{"title":"Work \u0026 Labour","description":"","products":[{"product_id":"8","title":"8 HOURS? 0, DESIRE By Marie Thams","description":"\u003cp\u003e3 x A5 Audio cards (pink, grey, white), Each card can be played approx. 300 times, Ed. of 25, 2016\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"8 Hours, 0,-, desire is part of the Not not work series of publications from Hour Editions dealing with the complexities of labour, work and production in the contemporary art practice.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Hour Editions","offers":[{"title":"Default Title","offer_id":41886120870118,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6207.jpg?v=1634664304"},{"product_id":"diagrams-of-power-ed-by-patricio-dvila","title":"DIAGRAMS OF POWER: VISUALIZING, MAPPING, AND PERFORMING RESISTANCE ed. by Patricio Dávila","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 x 240mm, 312 pages, Colour printing, Perfect bound, Softcover, 2024\u003c\/p\u003e\n\u003cp\u003eWe draw diagrams to help us think, communicate and put forth what we think is important or what we want to be true. While some diagrams are seen as statements of fact, they can also further agendas by discounting other realities beneath a cloak of perceived objectivity. Diagrams of power work against representations that claim omniscience by speaking from a position, and making visible what and who gets represented and who does the representing. They also make us consider how we create and maintain relations between producers and receivers of particular forms of knowledge.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiagrams of Power: Visualizing, Mapping, and Performing Resistance\u003c\/em\u003e, brings together the work of designers, artists, cartographers, geographers, researchers and activists who create diagrams to tell inconvenient stories that upset and resist the status quo.\u003c\/p\u003e\n\u003cp\u003eEdited by Patricio Dávila. Words and works by Joshua Akers, Burak Arikan, Josh Begley, Joseph Beuys, Alexis Bhagat, Vincent Brown, Bureau d’Études, Teddy Cruz, Department of Unusual Certainties, Peter Hall, Alex Hill, W.E.B. DuBois, Patricio Dávila, Catherine D’Ignazio, Forensic Architecture, Fonna Forman, Terra Graziani, Iconoclasistas, Lucas LaRochelle, Eliana MacDonald, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz, Sheila Sampath, and Visualizing Impact.\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":41886140989670,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_62651230.jpg?v=1634664880"},{"product_id":"all-incomplete-by-stefano-harney-and-fred-moten","title":"ALL INCOMPLETE by Stefano Harney and Fred Moten","description":"\u003cp\u003e150 x 225mm, 178 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003eBuilding on the ideas Harney and Moten developed in The Undercommons, All Incomplete extends the critical investigation of logistics, individuation and sovereignty. It reflects their chances to travel, listen and deepen their commitment to and claim upon partiality.\u003c\/p\u003e\n\u003cp\u003eAll Incomplete studies the history of a preference for the force and ground and underground of social existence. Engaging a vibrant constellation of thought that includes the work of Amilcar Cabral, Erica Edwards, Denise Ferreira da Silva, Cedric Robinson, Walter Rodney, Hortense Spillers and many others, Harney and Moten seek to share and understand that preference.\u003c\/p\u003e\n\u003cp\u003eIn so doing, Moten and Harney hope to have forged what Manolo Callahan, echoing Ivan Illich, calls a convivial tool that – despite the temptation to improve and demand, develop and govern, separate and grasp – helps us renew our habits of assembly.\u003c\/p\u003e\n\u003cp\u003eAll Incomplete features the work of award winning photographer Zun Lee, exploring and celebrating the everyday spaces of Black sociality, intimacy, belonging, and insurgency, and a preface by Denise Ferreira da Silva.\u003c\/p\u003e\n\u003cp\u003eStefano Harney and Fred Moten are authors of The Undercommons: Fugitive Planning and Black Study. Fred teaches at New York University. Stefano taches at Royal Holloway, University of London. They are students of the black radical tradition and members of Le Mardi Gras Listening Collective.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Minor Compositions","offers":[{"title":"Default Title","offer_id":41886146035942,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9413001.jpg?v=1634665096"},{"product_id":"depreciating-assets-by-jessica-vaughn","title":"DEPRECIATING ASSETS by Jessica Vaughn","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e210 x 280mm, 130 pages, full colour printing on various stocks, perfect bound with cloth tape, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDepreciating Assets is a new artists’ book by Jessica Vaughn investigating labor, diversity politics, and the material environment of the American workplace. With a new lens to the artist’s multidisciplinary practice, the project examines how affirmative action and other office equity measures are intersected by corporate infrastructure and, specifically, the physical layout of office space.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAcross four interwoven sections and related appendices, Vaughn assembles her photographs and critical writings alongside xeroxed images, diversity training video stills, and manipulated open source documents of the US Government. The project considers and distills the symptoms of late 20th and 21st century work culture produced by open office plans and modular architecture’s promise of malleability, compliance, and universality — provisions that bid for increased efficiency and productivity at the expense of visibility for Black workers and workers of color. Vaughn looks at how minimalist design gestures of the modern office (as envisioned by Rem Koolhaas’ formative essay “Typical Plan,” and Herman Miller’s Ethospace brochures) cannot exist outside the conditions of race, class and labor.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe project also includes an interview between Vaughn and curator Magdalyn Asimakis, in which the two discuss the structural failings of arts and cultural institutions to practice equitable inclusion of artists of color, or to develop a language and praxis in support of diverse programming that extends beyond compliance, optics, and concerns of the market. Vaughn draws connections between the operations of these institutions to that of the corporate environment, and discusses the ways in which she manipulates their commonalities through the material of her work.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn its design, Depreciating Assets intentionally replicates the style, materials, and colors outlined by the US Government Publishing Office—standards set to ensure design efficiency and the economical production of their internal documents. The book draws from the familiar copyshop palette of Venetian blue, tan pink, salmon, green and brown, and uses varied paper stocks in accordance with Paper Standard specifications. In doing so the project takes on and examines the homogeneity imposed by so-called ‘corporate efficiency measures,’ and the fundamental tension between diversity initiatives and one-size-fits-all approaches to office resources.