{"title":"Visual Poetry","description":"","products":[{"product_id":"alarm-by-gary-browne-owen-piper","title":"ALARM by Gary Browne \u0026 Owen Piper","description":"\u003cp\u003eA5, 20 pages, black and white digital printing throughout, saddle stitched, 2016\u003c\/p\u003e\n\u003cp\u003eGlasgow's finest underground concrete poetry and prose publishing outfit, The Maris Piper Press AKA Piper, Owen, bring you a new short form story printed via the potato. 'Alarm' is a text by Gary Browne, facilitated by Owen Piper.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Maris Piper Press","offers":[{"title":"Default Title","offer_id":41886121328870,"sku":"","price":3.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/032_D_e8550d61-fa8f-44c6-a1c3-b2deb2832c90.jpg?v=1634664315"},{"product_id":"baize-bound-beauty-by-michael-higgins","title":"BAIZE BOUND BEAUTY by Michael Higgins","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e297 x 210mm, 236 pages, black and white printing throughout, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTaking the form in essence of a play, Baize Bound Beauty skilfully interweaves a performance cycle based on medieval mystery plays with an astonishing range of religious, literary and cultural traditions to create a masterwork volume reflecting 20 years of creative exploration. A unique index based on the occurrence of words, plus over a hundred illustrations by the author, combine to create a singular work of fascinating originality and depth.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Artel Press","offers":[{"title":"Default Title","offer_id":41886135615718,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/015_D_ae03e3c1-ed8d-430f-9d2a-23afcda55b49.jpg?v=1634664657"},{"product_id":"4-steps-from-the-wire-by-james-caley","title":"4 STEPS FROM THE WIRE by James Caley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x 230mm, 72 pages, full colour printing, perfect bound, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eJames Caley is a London-based poet \u0026amp; artist.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePoet-artists from across the UK, Europe and the Americas descended on East London for a unique literary event celebrating the visual, visceral, messy, handwritten and colourful in poetic performance - a dozen new live poetry pieces made for the night from those exploring alternate ways of making literature. This was the 9th event in the Poem Brut series: www.poembrut.com\/richmix4\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ewith thanks to SJ Fowler\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Hesterglock Press","offers":[{"title":"Default Title","offer_id":41886135976166,"sku":"","price":4.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/024_D_6b7ba0c2-9fcf-42e1-8252-e77c35d60dfc.jpg?v=1634664758"},{"product_id":"2020-7-11-hb66gy69us2qaeup60ad7byh5cvo18","title":"CONCRETE MONDAY by Rita Cabrito","description":"\u003cp class=\"\"\u003eA5, 44 pages, Black \u0026amp; white digitally printed, Saddle stitched, Softcover, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e“I have created an A5 concrete poetry booklet inspired on the weekly routine tasks of an ordinary Monday in my life. This booklet was produced during my second year living away from home (Portugal) while studying in Bath. With the use of typography, I have created a series of 12 illustrations – alarm, breakfast, getting dressed, brush, toilet, work, lunch, wash dishes, dinner, shower, brush, and sleep. It is a 44 pages’ booklet with a yellow cover and hints of the same colour inside - I chose a ‘yellow pages’ like tone for the cover and some pages of the booklet as it is the colour that I associate to Mondays.“\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Rita Cabrito","offers":[{"title":"Default Title","offer_id":41886136140006,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/F2C4332B-0CC9-4687-BF9B-0C67CBF0944F.jpg?v=1634664675"},{"product_id":"andrei-monastyrski-elementary-poetry","title":"ANDREI MONASTYRSKI: ELEMENTARY POETRY","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150mm x 210mm, 260 pages, full colour printing throughout, plus inserts and tip-in images, perfect bound, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited and Translated by Brian Droitcour and Yelena Kalinsky \/ Preface by Boris Groys\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn recent years Andrei Monastyrski has received international recognition for his work with Collective Actions, a group of artists who have organized actions in the fields around Moscow since 1976. Though his poetry is less well known, that is where it all began. After writing poetry in the manner of Russian modernists, newly available to Soviet readers during Khrushchev’s thaw, Monastyrski’s interest in John Cage and ideas about consciousness from Western and Eastern philosophical traditions led him to deepen his dialogue with poetry of the past through experiments with sound, form, and the creation of artistic environments involving carefully conceived objects and situations. Elementary Poetry collects poems, books, and action objects from the ’70s, tracing a genealogy of the art action in poetry.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eToday Monastyrski is considered a guru of the new Russian art in Moscow. His decisive influence on its origins and development is indisputable. — Boris Groys\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHe erases the delineation of what is “text” and what is “poem.” — Katherine Beaman\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eANDREI MONASTYRSKI (b. 1949) is a poet, author, artist, art theorist based in Moscow. He is, along with Ilya Kabakov, one of the founders of conceptualism in Russia. He graduated from Moscow State University with a degree in philology and worked for many years at the Literature Museum in Moscow. In 1973, he began to work with serial structures and minimalist sound compositions and in 1975, turned his attention to poetic objects and actions. He is best known as a founding member and chief theoretician of the Collective Actions group, which began to stage outdoor actions on the edges of Moscow in 1976. He compiled many of the group’s documentary volumes, Trips Out of the City, and participated in many solo and group exhibitions with his own work. In 2003, Monastyrski was awarded the Andrei Bely Prize in literature. He also received the Soratnik Prize in 2008 and the Innovation Prize in 2009. His poetry and theoretical writings have been gathered into several Russian-language volumes by the publisher German Titov for his Library of Moscow Conceptualism series.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBRIAN DROITCOUR is a writer, translator, and curator, as well as a doctoral candidate in Comparative Literature at New York University. From 2002 to 2007 he lived in Moscow, where he covered exhibitions for The Moscow Times, contributed to the Russian art monthly Artchronika and edited their English digest editions, and translated books for WAM Knigi, an art publisher. He has contributed essays and reviews to Artforum, Art in America, Rhizome, The New Inquiry, and other publications. In 2012 he won second prize in the Compass poetry translation competition for his rendering of Marina Tsvetaeva’s 1921 long poem, “Upon a Red Steed.