{"title":"Queer Culture","description":"","products":[{"product_id":"dream-babes-2o","title":"DREAM BABES 2.O","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e240 x 170 mm, 64 pages, full colour printing, saddle stitch, softcover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Edited by artist Victoria Sin, \u003cem\u003eDream Babes Zine 2.0\u003c\/em\u003e focuses on the questions that speculative fiction can ask which are especially important now. What if things were different? What if things stay the same? How can we realise the absurd in the familiar?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eDream Babes\u003c\/em\u003e is a long term project that explores science and speculative fiction as a productive strategy of queer resistance, imaging futurity that does not depend on existing historical and social infrastructure. It has included science fiction porn screenings and talks, a three-day programme of performance at Auto Italia South East, a publication, and a regular science fiction reading group for queer people of colour. \u003cem\u003eDream Babes Zine 1.0\u003c\/em\u003e (sold out) was published in 2017 by PSS and included contributions from Jay Bernard, Shu Lea Cheang, Adam Farah, Evan Ifekoya, Taylor Le Melle, Eric Pussyboy, Raju Rage, Victoria Sin, Special Tears (Cassandre Greenberg + Christopher Kirubi) and Zadie Xa.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDream Babes Zine 2.0 features contributions from Sophia Al-Maria, Danielle Brathwaite-Shirley, Angela Chan and Xia Jia, Orion J Facey, Wong Bing Hao, Tokini Irene Fubara, Imani Robinson, Ashkan Sepahvand, Daniella Valz Gen, Victoria Sin and Samuel R Delany”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"PSS","offers":[{"title":"Default Title","offer_id":41886125359334,"sku":"","price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1412.jpg?v=1634664499"},{"product_id":"dont-love-me-im-your-toy-by-aurore-dal-mas","title":"DON'T LOVE ME I'M YOUR TOY by Aurore Dal Mas","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e220 x 285mm, 68 pages, full colour printing with several inserts, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePlease note, there is an English language option, and a French language option, choose from the drop down \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe photographs were taken during Skype video chats that lasted between fifteen to forty-five minutes. During these sessions, each male who participated would undress, they were required to be bare-chested at the very least. Under one condition: anonymity. No physical criteria, nothing pre-defined. Dal Mas could view them but they could not view her as she photographed them in their bedrooms by way of her computer screen using a digital camera. These were men she had never met before, directed from a distance. They did not know the exact moment the photograph would be taken, at her discretion Dal Mas would signify a conclusion to the Skype call, brief goodbyes would be exchanged and then the call would end. Leaving behind a fleeting intimacy. This body of work is about dehumanisation, vulnerability and distant relationships; the difficulty in connecting and engaging intimately with another as well as the eagerness to please. The disconnection provided by the camera, the different rooms, the screen becoming an observation box for these casual men. It questions and explores their desire to be looked at, by scrutinising their physicality through a digital presence – that being impressive, elusive, desirable or consisting of mixed emotions. The work suggests fatigue, of having to exist in the other’s eyes as an object of desire. Thereby, this series also queries the viewer-voyeur role of an audience. While the low-fi aesthetics of the work refers to functional images one could find and utilise by using social media, or other meeting apps, eager to connect us with one another.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"DIRTYillness","offers":[{"title":"English","offer_id":41886135550182,"sku":"","price":29.0,"currency_code":"GBP","in_stock":true},{"title":"French","offer_id":41886135582950,"sku":"","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_27542541-1b89-427a-b67e-8ec51db8e537.jpg?v=1634664745"},{"product_id":"biblical-leah","title":"BIBLICAL LEAH by Leah Cameron","description":"\u003cp class=\"\"\u003eA5, 16 pages, Risograph printed, Saddle stitch, Softcover, Hand numbered, Ed. of 25, 2020\u003c\/p\u003e\n\u003cp class=\"\"\u003e“Biblical Leah was the wife of Jacob and sister of Rachel. The name 'Leah' means weary from crying because of how much she cried over how useless she felt if she could not have children. As a fellow Leah who is non-binary and doesn't want children, the illustrator author looks at the similarities and differences in the two Leahs.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePlease note - there are 2 versions, each using different papers. When ordered, your zine will be chosen at random. \u003c\/p\u003e\n\u003cp class=\"\"\u003eSelf-Published\u003c\/p\u003e","brand":"Leah Cameron","offers":[{"title":"Default Title","offer_id":41886139384038,"sku":"","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/C532F650-1498-4B38-9877-4E21911CF447.jpg?v=1634664919"},{"product_id":"castle-faggot-by-derek-mccormack","title":"CASTLE FAGGOT by Derek McCormack","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e137 x 203mm, 104 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA dark satire about an amusement park more deranged than anything Disney could imagine: a playland for gay men called Faggotland.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eCastle Faggot\u003c\/em\u003e is Derek McCormack's darkest and most delicious book yet, a satire of sugary cereals and Saturday morning cartoons set in an amusement park more deranged than anything Disney dreamed up. At the heart of the park is Faggotland, a playland for gay men, and Castle Faggot, the darkest dark ride in the world. Home to a cartoon Dracula called Count Choc-o-log, the castle is decorated with the corpses of gays—some were killed, some killed themselves, all ended up as décor.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe book includes a map of Faggotland, a photobook of the castle, the instructions for a castle-shaped dollhouse, and the novelization of a TV puppet show about Count Choc-o-log and his friends—reminiscent of the classic stop-motion special \u003cem\u003eRudolph the Red-Nosed Reindeer\u003c\/em\u003e, but even gayer and more grotesque. As scatological as Sade but with a Hanna-Barbera vibe, \u003cem\u003eCastle Faggot\u003c\/em\u003e transmutes McCormack's love of the lurid and the childlike, of funhouses and sickhouses, into something furiously funny: as Edmund White says, “the mystery of objects, the lyricism of neglected lives, the menace and nostalgia of the past—these are all ingredients in this weird and beautiful parallel universe.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith an afterword by Dennis Cooper and Zac Farley.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886141087974,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/DE60F5C3-9FA1-40D5-B740-E8B6E0B86EE6.jpg?v=1634664981"},{"product_id":"0ydz96cd4n6iq9818cupi30al0mijp","title":"BLOWFLY VOLUME 1 by Wylliam Rowan Wold \u0026 Earlier","description":"\u003cp class=\"\"\u003eA5, 32 pages, Black \u0026amp; white inners, Risograph covers, Stitch bound, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e“… celebrating decay, queerness, and the fall of systems toward a more feral, fermented existence. Includes over 15 illustrations throughout and several how-to's for getting your hands dirty in the garden of death, including recipes for sipping vinegar, kimchi-kraut, and advice for collecting bones.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Wylliam Rowan Wold \u0026 Earlier","offers":[{"title":"Default Title","offer_id":41886141284582,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/D525A59B-3CA3-48E8-9649-1A0045E59C56.jpg?v=1634664989"},{"product_id":"between-the-bars-by-adam-liam-rose","title":"BETWEEN THE BARS by Adam Liam Rose","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135 x 175mm, 52 pages, risograph printing throughout - black and burgundy inks, perfect bound, first edition of 200, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBetween the Bars is a volume containing 30 graphite drawings created by artist Adam Liam Rose. The drawings replicate a performance work Rose made in 2013 titled “Soragim,” where they built and occupied the in-between space of a freestanding window and its bars. Rose then wove white yarn between the bars until disappearing into a field of white. Likewise, the drawings progress from 1 to 30 as a line of thread weaves through ornamental window bars, eventually creating a wall of woven line across the page. Rose reimagines the windowsill as a performative site—almost as an actor on the stage. This “queer” space is a meditation on time and place, knowing and unknowing, a safe space of both comfort and discomfort.