IN THE GOOD SEATS: ESSAYS ON FILM

WOMEN IN DARK TIMES by Jacqueline Rose

EVERYTHING FOR EVERYONE: AN ORAL HISTORY OF THE NEW YORK COMMUNE, 2052–2072 by M. E. O’Brien & Eman Abdelhadi

ENEMY FEMINISMS by Sophie Lewis

ICEBERGS, ZOMBIES, AND THE ULTRA-THIN: ARCHITECTURE AND CAPITALISM IN THE 21ST CENTURY by Matthew Soules

GIRL ONLINE: A USER MANUAL by Joanna Walsh

LIVESTREAMING: AN AESTHETICS AND ETHICS OF TECHNICAL ENCOUNTER by EL Putnam

GENDER AND POSTSECULARITY IN VISUAL CULTURE AND KNOWLEDGE PRODUCTION by Boka En, Sabine Grenz, Doris Guth, Fatma Uysal (Eds.)

ALTERNATIVE PEDAGOGICAL SPACES: FROM UTOPIA TO INSTITUTIONALIZATION by Anna Colin

FEMINISM, PEDAGOGY AND THE STUDIO: REFLECTIONS ACROSS FOUR DECADES by Griselda Pollock

THE RESONANT FREQUENCIES OF BUILDINGS by Ekaterina Bazhenova-Yamasaki

GREETINGS ALIENS by Efe Levent

FIRE SEASON: SELECTED ESSAYS, 1984–2021 by Gary Indiana

WHERE IS CINEMA? by Anouk De Clercq

ZIBALDONE by CAMPO

VANTAGE POINTS: ON MEDIA AS TRANS MEMOIR by Chase Joynt

QUIT EVERYTHING: INTERPRETING DEPRESSION by Franco Berardi

TO AFTER THAT (TOAF) by Renee Gladman

THE EMANCIPATION CIRCUIT by Thulani Davis

AN IMAGE OF MY NAME ENTERS AMERICA: ESSAYS by Lucy Ives

STEVE: A FRAMEWORK FOR AI AND IDENTITY DESIGN by Melani De Luca

COMIC SANS - IS IT REALLY THAT BAD? by Thomas Steeles

THE ANARCHIST REVIEW OF BOOKS ISSUE #8

THROUGH WITNESSING: THREADING THE CRITIQUING, MAKING, TEACHING OF DESIGN by Nida Abdullah, Chris Lee & Xinyi Li (Eds.)