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe publication concludes with an afterword by the author contextualizing the project’s themes within the contemporary reality of global pandemic, economic precarity, and protests against racist state violence. Here Vaughn explores how in the absence of an adequate governmental response to structural problems, workplaces implement ad-hoc solutions (such as plexi-dividers) that still leave workers vulnerable and at risk — most acutely, Black workers who are often underinsured.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"Printed Matter","offers":[{"title":"Default Title","offer_id":41886148722918,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2749070.jpg?v=1634665307"},{"product_id":"cybernetics-of-the-poor-by-various","title":"CYBERNETICS OF THE POOR by Various Authors","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13 x 20 cm, 264 pages, 29 b\/w and 86 color ill., softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eCybernetics of the Poor\u003c\/em\u003e examines the relationship between art and cybernetics and their intersections in the past and present. Since the late 1940s, the term cybernetics has been used to describe self-regulating systems that measure, anticipate, and react in response to changing conditions. Initially relevant mostly in the fields of administration, planning, criminology, and early ecology, under digital capitalism cybernetics has become an economic factor (see: big data). In such a cybernetic totality, art must respond to the new situation: as a cybernetics of the poor.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis publication, like the exhibition it accompanies, presents works that use the powerlessness of art—its poverty— vis-à-vis the cybernetic machine to propose countermodels. In addition, it gathers recent and historical works by artists who believed in cybernetics as a participatory, playful practice or who were pioneers in delineating a counter-cybernetics. How much of the “counterforce” (Thomas Pynchon) exists within art when it is conceived as a cybernetics of the poor?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Diedrich Diederichsen and Oier Etxeberria\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTexts by Sabeth Buchmann, Mercedes Bunz, Diedrich Diederichsen, Oier Etxeberria, Harun Farocki, Alexander R. Galloway\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForewords by Clara Montero And What, How \u0026amp; For Whom\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith artistic contributions by Agency, Ana De Almeida, Alicja Rogalska \u0026amp; Vanja Smiljanić, Eleanor Antin, Cory Arcangel, Elena Asins, Paolo Cirio, Coleman Collins, Hanne Darboven, Jon Mikel Euba, Michael Hakimi, Douglas Huebler, Gema Intxausti, Kameelah Janan Rasheed, Mike Kelley, Ferdinand Kriwet, Agnieszka Kurant, Mario Navarro, Adrian Piper, Lili Reynaud-dewar, Heinrich Riebesehl, Pedro G. Romero, Constanze Ruhm, Jörg Schlick, Camila Sposati, Kathrin Stumreich, Isidoro Valcárcel Medina, Tanja Widmann, Robert Adrian X\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886149574886,"sku":"","price":17.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2434011.jpg?v=1634665353"},{"product_id":"counter-signals-4-identity-is-the-crisis","title":"COUNTER-SIGNALS #4: IDENTITY IS THE CRISIS","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e16.5 x 23.5cm, 352 pages, offset printed, softcover. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe fourth issue of Counter Signals aims to invoke and assemble writing and images that query the aesthetic claims and political-economic stakes of identity, in design and in cultural production more generally. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Visual identity” names the highest order project within the discipline of graphic design, historically constituted in post-war capitalist europe and the us. it enlisted the concepts, forms, and techniques of design modernism towards the consolidation of globalizing language technology corporations like olivetti and ibm. the project of “corporate identity,” as it became known, reflected and advanced the dematerializing production trajectories of industrial capitalism, organized by concepts of “scientific” and then cybernetic management. graphic design was used to formally unify corporate information products and their publicity, through totalizing identity systems and the powers of the logo. in this advanced capitalist superstructural project, the corporate identity standards manual produced not only signs and products, but subjectivities as well: the white-skinned, white-collared, grey-flanneled heterosexual male professional class. the production of these subjectivities was understood, within the dystopian collectivity of the corporation, to compose a distinct and homogeneous “corporate culture,” and thus to extend a process by which corporations came to aesthetically appear as sovereign entities on an equal footing with nation states.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions from Jack Henrie Fisher, Nathan Brown, Ulrike Jordan, Gerd Conradt, Lisa Vinebaum, Samo Tomšič, Bea Walker, Verónica Casado Hernández, Nat Pyper, Werker Collective, Evan Fusco, Michaelis Pichler, Andrea Garcia Flores, Angel Gonzalez, Chris Lee, Mahmoud Keshavarz, Hannah Bruckmüller, Michal B. Ron, Jorge Cano \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFebles\u003c\/span\u003e, Anuar Portugal, Carlos Quiroz, Erin Madarieta, Alex Lahr, Sean Martin-Iverson, Jacob Lindgren.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Other Forms","offers":[{"title":"Default Title","offer_id":41886149804262,"sku":"","price":21.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2799001.jpg?v=1634665308"},{"product_id":"freedom-amp-prostitution-by-cassandra-troyan","title":"FREEDOM AND PROSTITUTION by Cassandra Troyan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e127 x 205mm, 136 pages, Black and white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFREEDOM \u0026amp; PROSTITUTION proposes the dream of a world without work, without money, without gender, while imagining forms of survival now for those who often have little to no choices, refuse to submit to the demands of tedious underpaid or unwaged labor, an abusive partner, or seek a life beyond work. Sex work is not a \"better\" type of labor but a proposal for the abolition of all work.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCassandra Troyan is a writer and researcher whose work explores the intersections of gendered violence, radical histories of resistance, sex work, and capital. They are the author of several books and chapbooks of poetry, most recently \u003cem\u003eKILL MANUAL\u003c\/em\u003e (Artifice Books, 2014) and \u003cem\u003eA Theory in Tears\u003c\/em\u003e (Kenning Editions, 2016), and have presented, performed, or screened their work widely. They live in southern Sweden and teach creative\/critical writing practices in the Department of Design at Linnaeus University.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Elephants","offers":[{"title":"Default Title","offer_id":41886278975718,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_51621126.jpg?v=1634668492"},{"product_id":"how-to-set-up-a-workers-co-op","title":"HOW TO SET UP A WORKERS CO-OP","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 172 pages, black and white printing, spiral bound, comes with bookmark, 2015 edition.