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eYELENA KALINSKY is an art historian based in Lansing, MI. She earned her Ph.D. in Art History in 2013 from Rutgers, the State University of New Jersey with a dissertation entitled Collective Actions: Moscow Conceptualism, Performance, and the Archive, 1976-1989. In 2012, she edited and translated Collective Actions: Audience Recollections from the First Five Years, 1976-1981 (Soberscove). Previously, she worked as an archivist and Dodge curatorial fellow at the Zimmerli Art Museum, where she curated the exhibition “Performing the Archive: Collective Actions in the 1970s \u0026amp; 1980s.” Her writing has appeared in ARTMargins, Russian Literature, Nova Galerija Newspapers, and elsewhere.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Ugly Duckling Presse","offers":[{"title":"Default Title","offer_id":41886137155814,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_239d9b27-9892-4346-931a-9f0dfe609621.jpg?v=1634664793"},{"product_id":"black-case-volume-i-and-ii-return-from-exile","title":"BLACK CASE VOLUME I AND II: RETURN FROM EXILE by Joseph Jarman","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e165 x 205mm, 142 pages, Single colour printing, Perfect bound, Softcover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Joseph Jarman (1937 – 2019) was a saxophonist and multi-instrumentalist best known as a founding member of trailblazing avant-garde jazz group Art Ensemble of Chicago. Jarman was responsible for the Art Ensemble’s signature face paint and elaborate costumes as well as the pioneering theatrical and multimedia elements of their shamanistic performances, which could include dance, comedy, performance art, surreal pranks, and—notably—the recitation of Jarman’s poetry.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn 1977, Art Ensemble of Chicago Publishing Co. published Jarman’s \u003cem\u003eBlack Case Volume I and II: Return From Exile\u003c\/em\u003e, a collection of writing conceived across America and Europe between 1960 and 1975. Comprised largely of Jarman’s flowing, fiery free verse—influenced by Amus Mor, Henry Dumas, Thulani Davis, and Amiri Baraka—the book also features a manifesto for “GREAT BLACK MUSIC,” notated songs, concert program notes, Jarman’s photos, and impressions of a play by Muhal Richard Abrams, the founder of the Association for the Advancement of Creative Musicians of which Jarman was also an original member. Jarman writes poetry of personal revolutionary intent, aimed at routing his audience’s consciousness towards growth and communication. He speaks with compassionate urgency of the struggles of growing up on Chicago’s South Side, of racist police brutality and profound urban alienation, and of the responsibility he feels as a creative artist to nurture beauty and community through the heliocentric music that he considers the healing force of the universe. A practicing Buddhist and proponent of Aikido since a 1958 awakening saved him from the traumatic mental isolation of his time dropped by the US army into southeast Asia, Jarman sings praise for the self-awareness realization possible through the martial arts. With cosmic breath as its leitmotif, his poetry both encourages and embodies a complete relinquishing of ego. While some of the poems contained within \u003cem\u003eBlack Case \u003c\/em\u003ehave already been immortalized via performances on classic records by Jarman and Art Ensemble of Chicago, its republication in print form breathes new life into a forgotten document of the Black Arts Movement.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Joseph Jarman, a musician of rare poetic gifts, was also a remarkable poet. \u003cem\u003eBlack Case\u003c\/em\u003e, a lost treasure of the Black Arts Movement, combines protest against injustice with heart-breaking introspection and fierce commitment to the Great Black Music tradition to which Jarman contributed with gentle yet mighty force.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e—Adam Shatz\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Joseph’s recitation of ‘Non-Cognitive Aspects of the City’ (from \u003cem\u003eBlack Case\u003c\/em\u003e) moved me to set the words of this poem for Baritone Voice and Orchestra and became part of the Art Ensemble of Chicago’s standard repertoire. Joseph had a bold and passionate creative spirit. I feel privileged to have shared the stage with him.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e—Roscoe Mitchell\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“‘Though in reality all the words are music themselves’ is the reality to which all poetry aspires, whether in verse or prose, theory or story, criticism or craft. Joseph Jarman always knew that for black musicians, which is to say black speakers, exile is our public holiday. We live through that. We live through that. Black Case is all and everything in this regard. ‘Whats to say,’ he says, is that ‘we sing because\/we love you\/because we\/love you\/because\/we love\/you.’ We are loved beyond judgment by the music, he says, and we say thanks.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e—Fred Moten’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Blank Forms","offers":[{"title":"Default Title","offer_id":41886137516262,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_9c32cc49-8fd8-4bc3-bfdb-be6001305790.jpg?v=1634664714"},{"product_id":"tkp02w38gp2sz1wjr3brb0n4xk14m0","title":"BOXES by Noah Ross","description":"\u003cp class=\"\"\u003e5”x3”, 8 pages, Typewritten, Hand sewn, Card cover, Ed. of 20, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e“Typewriter \/ visual \/ concrete poetry”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Noah Ross","offers":[{"title":"Default Title","offer_id":41886141350118,"sku":"","price":4.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/A54254D0-C73A-466A-BEC3-AB78C3ABDFCD.jpg?v=1634664903"},{"product_id":"boooook-the-life-and-work-of-bob-cobbing-ed-william-cobbing-and-rosie-cooper","title":"BOOOOOK: THE LIFE AND WORK OF BOB COBBING ed. William Cobbing and Rosie Cooper","description":"\u003cp\u003e170 × 240 mm, 208 pages, full colour printing, perfect bound, 2015\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Anyone interested in visual \/ concrete \/ sound poetry, DIY publishing and \/ or British underground culture of the 1960s should have this book.”\u003cbr\u003e– Matthew Robertson, Eye, no. 93 vol. 24, 2017\u003c\/p\u003e\n\u003cp\u003eThis is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920–2002). Boooook addresses all aspects of Cobbing’s rich career, with new essays detailing his key roles in London Film-makers’ Co-op, Better Books, abAna, as well as his involvement in the Destruction in Art Symposium, Fylkingen, and his publishing imprint Writers Forum.\u003c\/p\u003e\n\u003cp\u003eEdited by William Cobbing and Rosie Cooper – and illustrated with numerous reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – Boooook features contributions by Adrian Clarke, William Cobbing, Rosie Cooper, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Marc Matter \u0026amp; Tris Vonna-Michell, David Toop, Steve Willey, Andrew Wilson and Maxa Zoller.