BENEATH WHITENESS by Ethan Keating

WHO CAN AFFORD TO BE CRITICAL? by Afonso Matos (Ed.)

CAN YOU FEEL IT? EFFECTUATING TACTILITY AND PRINT IN THE CONTEMPORARY Ed. by Freek Lomme

FUGITIVE FEMINISM by Akwugo Emejulu

SELF-DEFENSE: A PHILOSOPHY OF VIOLENCE by Elsa Dorlin

THE GOOD LIFE FOR WAGE SLAVES by Robert Wringham

CHIMERAS by Daniela Cascella

THE ESSAYER by Various Artists

CAPITALIST REALISM by Mark Fisher

AUTOTHEORY AS FEMINIST PRACTICE IN ART, WRITING, AND CRITICISM by Lauren Fournier

THE POSTHUMANIST NO. 1: SLEEP / SCHLAF

PILE by Jessica Williams

MAKING MATTERS: A VOCABULARY FOR COLLECTIVE ARTS edited by Janneke Wesseling and Florian Cramer

WHAT WE DO: ESSAYS FOR POETS by Michael Gottlieb

ELIZABETH A. POVINELLI: E-FLUX JOURNAL – ROUTES/WORLDS

THE ART OF CRITIQUE edited by Melanie Bühler

ON THE INCONVENIENCE OF OTHER PEOPLE by Lauren Berlant

WHICH AS YOU KNOW MEANS VIOLENCE: ON SELF-INJURY AS ART AND ENTERTAINMENT by Philippa Snow

BIE BAO VOLUME 1 by Edited by Sezgin Boynik

MANIFESTOS by Édouard Glissant and Patrick Chamoiseau

REALTY: BEYOND THE TRADITIONAL BLUEPRINTS OF ART & GENTRIFICATION Edited by Tirdad Zolghadr

DOWSER ISSUE 7: DREAMING A BLACK SCOTTISH ARCHIVE by Naomi Gessesse

READING / FEELING edited by Tanja Baudoin, Frédérique Bergholtz, and Vivian Ziherl

EVENT AND DURATION edited by Susan Gibb and Becket MWN