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWorkers' co-ops give us a way to reclaim a small but significant part of the world - our working lives. In this book you'll find lots of information you need to set up your workers' co-op, including organising your workplace, making decisions, choosing legal structures, registration with companies house, market research, business plans, democratic decision making, legal requirements \u0026amp; responsibilities, finances and a few bits on running the thing once you've set it up\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIf you don't want to buy this lovely book, but do want the information then please feel free to download one of the following low resolution (but still 3.4Mb) PDFs of the insides. \u003ca href=\"https:\/\/www.radicalroutes.org.uk\/publicdownloads\/How2WorkersCo-op2019A5Lo-Res.pdf\" title=\"How to Set Up a Workers Co-op, read on screen\" target=\"_self\"\u003eThis copy\u003c\/a\u003e is laid out one page to an A5 sheet. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIt includes model company articles of association, which can be downloaded in an editable form from Seeds for Change.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Radical Routes","offers":[{"title":"Default Title","offer_id":41886282350822,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7289jpg0218.jpg?v=1634668651"},{"product_id":"economic-science-fictions-edited-by-william-davies","title":"ECONOMIC SCIENCE FICTIONS edited by William Davies","description":"\u003cp\u003e135 x 200mm, 400 pages, Black and white printing, Perfect bound, 2019\u003c\/p\u003e\n\u003cp\u003eFrom the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In Economic Science Fictions, editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking. \u003c\/p\u003e\n\u003cp\u003eRooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures. It asks how science fiction can motivate new approaches to economics and provides surprising new syntheses, merging social science with fiction, design with politics, scholarship with experimental forms. \u003c\/p\u003e\n\u003cp\u003eWith an opening chapter from Ha-Joon Chang as well as theory, short stories, and reflections on design, this book challenges and changes the notion that economics and science fiction are worlds apart. The result is a wealth of fresh and unusual perspectives for anyone who believes the economy is too important to be left solely to economists.\u003c\/p\u003e\n\u003cp\u003eContributors\u003c\/p\u003e\n\u003cp\u003eAudint, Khairani Barokka, Carina Brand, Ha-Joon Chang, Miriam A. Cherry, William Davies, Mark Fisher, Dan Gavshon Brady, Owen Hatherley, Laura Horn, Tim Jackson, Mark R. Johnson, Bastien Kerspern, Nora O Murchú, Justin Pickard, James Pockson, Tobias Revell, Judy Thorne, Sherryl Vint, Georgina Voss, Jo Lindsay Walton, Brian Willems\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Goldsmiths Press","offers":[{"title":"Default Title","offer_id":41886284841190,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_81570318.jpg?v=1634668803"},{"product_id":"milk-report-by-conway-and-young","title":"MILK REPORT by Conway And Young","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e18 x 26 cm, 14 pages, Risograph \u0026amp; digitally printed, Saddle stitch, Softcover, Hand numbered, Ed. of 720, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Milk Report is a print piece recording the hours and minutes Young spent breastfeeding during the first six-months after giving birth. This totalled 720 hours and 7 minutes. This data is accompanied by a narrative text exploring the politics of care through the lense of breastfeeding. Seeking full remuneration for the labour-intensive work undertaken, based on the 2019 National Living Wage of £8.21 per hour, an edition of 720 copies of Milk Report have been printed to be sold for £8.21 each. This will equate to a wage of £5916.95 once all of the Milk Reports are sold. Milk Report was launched in May 2019 as part of Spike Open, each copy sold was served with a milk shake.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Conway And Young","offers":[{"title":"Default Title","offer_id":41886288543974,"sku":"","price":12.65,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/5026.jpg?v=1634669008"},{"product_id":"the-trouble-with-value-art-and-its-modes-of-valuation-ed-kris-dittel","title":"THE TROUBLE WITH VALUE: ART AND ITS MODES OF VALUATION ed. Kris Dittel","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e190mm x 285mm, 224 pages, full colour printing, open perfect binding with wraparound cover, 2020.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book discusses the symbolic and economic value that a work of art holds, being a product of its maker’s labour.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis dynamic compilation of theoretical texts, essays and artistic contributions provides insight into current notions of value and value systems, and considers everything from the role of language to the circulation of art, and how it’s aided by the infrastructure of institutions.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAlong the way, The Trouble with Value tackles the historical legacies of devaluation in art, the value of artistic labour, and art’s capacity to tell stories beyond mainstream channels of dissemination.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFeaturing contributions by Anca Benera and Arnold Estefan, Rachel Carey, Kris Dittel, Fokus Grupa, Fokus Grupa, Karolina Grzywnowicz, Arnoud Holleman and Gert Jan Kocken, Anthony Iles \u0026amp; Marina Vischmidt, gerlach en koop, Monique Hendriksen, Femke Herregraven, Kornel Janczy, Sława Harasymowicz, Sarah van Lamsweerde, Ewa Partum, Mladen Stilinović, Maciej Toporowicz, Kra Kra Intelligence Cooperative and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886402248934,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/09_D_6fe5f63a-a400-4572-98be-7c43f6ddc864.jpg?v=1634672156"},{"product_id":"white-paper-on-land-law-and-the-imaginary-by-adelita-husni-bey","title":"WHITE PAPER: ON LAND, LAW AND THE IMAGINARY by Adelita Husni-Bey","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x \u003cmeta charset=\"utf-8\"\u003e240mm, 88 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2017\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eWhite Paper: On Land, Law and the Imaginary\u003c\/em\u003e is an experimental compendium to White Paper (2013–16), a project developed by artist Adelita Husni-Bey in collaboration with several organizations and bodies. Divided into three distinct chapters revolving around the relationship between legislation, property and agency vis-à-vis the right to housing in Egypt, the Netherlands and Spain, this publication chronicles the project’s tactics of representation and diverse methodological approaches across institutions and informal spaces. Ranging from workshops, film production and formal exhibition-making to public discussion, \u003cem\u003eWhite Paper: On Land, Law and the Imaginary\u003c\/em\u003e provides tools for analysing and acting upon the expansion of speculative neoliberal urban policies, and for re-imagining the space of the commons.