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886144397542,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_85650329.jpg?v=1634665108"},{"product_id":"haiku-sandwiches-poetry-in-bread-by-not-a-sausage","title":"HAIKU SANDWICHES: POETRY IN BREAD by Not A Sausage","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135 x 165mm, 130 pages, 7 colour risograph throughout, Wire-O bound, Foil detail on card cover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHaiku Sandwiches realises the connections between poetry and cooking, the ritual and ceremony in the everyday, breaking the sandwich out of the triangular shaped box and offering it up as a tool for expression.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Not A Sausage","offers":[{"title":"Default Title","offer_id":41886267736294,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0146.jpg?v=1634667970"},{"product_id":"love-letter-by-honza-zamojski","title":"LOVE LETTER By Honza Zamojski","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e235 x 315 mm, 81 pages, Black \u0026amp; white offset printed, Exposed glue bound, Hardcover, Ed. of 350, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“In Love Letters, Honza Zamojski elegantly subverts his multidisciplinary practice with his signature touch of comic brevity, confronting The Fear, a reluctant muse that shape shifts the artist’s varying outputs into a masterful publication of prose and imagery.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Onestar Press","offers":[{"title":"Default Title","offer_id":41886272258278,"sku":"","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3129.jpg?v=1634668309"},{"product_id":"machine-by-james-knight","title":"MACHINE by James Knight","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 40 pages, Black and white printing, Perfect Bound, Ed. of 100, 2020.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMachine is a winding and multi-voiced visual poem exploring the interactions and iterations of human and machine.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Trickhouse Press","offers":[{"title":"Default Title","offer_id":41886276255974,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/40_2048_b9a99698-a646-4a76-b255-7b97f65e3cd9.jpg?v=1634668467"},{"product_id":"bvm2qosx5h9tpvinah8y1bmekibegl","title":"GO BOX GO by Noah Ross","description":"\u003cp class=\"\"\u003e76 x 127mm, 8 pages, Black \u0026amp; white printing, Hand sewn, Card cover, Ed. of 20, 2020\u003c\/p\u003e\n\u003cp class=\"\"\u003eTypewriter \/ visual \/ concrete poetry\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Noah Ross","offers":[{"title":"Default Title","offer_id":41886281498854,"sku":"","price":4.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/2A674C07-ED94-43AB-9E1C-82870AF3F138.jpg?v=1634668854"},{"product_id":"exchange-a-neo-futurist-idiom-mapping-by-konstantinos-papacharalampos","title":"EXCHANGE: A NEO-FUTURIST IDIOM MAPPING by Konstantinos Papacharalampos","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e130 x 200mm, 38 pages, black and white printing, perfect bound, 2020,\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCo-published with \u003cmeta charset=\"utf-8\"\u003eProte(s)xt\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Exchange’ maps a transformation of language, body and land into neo-futurist DNA. Structured as hybrid of poetry, text-based art, maps and illustrations, and featuring a combination of mainly English and some Greek, ‘Exchange’ takes the reader\/performer through possibilities of expanding futures, exploring times where mortality of world citizens is radically replaced with help from surveying-based linguistics. ‘Exchange’ is a whirlwind, leaving behind poetic fragments of neo-futurist thought concerned with self-identity and belonging. It’s bold and unpredictable, almost in doubt of itself, perhaps due to the uncertainty of the future that it lives in. Having followed Papacharalampos for a while through his publications in Greece, it’s very exciting to read his first pamphlet in English. This is another futuristic gem from Hesterglock Press! – Astra Papachristodoulou ‘Exchange’ is an imaginary map of the elusive self. Or perhaps it is a cryptographic description of utopia, chopped into lines and blocks. Papacharalampos invites us to stroll through a poem, then scribbles us out just as we are getting comfortable. As the loopy footnote says, nothing would be the same. – James Knight Konstantinos Papacharalampos (London) works in poetry, performance, installation and regeneration, focusing on mutating futures. He is the author of three poetry books in Greek and one in English; ‘Exchange: a neo-futurist idiom mapping’ (Hesterglock Press 2020). His work has been exhibited in MOMus\/ Museum of Contemporary Art (Greece) and archived as part of the Open Folios programme in MOMus\/ Experimental Center for the Arts. His poems have been translated in German and Russian, and performed in the UK and Greece, including Kensington and Chelsea Art Week, European Poetry Festival, The Poetry Café, University of Brighton and Velorose Gallery. His work appeared in anthologies and magazines around the world including Litmus, Perspektive, ‘Futures: Poetry of the Greek Crisis’ (Penned in the Margins 2015), ‘Dichtung mit Biss’ (Freie Universität Berlin: Romiosini\/ CeMoG 2018) and ‘Writing Utopia 2020’ (Hesterglock Press 2020), amongst others. His performance ‘Odysseus, give me a like’ was commissioned by the 62nd Philippi Festival.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Hesterglock Press","offers":[{"title":"Default Title","offer_id":41886282940646,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0362jpg0301.jpg?v=1634668701"},{"product_id":"eecchhooeess-by-norman-h-pritchard","title":"EECCHHOOEESS by Norman H. Pritchard","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e145 x 210mm, 66 pages, black and white printing, perfect bound, hardcover with colour printed dust jacket, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eEECCHHOOEESS\u003c\/em\u003e is Norman H. Pritchard’s second and final book, originally published in 1971 by New York University Press, and now reissued by DABA. Pritchard (1939–1996) was an American poet affiliated with the Umbra group. Active in New York’s downtown art, film, and theater scenes in the 1960s and early ’70s, he taught writing for some time at the New School for Social Research, and published only one other book of poetry: the collection \u003cem\u003eThe Matrix: Poems 1960–1970\u003c\/em\u003e (Doubleday, 1970).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePritchard’s writing is visually and typographically unconventional. His methodical arrangements of letters and words disrupt normative optical flows and lexical cohesion, modulating the speeds of reading and looking by splitting, spacing, and splicing linguistic objects. His manipulation of text and codex resembles that of concrete poetry and conceptual writing, traditions from which literary history has mostly excluded him. Pritchard also worked with sound, and his dynamic readings—documented, among few other places, on the album \u003cem\u003eNew Jazz Poets\u003c\/em\u003e (Folkways Records, 1967)—make themselves heard on the page.