\u003cbr\u003e\u003cbr\u003eAdam Liam Rose (b. 1990 | he\/they) is an interdisciplinary artist working across sculpture, drawing, video and installation. Born in Jerusalem and raised mostly in the United States, his works investigate the aesthetic systems of power embedded within architecture. Rose draws inspiration from political realities in Israel \/ Palestine and the United States, often looking to structures of separation and control whose intentions either manifest outright, or slither beneath the surface. His works navigate ideas around artifact, “history,” and collective memory, uncovering how these distinct categories coalesce into feelings of place or “placeness.” Utilizing and subverting utilitarian materials including paper, textiles, and plywood, he creates a space for dialogue between the permanent and the ephemeral, the physical body, and the history embedded in objects.\u003cbr\u003e\u003cbr\u003eHe lives and works in Brooklyn, NY\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886141841638,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7432jpg0225.jpg?v=1634665021"},{"product_id":"coasting-by-river-ellen-macaskill","title":"COASTING by River Ellen Macaskill","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 172 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA lesbian road trip novel with a speculative twist.\u003cbr\u003e\u003cbr\u003eCat is a Scottish uni dropout living in Vancouver. On a trip to the islands, she meets a community of off-grid anarchists, including Dorothy, a boat punk who invites her sailing. The wind carries news from the mainland that a mysterious alien object that has landed in the US, causing an apocalyptic stir.\u003cbr\u003e\u003cbr\u003eWhen disaster strikes, the new friends set out on a cross-country drive to reunite with an estranged sister and an ex-girlfriend, befriending stray queers and revisiting past heartaches along the way.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"River Ellen Macaskill","offers":[{"title":"Default Title","offer_id":41886144921830,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/34jpg0505.jpg?v=1634665122"},{"product_id":"9am-gay-nihilism-by-john-garrood","title":"9AM GAY NIHILISM by John Garrood","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 4 pages, colour printing, numbered edition of 25, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn a free written style, 9AM GAY NIHILISM offers in stream and flow an earnest and vulnerable explorative text on queerness, nihilism and architecture. Encompassing form, the body, self-perception, sex, the ambivalence of meaning and diet quantum theory, it’s an unashamedly queer and half-baked surge. Originally uploaded in segments over fourteen days at 9am, as part of the 2021 Architecture Fringe open programme, the unabridged prose piece is printed here in its entirety: an irreverent romp of liquid nihilism. A portion of the profits from sales will be donated to the Scottish charity LGBT Health and Wellbeing. 9AM GAY NIHILISM is represented by Chez Etym., as part of its wider body of work exploring alternative and speculative perceptions of architectural place and time; see www.chezetym.com \/ @chezetym.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Chez Etym","offers":[{"title":"Default Title","offer_id":41886146330854,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9659001.jpg?v=1634665198"},{"product_id":"a-measure-of-safety-by-justine-nathalie-marzack","title":"A MEASURE OF SAFETY by Justine Nathalie Marzack","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, Digitally printed, Hand sewn bound, Hand painted cover, Ed. of 20, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A Measure of Safety is a collection of poems written by queer non-binary author and musician Justine Nathalie Marzack. Each zine is hand painted, hand bound and numbered.”\u003c\/p\u003e","brand":"Justine Nathalie Marzack","offers":[{"title":"Default Title","offer_id":41886147903718,"sku":"","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/1001_b56486fe-8f66-48e1-a2fa-d8fc762df36a.jpg?v=1634665271"},{"product_id":"green-ginger-forced-rhubarb-by-sally-fairbrass","title":"GREEN GINGER \u0026 FORCED RHUBARB By Sally Fairbrass","description":"\u003cp\u003eA5, 57 pages, Purple risograph on pink paper, Perfect bound, Softcover, Ed. of 100, 2017\u003c\/p\u003e\n\u003cp\u003eA book of semi erotic gay fantasies...based around Humberside, Wakefield and Pontefract areas of Yorkshire in the late 1980s\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"Behind The X","offers":[{"title":"Default Title","offer_id":41886261772518,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1227.jpg?v=1634667690"},{"product_id":"i-apologize-3","title":"I APOLOGIZE #3","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e240 x 190mm, 48 pages, Full colour printed, Perfect bound, Softcover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“\"i apologize\" is an independent and self-published zine aiming at exploring inadequacy and (a)morality is relation to identity politics.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributors: ORIK AMIT GALAMA, MATTHIAS GARCIA, IAN LEWANDOWSKI, JAAKKO MYYRI, XENIA PEREK, AGATA SŁOWAK, EOTHEN STEARN, DAVIDE STUCCHI, BRUNO ZHU\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"i apologize","offers":[{"title":"Default Title","offer_id":41886268358886,"sku":"","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/09_D_55a5905a-e145-4dc1-9b30-47a1bdfc790a.jpg?v=1634668086"},{"product_id":"genderfail-reader-2-by-be-oakley-and-noah-lebien","title":"GENDERFAIL READER 2 by Be Oakley and Noah LeBien","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e130 x 205mm, 124 pages, black and white digital printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Over March, April and May, I have been working on a series of new essays complied them into a 2nd GenderFail Reader. GenderFail Reader 2 is a compilation of four brand new essays written during this pandemic including Small Publishing and Finding Ways to Live, A Touch that You Can Really Feel, Collective Self Isolations: Resistance in the Care of Others and the Violence of Naming. This second printing also has a new essay “Complete Idiots All of Them: Thinking UnFathomable Dreams.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis reader also includes three new poems, Being an Instrument, Douche and Making Friends at 30, by my partner Noah LeBien, who as become such an important collaborator through my work with GenderFail. Noah also expanded their essay, Betraying Authority: Notes on Queer Art that was previously published as a zine.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBe Oakley, (formally known as Brett Suemnicht) Born 1991 in Clearwater, Florida; is an writer, facilitator and publisher based in Brooklyn, NY. Oakley's projects looks to what Fred Moten calls \"the politics of the mess\" by framing their identity as a white non-binary queer person in its intersections with failure and internationality. In 2015 they started GenderFail, a publishing and programming initiative that seeks to encourage projects that foster an intersectional queer subjectivity. Their work has been shown in programs and exhibitions at MoMA PS1 (NYC), the Studio Museum of Harlem, The International Center of Photography (NYC), Vox Populi and Sediment Arts. Their publications can be found in the library collections of The Museum of Modern Art, The Whitney Museum, The Met Museum, The Center for Book Arts and many others.’