{"title":"Self-Organisation","description":"","products":[{"product_id":"bee-works-by-klaus-weber","title":"BEE WORKS  by Klaus Weber","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e18.5cm x 27cm , 40 pages, full colour printing throughout, perfect bound, 2009.\u003c\/p\u003e\n\u003cp\u003e'Bringing together new work by Klaus Weber for his first solo show in Scotland at Transmission Gallery, Glasgow in 2009. This energetic publication records the production of a series of paintings (stretched canvases that have been defecated on by \"cleansing\" bees) and the subsequent proposal for an action to cause a bee swarm on the statue of Adam Smith in Edinburgh. Serving as a rhetorical \"collective hallucination\" with regard to Smith's intellectual legacy, Klaus Weber continues to develop fresh and exciting challenges to normative social relations through the historical symbolism of the hive as social metaphor and art as a social strategy. The catalogue includes an essay by Tom Holert.'\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Transmission Gallery","offers":[{"title":"Default Title","offer_id":41886119231718,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/072_D.jpg?v=1634664213"},{"product_id":"1996-bis-by-various-artists","title":"1996 (BIS)  by Various Artists","description":"\u003cp\u003e 18cm x 23.5cm, 36 pages, single colour risograph printing throughout, saddle stitched.\u003c\/p\u003e\n\u003cp\u003eA collection of fax correspondence produced by Transmission Gallery, Glasgow.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Transmission Gallery","offers":[{"title":"Default Title","offer_id":41886120083686,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D.jpg?v=1634664251"},{"product_id":"05symsfr19u6mqk6pycd4f4oxzs06a","title":"DISTRIBUTED by Various Artists","description":"\u003cp class=\"\"\u003e\u003cbr\u003e21.5 x 15.7cm, 252 pages, Offset printed, Perfect bound, Softcover, 2018\u003c\/p\u003e\n\u003cp class=\"\"\u003e“For those who would seek to influence others, the distribution of ideas is paramount. Similarly, for those holding ambition to secrete knowledge for reasons of authority, or to protect the fruits of intellectual labour for reasons of profit or ethical concern, dissemination is key. Certainly before, but more importantly since, the Gutenberg Bible, the predicament of the power of knowledge has lain not with its generation but with the control of its dispersion. \u003cbr\u003e\u003cbr\u003eThis new volume in the Occasional Table series of critical anthologies focusses attention on the act of distribution as a subject for serious creative consideration and one of great social and economic importance. Contributors from a variety of backgrounds paint a big picture that embraces the actions of the individual along-side the workings of global markets. From the attention-seeking impulse of the poseur to the democratisation of art and knowledge through books, digital networks, pop music and self-organised libraries, and to the question of what can be known and by whom, the urge to disseminate is explored here as an elemental phenomenon of our time.”\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdited by David Blamey \u0026amp; Brad Haylock\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Open Editions","offers":[{"title":"Default Title","offer_id":41886140334310,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57991212.jpg?v=1634664952"},{"product_id":"abolishing-the-police","title":"ABOLISHING THE POLICE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e118 x 168mm, 255 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e“This is the first time we are seeing… a conversation about defunding, and some people having a conversation about abolishing the police and prison state. This must be what it felt like when people were talking about abolishing slavery.”\u003c\/em\u003e – Patrisse Cullors, Black Lives Matter.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAbolishing the Police (An Illustrated Introduction) is both a contribution to this conversation and an invitation to join it. It provides rigorous and accessible analyses of \u003cem\u003ewhy we might want to abolish the police\u003c\/em\u003e, \u003cem\u003ewhat abolishing them would involve\u003c\/em\u003e, and \u003cem\u003ehow it might be achieved\u003c\/em\u003e, introducing readers to the rich existing traditions of anti-police theory and practice\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIts authors draw on their diverse on-the-ground experiences of political organising, protest, and resistance to policing in the UK, France, Germany, and the United States, as well as their original research in academic fields ranging from law to security studies, political theory to sociology to public health.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWithout assuming any prior specialist knowledge, they present the critical tools and insights these disciplines have to offer to ongoing struggles against the injustices of policing (and consider, in turn, what these disciplines must learn from these struggles.)\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThey examine the police’s history to understand its role in constructing today’s profoundly unequal and crisis-ridden social order. They explore the tensions between policing on the one hand and values like freedom, equality, and democracy on the other. They expose policing’s ongoing and complex entanglements with war and militarism, neo-colonial domination, and the politics of the far right. And they engage with concrete alternatives for preventing and responding to harms (such as sexual abuse and intimate partner violence – which police claim to deal with but in fact further entrench) in ways that move beyond the logic of crime and punishment and towards visions of justice that are both social and transformative.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eAbout the Authors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003ca href=\"https:\/\/www.nottingham.ac.uk\/humanities\/departments\/philosophy\/people\/koshka.duff\" target=\"_blank\"\u003e\u003cem\u003eKoshka Duff\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e is a lecturer in political philosophy at the University of Nottingham and campaigns against police strip search abuse.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003ca href=\"https:\/\/www.nottingham.ac.uk\/humanities\/departments\/philosophy\/people\/koshka.duff\" target=\"_blank\"\u003e\u003cem\u003eCat Sims\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e is a Birmingham-based illustrator.