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eEECCHHOOEESS\u003c\/em\u003e exemplifies Pritchard’s formal and conceptual sensibilities. A book of ascents and descents, mirrors and doublings, opaque signs, and stuttering repetition, \u003cem\u003eEECCHHOOEESS\u003c\/em\u003e provides an entryway into the work of a poet whose scant writings have only recently achieved wider recognition. DABA’s publication of \u003cem\u003eEECCHHOOEESS\u003c\/em\u003e is unabridged and closely reproduces the design of the original 1971 volume.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"DABA","offers":[{"title":"Default Title","offer_id":41886286446822,"sku":"","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8928jpg0429.jpg?v=1634669109"},{"product_id":"oei-8081-the-zero-alternative-ernesto-de-sousa-and-some-other-aesthetic-operators-in-portuguese-art-and-poetry-from-the-1960s-onwards-edited-by-jonas-j-magnusson-amp-cecilia-grnberg","title":"OEI #80–81: THE ZERO ALTERNATIVE: ERNESTO DE SOUSA AND SOME OTHER AESTHETIC OPERATORS IN PORTUGUESE ART AND POETRY FROM THE 1960S ONWARDS edited by Jonas (J) Magnusson and Cecilia Grönberg","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e195 x 300mm, 640 pages, Colour printing, Perfect bound, Softcover, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eOEI\u003c\/em\u003e editors Jonas Magnusson and Cecilia Grönberg are quick to correct anyone who might see issue 80-81, \u003cem\u003eThe Zero Alternative\u003c\/em\u003e, as an anthological publication. For them, it is “a montage based publication trying, in as material a way as possible, to register, prolong, transform, and reflect upon energies from the work of Ernesto de Sousa and some of his fellow aesthetic operators.” In this celebration of de Sousa, a prominent twentieth-century Portuguese multidisciplinary artist, writer, and curator, Magnusson and Grönberg have curated a selection of work by artists, experimental poets, and writers that were apart of de Sousa’s contemporaneous circuit, those that were outside of such a designation but whose work reflects his cultural and political interests, and contemporary artists whose outputs are equally suited to de Sousa’s concerns.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eOEI #80-81\u003c\/em\u003e is not an anthological publication, and has no representative ambition. It is a montage-based publication trying, in as material a way as possible, to register, prolong, transform and reflect upon energies from the work of Portuguese artist Ernesto de Sousa and his fellows (Alberto Carneiro, Túlia Saldanha, Álvaro Lapa, Fernando Calhau, Lourdes Castro, Ana Vieira, Ana Hatherly, E.M. de Melo e Castro, António Barros...). Ernesto de Sousa and his fellows defined themselves as aesthetic operators and worked as filmmakers, photographers, curators, critics, writers, folk art researchers, multimedia artists... \u003cem\u003eOEI #80-81\u003c\/em\u003e also gathers texts on magazines such as \u003cem\u003ePoesia Experimental\u003c\/em\u003e, \u003cem\u003eOperação\u003c\/em\u003e, \u003cem\u003eNova\u003c\/em\u003e, \u003cem\u003eA Urtiga\u003c\/em\u003e, and \u003cem\u003eAlternativa\u003c\/em\u003e; and works by artists from younger generations such as Isabel Carvalho, Paulo Mendes and Mariana Silva, in dialogue with that of de Sousa.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"OEI","offers":[{"title":"Default Title","offer_id":41886287855846,"sku":"","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9314jpg0605.jpg?v=1634668940"},{"product_id":"nature-of-objects-by-carlos-soto-romn","title":"NATURE OF OBJECTS by Carlos Soto-Román","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e210 x 148 mm, 168 pages, Black \u0026amp; white printing, Softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMultilingual (Spanish\/English) poems by Chilean radical poet, Carlos Soto-Román.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eIn Nature of Objects, Carlos Soto-Román proposes and exacts two different and complimentary feats. First, in Pierrot le Fou, the poet enters the lacunae of the unspeakable and wreaks language out from the naked fact of letters — the feeling I have is that Mallarmé and M. NourbeSe Philip have collided on the screen of a tender and enabling pillow of artificial intelligence….” — \u003c\/em\u003eRachel Levitsky.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Pamenar Press","offers":[{"title":"Default Title","offer_id":41886297686246,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3016023.jpg?v=1634669339"},{"product_id":"untitled-by-owen-piper-gary-browne","title":"UNTITLED by Owen Piper \u0026 Gary Browne","description":"\u003cp\u003eA5, 20 pages, Black and white printed, Saddle stitched, 2015\u003c\/p\u003e\n\u003cp\u003eAnd the potato prints keep on coming!!! This time, Owen collaborates with Gary Browne to deliver a winding short short 'short' story.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"The Maris Piper Press","offers":[{"title":"Default Title","offer_id":41886367416550,"sku":"","price":3.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/040_D_ea683bf2-42f7-47a6-a126-46b0751e8b6c.jpg?v=1634671441"},{"product_id":"watch-your-personal-equation-by-jamie-bolland","title":"WATCH YOUR PERSONAL EQUATION by Jamie Bolland","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e20 x 21cm, 24 pages, Black \u0026amp; white printed, Saddle stitch, Softcover, 2015\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom Glasgow based musician, writer and artist Jamie Bolland.  Floating somewhere between Constructivist cut and paste, concrete texts, and found images, 'Watch Your...' is an accompaniment to Jamie's work in the current show here at Good Press, \u003cem\u003eA Slowly Built Burner\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Slo Mo Books","offers":[{"title":"Default Title","offer_id":41886367908070,"sku":"","price":6.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1726.jpg?v=1634671458"},{"product_id":"untitled-enzyme-by-owen-piper-christopher-lg-hill","title":"UNTITLED (ENZYME) by Owen Piper and Christopher LG Hill","description":"\u003cp\u003eA5, 20 pages, black and white printing, saddle stitched, 2015\u003c\/p\u003e\n\u003cp\u003eA worldy collaboration between Glasgow's Owen Piper and Melbourne's Christopher LG Hill. Two of our favourite artists in the world team up - poem by Christopher, potatoes by Owen - to bring you a short story from the earth\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"The Maris Piper Press","offers":[{"title":"Default Title","offer_id":41886367973606,"sku":"","price":3.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/046_D_0b33ddd8-b0c7-4f5b-bef2-fc8e3d3ec175.jpg?v=1634671459"},{"product_id":"what-a-slight-what-a-sound-what-a-universal-shudder-by-eve-fowler-signed","title":"WHAT A SLIGHT. WHAT A SOUND. 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This will be the first major European presentation of Fowler’s work, reflecting and further expanding on the artist’s intense and intimate engagement with the words of Gertrude Stein over the past eight years.