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886274781414,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/024_D_febcdde6-4a36-4bdd-96b6-99d3e1f8abbc.jpg?v=1634668238"},{"product_id":"genderfail-reader-1-by-be-oakley","title":"GENDERFAIL READER 1 by Be Oakley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 175mm, 118 pages, black and white digital printing, perfect bound, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘GF Reader 1 is a complication of six essays by GenderFail founder Be Oakley complied together for the first time. This publication features previous released essays from GF titles including Stonewall was a Riot, This is not another photo of a cis gay white men, My Pronoun (Card) #1 and In Defense of the Softcover Books in the GenderFail Archive. The GF Reader also includes Failure as Futuremaking, a new manifesto written in collaboration with artist Noah LeBien.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBe Oakley, (formally known as Brett Suemnicht) Born 1991 in Clearwater, Florida; is an writer, facilitator and publisher based in Brooklyn, NY. Oakley's projects looks to what Fred Moten calls \"the politics of the mess\" by framing their identity as a white non-binary queer person in its intersections with failure and internationality. In 2015 they started GenderFail, a publishing and programming initiative that seeks to encourage projects that foster an intersectional queer subjectivity. Their work has been shown in programs and exhibitions at MoMA PS1 (NYC), the Studio Museum of Harlem, The International Center of Photography (NYC), Vox Populi and Sediment Arts. Their publications can be found in the library collections of The Museum of Modern Art, The Whitney Museum, The Met Museum, The Center for Book Arts and many others.’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886274814182,"sku":"","price":13.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/017_D_4fd3360e-b868-432b-a351-337e80821d10.jpg?v=1634668407"},{"product_id":"into-the-garden-by-jacob-hoffman","title":"INTO THE GARDEN by Jacob Hoffman","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 36 pages, full colour digital printing, semi-gloss finish paper stock, saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eProduced as part of a recent show at GENERATORprojects in Dundee, 'Into the Garden' comprises found imagery and text interspersed with original writing and photographic work. The work is an queer erotic visual journey through a fictitious space and the characters and objects that populate it. It is the first publication from Delphinium Press, a new small scale independent publishing project run by Jacob Hoffman.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Delphinium Press","offers":[{"title":"Default Title","offer_id":41886277435622,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_37425c7a-84a0-4860-b076-83016a3eddbd.jpg?v=1634668337"},{"product_id":"greyhound-by-aeon-ginsberg","title":"GREYHOUND by Aeon Ginsberg","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150x200mm, 84 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA memoir-in-verse about the links between movement and how it influences gender identity, perception, and performance, utilizing the bus terminal as a throughway to discuss transition. The book discusses issues that deal with safety, passing, rural and city queerness, police and prison abolition, and autonomy. GREYHOUND is one poem, routed in the authors life, that is the journey and the destination and how those two places are linked through the movement between each other. It is a book for outcasts, true-freaks, weird-o's, and forever and always anyone trans.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Noemi Press","offers":[{"title":"Default Title","offer_id":41886278910182,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_51821126.jpg?v=1634668489"},{"product_id":"poems-from-a-hateful-child-by-leo-valenti","title":"POEMS FROM A HATEFUL CHILD by Leo Valenti","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, black and white printing, staple bound, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA poetry zine written over the course of two years following relationships, turmoil, queerness and parenthood. Written and illustrated by Leo Valenti\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Leo Valenti","offers":[{"title":"Default Title","offer_id":41886279565542,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_55141209.jpg?v=1634668671"},{"product_id":"i-hate-this-about-me-by-henry-alberto","title":"I HATE THIS ABOUT ME by Henry Alberto","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 175mm, 104 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eI Hate This About Me is a modern-day book of affirmations interwoven with personal narratives and reflections of filmmaker Henry Alberto’s grappling with the toxic masculinity innately embedded in the Latinx community. As Alberto states in the book, “this book is a manifestation of something or someone” they wish they had growing up. In simple and understated passages the book speaks directly and specifically to boys, though each sentence could apply to any and all gender identities. The use of the word boys is intended to remind us of the often-impossible emotional and behavioral demands we place upon boys and men alike. I Hate This About Me softens those expectations encouraging and affirming what’s often perceived as weakness or undesirable should be embraced and normalized. It raises the question of what does it really mean to be a man.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBorn and raised in Miami, FL. Latinx filmmaker and writer Henry Alberto is a recipient of a Skowhegan Artist Residency, a Yaddo fellowship and a Latino Screenwriting Project fellowship in association with the Sundance Institute. They are an alumnus of the Outfest Screenwriting Lab and two-time mentor of Outset: The Young Filmmakers Project by Lifeworks and Outfest. Their other works have screened at festivals and at various spaces worldwide including the Queens Art Museum, Ateliê 397, New Orleans Film Festival, Indie Grits, Rhode Island International, Cleveland International, Frameline, and more. Presently, Henry is working on the film adaptation of the award-winning young adult novel “Aristotle and Dante Discover the Secrets of the Universe” by Benjamin Alire Sáenz.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886279598310,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_55331209.jpg?v=1634668533"},{"product_id":"genderfail-reader-2-by-be-oakley-and-noah-lebien-1","title":"GENDERFAIL READER 3 by Be Oakley and Noah LeBien","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e108 x 175mm, 120 pages, black and white digital printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGF Reader 3 is a complication of 8 essays by GenderFail founder Be Oakley and trans poet and writer Noah LeBien. This publication is the 3rd in a series of essays and works that look at explore the subjects and essays that drive the GenderFail project. This is the first time all 8 essays have been published including Some Definitions Radical Softness as a Boundless Form of Resistance, Radical Accountability, Radical Transparency, Radical Action, The Evanston Township High School Prostitution Ring For Boys, Jon Carpenter's The Thing: Transness and Radical Politics, Darkroom Dom, Healing, Lyricism and Say Their Name Protest Font. The design for this 3rd GenderFail Reader is centered on GenderFail news protest font, Say Their Name Protest Font, also the last essay\/project featured in the publication. This font is based on protest signs of black people killed by police in the united states, to honor each of these people murdered by state sanctioned violence. GenderFail Reader 3 ends with a list of every single black person killed by police during the last ten years. $2 from each book will be donated in the Black Lives Matter Global Network. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBe Oakley\u003c\/span\u003e, (formally known as Brett Suemnicht) Born 1991 in Clearwater, Florida; is an writer, facilitator and publisher based in Brooklyn, NY. Oakley's projects looks to what Fred Moten calls \"the politics of the mess\" by framing their identity as a white non-binary queer person in its intersections with failure and internationality. In 2015 they started GenderFail, a publishing and programming initiative that seeks to encourage projects that foster an intersectional queer subjectivity. Their work has been shown in programs and exhibitions at MoMA PS1 (NYC), the Studio Museum of Harlem, The International Center of Photography (NYC), Vox Populi and Sediment Arts. Their publications can be found in the library collections of The Museum of Modern Art, The Whitney Museum, The Met Museum, The Center for Book Arts and many others.