SLUGS: A MANIFESTO by Abi Palmer

OF DOGS AND DAUGHTERS: BETWEEN SURROGATE AND SELF by Simona Koutná

OEI # 104–105: ORGANISERING!? RUM FÖR KULTUR: FOLKETS HUS, KULTURHUS, PUBLICERINGSPRAKTIKER (ORGANIZATION!? ROOM FOR CULTURE: THE PEOPLE'S HOUSE, CULTURE HOUSE, PUBLICATION PRACTICES)

WRAP, HISTORY AND SYNCOPE by Isabel de Naverán

WHEN TECHNOLOGY WAS FEMALE: HISTORIES OF CONSTRUCTION AND DECONSTRUCTION, 1917-1989 by Susanne Altmann

CAPITALISM: A HORROR STORY - GOTHIC MARXISM AND THE DARK SIDE OF THE RADICAL IMAGINATION by Jon Greenaway

IMPERFECT SOLIDARITIES by Aruna D'Souza

RADIOACTIVE MODERNISM by Euan Moreland

BISMILLA, PAOLOZZI! by Euan Moreland

PENROSE ANNUAL ADS

EASY AS YOU GO by Euan Moreland and Peter Good

MAKING MULTIPLICITY by Gerald Raunig

WAGES FOR WAGES AGAINST – VOLUME 3 – HOW ARE ARTISTS CHOSEN? Edited by Tiphanie Blanc & Ramaya Tegegne

THE RADIO PHONICS LABORATORY by Justin Patrick Moore

ADVERSARIALLY EVOLVED HALLUCINATIONS by Trevor Paglen

MAUKA TO MAKAI: HAWAIIAN QUILTS AND THE ECOLOGY OF THE ISLANDS edited by Marenka Thompson-Odlum

DISAVOWAL by Alenka Zupančič

LOOKING FOR LUDDITES by John Hewitt

IN THE BACK OF MY THROAT edited by Tatevik Sargsyan and Norman Erikson Pasaribu

BLACK MEME: A HISTORY OF THE IMAGES THAT MAKE US by Legacy Russell

MÖBIUS ZINE by Various Artists

WHAT CAN THEATRE DO Edited by Silvia Bottiroli & Miguel A. Melgares

BRIT-HYGGE by Mia Nicoline Clark

LITTLE JOE: A BOOK ABOUT QUEERS AND CINEMA, MOSTLY edited by Sam Ashby