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eThis book has been beautifully designed by Valerie Norris, and contains newly\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003ecommissioned texts by writers and poets such as Sophie Collins, Eileen Myles and Litia Perta, as well a conversation between Fowler and DCA\u0026amp;#39;s Head of Exhibitions Eoin Dara.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eEve Fowler (b. 1964, Philadelphia) currently lives and works in Los Angeles. A graduate of Temple University (BA, 1986), and Yale University (MFA, 1992), Fowler also organises Artist\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eCurated Projects in Los Angeles. She has staged recent solo exhibitions at Participant Inc, New York; Fourteen30 Contemporary, Portland; Mier Gallery, Los Angeles and at Artspace, Sydney. Her work was recently included in Virginia Woolf: An Exhibition Inspired by Her Writing at Tate St Ives, Sites of Reason: A Selection of Recent Acquisitions at the Museum of Modern Art in New York and in the Manifest Destiny billboard project, organized by LAND in 2014. Her book Anyone Telling Anything Is Telling That Thing was published by Printed Matter in September of 2013. Her second book, Hustlers, was published in May of 2014 by Capricious Publishing. Fowler’s work is included collections such as The Los Angeles County Museum of Art; The Hammer Museum, Los Angeles; The Museum of Modern Art, New York; The Museum of Modern Art, San Francisco; and The Smithsonian Institute, Washington, D.C. She is represented by Mier Gallery in Los Angeles.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"DCA","offers":[{"title":"Default Title","offer_id":41886375313638,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/06_D_5c0217a9-6a8d-4c86-ad88-b20134fbf583.jpg?v=1634671552"},{"product_id":"text-machine-by-claire-yspol","title":"TEXT MACHINE by Claire Yspol","description":"\u003cp style=\"white-space: pre-wrap;\"\u003eA5, 24 pages, black and white printing throughout, saddle stitched, 2018\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eTEXT MACHINE is an artist publication that doubles as a ‘machine’ to generate text with. It allows you to use the different sets of words and phrases as starting points for your own text. Each completed document will of course be unique. It’s a collaboration between the artist and the reader\/writer.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Claire Yspol","offers":[{"title":"Default Title","offer_id":41886379966694,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1688_9b98917e-3d09-4ed7-b7f4-46e2dea64f8d.jpg?v=1634671617"},{"product_id":"the-moors-by-owen-piper","title":"THE MOORS by Owen Piper","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 20 pages, black and white printing, various coloured paper stocks, single staple bound.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePotato printed poetry from the only press in that game - Maris Piper.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Maris Piper Press","offers":[{"title":"Default Title","offer_id":41886396186854,"sku":"","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/081_D_dd6990c3-64d6-4a3b-8db1-f321ae073f97.jpg?v=1634671934"},{"product_id":"the-nomadic-listener-by-budhaditya-chattopadhyay","title":"THE NOMADIC LISTENER by Budhaditya Chattopadhyay","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15 x 21cm, 124 pages, Black and white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBased on the author's artistic research on migration, contemporary urban experience, and sonic alienation, \u003cem\u003eThe Nomadic Listener\u003c\/em\u003e is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEach text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising, and random interactions found in traveling. \u003cem\u003eThe Nomadic Listener \u003c\/em\u003eincludes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by Gruenrekorder and accessed through a QR code included in the book.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Errant Bodies","offers":[{"title":"Default Title","offer_id":41886405165286,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0751112.jpg?v=1634672143"},{"product_id":"the-chips-are-down-here-in-lockdown-by-carolyn-hashimoto","title":"THE CHIPS ARE DOWN HERE IN LOCKDOWN by Carolyn Hashimoto","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e153 x 230mm, 16 pages, full colour printing, saddle stitched, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eToo delicious to be taken in through a single reading, Carolyn Hashimoto’s work is intricate, extreme, layers upon layers of poetry upon visual art upon poetry, each page revealing itself more and more through each time it is taken in. The Chips are Down Here in Lockdown is a champion work of experimental poetry, pushing the limits of form, texture, subject, and space. It is gripping, lovable, heart-wrenchingly honest…. an absolute must read!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e- Meredith Grace Thompson, editor of BlueHouse Journal, author of Procrastinación\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Orange Apple Press","offers":[{"title":"Default Title","offer_id":41886417682662,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1275jpg0529.jpg?v=1634672681"},{"product_id":"things-are-not-in-space-space-are-in-things-by-j-bolland","title":"THINGS ARE NOT IN SPACE, SPACE ARE IN THINGS by J. 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An aide to create and also pass the time, the result is a poetic and immediate artists publication which is both visual and textual.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Slo Mo Books","offers":[{"title":"Default Title","offer_id":41886419189990,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0175001.jpg?v=1634672791"},{"product_id":"temporary-spaces-an-anthology-of-visual-poetry-edited-by-astra-papachristodoulou-amp-nic-stringer","title":"TEMPORARY SPACES: AN ANTHOLOGY OF VISUAL POETRY edited by Astra Papachristodoulou and Nic Stringer","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 48 pages, Colour printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAn Anthology of Visual Poetry featuring Claire Collinson, Sarah Dawson, Stephen Emmerson, Paul Hawkins, James McKnight, Matt Martin, Stephen Mooney, Astra Papachristodoulou, Michelle Penn, Silje Ree, Nic Stringer \u0026amp; Simon Tyrell\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Pamenar Press","offers":[{"title":"Default Title","offer_id":41886426497254,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3036001.jpg?v=1634673140"},{"product_id":"scores-for-perfomance-poetry-by-noah-lebien","title":"SCORES FOR PERFOMANCE POETRY by Noah LeBien","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e21.5 x 14cm, 80 pages, Black \u0026amp; white printing, Perfect bound, Softcover, Ed. of 200, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“… an exploration of visual poetic representations of the body by trans artist Noah LeBien. The images from “urethras” and “anuses” are taken from performances they did in which the visual effects on my body were generated by my voice as she read their poems. The images were taken by a camera that was triggered by my voice. Similarly, the images from “navels,” “skirts” and “lines” are visual representations of the soundwaves of their voice. Instead we should call them “waves” instead of “lines” of poetry if poetry is essentially an auditory art form. The act of “reading“ these scores is meant to literally create a rift in authority; the “text” is not a rigid demarcation of an authoritative patriarchal self, it is an instrument that creates a real opening.