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886411915494,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7970033.jpg?v=1642683796"},{"product_id":"why-call-it-labor-on-motherhood-and-art-work","title":"WHY CALL IT LABOR? – ON MOTHERHOOD AND ART WORK","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e124 x 208mm, 178 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Mai Abu ElDahab. Contributions by Mai Abu ElDahab, Lara Khaldi, Mary Jirmanus Saba, Mirene Arsanios and Nikki Columbus, Basma Alsharif.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFour essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhile their reflections represent a similar strata of art worker in terms of background, class, and career trajectory, the impact of instruments of patriarchy on rendering maternity invisible that they describe is recognizable and insidious. In a post-partum diary, Lara Khaldi makes audible the everyday exhaustion and disregard that comes with being a new mother; Mirene Arsanios and Nikki Columbus discuss the impact of the absence of legal or social protection for mothers; Basma Alsharif walks us through the difficulties of navigating the demands of different social contexts; Mary Jirmanus Saba pre-occupies at home with a flimsy maternity blog; And Mai Abu ElDahab put propositions on the table for how to deal with all of this.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":41886415061222,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8181jpg0422.jpg?v=1634672642"},{"product_id":"the-poor-children-by-suzanna-slack","title":"THE POOR CHILDREN by Suzanna Slack","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 164 pages, black and white printing, perfect bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Poor Children is a book of meditations on the construction of motherhood, gender and the carceral family. It is about the house, it's about sex work and reproductive labour, and it is most of all a reflection of how we might think about love. ​\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"I found it truly moving, eloquent, insightful, on almost every aspect of Love.\" \u003cbr\u003e—Lynne Segal ​\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"There's an achy, startling quality in The Poor Children that's almost unbearable – but there is also magic, beauty, care, wonder and a hardcore honesty deft at unravelling the queer intricacies of staying alive, against all odds, in a heterosexist white supremacist world we didn't make and yet keep waking up to over \u0026amp; over. The Poor Children reads like a playbook for unmaking and remaking our rotten, stinky world, stretching and bending what's left of it to host ever more life, holding all living things from the very big to the very small. Suzanna Slack cuts through the dull illusions surrounding our modern day myths about money, marriage and motherhood to tell us tales we desperately need about failed social systems and slow collective healing. Read it now.\" \u003cbr\u003e—Dr. Sofia Varino \u003cbr\u003ePostdoctoral Fellow, Department of English \u0026amp; American Studies \u003cbr\u003eUniversity of Potsdam ​\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Their writing style is absolutely captivating and inspiring me to read more and to keep on reading. it's delectable and unique. i enjoy a lot and it reminds me of the joy that is reading. a proof of that is simply the fact that from the get go, i'm not sure that i would have read something about this subject matter. They have a very clear working class critique that isn't done in an expected or matter of fact sort of a way. i appreciate it a lot. thank you for doing this.\" \u003cbr\u003e—Liad Hussein Kantorowicz ​\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"VF Press","offers":[{"title":"Default Title","offer_id":41886418370790,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9494005.jpg?v=1634672774"},{"product_id":"the-hidden-welfare-scandal-by-john-wallace","title":"THE HIDDEN WELFARE SCANDAL by John Wallace","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e140 x 215mm, 268 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eExploring austerity and cultural attitudes to the welfare state through real-life stories of those affected, written by a front-line advice worker.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"John Wallace","offers":[{"title":"Default Title","offer_id":41886419353830,"sku":"","price":8.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0713022.jpg?v=1634672828"},{"product_id":"sonsbeck2024-force-times-distance-on-labour-reader","title":"SONSBECK20→24 – FORCE TIMES DISTANCE – ON LABOUR (READER)","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e12.5 x 19cm, 348 pages, black and white, perfect bound, softcover. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe reader could be perceived as a negotiation of positions, as the strive towards utterances, towards becoming. Each text could be imagined as a stanza in a song. This is also a strive towards musicality. Or at least a wish for this reader to be a choir, in which we collectively sing, in which we all listen to each other to be able to sing, but most importantly, in which we afford ourselves the privilege of 'hearing the eloquence of silence', 'seeing the inner vision beneath the closed eyes' and 'listening to the chastity of inner music that defies betrayal by the wayward wind.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eIn the conception of Sonsbeek, we are not interested in producing evidences of any sort, and hardly are we interested in claiming the position of the presenter, the one who holds forth. In itself, this implies a structuring of subject and object, thus subjectification and objectification, which tends to be hierarchical. This comes along with: How can one move away from this God-like position of the sole creator to then present to those that just consume, and shift towards a collective experience of creating and perceiving together? It is not the curators that have the genius to come up with an idea that is then realised by artists to be later consumed by an audience, but it is a collective exchange of ideas in a kind of noosphere, or a collective body of people—artists, visitors of all walks of life, curators—that together form a collective brain. In all this, agency is by no way limited to the 'maker of ideas' or 'maker of artworks', but the primary agency lies with the idea itself and the art itself. So it might just as well be that it is the idea and the artwork that chooses the artist, the author and otherwise producer to bring it into the world. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eSo rather than think of Sonsbeek as an exhibition or space in which evidences of sorts are presented, we imagine Sonsbeek to be a manifestation, maybe a collective apparition, and certainly a becoming. Decidedly, this becoming finds shape as works of art in public spaces, in museums, as educational pedagogic formats, as performative gestures, as mix tapes, as radio, and as books—readers and catalogues. This is the first of five readers that we will manifest within the framework of sonsbeek20→24. In each of the readers, we have invited and will continue to invite poets, essayists, fiction writers, visual artists, critical writers of all kinds to lend themselves as birth canals through which ideas of 'labour and its sonic ecologies' can be birthed, or at least become vessels to contain such deliberations. 