POST-DIGITAL PRINT: THE MUTATION OF PUBLISHING SINCE 1894 by Alessandro Ludovico

DESIGNING HISTORY: DOCUMENTS AND THE DESIGN IMPERATIVE TO IMMUTABILITY by Chris Lee

TO HAVE & TO HOLD: ISSUE 4 /DEPARTMENT STORES by Tim Sumner

SHORT EATS by Nicole Tan (Ed.)

A MEANINGFUL ORDER by Oliver Knight, Rory McGrath (OK-RM) & James Langdon

THINKING IN ENGLISH: STUDYING GRAPHIC DESIGN IN THE WESTERN SYSTEM by Harsh Partel (Ed.)

MERCURIAL by Martin Huger

SOFT HARD 1 by Various Artists

ZIBALDONE by CAMPO

RENDERED ILLEGIBLE II by Julia Syrzistie

STEVE: A FRAMEWORK FOR AI AND IDENTITY DESIGN by Melani De Luca

STATIC MAGIC: DESIGN AESTHETICS OF THE AMERICAN SECURITY STATE by Paul Morgan

COMIC SANS - IS IT REALLY THAT BAD? by Thomas Steeles

THROUGH WITNESSING: THREADING THE CRITIQUING, MAKING, TEACHING OF DESIGN by Nida Abdullah, Chris Lee & Xinyi Li (Eds.)

BRICKS FROM THE KILN #7

PUBLICATIONS 1977 – 2019 by David King

AJÍ PRESS VOL. 1

HOW I LEARNED TO HATE JAMES DYSON by Jared Schiller

FRACTURE: JAPANESE GRAPHIC DESIGN 1875–1975 by Ian Lynam

OTTO: A TALE OF A BOY AND A TAIL by Sam de Groot & Hannah Robinson

IMPERFECT INDEX by Laura Parke & Abbie Vickress

MSHERESIES 6: A MANAGER

DEATH DESIGN DATA by Cecilia Casabona & Ginevra Petrozzi (Eds.)

12 WINE GLASSES / 12 WATER GLASSES by Formal Settings