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886281433318,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0072_web.jpg?v=1634668606"},{"product_id":"itsofomo-2xlp-by-david-wojnarowicz-amp-ben-neill","title":"ITSOFOMO 2xLP by David Wojnarowicz and Ben Neill","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e2 x LP, gatefold sleeve with colour and black and white printed zine.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRecorded in 1991, ITSOFOMO is a collaboration between the artist David Wojnarowicz and the musician Ben Neill. Originally presented as a live performance at The Kitchen in 1989, the piece binds the haunting urgency of Wojnarowicz’s words to a sinister, elastic composition by Neill. Their gestures circle and intertwine with a telepathic energy, revealing the deep affinity shared by these two artists. Joined by percussionist Don Yallech, the group moves with the agility and purpose of a rock band while maintaining the rigor and empathy of their conceptual force. ITSOFOMO escalates from barely-whispered monologues and unnerving textures to a rallying, full-throated charge.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOriginally released on CD by New Tone records in 1992, this is the first vinyl pressing of ITSOFOMO. The 2 x LP includes two unreleased tracks: an instrumental version of the climactic track “THE COLLAPSE OF THE ILLUSORY ONE TRIBE NATION” and a new remix by Ben Neill, “ITSOFOMO Septimal Dub.” Printed in an edition of 500 copies with a gatefold sleeve and an essay by Sylvère Lotringer. A portion of the proceeds from this LP will be donated to Visual AIDS.\u003c\/p\u003e\n\u003cp class=\"\"\u003eReleased by\u003c\/p\u003e","brand":"JABS","offers":[{"title":"Default Title","offer_id":41886281760998,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7193_C.jpg?v=1634668623"},{"product_id":"queer-accomplices-this-is-not-another-photo-of-a-gay-cisgender-white-man-by-be-oakley","title":"QUEER ACCOMPLICES: THIS IS NOT ANOTHER PHOTO OF A GAY CISGENDER WHITE MAN by Be Oakley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 170mm, 28 pages, risograph printed throughout - burgundy and black inks, cover risograph and digital printing, saddle stitched, second edition, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is not another photo is an essay about the depiction of the gay male form in contemporary art. This manifesto is a call for an expanded queer aesthetics that puts as much emphasis on intersectionality as it does on the sexualized gay male form. Oakley states in the essay \"Sex sells. Contemporary queer photography is flooded with ableist images of white gay bodies. I am in no way trying to be anti sex-positive. My argument here is for a more critical and thoughtful depiction of queer bodies. Queer art is flooded with one-dimensional representations of queerness that flatten the complexity of what a queer body is and can be. Artists and photographers have celebrated the gay male form and given it a visibility akin to its straight counterparts’ photographs of idealized white women. These images have overpopulated queer art production--but what do these images communicate to society at large? And what do they tell the queer community? When bodies do not fit into this conception of what a queer body looks like are they unworthy of representation? While the non-gay world (dominant culture) continues to digest this normalized white gay male body, how do trans, fat femme, non-binary, differently abled bodies fit into these fixed narratives of the queer body?\" Later in the essay they go to say \" On social media platforms like Instagram, queer photography is dominated by images of fit, cis, white gay men. These photographs populate Instagram feeds like my own 7 yet they contrast starkly with the radically queer content, often on the same feed, focused on the actual lived reality of most of the queer population. E.g., what does the perpetuation of images of gay white men communicate in a political climate where trans women of color are being murdered on the street?8 When I see images and stories on social media of trans murder intermixed with images of fit white straight passing gay men it just highlights the infuriating divide in the queer community. In this context, it might seem unfair or out of line to relate queer art about the cisgender gay male body to the realities of the continued death of black trans and non-binary people, but I feel it’s paramount for artists to grapple with the privileged contexts of their work and what it means in this larger context.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886282842342,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8739031.jpg?v=1681737232"},{"product_id":"queer-formalism-the-return-by-william-j-simmons","title":"QUEER FORMALISM: THE RETURN by William J. Simmons","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 170mm, 88 pages, black and white and colour printing, perfect bound, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA new kind of queer art writing.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eQueer Formalism: The Return expands upon William J. Simmons's original, influential essay “Notes on Queer Formalism” from 2013, offering novel ways of thinking about queer-feminist art outside of the critical-complicit and abstract-representational binaries that continue to haunt contemporary queer art. It therefore proposes a new kind of queer art writing, one that skirts the limits imposed by normative histories of art and film.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eArtists addressed in Queer Formalism: The Return include: Sally Mann, David Lynch, Lars von Trier, Math Bass, Lorna Simpson, Laurie Simmons, Alex Prager, Lana Del Rey, Jessica Lange, and Louise Lawler, among others.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eQueer Formalism: The Return is the first installment in the Critic's Essay Series published by Floating Opera Press. Comprising long-form essays, this series gives voice to critics who offer thought-provoking ways in which to subvert or replace normative modes of discussing culture.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWilliam J. Simmons is an art historian, curator, writer, and poet based in Los Angeles and New York. He has degrees in art history from Harvard University and the University of Southern California. His work has been published in numerous international journals, magazines, edited volumes, and monographs, and he has lectured widely. He is a contributing editor at King Kong Magazine and Flash Art. He was the Curator of Special Projects for the 2020 Felix Fair in Los Angeles.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Floating Opera Press","offers":[{"title":"Default Title","offer_id":41886285496550,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8698jpg0408.jpg?v=1634668883"},{"product_id":"over-at-ep-folks-songs-by-malin-lewis-matthew-arthur-williams-harry-josephine-giles-jamie-crewe","title":"OVER \/ AT E.P.: FOLKS' SONGS by Malin Lewis; Matthew Arthur Williams; Harry Josephine Giles; Jamie Crewe","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCDr in full colour slip case, with risograph printed mini zine, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFOLKS’ SONGS is a new E.P. from the trans music-making world of OVER \/ AT. It comprises three exclusive, newly commissioned audio pieces by three Scotland-based trans, non-binary, or other gender-minority artists: new songs for\/by\/with the Folk. It is unlike any trans music-making which has come before it in Scotland.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis EP shines a light on the different ways we – trans, non-binary, and other gender-minority people – are using our voices. It features musicians with backgrounds from punk to trad, and in particular it loves the beauty of our untrained and unheard voices, freeforming outside of social expectation. You will hear inventive (non-)traditional music, angry punk howls, and delicious beats.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHOLD IN UR HOT LITTLE HANDS A DAY THAT NEVER HAPPENED \/ a bright yellow flying saucer from a parallel timestream \/ ur very own trans ammonite\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOVER \/ AT is a new concert series and trans music-making world, being slowly woken from its sleep by composer Rufus Isabel Elliot. We are focused on the voice – how we speak, sing, hum, shout, and howl. We aim to make work by\/with\/for trans, non-binary, and other gender minority folks.