'Force Times Distance—On Labour and its Sonic Ecologies' is a journey, to say the least, into the unknown. A journey marked by a plethora of uncertainties, which we have chosen to embrace rather than fend off or deflect. From a global pandemic, to financial precarity, to arduous labour conditions, we consider the becoming of Sonsbeek a wandering in wondering, trusting not only in our interlocutors—artists, curators, managers, audiences, producers etc—but more specifically trusting the agency of the project and what it wants to reveal through us.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Bonaventure Soh Bejeng Ndikung with Antonia Alampi, Amal Alhaag, Zippora Elders, Krista Jantowski, Aude Christel Mgba.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributions by Bonaventure Soh Bejeng Ndikung, Panashe Chigumadzi, Maurizio Lazzarato, Danielle Child, Anne Moraa, Philomena Essed, Djuwa Mroivili, Anivia Beylard, Jana Keijdener, Iheb Guermazi, Alia Mossallam, Ruth Wilson Gilmore, Chenjerai Kumanyika, Simone Atangana Bekono, Lionel Manga, Kodwo Eshun, Amal Alhaag, Precious Colette Kemigisha, Guy Ossito Midiohouan, Akila Richards, Mwazulu Diyabanza, Ibrahim Cissé, Léon-Gontran Damas.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":41886427316454,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3437026.jpg?v=1634673136"},{"product_id":"we-are-not-where-we-need-to-be-but-we-aint-where-we-were-by-wages-for-wages-against","title":"WE ARE NOT WHERE WE NEED TO BE, BUT WE AIN'T WHERE WE WERE by Wages For Wages Against","description":"\u003cp\u003e150 x 210mm, 192 pages, black and white printing throughout, perfect bound, 2021, French and English*\u003c\/p\u003e\n\u003cp\u003eThe first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.\u003c\/p\u003e\n\u003cp\u003eThis publication aims to put into practice various values specific to the campaign: the existence of a systematic and fair remuneration, a desire for transparency, the sharing of knowledge, and the visibilization of demands proper to the field of the visual arts and concomitant struggles. It is the result of militant experiences, at the convergence of our individual experiences and collective questionings.\u003c\/p\u003e\n\u003cp\u003eWages For Wages Against (WFWA,\u003cspan\u003e \u003c\/span\u003ewfwa.ch) is a a militant collective and a campaign for the fair remuneration of artists in Switzerland, better work conditions, and an alternative economy of the arts.\u003c\/p\u003e\n\u003cp\u003e*please note that all texts in French are available to read in English on the WFWA website\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"L'Amazone","offers":[{"title":"Default Title","offer_id":42338119745766,"sku":"","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4724012.jpg?v=1642777423"},{"product_id":"how-do-we-want-to-work-together-as-socially-engaged-designers-students-and-neighbors-in-neoliberal-times-edited-by-jesko-fezer-and-studio-experimentelles-design","title":"(HOW) DO WE (WANT TO) WORK (TOGETHER) (AS (SOCIALLY ENGAGED) DESIGNERS (STUDENTS AND NEIGHBORS)) (IN NEOLIBERAL TIMES)? edited by JESKO FEZER and STUDIO EXPERIMENTELLES DESIGN","description":"\u003cp\u003e150 x 210mm, 528 pages, black \u0026amp; white with full colour section, perfect bound, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA critical discussion about work is urgently needed—in the field of design as much as anywhere else. Since 2011, Studio Experimentelles Design at the HFBK Hamburg has experimented with local design-assistance projects carried out within the framework of the St. Pauli Public Design Support initiative. The student-led program advocates a community based and cooperative approach, involving people who are usually only impacted by design or excluded from it. This partisan practice questions our understanding of what design can be, and who benefits or suffers from it. It also fundamentally questions how we work. Divided into two parts, this publication extends Studio Experimentelles Design’s socially committed approach through conversations, lectures, research, debates, and project documentation, drawing on the research festival as well as five years of work by Public Design Support. Both of these—an international debate on working conditions and a local design practice committed to its community—strive to critically examine design’s current practices. They ask questions of how designers work today, demanding a fundamental reorientation in the issues design addresses and the social actors it serves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Contributions by Arts of the Working Class, Claudia Banz, Lisa Baumgarten, Steff Bentrup, Brave New Alps, Colin Crouch, Hans-Christian Dany, Designer + Cultural, Workers Union, Design Interns Club, Diedrich Diederichsen, Emma Dowling, Experimentelle Klasse, Silvia Federici, Silke Helfrich, IG Bildende Kunst, In the Meantime, Valentina Karga, Lucy Kimbell \u0026amp; Guy Julier, Silvio Lorusso, Madygraf, Angela McRobbie, Oli Mould, Nobody is an Island, Onomatopee (Amy Gowen \u0026amp; Joannette van der Veer), Mareile Pfannebecker \u0026amp; James A. Smith, Poliklinik Veddel, Florian A. 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Participants were taken on a taxi ride through Glasgow performed over the phone. The destination of each journey being one of the various shuttered cultural venues that should have been part of that years Glasgow International. Each of these trips resulted in semi-scripted conversations and social media encounters discussing artistic labour, the gig economy and art’s agency.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003ePublished by \u003c\/span\u003e\u003c\/p\u003e","brand":"University of Edinburgh Art Collection","offers":[{"title":"Default Title","offer_id":43025516921062,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7073055.jpg?v=1655387355"},{"product_id":"don-t-mind-if-i-ask","title":"DON’T MIND IF I ASK","description":"\u003cp\u003e140 x 210mm, 210 pages, full colour printing, coptic binding, softcover, 2022\u003c\/p\u003e\n\u003cp\u003eA book demystifying the communications design industry and community through 506 crowdsourced responses, insights and letters collected by Don’t Mind If. It is a handy compilation of answers and resources to all our burning questions such as:\u003cbr\u003eWho are we? What do we do for work? How did we get into this industry? How are we running our businesses? Are we happy? Where do we go from here?...\u003cbr\u003e\u003cbr\u003eDon’t Mind If is an independent ground-up initiative that seeks to understand, demystify and uplift the communication design industry.\u003cbr\u003e\u003cbr\u003eRun by industry volunteers, it is designed to be a community effort and seeks to put the collective interests of the initiative above that of any one person or group. Meeting on volunteered time since mid-2019, the team comprises of creative professionals who share an interest and passion for the future of the communications design industry and community in Singapore. We work across the creative field as employees, freelance professionals, employers \u0026amp; students of the local communications design industry.\u003cbr\u003e\u003cbr\u003eForeword by Justin Zhuang (In Plain Words)\u003cbr\u003e\u003cbr\u003eOpinion Pieces by Adib Jalal, Azelia Ng (Allegro Print), Danielle Ng (Making Meaning), DesignSingapore Council, Izyanti Asa’ari (Fellow), Jason Tan (Milton Tan Foundation), Louisa Lek, Melissa Tai (Public Culture), Stephanie Phua (Duo Studio), Steve Lawler (The Unusual Network), Vanessa Ban (External Assessment Summer School), Xiangyun Lim (The Whitebook) and more!