Laura Davis

ON SMALL LOSING by Stephanie Ritzema

BRAIN DEAD: THE SLOW ERASURE OF EMPTY TIME by Paul Robinson

FOUR CORNERS IN THE MARAIS by Alex Mennie

LOVE IN A TIME OF ALLEGORY by Nicholas Muellner

THE GARDEN: VISIONARY GROWERS AND FARMERS OF THE COUNTERCULTURE by Matthew Ingram

CLOSE WRITING : KATHY ACKER, COOKIE MUELLER, AND LOVE-IN-PIECES by Alice Butler

HOW TO SPEAK DEAD by Walid Sadek

HOW TO LIVE FROM FIRE TO FIRE by Olivier Marboeuf

GLOBAL FASCISMS

ARCHITECTURE AS A HISTORICAL DISCIPLINE by Vittorio Pizzigoni

THE LITTLE REVIEW: ISSUE NO. 3

GLASGOW LEATHERDYKES ZINE #1

ONE TREE HILL TO PECKHAM RYE COMMON: A SOUTH LONDON LANDSCAPE HISTORY by John Gray

OF ENEMIES & VENISON: FIRST MATERIALS FOR AN AZTEC COSMOTECHNIC by Lou Manuel Arsenault

ANTIMEMETICS: WHY SOME IDEAS RESIST SPREADING by Nadia Asparouhova

A GRAMMAR OF THE MULTITUDE: FOR AN ANALYSIS OF CONTEMPORARY FORMS OF LIFE by Paolo Virno