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"OVER \/ AT","offers":[{"title":"Default Title","offer_id":41886286741734,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0941jpg0507.jpg?v=1634668957"},{"product_id":"out-of-existence-score-book-by-harry-josephine-giles","title":"OUT OF EXISTENCE - SCORE BOOK by Harry Josephine Giles","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 12 pages, Black \u0026amp; white printing, saddle stitched, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"we uncovered this artefact whilst rebuilding the old farmhouse at Strath----.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eunearth a big trans fossilised moment in text-score format, in this new graphic\/text score work from Harry Josephine Giles.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ebeautifully made, hand-numbered, limited edition of 50 A4 score book of Harry Josephine Giles' newly commissioned work, 'Out of Existence', all printed on 160gsm (fully recycled) stock. Learn the music, and explore your own routes through it!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOVER \/ AT is a new concert series and trans music-making world, being slowly woken from its sleep by composer Rufus Isabel Elliot. We are focusing on the voice – how we speak, sing, hum, shout, and howl. We aim to make work by\/with\/for trans, non-binary, and other gender minority folks.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"OVER \/ AT","offers":[{"title":"Default Title","offer_id":41886286774502,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0944jpg0507.jpg?v=1634668892"},{"product_id":"permanent-volta-by-rosie-stockton","title":"PERMANENT VOLTA by Rosie Stockton","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e154 x 230mm, 96 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2nd edition, 2022\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA debut collection of love poems that resist subjection and ask how we might live together outside of capitalism, providing for each other through intimate acts of care and struggle.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn \u003cem\u003ePermanent Volta\u003c\/em\u003e, here are love poems about how queer intimacies invent political and poetic forms, how gender deviance imagines post-sovereign presents and futures. Full of bad grammar, strange sonnets, and truncated sestinas, these poems are for anyone motivated by the homoerotic and intimate etymology of comrade: one who shares the same room. If history sees writers as tops and muses as bottoms, these poems refuse, invert, and evade representation. Here, muses demand wages, then demand the world.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A paean to the disruptive power of queer desire, Rosie Stockton’s rhapsodic debut, \u003cem\u003ePermanent Volta\u003c\/em\u003e, embodies a poetics of the swerve, of switch life beyond butch and femme, where we inhabit, kaleidoscopically, the pleasure-pains of Eros’s excesses. We are hailed, are beckoned by, Stockton’s visionary imperatives: ‘it’s time \/ for love \/ in the time \/ of dollar store cutlery.’ We torque to find a way to love under late-capitalism, awash in the luxurious bliss of \u003cem\u003ePermanent Volta\u003c\/em\u003e, with Stockton as our humble guide.”\u003cbr\u003e—Jackie Wang\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"Nightboat Books","offers":[{"title":"Default Title","offer_id":41886289068262,"sku":"","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_15142083.jpg?v=1746022243"},{"product_id":"imperfect-archiving-archiving-as-practice-for-a-love-of-softness-by-genderfail","title":"IMPERFECT ARCHIVING, ARCHIVING AS PRACTICE: THE ETHICS OF THE ARCHIVE by Be Oakley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 185mm, 72 pages, Risograph printed, Coil bound, 5th Edition of 350, 2024\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eImperfect Archiving, Archiving as Practice: The Ethics of the Archive is a special 4th edition of our popular essay printed in conjunction with the opening of Imperfect Archiving\/Archiving as Practice a reading room by GenderFail Archive Project at The Center for Book Arts. The exhibition is on view at Center for Book Arts Manhattan location from July 9th- September 18th 2021. This manifesto talks to core of GenderFail collecting and archiving practices that looks to the softness of the collected and archived book as a metaphor for the type of content that are housed within. The GenderFail Archive Project is a socially engaged reading room that looks at archiving as a social activity. The project stems from GenderFail’s desire to share the publications from their personal library and give a platform to other publishers that they cherish.\u003c\/p\u003e\n\u003cp\u003eVisit the exhibition page here: https:\/\/centerforbookarts.org\/genderfail-archive-project-exhibition\u003c\/p\u003e\n\u003cp\u003eAlong with the essay, this 4th edition features 10 curated GenderFail Archive Project reading lists from my Publishing Now class taught from 2021-2023. In Late 2020 I was offered a teaching position at SMFA, Tufts University to teach a course I designed called “Publishing Now.” For this course I wanted the students to read zines and publications being produced in real time, so I started to digitize my collection. Many of the readings for this course were scanned from my personal collection of over 2,000 zines, artist books and art books that make up the GenderFail archive. Since we were not able to meet in person (due to the pandemic) I spent hours scanning zines and artist books to be used as required readings for the course. Each of the reading lists will accompany a link and QR code to read and engage with each of the publications online.\u003c\/p\u003e\n\u003cp\u003e~ ~ ~ Covers may vary ~ ~ ~\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886289199334,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_5706014.jpg?v=1706535865"},{"product_id":"manifesto-profit-for-survival-by-genderfail","title":"MANIFESTO, PROFIT-FOR-SURVIVAL by Be Oakley","description":"\u003cp\u003e12 x 18cm, 20 pages, Risograph printed, Saddle stitch, Softcover, 3rd Edition, 2022\u003c\/p\u003e\n\u003cp\u003e“Manifesto, Profit-for-Survival was first written for Towards a Self Sustaining Publishing Model, a panel created by Be Oakley with Marc Fischer, Vivian Sming, Yuri Ogita, and Devin Troy Strother apart of the 2021 Printed Matter Virtual Art Book Fair. This Manifesto looks at the word profit through an anti-capital lens from the perspective of small and self publishing practices. From the manifesto Oakley states:\u003cbr\u003e\u003cbr\u003eWhen we say “profit” (in the non-for-profit to for-profit spectrum) what do we mean? As a person trying to live off the “profit” they generate from their work, profit is essential to my livelihood and my ability to continue producing work that I am passionate about. So to say that I am for-profit does not yet speak to the complexities of a non-capitalist small publishing project. The word “profit” without any other context is a simplification, it can’t speak to the complexities of what making profit means for my life, my work and my future. GenderFail is not non-for-profit but profit-for-survival, or profit-to-continue-our-work-without-other-means-of-capital -- and most importantly to make money for the people I publish, to create profit-for-labor. Defining the means of Non-Exploitative-Profit, through describing how our work is created, who is being paid and the ethics behind its creation, is essential when trying to define the terms of any engagement with “profit.”\u003c\/p\u003e\n\u003cp\u003eThis new edition features a new essay Notes on Anti-Capitalist Solidarity: An Essay for the Working Class Artist expanding on our Manifesto, Profit for Survival essay. This new essay explores chapters including Class Solidarity in the Art World, Against Growth Towards Sustainability, Breaking with Capitalism: Identity Politics and Working Class Solidarity, Anti-Capitalist Pedagogy? Pedagogy for Low Wage Workers? and Anti Capitalist Art Practice?\u003cbr\u003e\u003cbr\u003e20% from each zine will be invested in a publishing grant established by GenderFail to be given out to a self and small publishers in a series of $100 grants.”