\u003cbr\u003e\u003cbr\u003eIllustrations by 8EyedSpuds, Clarice Ng, C+C\u0026amp;Co, Danielle Ng, Dianna Sa'ad, Iyn, Jarin, Jon Max Goh, Wen Shumin, Mas Shafreen, Pamela Ang, Tyng Lim, Toby Gail Lim, Queenie Kok\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Don't Mind If","offers":[{"title":"Default Title","offer_id":43057589584102,"sku":"","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0155056.jpg?v=1656157873"},{"product_id":"no-picnic-explorations-in-art-and-research-by-various-artists","title":"NO PICNIC: EXPLORATIONS IN ART AND RESEARCH by Various Artists","description":"\u003cp\u003e170 x 240mm, 108 pages, Colour printing, Perfect bound, Softcover, 2014\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe book documents what happened when researchers and artists explored each others' working practices and methods. 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Beyond discussing problems, I hope that The Guts Of It becomes a publication for the discussion of radical solutions to varied problems facing global healthcare now, imminently, and into the future, and am looking forward to sharing these in the coming months. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Hannah Read","offers":[{"title":"Default Title","offer_id":43238726009062,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3337001.jpg?v=1660914598"},{"product_id":"the-anarchist-review-of-books-issue-4","title":"THE ANARCHIST REVIEW OF BOOKS ISSUE #4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e290 x 420mm, 24 pages, full colour printing, folded newspaper, 2022\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn this issue Jessica Lawless talks with Sarah Jaffe about love and labor, Steven Thrasher reveals the reach of the carceral state during COVID, Carrie Laben reviews Kun Li Sun’s Begin the World Over, Cynthia Cruz muses on Genet, crime and resistance. D.G. Gerard reviews C. Russell Price’s incendiary new collection, Glynis Hart writes about the origins of abortion as a property crime, Ranbir Sidhu dreams big in the wake of A. Patwardhan’s films, Anne Elizabeth Moore takes us to Time Zone J and French cultural critics Gilles Dauve and Lola Meiseroff show the next generation how it’s done.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"The Anarchist Review of Books","offers":[{"title":"Default Title","offer_id":43269048074470,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0837001.jpg?v=1661595878"},{"product_id":"bessie-quinn-survivor-spirit-from-galashiels-mills-to-garden-cities-by-ursula-howard","title":"BESSIE QUINN: SURVIVOR SPIRIT - FROM GALASHIELS MILLS TO GARDEN CITIES by Ursula Howard","description":"\u003cp\u003e155 x 230mm, 347 pages, Colour printed, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe moving, atmospheric story of an extraordinary woman and her 19th century immigrant family in Scotland, reveals their origins in Famine-ravaged Ireland. The lives and characters of the Quinn family among the woollen mills of Galashiels, the slums and factories of Edinburgh and the tenements of Clydebank around the Singer sewing machine works, come right off the page. Their hand-to-mouth existence and their stubborn independence in the face of poverty are brought vividly back to life. But as a young woman in the 1900s, Bessie Quinn, eighth child of a family in deep trouble, took flight and changed her life. Her journey from Clydebank to an emancipated life in Hampstead Garden Suburb in London, via the Arts and Crafts movement which then thrived in the Lake District, is nothing short of miraculous. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"The Endless Bookcase","offers":[{"title":"Default Title","offer_id":43285947842790,"sku":"","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0395007.jpg?v=1662030142"},{"product_id":"public-library-of-on-library-controversies-and-library-love-by-various-artists","title":"PUBLIC LIBRARY OF - ON LIBRARY CONTROVERSIES AND LIBRARY LOVE by Various Artists","description":"\u003cp\u003ex5 publications, Various Sizes, 30 pages total, Risograph printing, Unbound, Comes in plastic sleeve, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublic Library Of is a series of zines which zoom in on public library controversies in different parts of the world. 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This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a 'post-national' queer community.\u003cbr\u003e\u003cbr\u003eIllustrated throughout with examples of manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print, alongside a series of new theoretical essays that set particular publications and the individuals and groups that produced them in context. The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by \u003c\/span\u003e\u003c\/p\u003e","brand":"Bloomsbury","offers":[{"title":"Default Title","offer_id":43544980521190,"sku":"","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1673004.jpg?v=1669130497"},{"product_id":"genderfail-reader-4-by-be-oakley-yvonne-lebien","title":"GENDERFAIL READER 4 by Be Oakley \u0026 Yvonne Lebien","description":"\u003cp\u003e110 x 176mm, 165 pages, Black \u0026amp; white printing, Perfect bound, Softcover, Ed. of 300, 2022\u003c\/p\u003e\n\u003cp\u003eGenderFail Reader 4 is the 4th volume in our series of new and previously published essays and works from the GenderFail Catalog. This new reader includes various works including Seize Control of the FDA typeset, A publishers perspective on the Art \u003c\/p\u003e\n\u003cp\u003eBook Fair: A Critical Response, Where were the masks at ...Printed matters New York Art Book Fair: Covid-19 and the NYABF, Notes on Anti-capitalist Solidarity: An Essay for the Working Class Artist, Transgression - trans, Gallucinate (v.) and Bells. All works are by GenderFail founder Be Oakley and Editor Yvonne LeBien.\u003c\/p\u003e\n\u003cp\u003eThese essays speak to the interests, research and passions that drive GenderFail and highlight the powerful agency behind self and small publishing. My hope is that these essays inspire you to future actions, dreams, hopes and new worlds that center people and communities fighting for a world without colonialism, white supremacy, capitalism, ableism and heteronormative oppression.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":43566382219494,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4502001.jpg?v=1670245425"},{"product_id":"an-ongoing-offcoming-tale-ruminations-on-art-culture-politics-and-us-others-by-bonaventure-soh-bejeng-ndikung","title":"AN ONGOING-OFFCOMING TALE – RUMINATIONS ON ART, CULTURE, POLITICS AND US\/OTHERS by Bonaventure Soh Bejeng Ndikung","description":"\u003cp\u003e130 x 220mm, 528 pages, full colour printing, perfect bound, softcover, 2022\u003c\/p\u003e\n\u003cp\u003eAn Ongoing-Offcoming Tale comprises abstractions, subversions and poetic ruminations, housed within essays that engage with the lives and practices of over 30 artists.\u003c\/p\u003e\n\u003cp\u003eThe book opens with the question: If only some leaves could speak? And in the journey that follows, we encounter many such possibilities—that leave us asking questions of the boundaries we place around the things we are allowed to think, the knowledge we call knowledge, and the questions we permit ourselves to ask. The book is an exercise in learning to reimagine: bodies, land, knowledge, memory, song. Ndikung allows us to step into the visions and the lived forms of knowledge that inform his curatorial practice.