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":42033579753702,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9878024.jpg?v=1636564132"},{"product_id":"the-the-by-kasper-andreasen","title":"THE THE by Kasper Andreasen","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 149 mm, 40 pages, Black \u0026amp; white printed, Saddle stitched, Softcover, Ed. of 50, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“'The The' is a list in the form of a passport-sized booklet, a series of two-word combinations in which the first word (which is a variable) is followed by the word ‘the’. The words on the pages unfold as a sequence of statements which have a self-reflexive mantra.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Kasper Andreasen","offers":[{"title":"Default Title","offer_id":42268893348070,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5315021.jpg?v=1641386487"},{"product_id":"introverse-arrangements-by-ruth-wolf-rehfeldt","title":"INTROVERSE ARRANGEMENTS by Ruth Wolf-Rehfeldt","description":"\u003cp\u003e111 x 185mm, 28 pages, Black \u0026amp; White printing, Saddle stitched, Softcover, 2020\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecentred on the work of German artist Ruth Wolf-Rehfeldt who, despite only recently garnering attention for her work, is most known for a period of geometric and poetic typewriter drawings produced between the 1970s and 1990 while employed as an administrator for the German Democratic Republic.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt is the first title from Unbidden Tongues, a series edited by Isabelle Sully that focuses on previously produced yet relatively uncirculated work by cultural practitioners busy with questions surrounding civility and civic life—particularly so in relation to language.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Publication Studio Rotterdam","offers":[{"title":"Default Title","offer_id":42300007481574,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6562029.jpg?v=1642003382"},{"product_id":"oral-informants-by-janet-mccalman","title":"ORAL INFORMANTS by Janet McCalman","description":"\u003cp\u003e140 x 225mm, 32 pages, Black \u0026amp; white printing, Saddle stitched, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e... \u003c\/em\u003edraws on the work of Australian social historian Janet McCalman who, in 1998, published a comprehensive history of the Melbourne Women’s Hospital. Written through the medical records of the women who were at one time or another the hospital’s temporary residents, McCalman’s account draws on a vast archive of 14,000 gynaecology records and over 70,000 midwifery records to build the hospital’s history through the administrative documents that litter its archive. Composed of an article written by McCalman in 1999 as well as a case file of original nursing notes,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOral Informants\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresents the ethics and process of penning a (medical) history lesson uniquely based in the oral testimony of women.\u003c\/p\u003e\n\u003cp\u003eIt is the fourth title from Unbidden Tongues, a series edited by Isabelle Sully that focuses on previously produced yet relatively uncirculated work by cultural practitioners busy with questions surrounding civility and civic life—particularly so in relation to language.\"\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Publication Studio Rotterdam","offers":[{"title":"Default Title","offer_id":42300021702886,"sku":"","price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6558025.jpg?v=1642004097"},{"product_id":"fissure-through-rather-heavy-wisps-of-by-robin-everett","title":"FISSURE THROUGH RATHER HEAVY, WISPS OF by Robin Everett","description":"\u003cp\u003e112 x 180mm, 96 pages, Black \u0026amp; white printed, Perfect bound, Softcover, Ed. of 107, 2020\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn algorithmic re-reading of Virginia Woolf’s novel The Waves. 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With an afterword by Neal Cahoon.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"TEXST","offers":[{"title":"Default Title","offer_id":42536338325734,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3436016.jpg?v=1646312356"},{"product_id":"copy-of-oei-90-91-sickle-of-syntax-and-hammer-of-tautology-concrete-and-visual-poetry-in-yugoslavia-1968-1983-edited-by-sezgin-boynik","title":"OEI # 90-91: SICKLE OF SYNTAX and HAMMER OF TAUTOLOGY: CONCRETE AND VISUAL POETRY IN YUGOSLAVIA 1968-1983 edited by Sezgin Boynik","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e195 x 300mm, 304 pages, Colour printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOEI # 90-91: Sickle of Syntax \u0026amp; Hammer of Tautology offers the first English language overview of the history of concrete and visual poetry production in socialist Yugoslavia between 1968 and 1983. By focusing on mass-produced examples of concrete poetry, this publication presents these poetic experiments as organically linked to social movements, critical theories, and youth cultural revolutions. In his extensive introduction, Sezgin Boynik, the guest editor of this special issue of OEI, discusses concrete and visual poetry in socialist Yugo-slavia as an uneven and combined development, and emphasizes its confrontational and organizational aspects. By means of interviews, translations, reproductions, and theoretical and historical statements, OEI # 90-91 offers a picture of a very lively scene of concrete and visual poetry in Yugoslavia, which unfortunately is not as recognized interna-tionally as it would deserve. Hoping that OEI # 90-91 could contribute to this task in a substantial way, we present episodes from the early years of OHO formation and its complex theories of words and things; an interview with Rastko Močnik on programmed art and political formalism; militant polemics of Goran Babić; Signalist contradictions; subjective structural devices of Judita Šalgo; zaum experiments of Vojislav Despotov; detective meta-texts of Slavoj Žižek; historicisation of Ažin school for experimental poetry; democratisation of visual poetry by Westeast; selections from special issues of the journals Pitanja, Problemi, Ulaznica, Dometi, Delo, Koraci, Vidik, Pegaz, and many other materials translated here for the first time and presented in one publication.