\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886289232102,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8444001.jpg?v=1673890278"},{"product_id":"one-mans-trash-by-ryan-vance","title":"ONE MAN'S TRASH by Ryan Vance","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e23 x 15.4cm, 168 pages, Offset printed, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A thoroughly postmodern monster finds kinship in mutability and endurance. A restaurant critic meets his match in a tale of telepathic tongues. A put-upon middle-manager dreams of bloody revenge against the puerile Big Babies. A courier chases an impossible connection across a city that doesn’t exist. Seeking solace in queer lives and landscapes, these fables of loneliness, love and liminality delight in disgust, discover joy in daily junk, and create wild unexpected treasures from the most unusual of leftovers.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Lethe Press","offers":[{"title":"Default Title","offer_id":41886293098726,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2183006.jpg?v=1634669183"},{"product_id":"frank-ed-sille-storihle","title":"FRANK  Ed. Sille Storihle","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e226x170mm, 264 pages, Full colour offset printed throughout, Softcover, Perfect bound, 2021.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFRANK was an Oslo-based queer-feminist platform established in 2012 to nurture art and critical discourse revolving around gender, desire and sexuality, run by Liv Bugge and Sille Storihle until 2020. The final publication, \u003cem\u003eFRANK,\u003c\/em\u003e is a self-archive, making what we have done accessible for the future, filling institutional gaps. It offers insight into the thinking, process and life of FRANK, and it also provides straightforward information about the projects FRANK undertook and when. Running a nomadic platform that started as a salon—as a social and critical meeting place—made FRANK vulnerable to the politics of remembering, but this book\u003cem\u003e \u003c\/em\u003egives shape to the nomadic and uncategorizable life of FRANK through newly commissioned essays, conversations, unpublished and reprinted articles, and personal anecdotes and letters.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs with many of FRANK’s other projects, this book has found its form in a three-part structure following a chronology of urgency—one not defined by linear time—and understood as the various phases of FRANK. The first part, \u003cem\u003eTemple of Friendship\u003c\/em\u003e, fleshes out the initial drive behind FRANK, focusing on the salon and its various forms. Part two, \u003cem\u003eGenealogies\u003c\/em\u003e, is dedicated to our work on the tracing and touching of history through exhibitions, publications, screening series and the restaging of a historical lesbian club. The last section, \u003cem\u003ePower\u003c\/em\u003e, marks FRANK’s shift from concerns of representation to production, discussing the power relationships in the art field that have encouraged and provoked us.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions by Brynjar Åbel Bandlien, Katarina Bonnevier, Liv Bugge, Antonio Cataldo, Malene Dam, Mathias Danbolt, Geir Haraldseth, Shoghig Halajian, Siri Hjorton Wagner, Every Ocean Hughes, Maaretta Jaukkuri, Helle Lindskog, Louise Dany (Ina Hagen and Daisuke Kosugi), Magnus Mork, Eline Mugaas, Wencke Mühleisen, MYCKET, Cecilie Poulsson, Ruben Steinum, Sille Storihle, Elise Storsveen, Fredrik Svensk, Anne Szefer Karlsen, Jim Særnblom and Nico Woche. \u003cbr\u003eProduced with financial support from: Arts Council Norway, Billedkunstnernes Vederlagsfond, Fritt Ord, Nordic Culture Point and Office for Contemporary Art Norway (OCA).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLaunched with financial support from: Kunstnerforbundet and the Royal Norwegian Consulate General in New York.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"FRANK","offers":[{"title":"Default Title","offer_id":41886293950694,"sku":"","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/8034_16b60bd4-3779-4008-85fe-1191dd15a0a9.jpg?v=1634669217"},{"product_id":"my-little-enlightenment-plays-by-sophie-seita","title":"MY LITTLE ENLIGHTENMENT PLAYS by Sophie Seita","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e136 x 192 mm, 158 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eMy Little Enlightenment Plays\u003c\/em\u003e is a multimedia project centred around three experimental theatre pieces: 1. \u003cem\u003eDon Carlos, or, Royal Jelly\u003c\/em\u003e; 2. \u003cem\u003eLes Bijoux Indiscrets, or, Paper Tigers\u003c\/em\u003e; 3. \u003cem\u003eEmilia Galotti’s Colouring Book of Feelings\u003c\/em\u003e — all of which present imaginary tête-a-têtes with Enlightenment thinkers, writers, and scientists. The costumes and props are often a trace of past performance, but also a score that can be activated yet again in performance. Each element in a performance translates my text into another material and medium – which is itself a queer-feminist and oblique translation of Enlightenment texts and ideas.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Pamenar Press","offers":[{"title":"Default Title","offer_id":41886297719014,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3027034.jpg?v=1634669343"},{"product_id":"our-ancestors-gods-by-antonio-jaramillo-hill","title":"OUR ANCESTOR'S GODS by Antonio Jaramillo Hill","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 20 pages, Full color, Saddle stitched, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA series of poetry through the queer perspective of a Mexican American living in London.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Antonio Jaramillo Hill","offers":[{"title":"Default Title","offer_id":41886297981158,"sku":"","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8853030.jpg?v=1634669446"},{"product_id":"little-living-room-issue-3-mental-health","title":"LITTLE LIVING ROOM ISSUE 3: MENTAL HEALTH","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 68 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Little Living Room is a queer led Publication. We bring together a collective of creatives which aims to support collaboration of people from a range of backgrounds. We aim to diversify through setting up projects that create connection between nationalities, genders, social class and age. Art is for everyone in one form or another, we shouldn’t have to fit into or tick boxes to gain support. Arts therapy is my tool to bridge the gap between those with access to creative exploration and those who are and have been denied this opportunity. Everyone is a creative. We deserve to explore our capabilities to make sense of this world and ourselves. Confidence We are creating a platform where collaborative writing, photography, illustration and design projects give voice to the underrepresented and establish connections that would not be possible in this increasingly polarised and ‘exclusive’ world. I started putting this project together because I am a visual artist and writer. I always have been, but I never had the confidence to put my work out there. Until that is when my work was acknowledged, I was shortlisted for the John Byrne award. I couldn’t believe it, I cried as I read my email in disbelief. This made me feel like a writer. It made me feel as though I was enough. It is amazing how one person or panel acknowledging your capabilities can stir confidence in you. For all those who have never felt adequate or enough, we want to help build your confidence. You are enough. Independence With the precariousness of the pandemic and looming disconnection of Brexit, we believe that support for creatives and connecting with other businesses is vital. We aim to remedy lost connection and establish new bridges between those whose voices have become, or are at risk of becoming, silenced. I have worked hard to bring together a really supportive and safe publishing house and creative collective where people of all different backgrounds and levels of experience can be heard. I strive to ignite creativity in our community building confidence, showing people their value and collaborating with fellow local businesses for sustainable community wellbeing. Community Wellbeing We are focusing on work that has come to life through collaboration. We are focusing on both national and international topics of social equity and art. As we believe in everyone’s individual voice, we want our community to focus on building each other up, listening and connecting. Our goal is to connect creatives in a both physical and online community – a co-working space in Edinburgh will be our home for those close by –those in the heart of Scotland and further away - where we will run and facilitate arts therapy workshops and writing therapy workshops. Our wider community will be supported virtually and through publication, connect with us!”