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eContributors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGuy Aitchison, Phe Amis, Melanie Brazzell, Eddie Bruce-Jones, Tanzil Chowdhury, Becka Hudson, Tom Kemp, Sarah Lamble, Daniel Loick, Chris Rossdale, Arianne Shahvisi, Vanessa E. Thompson \u0026amp; Connor Woodman.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Dog Section Press","offers":[{"title":"Default Title","offer_id":41886144659686,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_87700416.jpg?v=1634665053"},{"product_id":"communal-by-ethan","title":"COMMUNAL by Ethan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 28 pages, black and white printing, saddle stitched, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA work about community and communism found through the Plough journal\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Ethan","offers":[{"title":"Default Title","offer_id":41886146265318,"sku":"","price":2.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9625018.jpg?v=1634665107"},{"product_id":"d-i-why-edited-by-dave-emmerson","title":"D I whY? edited by Dave Emmerson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 24 pages, colour printing throughout, saddle stitched, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eInterview style zine with artistic folk I respect contributing answers to questions about reasons for and value of the DIY approach. Limited edition of 20, each comes with a hand numbered print.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"Visions","offers":[{"title":"Default Title","offer_id":41886146756838,"sku":"","price":1.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0142022.jpg?v=1634665216"},{"product_id":"60wx31pq2cr1zrxwxjthu4o4l4fqfr","title":"POLITICS OF STUDY by Various Artists","description":"\u003cp style=\"text-align: start;\" class=\"\"\u003e21.5 x 15.7 cm, 128 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2015\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: start;\" class=\"\"\u003eThere's not a single contemporary art college or university today that isn't a battleground. These wars are wars about value, meaning, pedagogy, criticality, and above all, unfortunately, the market. Whether we rise above them, move sideways, go underground, embrace or escape these fights, we did not choose them and their terms generate increasing losses for all those who still desire a relationship to something irreducible to money. This collection of interviews contains passionate visions and analyses that lay bare the stakes of our contemporary political, emotional and educational predicament.\u003c\/p\u003e\n\u003cp style=\"text-align: start;\" class=\"\"\u003eEdited by Sidsel Meineche Hansen \u0026amp; Tom Vandeputte\u003c\/p\u003e\n\u003cp style=\"text-align: start;\" class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Open Editions","offers":[{"title":"Default Title","offer_id":41886279827686,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57931212.jpg?v=1634668543"},{"product_id":"how-to-set-up-a-workers-co-op","title":"HOW TO SET UP A WORKERS CO-OP","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 172 pages, black and white printing, spiral bound, comes with bookmark, 2015 edition.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWorkers' co-ops give us a way to reclaim a small but significant part of the world - our working lives. In this book you'll find lots of information you need to set up your workers' co-op, including organising your workplace, making decisions, choosing legal structures, registration with companies house, market research, business plans, democratic decision making, legal requirements \u0026amp; responsibilities, finances and a few bits on running the thing once you've set it up\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIf you don't want to buy this lovely book, but do want the information then please feel free to download one of the following low resolution (but still 3.4Mb) PDFs of the insides. \u003ca href=\"https:\/\/www.radicalroutes.org.uk\/publicdownloads\/How2WorkersCo-op2019A5Lo-Res.pdf\" title=\"How to Set Up a Workers Co-op, read on screen\" target=\"_self\"\u003eThis copy\u003c\/a\u003e is laid out one page to an A5 sheet. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIt includes model company articles of association, which can be downloaded in an editable form from Seeds for Change.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Radical Routes","offers":[{"title":"Default Title","offer_id":41886282350822,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7289jpg0218.jpg?v=1634668651"},{"product_id":"mentiras-13-pb","title":"MENTIRAS 13 - PB","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and PB (Paul Bonnet)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283038950,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7733jpg0305.jpg?v=1634668752"},{"product_id":"mentiras-15-ab","title":"MENTIRAS 15 - AB","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and AB (Anne Bourse)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283104486,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7739jpg0305.jpg?v=1634668718"},{"product_id":"mentiras-11-jh","title":"MENTIRAS 11 - JH","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and JH (Jeff Hartford)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283137254,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7742jpg0305.jpg?v=1634668951"},{"product_id":"mentiras-14-am","title":"MENTIRAS 14 - AM","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and AM (Antonie Marquis)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283170022,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7782jpg0305.jpg?v=1634668759"},{"product_id":"the-home-show-by-asah-raza","title":"THE HOME SHOW By Asah Raza","description":"\u003cp\u003e138 x 222mm, 280 pages, Full colour printed, Perfect bound, Hardcover, Ed. of 500, 2017\u003c\/p\u003e\n\u003cp\u003eThe book was inspired by an exhibition in which Asad invited 30 artists to contribute objects, artworks, instructions, and rituals to his small one-bedroom apartment in New York City. The book features contributions by these artists and writers such as Dan Graham, Hans Ulrich Obrist, Tino Sehgal and Rachel Rose.