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"OEI","offers":[{"title":"Default Title","offer_id":42693462261990,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9338jpg0605_c223fc45-485c-4c9c-8c07-b6301638e6e4.jpg?v=1647615368"},{"product_id":"copy-of-oei-66-process-poem-poema-processo-edited-by-jonas-j-magnusson-cecilia-gronberg-and-tobi-maier","title":"OEI #66 PROCESS\/POEM — POEMA\/PROCESSO edited by Jonas (J) Magnusson, Cecilia Grönberg and Tobi Maier","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e195 x 300mm, 640 pages, full colour printing, perfect bound, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“We were not claiming European influences, as concrete poetry did. Europe would not accept a visual culture born in Brazil, so this claiming was necessary for concrete poetry, but not for poema\/processo as it had pan-Latin-American connections” (Wlademir Dias-Pino)\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAlready a classic, this issue of \u003cem\u003eOEI\u003c\/em\u003e presents the Brazilian avant-garde movement Poema\/Processo through a huge selection of images, poems, and short essays, showing the different strategies this movement used between 1967 an 1972 in order to survive and develop under the pressure of the militarian regime. Are also featured three other less-known Brazilian movements from the 60s, 70s and early 80s: poesia práxis, poesia marginal, pornismo.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith Wlademir Dias-Pino, Wlademir Dias-Pino, Moacy Cirne, Álvaro de Sá, Fernanda Nogueira, Priscilla Guimarães Martins, João Felício dos Santos, Rogerio Camara, Neide de Sá, Eduardo Kac, Antonio Sergio Bessa, Décio Pignatari, Luis Ângelo Pinto, Décio Pignatari, Dailor Varela, Falves Silva, Jota Medeiros, Cristina Freire, Dácio Galvão, Clemente Padín, Almandrade, Mário Chamie, Sergio Cohn, Omar Khouri, Régis Bonvicino, Regina Silveira, Hudinilson Jr.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"OEI","offers":[{"title":"Default Title","offer_id":42693469077734,"sku":"","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9348jpg0605_59b31f09-0c8c-4b17-909d-ae3c920c39e7.jpg?v=1647615504"},{"product_id":"oei-86-87-publishing-practices-publishing-poetics-edited-by-jonas-j-magnusson-and-cecilia-gronberg","title":"OEI #86\/87 PUBLISHING PRACTICES, PUBLISHING POETICS by Jonas (J) Magnusson \u0026 Cecilia Grönberg (Eds.)","description":"\u003cp\u003e195 x 300mm, 640 pages, Colour printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease note, some of the content of this book is written in English, and some of it in Swedish.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBringing together contributions from circa 130 publishing structures, publishing communities, magazines, small press endeavors, artists, poets, writers, editors, theoreticians, curators, scholars, and art bookstores,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOEI\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e# 86–87 reflects upon the challenges, pressures and possibilities of publishing and creating publics in different contexts and places in a time of far-reaching – economical, medial, political, social, technological – transformations.\u003c\/p\u003e\n\u003cp\u003eThe potential and the versatility of publishing open it to a diversity of practices and approaches in the arts, but as an eminently social form of art, a collective or micro-collective work with shared responsibilities, it is also a never-ending process of “crafting a variegated approach to how you create, publish, distribute, and build a social ecosystem around your efforts”, of trying to “build up and strengthen the community around these printed forms” (Temporary Services).\u003c\/p\u003e\n\u003cp\u003eIt is the conviction of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOEI\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e#86–87 that print has the power to play an important part in the construction of social spaces, of a social world. As Benjamin Thorel puts it in one of the essays in the issue, “conceiving of the dynamics of publishing as making publics as well as making things public is not a pun – insofar as the artists\/publishers encompass, beyond the book itself, its possible ‘lives’, imagining the different spaces, and the different people, amongst whom a publication will circulate.” This is what Michael Warner has called “a public [as] poetic worldmaking”, implying “that all discourse or performance addressed to a public must characterize the world in which it attempts to circulate, projecting for that world a concrete and livable shape, and attempting to realize that world through address.”\u003c\/p\u003e\n\u003cp\u003eThis is also, as stressed by Annette Gilbert and others, what can make publishing such an active force, a force co-constituting texts and publications and publics. Indeed, with Michalis Pichler, it is tempting to say that in publishing as practice – perhaps more than in any other art field – “artists have been able to assert the aesthetic value of their own socio-politically informed concerns and to engage, often under precarious conditions, in cultural activities fully aligned with their political values.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOEI\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e#86–87 also includes sections on and with contemporary poetry from Canada; Fluxus publishing; Krister Brandt\/Astrid Gogglesworth; Kalas på BORD (Öyvind Fahlström); Lars Fredrikson; Claude Royet-Journoud’s poetry magazines; Carl Einstein; Gail Scott; Ållebergshändelser; OEI #79: edit\/publish\/distribute!; “det offentligas försvinnande” and many many other things.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"OEI","offers":[{"title":"Default Title","offer_id":42693596938470,"sku":"","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5683039.jpg?v=1647620041"},{"product_id":"10-000-hand-drawn-questions-by-peter-jaeger","title":"10,000 HAND-DRAWN QUESTIONS by Peter Jaeger","description":"\u003cp\u003e205mm x 205mm, 144 pages, Black and white printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book blurs established boundaries between poetry and the visual arts. It consists of a series of photographs of extemporized questions that Jaeger drew\/wrote by hand during the pandemic lockdown. As derek beaulieu writes in the book’s afterword, “What is the difference between hand-drawn and hand-written? 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Taking us on slippery nights out fuelled by chemsex, on drunken lads’ holidays, and into the quiet violence of small domestic moments, this is a world where tracksuits hide queer desire, where shame masks vulnerability, where wallets hide wraps of crystal meth.  \u003c\/p\u003e\n\u003cp\u003eFrom the eager trepidation of teenage sex, to the ecstasy of parties, to the stigma around HIV, Limbic is at once a therapy and a celebration, showing how queer learning can be both soft-edged and brutal at once. An exploration of masculinity, addiction and trauma, this is a revelatory collection of poems; wise, tender, and vital.\u003c\/p\u003e\n\u003cp\u003ePublished by  \u003c\/p\u003e","brand":"Cipher Press","offers":[{"title":"Default Title","offer_id":42742719086822,"sku":"","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7289026.jpg?v=1648734699"},{"product_id":"a-cigar-caught-in-the-lilies-by-emily-joyce","title":"A CIGAR CAUGHT IN THE LILIES by Emily Joyce","description":"\u003cp\u003e165 x 229mm, full colour printing, perfect bound, softcover, edition of 500, 2019\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA Cigar Caught In The Lilies is a book of visual concrete poetry written and constructed by Emily Joyce, an abstract painter by trade. The poems were written with a sense of urgency, but also in secret, beginning in November 2016, when the shock of the election coincided with personal traumas. The resulting collection is Joyce’s diaristic response to the despairing climate of the world at this time in history. The end of time? The end of history? Joyce’s poems are observational, reflective, heartbreaking and humorous.