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Little Living Room","offers":[{"title":"Default Title","offer_id":41886298079462,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8709016.jpg?v=1634669663"},{"product_id":"reverse-cowgirl-by-mckenzie-wark","title":"REVERSE COWGIRL by McKenzie Wark","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e140 x 205mm, 200 pages, black and white, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘McKenzie Wark invents a new genre for another gender: not a memoir but an auto-ethnography of the opacity of the self.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAnother genre for another gender.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhat if you were trans and didn't know it? What if there were some hole in your life and you didn't even know it was there? What if you went through life not knowing why you only felt at home in your body at peak moments of drugs and sex? What if you expended your days avoiding an absence, a hole in being? \u003cem\u003eReverse Cowgirl\u003c\/em\u003e is not exactly a memoir. The author doesn't, in the end, have any answers as to who she really is or was, although maybe she figures out what she could become.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTraveling from Sydney in the 1980s to New York today, \u003cem\u003eReverse Cowgirl\u003c\/em\u003e is a comedy of errors, chronicling the author's failed attempts at being gay and at being straight across the shifting political and media landscapes of the late twentieth century. Finding that the established narratives of being transgender don't seem to apply to her, Wark borrows from the genres of autofiction, fictocriticism, and new narrative to create a writing practice that can discover the form of a life outside existing accounts of trans experience: an auto-ethnography of the opacity of the self.’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886393139430,"sku":"","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7462_fe2f563d-bad7-44a5-98f0-0f3adf852880.jpg?v=1634671841"},{"product_id":"2020-7-11-yeesfmd2wjoconu0cgy5gajbecs8un","title":"WHAT TIES TIES, TIES by Various Artists","description":"\u003cp class=\"\"\u003e10 x \u003cmeta charset=\"utf-8\"\u003e18cm, 130 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eA collection of short stories, essays and poetry from five artists who studied MA Fine Art together at the Sandberg Instituut, Amsterdam, building on themes of technology, nature, gender, friendship and bodily boundaries.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Print Art Research Centre Seoul","offers":[{"title":"Default Title","offer_id":41886397497574,"sku":"","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/96B31FF9-02FB-4702-8945-EC85350869BC.jpg?v=1634672021"},{"product_id":"2020-9-10-k4q8z03ddgu2v5fx9nog1992ogpcyn","title":"SLOW DOWN #2: BEYOND DREAD by River MacAskill","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 24 pages, Black \u0026amp; white printed, Saddle stitch, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSlow Down 2 is from summer 2020, about searching for aspirational trans-masculinities, ptsd + depression, music + writers and the weird hellscape of this summer.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"River MacAskill","offers":[{"title":"Default Title","offer_id":41886399758566,"sku":"","price":4.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/3F46340E-2B39-42A4-9B98-82FBB616C8B4.jpg?v=1634672074"},{"product_id":"4gnb6yecwdb46ijobimc3cncbnskaw","title":"RADICAL SOFTNESS AS A BOUNDLESS FORM OF RESISTANCE 6TH EDITION by Various Artists","description":"\u003cp class=\"\"\u003e175 x 105 mm, 130 pages, Black \u0026amp; white printed, Perfect bound, Softcover, Ed. of 125, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis new edition features an extended essay by Be Oakley featuring translations of “Radical Softness as a Boundless Form of Resistance”. The book features five written works from Be Oakley, Lora Mathis, Alexis Ruiseco-Lombera, Noah LeBien and Kimi Hanauer on how the statement \"Radical Softness as a Boundless Form of Resistance\" resonates with their practice. Oakley states “In this, “Radical Softness as a Boundless Form of Resistance” is not a utopian idea but rather one that tries to grapple with the unique realities we face. This 6th edition also includes a brand new essay, Collective Self Isolation: In the Care of Others.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdited by Be Oakley\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886404804838,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9512026.jpg?v=1650461890"},{"product_id":"stonewall-was-a-riot-against-police-brutality-by-be-oakley","title":"STONEWALL WAS A RIOT AGAINST POLICE BRUTALITY by Be Oakley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 176mm, 90 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2022\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Stonewall was a Riot Against Police Brutality\" is a reprinting of our 2018 essay \"Stonewall was a Riot\" with two forwards one written in the first few days of June 2020 and other written in October 2020.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom the forward Oakley states \"We need to remember that Stonewall was a riot against police brutality. As queer, trans and non-binary people, 2020 pride month can’t just be about a casual celebration of our identity. This month (like every month, for that matter) must focus on addressing the intersections of our collective oppression, that is rooted in white supremacy, heteronormativity and colonialism. This month we need to continue to honor and demand justice for George Floyd, Ahmaud Arbery and everyone murdered by our white supremacist police state. As queer, trans and non-binary people we need to stand in solidarity and action in our refusal of joining the status quo. We need to stay fucking mad and protest, donate and coalition build with each other, to actively work towards the dismantling of our white supremacist police state. Pride 2020 is not a time for celebration, it is a time to show solidarity with cis, trans and non-binary Black people.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886405099750,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_1464010.jpg?v=1742487303"},{"product_id":"written-in-invisible-ink-selected-stories-by-herve-guibert","title":"WRITTEN IN INVISIBLE INK: SELECTED STORIES by Herve Guibert","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13.6 x \u003cmeta charset=\"utf-8\"\u003e19.8cm, 268 pages, Black and white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eStories that map the writer’s artistic development, written with candor, detachment, and passion.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHervé Guibert published twenty-five books before dying of AIDS in 1991 at age 36. An originator of French “autofiction” of the 1990s, Guibert wrote with aggressive candor, detachment, and passion, mixing diary writing, memoir, and fiction. Best known for the series of books he wrote during the last years of his life, chronicling his coexistence with illness, he has been a powerful influence on many contemporary writers.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWritten in Invisible Ink maps the writer’s artistic development, from his earliest texts—fragmented stories of queer desire—to the unnervingly photorealistic descriptions in Vice and the autobiographical sojourns of Singular Adventures. Propaganda Death, his harsh, visceral debut, is included in its entirety. The volume concludes with a series of short, jewel-like stories composed at the end of his life. These anarchic and lyrical pieces are translated into English for the first time by Jeffrey Zuckerman.