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Asah Raza","offers":[{"title":"Default Title","offer_id":41886374199526,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8164052.jpg?v=1642682954"},{"product_id":"the-worlds-worst-a-guide-to-the-portsmouth-sinfonia","title":"THE WORLD’S WORST: A GUIDE TO THE PORTSMOUTH SINFONIA","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003e175 x 225mm, 232 pages, Colour and black and white printed, Perfect bound, 2020.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003eEdited by Christopher M. Reeves and Aaron Walker, Foreword by Gavin Bryars\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003eIn 1970, galvanized in part by the musical experiments of John Cage, Gavin Bryars, and Cornelius Cardew, students at Portsmouth College of Art formed their own symphony orchestra. Christened the Portsmouth Sinfonia, the primary requirement for membership specified that all players, regardless of skill, experience, or musicianship, be unfamiliar with their chosen instruments. This restriction, coupled with the decision to play “only the familiar bits” of classical music, challenged the Sinfonia’s audience to reconsider the familiar, as the ensemble haplessly butchered the classics at venues ranging from avant-garde music festivals to the Royal Albert Hall. By the end of the decade, after three LPs of their anarchic renditions of classical and rock music and a revolving cast of over one hundred musicians—including Brian Eno and Michael Nyman—the Sinfonia would cease performing.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe World’s Worst: A Guide to the Portsmouth Sinfonia\u003c\/em\u003e, the first book devoted to the ensemble, examines the founding tenets, organizing principles, and collective memories of the Sinfonia, whose reputation as “the world’s worst orchestra” underplays its unique accomplishment as a populist avant-garde project. While seemingly a niche musical anecdote, the story of the Portsmouth Sinfonia engenders wide-ranging conversations that touch upon the legacy of interdisciplinary art pedagogy, the power of popular music, the investment necessary in order to work and learn together, and the effects of destabilizing canonization. The unorthodox journey of the orchestra unfolds here through interviews with original members and their publicist\/manager, photographs, previously uncollected archival material including ephemera and internal documents, an essay by co-editor, Christopher M. Reeves, a foreword by Gavin Bryars, and more!\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Soberscove Press","offers":[{"title":"Default Title","offer_id":41886394941670,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/7_2048_ccefa45a-6a71-4059-89b1-8d43eb8d157d.jpg?v=1634671855"},{"product_id":"tree-codex-mural-making-as-a-cultural-collective","title":"TREE CODEX: MURAL-MAKING AS A CULTURAL COLLECTIVE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e112 x 178mm, 36 pages, black and white and colour printing, elastic band bound, edition of 50, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn 2019, Carlos Rosario International Public Charter School, a DC-based organization that offers adult education and services to recently migrated DC-residents, commissioned Frida Larios, an indigenous activist, designer, artist, and educator, to lead a small group of students in designing and painting a mural. Larios employed her system of ancestral hieroglyphics redesigned as a contemporary visual language for genetic memory regeneration. A collaborative process of talking, imagining, writing, and drawing the students' cultural stories culminated in Tree Codex. This \u003cem\u003ebook,emerging\u003c\/em\u003e documents that process.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Thick Press","offers":[{"title":"Default Title","offer_id":41886408245478,"sku":"","price":6.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_66630107.jpg?v=1634672321"},{"product_id":"walkout-a-brief-history-of-student-organizing","title":"WALKOUT: A BRIEF HISTORY OF STUDENT ORGANIZING","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x 230mm, 96 pages, full colour printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMay 2020 marked the 50th anniversary of the Kent State and Jackson State massacres, which set off a historically large-scale student strike across the nation. With the anniversary as an entry point and frame of reference, this 96-page full color publication uses posters, buttons, pamphlets, flyers, zines, and more—to examine the broader scope of student movements that both led up to and followed those of May 1970.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBased on Interference Archive’s online exhibition of the same name, \u003cem\u003eWalkout: A Brief History of Student Organizing\u003c\/em\u003e focuses on how student organizing emerged in the post-World War II era as the avenue through which postwar generations could participate in public dialogue and critique existing systems, becoming voices of change. Organized by decade, materials in this publication focus on student organizing in the United States but make reference a the broader global context of student protests in France, Brazil, Japan, Mexico, and Canada.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Interference Archive","offers":[{"title":"Default Title","offer_id":41886411456742,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7705jpg0304.jpg?v=1634672454"},{"product_id":"abolitionist-approaches-to-hate-crime","title":"ABOLITIONIST APPROACHES TO \"HATE CRIME\"","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e155 x 233mm, 76 pages, full colour printing, perfect bound, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRefusing state-sanctioned responses to racist violence.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is a project that seeks to critically explore issues surrounding hate crime legislation and strategise about alternative, community-based responses to racist harm through workshops, writing and sharing resources. It was initiated as an alternative approach to responses that seek to strengthen hate crime policing in light of Covid-fuelled Sinophobic racism. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWe also see this moment as an opportunity to generally think through our conceptions of safety and issues with carceral (policing) ‘solutions’ to racism - particularly in relation to model minority and respectability politics as East and Southeast Asian diaspora. Especially as discourses around ‘the threat from China’ escalate, we cannot rely on the same state that permits and produces these discourses to maintain its power. It’s crucially important that we build networks of solidarity and community-based approaches so that we can have a stronger anti-carceral response when ‘hate crimes’ flare up in future.  \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFurther, as moves towards introducing legislation for ‘misogyny hate crime’ proceed, we hope to make connections across different communities whose struggles are being co-opted by the state for its own ends.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Remember \u0026 Resist","offers":[{"title":"Default Title","offer_id":42268850225382,"sku":"","price":7.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6244005.jpg?v=1641385925"},{"product_id":"make-rojava-green-again-by-internationalist-commune-of-rojava","title":"MAKE ROJAVA GREEN AGAIN by Internationalist Commune Of Rojava","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 170mm, 125 pages, Color printing, Perfect bound, Softcover, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"What is it about the social structures of Rojava that so inspires the fierce loyalty of its defenders and its people?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book answers that question. In language that bridges the Utopian and the concrete, the poetic and the everyday, the Internationalist Commune of Rojava has produced both a vision and a manual for what a free, ecological society can look like. In these pages you will find a philosophical introduction to the idea of social ecology, a theory that argues that only when we end the hierarchical relations between human beings (men over women, young over old, one ethnicity or religion over another, etc.) will we be able to heal our relationship with the natural world.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Dog Section Press","offers":[{"title":"Default Title","offer_id":42268850454758,"sku":"","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6609012.jpg?v=1641385939"},{"product_id":"how-to-maneuver-shapeshifting-texts-and-other-publishing-tactics","title":"HOW TO MANEUVER: SHAPESHIFTING TEXTS AND OTHER PUBLISHING TACTICS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e150 x 230mm, \u003cmeta charset=\"utf-8\"\u003e336 pages, Colour printing, Perfect bound, Softcover, Second edition, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.\u003cbr\u003e\u003cbr\u003eContributors: Ahmad Makia, Ali Eyal, Ali Hussein Al-Adawy, Ali Yass, Andrew Murphie, Bady Dalloul, Barakunan, Bernhard Cella, Elaine W. HO., Faisal Al Hassan, Farah Khelil \u0026amp; antoine lefebvre editions, Fehras Publishing Practices, Giulia Crispiani \u0026amp; Federico Antonini, Hala Bizri \u0026amp; Jana Traboulsi, Haytham el-Wardany, Huda Smitshuijzen AbiFarès, Hussein Nassereddine, Jabbour Douaihy, Jaffat El Aqlam, Khalid Albudoor \u0026amp; Nujoom Alghanem with Rand Abdul Jabbar \u0026amp; Uns Kattan \u0026amp; Hammad Nasar, Moad Musbahi, Noopur Desai, Raafat Majzoub, Yazan Ashqar.\u003cbr\u003e\u003cbr\u003eEdited by Maha Maamoun and Ala Younis\u003cbr\u003eCo-published by Kayfa ta and Warehouse421 (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Kayfa ta","offers":[{"title":"Default Title","offer_id":42310942327014,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6602069.jpg?v=1641999808"},{"product_id":"how-do-we-want-to-work-together-as-socially-engaged-designers-students-and-neighbors-in-neoliberal-times-edited-by-jesko-fezer-and-studio-experimentelles-design","title":"(HOW) DO WE (WANT TO) WORK (TOGETHER) (AS (SOCIALLY ENGAGED) DESIGNERS (STUDENTS AND NEIGHBORS)) (IN NEOLIBERAL TIMES)? edited by JESKO FEZER and STUDIO EXPERIMENTELLES DESIGN","description":"\u003cp\u003e150 x 210mm, 528 pages, black \u0026amp; white with full colour section, perfect bound, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA critical discussion about work is urgently needed—in the field of design as much as anywhere else. 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They ask questions of how designers work today, demanding a fundamental reorientation in the issues design addresses and the social actors it serves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Contributions by Arts of the Working Class, Claudia Banz, Lisa Baumgarten, Steff Bentrup, Brave New Alps, Colin Crouch, Hans-Christian Dany, Designer + Cultural, Workers Union, Design Interns Club, Diedrich Diederichsen, Emma Dowling, Experimentelle Klasse, Silvia Federici, Silke Helfrich, IG Bildende Kunst, In the Meantime, Valentina Karga, Lucy Kimbell \u0026amp; Guy Julier, Silvio Lorusso, Madygraf, Angela McRobbie, Oli Mould, Nobody is an Island, Onomatopee (Amy Gowen \u0026amp; Joannette van der Veer), Mareile Pfannebecker \u0026amp; James A. Smith, Poliklinik Veddel, Florian A. Schmidt \u0026amp; Sebastian Schmieg, Stavros Stavrides, Studiengruppe Informationsdesign, Rosario Talevi, Pelin Tan, Vivien Tauchmann, Harald Trapp, Airi Triisberg, Velvetyne, Viome, Felix Vogel, Manuela Zechner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":42338169356518,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4746032.jpg?v=1642778263"},{"product_id":"hope-against-hope-writings-on-ecological-crisis-by-out-of-the-woods-collective","title":"HOPE AGAINST HOPE: WRITINGS ON ECOLOGICAL CRISIS by Out Of The Woods Collective","description":"\u003cp\u003e157 x 230mm, 272 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp\u003eWe are told we are living in the middle of a climate crisis of unprecedented proportions. As doomsday scenarios mount, hope collapses. Even as more and more people around the planet experience climate disaster as immediate and urgent as ever, our imagination and programs for transformation lag. The disasters are already here, and the crises, longstanding, are ongoing. \u003c\/p\u003e\n\u003cp class=\"\"\u003eIn \u003cem\u003eHope Against Hope\u003c\/em\u003e, the Out of the Woods collective investigates the critical relation between climate change and capitalism and calls for the expansion of our conceptual toolbox to organize within and against ecological crisis characterized by deepening inequality, rising far-right movements, and—relatedly—more frequent and devastating disasters. While much of environmentalist and leftist discourse in this political moment remain oriented toward horizons that repeat and renew racist, anti-migrant, nationalist, and capitalist assumptions, Out of the Woods charts a revolutionary course adequate to our times.