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Hesse Press","offers":[{"title":"Default Title","offer_id":42761012510950,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1037001.jpg?v=1651160119"},{"product_id":"the-clearing-by-jjjjjerome-ellis","title":"THE CLEARING by JJJJJerome Ellis","description":"\u003cp\u003e254 x 330mm, 128 pages, black and white printing, perfect bound, softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJJJJJerome Ellis’s \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Clearing\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e asks how stuttering, blackness, and music can be practices of refusal against hegemonic governance of time, speech, and encounter. Taking his glottal block stutter as a point of departure, Ellis figures the aporia and the block as clearing to consider how dysfluency, opacity, and refusal can open a new space for relation. Stemming from Ellis's essay \"The clearing: Music, dysfluency, Blackness, and time,” published in 2020 in the \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eJournal of Interdisciplinary Voice Studies\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Volume 5, Issue 2) the present volume transcribes and translates his investigation across genres and media, turning to the page to ask: How can a book bear the trace of music, and the racialized, disabled body? Can a book be not just a manuscript, but a glottoscript? Ellis opens space for thinking liberation theoretically, historically, and lyrically.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book is released in tandem with \u003c\/span\u003ean album\u003cspan data-mce-fragment=\"1\"\u003e co-produced by \u003c\/span\u003eNorthern Spy\u003cspan data-mce-fragment=\"1\"\u003e \/ \u003c\/span\u003eNNA Tapes\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003eThe Poetry Project\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eJJJJJerome Ellis\u003cspan data-mce-fragment=\"1\"\u003e is a blk disabled animal, stutterer, and artist. Through music, literature, performance, and video, he explores blkness, disabled speech, and music as forces of refusal, possibility, reparation, and healing. His diverse body of work includes contemplative soundscapes using saxophone, flute, dulcimer, electronics, and vocals; scores for plays and podcasts; albums combining spoken word with ambient and jazz textures; theatrical explorations involving live music and storytelling; and music-video-poems that seek to transfigure historical archives. JJJJJerome’s solo and collaborative work has been presented by Lincoln Center, The Poetry Project, and ISSUE Project Room (New York); MASS MoCA (North Adams, Massachusetts); REDCAT (Los Angeles); Arraymusic (Toronto); and the Center for African American Poetry and Poetics (Pittsburgh, Pennsylvania), among others. He is a signed artist with NNA Tapes. His work has been covered by \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThis American Life\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eArtforum\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBlack Enso\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eChristian Science Monitor\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e. JJJJJerome collaborates with James Harrison Monaco as James \u0026amp; Jerome or Jerome \u0026amp; James. Their recent work explores themes of border crossing and translation through music-driven narratives. They have received commissions from the Metropolitan Museum of Art and Ars Nova.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Wendy’s Subway","offers":[{"title":"Default Title","offer_id":42761074180326,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8557199.jpg?v=1649252037"},{"product_id":"in-writing-by-charlie-godet-thomas","title":"IN WRITING by Charlie Godet Thomas","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e150 x210 mm, 85 pages, black and white and colour printing, perfect bound, softcover, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWith a Blakean approach to pairing writing and imagery, turning words into space and space into words, linguistic and enviromental catastrophe meet in sublime oil-slick landscapes, where they spiral downwards into voided sunsets and vacant geologies. Charlie Godet Thomas’ work reveals what language communicates in its break downs and glitches, what we talk about when we can’t talk about anything at all. In Illuminated manuscripts where commonplace detritus litters prophetic visions, the unsettling worries of the inanimate come as a warning to the surface. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn Writing presents a collection of Charlie Godet Thomas’s poems and drawings. This is a limited edition book of 100, commissioned and published by TACO!, designed by An Endless Supply and with an introduction by writer Matthew Turner. The book includes 83 illustrated works, each hand drawn in Godet Thomas’s signature graphic approach to word play and imagery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"TACO!","offers":[{"title":"Default Title","offer_id":42834633392358,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0010001.jpg?v=1651058849"},{"product_id":"type-i-by-max-parnell","title":"TYPE I by Max Parnell","description":"\u003cp\u003e154 x 228mm, 318 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Type I enacts a hyperreality, in which the effects of climate change are damaging our world, and technological advances are held up as the key innovative tools for alleviating ecological collapse. Merging poetics, visuals, fiction and essaying to create a vivid, multi-layered novel, Max Parnell's debut offers up not only an immersive portrayal of two anthropologists taking part in a VR experiment, but also an in-depth commentary on the complexity of tech-human relations, and the dangers of optimisation. This novel allowed me to explore virtual realities whilst engaging with questions of vital importance in our contemporary moment. Its beautiful language and subtle unravelling of the narrative generate an eerily futuristic atmosphere, and a creeping sensation of apophenia.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Dostoyevsky Wannabe","offers":[{"title":"Default Title","offer_id":42876696985830,"sku":"","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2133025.jpg?v=1651662462"},{"product_id":"apollinaire-and-other-horses-by-vilde-bjerke-torset","title":"APOLLINAIRE AND OTHER HORSES by Vilde Bjerke Torset","description":"\u003cp\u003e126 x 203mm, 20 pages, Black \u0026amp; white printing, Saddle stitched, Softcover, Ed. of 100, 2022\u003c\/p\u003e\n\u003cp\u003e\"a cow is something like a horse. that is, it is roughly made in the same way and moves on four legs but if we try to draw one as we did the horse, we get something like this. 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