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  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5
  • BRICKS FROM THE KILN #5

BRICKS FROM THE KILN #5

170 x 223mm, 208 pages, black and white printing with full colour cover, perfect bound, 2022

The fifth issue of Bricks From The Kiln begins with a single sentence (Louis Lüthi) — blankets topologies in glistening snow and blood (Helen Marten) — produces instructional spattering, again and again (Rebecca May Johnson) — coughs up clotted network diagram hairballs of illegibility (Johanna Drucker) — parasitically draws on / from Thomas Browne’s quincunx (Daisy Lafarge) — meets for The Big ROAR tomorrow, yesterday (Holly Pester) — lifts loud cows off the page, aloud (Ursula K. Le Guin) — flips the coin of language, heads or tails? (Quinn Latimer) — politely speaks on writing heard yet seen (Stefan Themerson) — twists tongues, transliterates and teases (Slavs and Tatars) — makes contact with ancestral spirits (Ashanti Harris) — traverses the foothills of La Marquesa, past and present (Catalina Barroso-Luque) — is the Spectre at the feast (Kevin Lotery) — (re)traces polymorphous concrete poems (Bronac Ferran with Greg Thomas) — dashes, gestures, speaks, breathes, moves, joyness (Astrid Seme with Alex Balgiu) — is, as ever, tentative, incomplete and inconsistent. 
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Bricks From The Kiln

£15.00