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAt the center of the renewed political orientation \u003cem\u003eHope Against Hope\u003c\/em\u003e expounds is an abolitionist approach to border imperialism, reactionary ecology, and state violence that underpins many green solutions and modes of understanding nature. It reminds us of the frequent moments and movements of solidarity emerging in the ruins all around us. Their stunning conclusion to the disarray of politics in our seemingly end times is the urgency of creating what Out of the Woods calls “disaster communism”—the collective power to transform our future political horizons from the ruins and establish a climate future based in common life.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Common Notions","offers":[{"title":"Default Title","offer_id":42358644343014,"sku":"","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9556024.jpg?v=1643212898"},{"product_id":"godzilla-asian-american-arts-network-1990-2001-edited-by-howie-chen","title":"GODZILLA: ASIAN AMERICAN ARTS NETWORK 1990-2001 Edited by Howie Chen","description":"\u003cp\u003e230 x 305mm, 552 pages, Black \u0026amp; white printing, Perfect bound, Softcover, Ed. of 2500, 2021\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eGodzilla: Asian American Arts Network 1990–2001\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a comprehensive anthology of writings, art projects, publications, correspondence, organizational documents, and other archival ephemera from the trailblazing Asian artist collective. Edited by curator Howie Chen, this publication includes full essays and contextual material detailing the critical genealogies embodied by the group as well as its wide-ranging activities.\u003c\/p\u003e\n\u003cp\u003eThe collective known as Godzilla: Asian American Art Network was formed in 1990 to support the production of critical discourse around Asian American art and increase the visibility of Asian American artists, curators, and writers, who were negotiating a historically exclusionary society and art world. Founded by Ken Chu, Bing Lee, and Margo Machida, Godzilla produced exhibitions, publications, and community collaborations that sought to stimulate social change through art and advocacy. For more than a decade, the diasporic group, having grown from a local organization into a nationwide network, confronted institutional racism, Western imperialism, anti-Asian violence, the AIDS crisis, and representations of Asian sexuality and gender, among other urgent issues.\"\u003c\/p\u003e\n\u003cp\u003eGodzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Alice Yang, Lynne Yamamoto, among others.  Envisioning a lateral and porous network, Godzilla was independently run by successive steering committees that included Diyan Achjadi, Tomie Arai, Todd Ayoung, Monica Chau, Debi-Ray Chaudhuri, China Blue, Allan deSouza, Skowmon Hastanan, Arlan Huang, Michi Itami, Jenni Kim, Franky Kong, Jeanette Louie, Yong Soon Min, Helen Oji, Sanda Zan Oo, Athena Robles, Carol Sun, Eugenie Tsai, Lynne Yamamoto, Rubina Yeh, and Charles Yuen.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":42361335578854,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0261001.jpg?v=1643291438"},{"product_id":"top-stories-by-various-artists-edited-by-anne-turyn","title":"TOP STORIES by Various Artists, edited by Anne Turyn","description":"\u003cp\u003e140 x 215 x 60mm hardcover slip case. 2 x books within; 954 pages, colour and black and white printing, perfect bound, softcover, Edition of 2000, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas a prose periodical published from 1978 to 1991 by the artist Anne Turyn in Buffalo, New York, and New York City. Over the course of twenty-nine issues, it served as a pivotal platform for experimental fiction and art through single-artist issues and two anthologies. The entire run of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis collected and reproduced here across two volumes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eprimarily featured female artists, though in Turyn’s words a few men “crept in as collaborators.” Although primarily “a prose periodical” (as its byline often stated), the issues varied in form and aesthetics, pushing the boundaries of what prose could be and, from time to time, escaping the genre altogether. In fact, the only parameters required for participants were that the periodical’s logo and issue list be included on the front and back covers, respectively.\u003c\/p\u003e\n\u003cp\u003eA great deal of the works are short stories by the likes of Pati Hill, Tama Janowitz, and Kathy Acker, whose Pushcart Prize–winning “New York City in 1979” appeared for the first time in book form as part of the series. Constance DeJong contributes “I.T.I.L.O.E.,” a widely unavailable work that features the artist’s trademark prose and is sure to please fans of her novel,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eModern Love\u003c\/em\u003e. The largest issue of the periodical is undoubtedly Cookie Mueller’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“\u003c\/em\u003eHow to Get Rid of Pimples,” which consists of a series of character studies of friends interspersed with photographs by David Armstrong, Nan Goldin, and Peter Hujar altered with freshly drawn blemishes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealso celebrates less conventional literary forms. Issues by Lisa Bloomfield, Linda Neaman, and Anne Turyn take the form of artists’ books, juxtaposing image and text to construct tightly wound, interdependent narratives. Jenny Holzer and Peter Nadin present a collaborative work in copper ink comprised of truisms by Holzer on corporeal and emotional states and drawings of abstract bodies by Nadin. Janet Stein contributes a comic, while Ursule Molinaro provides a thorough index of daily life (and the contempt it produces) consisting of entries that were written just prior to lighting a cigarette.\u003c\/p\u003e\n\u003cp\u003ePrimary contributors include Kathy Acker, Laurie Anderson, Sheila Ascher, Douglas Blau, Lisa Bloomfield, Linda L. Cathcart, Cheryl Clarke, Susan Daitch, Constance DeJong, Jane Dickson, Judith Doyle, Lee Eiferman, Robert Fiengo, Joe Gibbons, Pati Hill, Jenny Holzer, Gary Indiana, Tama Janowitz, Suzanne Jackson, Suzanne Johnson, Caryl Jones-Sylvester, Mary Kelly, Judy Linn, Micki McGee, Ursule Molinaro, Cookie Mueller, Peter Nadin, Linda Neaman, Glenn O’Brien, Romaine Perin, Richard Prince, Lou Robinson, Janet Stein, Dennis Straus, Sekou Sundiata, Leslie Thornton, Kirsten Thorup, Lynne Tillman, Anne Turyn, Gail Vachon, Brian Wallis, Jane Warrick, and Donna Wyszomierski.