BLUEPRINT FOR COUNTER EDUCATION

BAD INFINITY: SELECTED WRITINGS by Aria Dean

ON MINIMALISM: DOCUMENTING A MUSICAL MOVEMENT by Kerry O'Brien & William Robin

GRITLI I by Sophie Florian und Hanako Emden

FUTURE BOOK(S): SHARING IDEAS ON BOOKS AND (ART) PUBLISHING edited by Pia Pol and Astrid Vorstermans

QUEER EXHIBITION HISTORIES by Bas Hendrikx (Ed.)

PASSIVITY: BETWEEN RESIGNATION AND PACIFISM by Alexandra Tryanova, Pascal Gielen and Polina Frank

THROUGH AN ADDICT’S LOOKING-GLASS by Waithera Sebatindira

MEN WHO EAT RINGFORTS by Sinéad Mercier and Michael Holly, featuring Eddie Lenihan

THE SCULPTURAL IMAGINATION OF SEANIE BARRON by Jon Wood

THE CURE by Catalina Lozano

COUNTERCULTURES, COMMUNITIES, AND INDRA’S NET by John Hutchinson

PEOPLE MAKE ANIMALS by Matty Rimmer & Must Use Critical Knowledge

GREY STUFF by Clem Rousset

FIRST FLOOR VOLUME 1 by Shawn Reynaldo

AFTER ACCOUNTABILITY: A CRITICAL GENEALOGY OF A CONCEPT Ed. by Pinko

MONACO by Juliet Jacques

GAIA AND PHILOSOPHY By Dorion Sagan And Lynn Margulis

ARTIST-RUN EUROPE – PRACTICE/PROJECTS/SPACES Ed. by Gavin Murphy & Mark Cullen

THE FAILED PAINTER, OR: UNCHAINED BY MATERIAL ANXIETY by Ian Lynam

MILEY by Meredith MacLeod Davidson

CRINGE & COMMITMENT AFTER THE END OF HISTORY by Craig Pollard

WOMEN LOOKING AT WOMEN LOOKING AT WOMEN: RECLAIMING HISTORIES OF WOMEN IN THE ARTS AND PROPOSING MODELS TO FACILITATE FUTURE FRIENDSHIPS by Annemarie Wadlow

IS NOW THE TIME FOR JOYOUS RAGE? Edited by Jacqueline Francis & Jeanne Gerrity