ALL INCOMPLETE by Stefano Harney and Fred Moten

ON CUDDLING: LOVED TO DEATH IN THE RACIAL EMBRACE by Phanuel Antwi

NOTHING BUT THE MUSIC by Thulani Davis

BLACK ECOLOGIES by Imani Jacqueline Brown (Ed.)

THE ANARCHIST REVIEW OF BOOKS ISSUE #11

FIRESPITTER: THE COLLECTED POEMS OF JAYNE CORTEZ by Margaret Busby (Ed.)

EVERYBODY’S HEAD IS OPEN TO SOUND: WRITINGS ON TOM WILSON by Anaïs Ngbanzo (Ed.)

THE COLONIAL COUNTER-REVOLUTION IN FRANCE by Sadri Khiari

BLACK PHOENIX: THIRD WORLD PERSPECTIVE ON CONTEMPORARY ART AND CULTURE by Various Artists

HEROES OF HISTORY by Addie Parr

THE HARLEM BOOK OF THE DEAD by James Van Der Zee, Owen Dodson & Camille Billops

QUEER + TRANS BIPOC + PALESTINIAN PROTEST-INSPIRED OPEN-SOURCETYPE ANTHOLOGY

IN A QU*A*RE TIME AND PLACE by Tim Stüttgen

AMY ASHWOOD GARVEY AND THE FUTURE OF BLACK FEMINIST ARCHIVES by Nydia A Swaby

AS SERIOUS AS YOUR LIFE: BLACK MUSIC AND THE FREE JAZZ REVOLUTION, 1957–1977 by Val Wilmer

DESTINATION: TASHKENT – EXPERIENCES OF CINEMATIC INTERNATIONALISM

BETTER DO IT NOW BEFORE YOU DIE LATER by Sonny Simmons

A GRAMMAR BUILT WITH ROCKS by Shoghig Halajian & Suzy Halajian

SOUND EXPERIMENTS: THE MUSIC OF THE AACM by Paul Steinbeck

BLACK FILM BRITISH CINEMA II by Clive Nwonka & Anamik Saha (Eds.)

THE HEART OF THE RACE: BLACK WOMEN’S LIVES IN BRITAIN by Beverley Bryan, Stella Dadzie, and Suzanne Scafe

FACING BLACKNESS by Ashley Clark

BODIES AND TECHNOLOGIES

GENERALIZED VISUAL RESISTANCE – PHOTOBOOKS AND LIBERATION MOVEMENTS (ANGOLA, MOZAMBIQUE, GUINEA-BISSAU AND CAPE VERDE, 1960-1980)