\u003c\/p\u003e\n\u003cp\u003eDavid Armstrong, Nan Goldin, JT Hryvniak, Peter Hujar, Nancy Linn, Trish McAdams, Linda Neaman, Marcia Resnick, Michael Sticht, and Aja Thorup all make appearances as well, contributing artwork for the covers or as illustrations.\u003c\/p\u003e\n\u003cp\u003eAnne Turyn is a photographer based in New York. Turyn’s work has been exhibited at the Museum of Modern Art, the Metropolitan Museum of Art, Kunsthalle Bern, Denver Art Museum, Walker Art Center, and Los Angeles County Museum of Art.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":42444246614246,"sku":"","price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7035029.jpg?v=1645011339"},{"product_id":"the-long-1980s-constellations-of-art-politics-and-identities-a-collection-of-microhistories","title":"THE LONG 1980S: CONSTELLATIONS OF ART, POLITICS, AND IDENTITIES: A COLLECTION OF MICROHISTORIES","description":"\u003cp\u003e170 x 240mm, 416 pages, black and white printing, perfect bound, hardcover, 2018\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Long 1980s\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econsiders the significance of the 1980s for culture and society today. It revisits this pivotal decade via a collection of microhistories from across Europe that span the fields of art, culture, and politics. Central to the stories in this book is the changing relationship between ideologies, governments, and their publics, the effects of which have come to shape the contemporary condition of Europe and beyond. Artists, writers, and activists were responding to and articulating these changes in myriad ways: in the streets, through words, images, objects, and actions. At the same time, new subjectivities were emerging at the interesection of race, class, gender, and sexuality, all voices that were demanding to be heard.\u003c\/p\u003e\n\u003cp\u003eThe publication is divided into four thematic chapters: 1. No Alternative? (on countercultures, alternative forms of self-organization and art as activism); 2. Know Your Rights (on civil liberties, the rising planetary consciousness and new ecologies); 3. 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Comprising newly commissioned essays by leading thinkers alongside seventy case studies, including images and archival material published for the first time, this reader offers an invaluable and alternative reading of the recent past.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42444417237222,"sku":"","price":27.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7068009.jpg?v=1645016523"},{"product_id":"oei-86-87-publishing-practices-publishing-poetics-edited-by-jonas-j-magnusson-and-cecilia-gronberg","title":"OEI #86\/87 PUBLISHING PRACTICES, PUBLISHING POETICS by Jonas (J) Magnusson \u0026 Cecilia Grönberg (Eds.)","description":"\u003cp\u003e195 x 300mm, 640 pages, Colour printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease note, some of the content of this book is written in English, and some of it in Swedish.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBringing together contributions from circa 130 publishing structures, publishing communities, magazines, small press endeavors, artists, poets, writers, editors, theoreticians, curators, scholars, and art bookstores,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOEI\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e# 86–87 reflects upon the challenges, pressures and possibilities of publishing and creating publics in different contexts and places in a time of far-reaching – economical, medial, political, social, technological – transformations.\u003c\/p\u003e\n\u003cp\u003eThe potential and the versatility of publishing open it to a diversity of practices and approaches in the arts, but as an eminently social form of art, a collective or micro-collective work with shared responsibilities, it is also a never-ending process of “crafting a variegated approach to how you create, publish, distribute, and build a social ecosystem around your efforts”, of trying to “build up and strengthen the community around these printed forms” (Temporary Services).\u003c\/p\u003e\n\u003cp\u003eIt is the conviction of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOEI\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e#86–87 that print has the power to play an important part in the construction of social spaces, of a social world. As Benjamin Thorel puts it in one of the essays in the issue, “conceiving of the dynamics of publishing as making publics as well as making things public is not a pun – insofar as the artists\/publishers encompass, beyond the book itself, its possible ‘lives’, imagining the different spaces, and the different people, amongst whom a publication will circulate.” This is what Michael Warner has called “a public [as] poetic worldmaking”, implying “that all discourse or performance addressed to a public must characterize the world in which it attempts to circulate, projecting for that world a concrete and livable shape, and attempting to realize that world through address.”\u003c\/p\u003e\n\u003cp\u003eThis is also, as stressed by Annette Gilbert and others, what can make publishing such an active force, a force co-constituting texts and publications and publics. 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Because the lifespan of the Lettrist movement has exceeded that of all the other avant-garde movements, we are undoubtedly in front of the most immense corpus ever produced in terms of magazines, coverin a period from 1946 to 2016. It presents more than a hundred different titles with more than one thousand items and hundreds of authors. . . . I hope that this comprehensive work will give the reader an opportunity to understand the different paths of the Lettrist groups and the many areas addressed, if not shaken, beyond the books of Isidore Isou and Maurice Lemaître. 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The results, fictionalized and composited, point to a domain where to be represented means to be recognized—where collective memory and decision-making can be understood as forms of image recognition. Transitional and intermediate, these are images used in the way words are used when spoken, described in the way shadows describe the objects that cast them. 