CREEPING FLESH by Robert Ridley-Shackleton
A5, 16 pages, black and white digital print throughout, saddle stitched, 2012.
'What started off as mutant ‘De Stijl’ like drawings examining ways of making abstract artworks soon became very demented and paranoid. Lines of Gaffer tape soon have factories of pain growing organically right next door. Barnett Newman like zips travelling at the speed of light beside holes to other verses with visions been displayed on the television screens.'