\u003c\/p\u003e\n\u003cp\u003eAs we collectively emerge from a stillness that made it impossible to look away from the harm caused by social infrastructures we once deemed necessary, these essays are more urgent than ever. They give us tools to think with about the 'contemporary' in meaningful ways, enabling us to ask important questions of culture and power.\u003c\/p\u003e\n\u003cp\u003eBonaventure Soh Bejeng Ndikung (born 1977 in Yaoundé, Cameroon, lives and works in Berlin) is an independent art curator, art critic, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was associate professor at Muthesius University Kiel, and is currently guest professor in curatorial studies at the Städelschule in Frankfurt. He was curator-at-large for documenta 14, and was a guest curator of the 2018 Dak'Art Biennale in Senegal. As part of the Miracle Workers Collective, he curated the Finnish Pavilion at the Venice Biennale in 2019.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":43602841698534,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2575042.jpg?v=1672849621"},{"product_id":"art-for-ubi-manifesto","title":"ART FOR UBI (MANIFESTO)","description":"\u003cp\u003e112 x 178mm, 176 pages, black and white printing, perfect bound, softcover, 2022\u003c\/p\u003e\n\u003cp\u003eA manifesto for radical care and universal and unconditional basic income, as a tool for social transformation and social equality highlighting values, needs and desires opposing the present inequalities generated by neoliberalism and the ecological unsustainability of capitalism.\u003c\/p\u003e\n\u003cp\u003eArt for UBI is a manifesto: the world of art positions itself in favor of universal and unconditional basic income, placing in the foreground its advantageous conditions in economic, social and ecological terms. The manifesto was born as collective writing within the School of Mutations, a project of the Institute of Radical Imagination, an international platform of artists, researchers, activists and curators engaged in the experimentation of post-capitalist artistic practices. In addition to the introduction by the curators, the volume contains the contributions of diverse artists, theorists and activists addressing UBI in the panorama of the generalized precariousness of artistic work, the demand for income in transfeminist and decolonial struggles, mutualism practices in the independent art scene, the relationship between finance, fabulation and crypto philosophy.\u003c\/p\u003e\n\u003cp\u003eThe volume includes the dramaturgy of Una Renta, Muchos Mundos \/ One Income, Many Worlds, a performative investigation by IRI on the subject of income conducted in Madrid involving a diverse sample of residents. The performance was staged at the Reina Sofia Museum in the framework of the program On The Precipice of Time. Practices of insurgent imagination. The Zapatista Forum in September 2021.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Bruno","offers":[{"title":"Default Title","offer_id":43602848317670,"sku":"","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2552019.jpg?v=1672850144"},{"product_id":"performing-a-lifetime-by-saara-mahbouba-gladys-camilo","title":"PERFORMING A LIFETIME by Saara Mahbouba \u0026 Gladys Camilo","description":"\u003cp\u003e110 x 140mm, 64 pages, Colour printing, Perfect bound, Hardback, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePerforming a Lifetime is an exploration of bodies and identities belonging to the in-between. Saara Mahbouba and Gladys Camilo reflect on the complications of navigating between accurate representation of oneself and one’s community and the traps of performativity, appropriation, and self- exploitation. Exploring the complexities of working ethically in a contemporary art scene that simultaneously lauds and punishes otherness, Performing a Lifetime taps into the artists’ personal experiences of embodying identities that are neither fully within nor without categories of otherness and hegemonic bodies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Quince Ediciones","offers":[{"title":"Default Title","offer_id":43618353447142,"sku":"","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8834040.jpg?v=1673889544"},{"product_id":"wages-for-wages-against-volume-2-we-know-what-remains-unsaid-edited-by-tiphanie-blanc-and-ramaya-tegegne","title":"WAGES FOR WAGES AGAINST – VOLUME 2 – WE KNOW WHAT REMAINS UNSAID Edited by Tiphanie Blanc and Ramaya Tegegne","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e150 x 210 mm, \u003cmeta charset=\"utf-8\"\u003e366 pages, black and white printing, perfect bound, softcover, 2023\u003c\/p\u003e\n\u003cp\u003eThe second volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.\u003c\/p\u003e\n\u003cp\u003eWe Know What Remains Unsaid presents research on the mechanisms of invisibilisation of precarious realities and activist knowledges. It investigates what our silences and the unsaid reveal. By giving a voice to several researchers, activists and collectives, this volume records silent words, forgotten stories, invisible struggles and thus makes possible the construction of alternative common narratives.\u003c\/p\u003e\n\u003cp\u003eWages For Wages Against (WFWA, wfwa.ch) is a a militant collective and a campaign for the fair remuneration of artists in Switzerland, better work conditions, and an alternative economy of the arts.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"Wages For Wages Against","offers":[{"title":"Default Title","offer_id":43636616167654,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2881052.jpg?v=1676464851"},{"product_id":"the-listening-biennial-reader-vol-1-waves-of-listening-edited-by-brandon-labelle","title":"THE LISTENING BIENNIAL READER – VOL. 1: WAVES OF LISTENING Edited by Brandon LaBelle","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e170 x 240 mm, 184 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2023\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eListening as a creative and critical force, relational capacity, philosophical, political and ecological proposition, and research method.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eWithin today's intensely polarized environment, in which social and political debate often tends toward conflict or impasse, might listening enact an intervention? While focus is mostly placed on making statements, capturing history, and the importance of speaking out, listening is radically key to facilitating dialogue, understanding, and social transformation. To listen is to extend the boundaries of the familiar, the recognized, and the known. In addition, listening affords more egalitarian and ecologically-attuned relations, staggering exclusionary systems and human exceptionalism by way of empathic, attentional, and more-than-human orientations: to hear beyond the often fixed schema of self and other, us and them. Listening is an embodied power, it may open and hold, it may support and heal, and it may afford escape as well as compassionate action.