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They are fundamentally vulnerable to public-policy cycles, in the voluntary effort that holds the initiative together, in their provision of opportunities, and more. Despite the precarity of such organising by these civil initiatives, and regardless of their promoting of a public cultural vitality beyond the demand of the public life, they are in poor public support and lack opportunities to gain public visibility.\u003c\/p\u003e\n\u003cp\u003eThis publication zooms in on a particular mode of organizing: on the ‘Artist-run Democracy’. It does so by examining the workings of 126, an Artist-run gallery* in Galway, Ireland, as a benchmark. 126 is particular in the way the board is conceived, how the program is decided upon, how directors change every two year, 'serving as volunteers'**, and more. This model is borrowed from Scottish initiatives, started a decades earlier. Unique to 126 is its remote positioning to the global art market. 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Offerings are drawn from strands of theorising taking place in autonomous spaces, inserting the speculative into the present and holding space for the mess. this broken piece of yard was born out of exploring the history of LUX (formerly the London Filmmakers Co-op); navigating the lived conditions of Covid-19 and global uprisings in defence of Black life – together culminating in asking “what do we want from arts organisations now?” and “what do we want to bring into being?”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eContributors: Ode, Bea Freeman, Isaac Kariuki, Lola Olufemi, Rebecca Bellantoni, Tanaka Fuego, Shenece Oretha, Maybelle Peters, sisterwoman vegan, Onyeka Igwe, Sandra Jean Pierre, June Givanni, Danielle Brathwaite-Shirley, Julia Chinyere Oparah, Linda Jones, Kumbirai Makumbe, Tamar Clarke-Brown, Cairo Clarke\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"LUX","offers":[{"title":"Default Title","offer_id":43138603516134,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1769125.jpg?v=1658327020"},{"product_id":"the-wayland-rudd-collection-by-various-authors","title":"THE WAYLAND RUDD COLLECTION by Various Authors","description":"\u003cp\u003e170 x 240mm, 264 pages, Colour printing, Clothbound, Hardback, 2021\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003ci\u003eThe Wayland Rudd Collection\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epresents artist Yevgeniy Fiks’s archive of Soviet media images of Africans and African Americans—from propaganda posters to postage stamps—mainly related to African liberation movements and civil rights struggles. 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The 7 artists who contributed to the zine are Sadaf Chezari, Bethany Stead, Natasha Martin, Freya Patterson, Hannah Christy, Alex Leigh and Taylor Jack Smith.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Overlay Press","offers":[{"title":"Default Title","offer_id":43186641076454,"sku":"","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4938037.jpg?v=1659529459"},{"product_id":"social-movement-through-the-lens-of-performance-and-performativity-edited-by-anik-fournier","title":"SOCIAL MOVEMENT: THROUGH THE LENS OF PERFORMANCE AND PERFORMATIVITY Edited by Anik Fournier","description":"\u003cp\u003e151 x 225mm, 248 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis publication documents and shares the trajectory of If I Can’t Dance’s engagement with ‘Social Movement’ as the field of inquiry for its seventh biannual programme (2017–18). \u003c\/span\u003e\u003cem\u003eSocial Movement: Through the Lens of Performance and Performativity\u003c\/em\u003e\u003cspan\u003e investigates how performance ontologies around bodily experience, affect and the relational better one’s understanding of social movement – and in turn how that understanding expands performance vocabularies. 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DeFrantz, Nell Donkers, Pascale Gatzen, Édouard Glissant, Ayesha Hameed, Sands Joseph Horwitz-Dijks Murray-Wassink, Shannon Jackson, Rudolf Laban, Gregory Lennon, Audre Lorde, Ros Murray, AnnaMaria Pinaka, Tina Reden, Marjan Sax, Rebecca Schneider, Taka Taka, Simone Weil, Nagaré Willemsen; and postcard insert by Reza Mirabi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"If I Can't Dance","offers":[{"title":"Default Title","offer_id":43264525631718,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9949040.jpg?v=1661439961"},{"product_id":"shoot-shoot-shoot-the-first-decade-of-the-london-film-makers-co-operative-1966-76","title":"SHOOT SHOOT SHOOT: THE FIRST DECADE OF THE LONDON FILM-MAKERS’ CO-OPERATIVE 1966-76","description":"\u003cp\u003e170 x 240mm, 290 pages, full colour printing, perfect bound, softcover, 2016\u003c\/p\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"2db1f061\" class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2db1f061\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv data-widget_type=\"theme-post-content.default\" data-element_type=\"widget\" data-id=\"3cdb1cc3\" class=\"elementor-element elementor-element-3cdb1cc3 elementor-widget elementor-widget-theme-post-content\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe 1960s and 1970s were a defining period for artists’ film and video, and the London Film-Makers’ Co-operative (LFMC) was one of the major international centres. 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Contributions from: Antony Balch, Ian Breakwell, Bob Cobbing, John Collins, David Crosswaite, David Curtis, Fred Drummond, John Du Cane, Mike Dunford, Ray Durgnat, Deke Dusinberre, Stephen Dwoskin, Gill Eatherley, Steve Farrer, Simon Field, Chris Garratt, Peter Gidal, Marilyn Halford, David Hall, Roger Hammond, Simon Hartog, Ron Haselden, Jim Haynes, Roger Hewins, Tony Hill, Jeff Keen, Ian Kerr, Jonathan Langran, David Larcher, John Latham, Malcolm Le Grice, Mike Leggett, Carla Liss, John Mathews, Harvey Matusow, Anthony McCall, Barry Miles, Jack Henry Moore, Annabel Nicolson, Jenny Okun, David Parsons, Sally Potter, Stuart Pound, William Raban, Anne Rees-Mogg, Lis Rhodes, Carolee Schneemann, Anthony Scott, Guy Sherwin, John Smith, Chris Welsby. 