GLOBAL FASCISMS

SPANISH CANTE JONDO AND ITS ORIGIN IN SINDHI MUSIC by Aziz Balouch

IT WAS LIKE WATCHING by Danny Hayward

ARCHITECTURE AS A HISTORICAL DISCIPLINE by Vittorio Pizzigoni

ECAL – A TYPOGRAPHIC ATLAS

MAKING ART DURING FASCISM by Beth Pickens

100 CHAIRS IN 100 DAYS AND ITS 100 WAYS by Martino Gamper

THE LITTLE REVIEW: ISSUE NO. 3

BENEATH GAZA'S STARS by Heba Ali

THIS TIME by Alison Roe

HEBRIDEAN PALETTE by Lois Macleod

ABBISSENICX ISSUE 0 by Kelly Wang

SLICK by Lucie McLaughlin & Jacob Calland

CENTREFOLDING by Kirsty Dunlop

RIOTS, REBELLIONS AND UPRISINGS

THE PLEASURE PRINCIPLE by Rene Habermacher

SUSSEX COILS AND LOOPS by Paul Holman & Harriet Holman Penney

POSTCARDS FROM MOROCCO 1976 by Heidi Alexander

POSTCARDS FROM THE AIR, 1972 by Heidi Alexander

BIG NOTHING: ISSUE #1 by Sadie Lane (Ed.)

GABERBOCCHUS COMMON ROOM

TWO HOURS AGO I FELL IN LOVE: DECONSTRUCTING FASCIST IMAGINARY ON SEX, LOVE AND GENDER by Alice Minervini (Ed.)

EFEMMERA REISSUE #3: SAVING SEEDS - METAPHORS OF LESBIAN GROWTH

OF ENEMIES & VENISON: FIRST MATERIALS FOR AN AZTEC COSMOTECHNIC by Lou Manuel Arsenault