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe Listening Biennial Reader draws attention to listening as a relational capacity, a philosophical and ecological proposition, a creative practice, and research method. This includes contributions by curators and artists from the first edition of The Listening Biennial, presented in 2021, along with a number of key scholars who offer critical reflections on cultures of listening. Listening emerges as a creative and critical force, or wave of attention, that contributes to maintaining the diversity of our social, creaturely adventure.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003ePublished by\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Errant Bodies","offers":[{"title":"Default Title","offer_id":43636632846566,"sku":"","price":19.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3488005.jpg?v=1675167561"},{"product_id":"workaday-strangeness-gyrating-death-throes-from-a-void-axiom-by-wormhook-1","title":"WORKADAY STRANGENESS: GYRATING DEATH THROES FROM A VOID AXIOM by Wormhook","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLP, hand screen printed, tip-on sleeve with original artwork by the artist, stenciled centre stickers and insert hand printed, 2023\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eIncludes unlimited streaming of \u003cem\u003eWorkaday Strangeness: Gyrating Death Throes From a Void Axiom\u003c\/em\u003e via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"'Workaday Strangeness: Gyrating Death Throes From a Void Axiom' is the new LP from Glasgow-based music originator Wormhook. The music therein, we understand, emerged for highly personal therapeutic reasons; nevertheless to describe it as ‘idiosyncratic’ would do a disservice both to Wormhook and to the concept of idiosyncrasy. While the record is certainly a profoundly unique, irreplicable creation, its music is nevertheless based on a visceral, breathing human rhythm which is common to all living bodies. It represents a celebration of the act of creation as a means of processing psychic and spiritual conflict, unconscious thought leading to spontaneous musical discovery.\u003cbr\u003e \u003cbr\u003eThrough something approaching the musical equivalent of automatic writing, Wormhook gives birth to fluid, home-woven spectral incantations and an untutored, backward-masked concrète hymnody. Brittle-as-glass guitar and grainy, hand-processed electronics underpin cantorial, intuitively modal vocals delivering a kind of raw, revelatory yet anti-prophetic ur-poetry, bridging the centuries between Hildegard von Bingen and Lonnie Holley and fixing the solitary star of Wormhook within the hermetic constellation which these visionaries inhabit.\" - Alasdair Roberts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Akashic Records","offers":[{"title":"Default Title","offer_id":43645743530214,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3783011.jpg?v=1675775899"},{"product_id":"print-culture-and-the-formation-of-the-anarchist-movement-in-spain-1890-1915-by-james-michael-yeoman","title":"PRINT CULTURE AND THE FORMATION OF THE ANARCHIST MOVEMENT IN SPAIN, 1890–1915 by James Michael Yeoman","description":"\u003cp\u003e153 x 230mm, 300 pages, black and white printing, perfect bound, 2022\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe origins of one the largest anarchist movements in history, told through its newspapers, pamphlets, books, and flyers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003ePrint Culture and the Formation of the Anarchist Movement in Spain\u003c\/em\u003e, \u003cem\u003e1890–1915\u003c\/em\u003e analyzes the formation of a mass anarchist movement in Spain spanning the turn of the twentieth century. This movement organized the largest body of anarchists in world history: the anarcho-syndicalist National Confederation of Labour (CNT). Anarchist cultural practices became ingrained in localities across the whole of Spain, laying foundations which maintained the movement’s popular support until the end of the Spanish Civil War in 1939.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis book shows that grassroots print culture was central to these developments: driving the development of ideology and strategy and providing an informal structure to a movement that shunned recognized leadership and bureaucracy. It offers a rich analysis of the cultural foundations of Spanish anarchism, while challenging claims that the movement was “exceptional” or “peculiar” in its formation, by situating it alongside other decentralized, bottom-up mobilizations across historical and contemporary contexts.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished by\u003c\/p\u003e","brand":"AK Press","offers":[{"title":"Default Title","offer_id":43665839423718,"sku":"","price":19.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2963006.jpg?v=1677082334"},{"product_id":"comedy-against-work-utopian-longing-in-dystopian-times-by-madeline-lane-mckinley","title":"COMEDY AGAINST WORK: UTOPIAN LONGING IN DYSTOPIAN TIMES by Madeline Lane-McKinley","description":"\u003cp\u003e140 x 215mm, 256 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp class=\"\"\u003eWork is a joke. 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From stand-up to sitcoms, podcasts to late night, comedy reveals our longing to subvert power, escape the prison of work, and envision the joys of a liberated world.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Common Notions","offers":[{"title":"Default Title","offer_id":43665850892518,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2967010.jpg?v=1677082908"},{"product_id":"the-feminist-subversion-of-the-economy-contributions-for-life-against-capital-by-amaia-perez-orozco-translated-by-liz-mason-deese","title":"THE FEMINIST SUBVERSION OF THE ECONOMY: CONTRIBUTIONS FOR LIFE AGAINST CAPITAL by Amaia Pérez Orozco, Translated by Liz Mason-Deese","description":"\u003cp\u003e155 x 230mm, 288 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eThe Feminist Subversion of the Economy\u003c\/em\u003e shows the urgent need to radically and democratically discuss what we mean by a dignified life and how we can organize to sustain life collectively.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn the face of unending economic crises and climate catastrophe, we must consider, \u003cem\u003ewhat does a dignified life look like? \u003c\/em\u003eFeminist intellectual and activist Amaia Pérez Orozco powerfully and provocatively outlines a vision for a web of life sustained collectively with care, mutualism, and in balance with our ecological world. 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Originally these photos acted as source material, to develop paintings but soon became an extensive archive of images that were interesting in their own right. The aim of this book is to help people discover these public abstract paintings, and their secret language, in the hope that they find them equally as fascinating and mysterious. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Cal Mingus","offers":[{"title":"Default Title","offer_id":43667453673702,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4138039.jpg?v=1677159726"},{"product_id":"resume-cover-letter-by-shay-overstone","title":"RESUME \u0026 COVER LETTER by Shay Overstone","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e228 x 285mm, 24 pages, Colour printing, Clasp bound, Card cover, Signed, Ed. of 100, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eResume \u0026amp; Cover Letter, a portrait and project about class and immigration through reimagined employment documents. 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