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For each of the zines one specifically invited guest sheds light on a local library issue. This first edition of 200 copies, comprises 5 contributions, which are set in Alice Springs (AU), Bandung (ID) and Rotterdam (NL) with detours to Amsterdam and Spijkenisse (NL), Chicago (US) and Inverness (UK). The zines, published and riso printed at PrintRoom, feature multiple texts, newspaper clippings, fieldwork pictures, a poem and drawings. Public Library Of is a project by visual artist Eva Olthof. Graphic design by NM Studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"PrintRoom","offers":[{"title":"Default Title","offer_id":43409902305510,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4790035.jpg?v=1664451800"},{"product_id":"making-matters-a-vocabulary-for-collective-arts-edited-by-janneke-wesseling-and-florian-cramer","title":"MAKING MATTERS: A VOCABULARY FOR COLLECTIVE ARTS edited by Janneke Wesseling and Florian Cramer","description":"\u003cp\u003e110 x 200mm, 336 pages, Colour printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. Making Matters spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.\u003c\/p\u003e\n\u003cp\u003eCollective action often changes the artist’s identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to new kinds of collective art and design practices: artists work together with non-artists, make products for their local environment and take on multiple identities, such as researcher, community activist, computer hacker or business consultant. \u003c\/p\u003e\n\u003cp\u003eMaking Matters looks at art practices across all continents that do not conform to a Western concept of art nor to traditional distinctions between art, design, research and activism—where the boundaries between art, design, research and activism become blurred or are dissolved.\u003c\/p\u003e\n\u003cp\u003eThe entries in this vocabulary experiment with concepts and keywords of current art practices that may no longer be recognizable as art.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e Contributors:  Aliens in Green, a.pass \/ Lilia Mestre, Florian Cramer, Display Distribute \/ Elaine W. Ho, Feral Atlas \/ Lili Carr \u0026amp; Feifei Zhou Anja Groten, Thalia Hoffman, Jatiwangi art Factory \/ Bunga Siagian \u0026amp; Ismal Muntaha, Eleni Kamma, Frans-Willem Korsten, Klaas Kuitenbrouwer, Pia Louwerens, Dani Ploeger, Kate Rich, Femke Snelting, Olu Taiwo, Janneke Wesseling, West \/ Baruch Gottlieb, West \/ Akiem Helmling, Z. Blace\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":43416274796774,"sku":"","price":22.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1207066.jpg?v=1664623916"},{"product_id":"sound-experiments-the-music-of-the-aacm-by-paul-steinbeck","title":"SOUND EXPERIMENTS: THE MUSIC OF THE AACM by Paul Steinbeck","description":"\u003cp\u003e155 x 229mm, 272 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA groundbreaking study of the trailblazing music of Chicago’s AACM, a leader in the world of jazz and experimental music.\u003cbr\u003e \u003cbr\u003eFounded on Chicago’s South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. In Sound Experiments, Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association’s leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell.\u003cbr\u003e \u003cbr\u003eSound Experiments represents a sonic history, spanning six decades, that affords insight not only into the individuals who created this music but also into an astonishing collective aesthetic. This aesthetic was uniquely grounded in nurturing communal ties across generations, as well as a commitment to experimentalism. The AACM’s compositions broke down the barriers between jazz and experimental music and made essential contributions to African American expression more broadly. Steinbeck shows how the creators of these extraordinary pieces pioneered novel approaches to instrumentation, notation, conducting, musical form, and technology, creating new soundscapes in contemporary music.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"University Of Chicago Press","offers":[{"title":"Default Title","offer_id":43430750781670,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_9584029.jpg?v=1732807102"},{"product_id":"art-and-solidarity-reader-radical-actions-politics-and-friendships-edited-by-katya-garcia-anton","title":"ART AND SOLIDARITY READER: RADICAL ACTIONS, POLITICS AND FRIENDSHIPS Edited by Katya García-Antón","description":"\u003cp\u003e200 x 280mm, 384 pages, Colour printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003eSolidarity has re-entered the global zeitgeist with resounding force in the last decades and is especially urgent to consider today. Yet this concept – both a potent ideal and a slippery notion – is one of the least analysed within the arts. Why? It is perhaps because colonialism, Neoliberalism, hyper-individualism and Western-centred concepts of art have eroded visions of a care-based society. Creating a fair and vital social fabric inspired by mutual dependencies between living beings and all entities including fauna, flora, air, land and water, is fundamental for our collective existence. A critical toolbox with intersectional perspectives is needed to examine this minefield and reveal meaningful and inspiring narratives that can guide our future.\u003c\/p\u003e\n\u003cp\u003eWorking with these complexities, this Reader considers the agency that artists, collectives and art institutions have generated from the 1970s to today to build the radical imaginaries of care and solidarity needed to transform the conditions of our collective existence in the face of local and global crises. Presenting new and historical material, the Reader narrates a series of stories of solidarity across geographies in relation to emergencies connected to ecocide, femicide, genocide, migration, neocolonialism, inter-religious conflicts, class divisions and heteronormativity, amongst others. 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In November this installation is postponed to an unknown date. From then on, everything is tried so this seminar is held via the networks. Regular videoconferences are set up by Alex Balgiu between Stuart Bertolotti-Bailey and the students from Lyon. The progress of the student's work is regularly relayed on Ravisius Textor's Instagram account.\u003c\/p\u003e\n\u003cp\u003eThis book is in a way the sum, the relay and the memory of the students' reading work of the Bulletins of the Serving Library, made in this curious pedagogical place which is experimented then: the screen, the phone, the videoconferences and the social networks. 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