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom midnight encounters with strangers to tormented relationships with friends, from a blistering sequence written for Roland Barthes to a tender summoning of Michel Foucault upon his death, these texts lay bare Guibert’s relentless obsessions in miniature\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886405820646,"sku":"","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0881112.jpg?v=1634672222"},{"product_id":"the-disintegration-of-a-critic-by-jill-johnston","title":"THE DISINTEGRATION OF A CRITIC by Jill Johnston","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003e110 x 180 mm, 224 pages, black and white printing, perfect bound, 2019\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003eJill Johnston—cultural critic, auto\/biographer, and lesbian icon—was renowned as a writer on dance, especially on the developments around Judson Dance and the 1960s downtown New York City scene, and later as the author of the radical-feminist classic \u003cem\u003eLesbian Nation\u003c\/em\u003e (1973). This book collects thirty texts by Jill Johnston that were initially published in her weekly column for \u003cem\u003eThe Village Voice\u003c\/em\u003e between 1960 and 1974. The column provided a format in which Johnston could dissolve distinctions between the personal, the critical, and the political. Her writing took turns and loops, reflecting its times and contexts, and set a stage for the emergence of Johnston as a public figure and self-proclaimed radical lesbian that defied any prescribed position.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003eJohnston’s original texts are accompanied by three new contributions by Ingrid Nyeboe, Bruce Hainley, and Jennifer Krasinski, as well as an appendix with archival material related to a panel Johnston organized in 1969, titled “The Disintegration of a Critic: An Analysis of Jill Johnston.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886407426278,"sku":"","price":13.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57531212.jpg?v=1634672236"},{"product_id":"where-are-the-tiny-revolts-ed-jeanne-gerrity-anthony-huberman","title":"WHERE ARE THE TINY REVOLTS? ed. Jeanne Gerrity, Anthony Huberman","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e111 x 180mm, 320 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTexts by Sara Ahmed, Nicole Archer, Georges Bataille, Dodie Bellamy, Michele Carlson, Thomas Clerc, Combahee River Collective, Bob Flanagan, Ursula K. Le Guin, Johanna Hedva, Glen Helfand, Juliana Huxtable, Alex Kitnick, Julia Kristeva, Audre Lorde, Lisa Robertson\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributions by Marcela Pardo Ariza, Justin G. Binek, Kaucyila Brooke, Tammy Rae Carland, Mary Beth Edelson, Mike Kuchar, Anne Mcguire, Patrick Staff, Frances Stark, Rosemarie Trockel\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDriven by the central question “What are we learning from artists today?” the first volume of the new series edited by Anthony Huberman and Jeanne Gerrity at the CCA Wattis, A Series of Open Questions, is informed by themes found in the work of Dodie Bellamy, such as contemporary forms of feminism and sexuality, the rebirth of the author, and ways in which vulnerability, perversion, vulgarity, and self-exposure can be forms of empowerment. \u003cem\u003eWhere are the tiny revolts?\u003c\/em\u003e comprises a broad array of contributions, including memoir, theoretical essay, art-historical analysis, poetry, and fiction, as well as diverse visual elements, ranging from photographs by Anne McGuire and Mike Kuchar, among others, collages by Mary Beth Edelson, and drawings by Rosemarie Trockel.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886407459046,"sku":"","price":13.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57741212.jpg?v=1634672298"},{"product_id":"the-freezer-door-by-mattilda-bernstein-sycamore","title":"THE FREEZER DOOR by Mattilda Bernstein Sycamore","description":"\u003cp\u003e137 x 203mm, 280 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp\u003eA meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity.\u003c\/p\u003e\n\u003cp\u003eWhen you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be.—The Freezer Door\u003c\/p\u003e\n\u003cp\u003eThe Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life.\u003c\/p\u003e\n\u003cp\u003eFerocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886409064678,"sku":"","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/CCB62E9A-9667-4E4E-ACA0-4202207B162E.jpg?v=1634672386"},{"product_id":"reynaldo-rivera-provisional-notes-for-a-disappeared-city","title":"REYNALDO RIVERA: PROVISIONAL NOTES FOR A DISAPPEARED CITY","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e197mm x 292mm, 200 pages, colour and black and white printing, various paper stocks, hardcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePhotographs by Reynaldo Rivera that document a vanished LA of cheap rent, house parties, subversive fashion, and underground bands, and long-closed gay and transvestite bars.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThroughout the 1980s and 1990s, Reynaldo Rivera took personal photos of the Los Angeles that he lived in and knew: a world of cheap rent, house parties, subversive fashion, underground bands, and a handful of Latino gay and transvestite bars: Mugi's, The Silverlake Lounge, and La Plaza. Most of these bars are long closed and many of the performers have died. But in Rivera's photographs, these men and women live on in a silvery landscape of makeshift old-style cinematic glamour, a fabulous flight from unacceptable reality.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs a teenager, Rivera took refuge in used bookstores and thrift stores, where he discovered old photo books of Mexican film stars and the work of Lisette Model, Brassai, and Bresson. Inspired, he bought a camera and began photographing people at his hotel. In 1981 he moved to Echo Park and began taking photos for the \u003cem\u003eLA Weekly\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is an ensemble of almost 200 images selected by Hedi El Kholti and Lauren Mackler spanning more than two decades in Los Angeles and Mexico. The book also includes Luis Bauz's story, “Tatiana,” about one of the subjects of these photographs; a critical essay on Rivera's work by Chris Kraus; and a novella-length conversation between Rivera and his friend and contemporary Vaginal Davis about their lives, work, fantasies, and collective histories.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886409621734,"sku":"","price":32.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0250210.jpg?v=1634672399"},{"product_id":"the-faggots-amp-their-friends-between-revolutions-by-larry-mitchell-and-ned-asta","title":"THE FAGGOTS AND THEIR FRIENDS BETWEEN REVOLUTIONS by Larry Mitchell \u0026 Ned Asta","description":"\u003cp\u003e152 x 203mm, 128 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2019\u003c\/p\u003e\n\u003cp\u003eA facsimile edition of the classic 1970s book with new essays and archival material.\u003c\/p\u003e\n\u003cp\u003e40th anniversary reprinting of a beloved fable-manifesto from the 1970s queer counterculture. The Faggots and Their Friends Between Revolutions, written by Larry Mitchell with illustrations by Ned Asta, takes place in a brutal empire in decline, where the faggots and their friends are surviving the ways and the world of men. Beloved by many since its publication, now with new essays by Morgan Bassichis and Tourmaline, this book offers a trenchant and irreverent critique of capitalism, assimilation, and patriarchy that is deeply relevant today.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Nightboat Books","offers":[{"title":"Default Title","offer_id":41886413324518,"sku":"","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/43jpg0320.jpg?v=1634672562"},{"product_id":"urgent-publishing-after-the-artists-book-making-public-in-movements-towards-liberation-by-paul-soulellis","title":"URGENT PUBLISHING AFTER THE ARTIST’S BOOK: MAKING PUBLIC IN MOVEMENTS TOWARDS LIBERATION by Paul Soulellis","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e125 x 193mm, 112 pages, risograph printed throughout, perfect bound, first edition of 200\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eUrgent Publishing After the Artist’s Book: Making Public in Movements Towards Liberation was a performative talk given by artist and designer Paul Soulellis during the the 2021 Contemporary Artist’s book Conference, hosted by the Center for Book Arts during the 2021 Printed Matter Virtual Art Book Fair.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn attending this livestreamed talk, I was struck by the obvious intersections with my own work with GenderFail. While Paul was giving this lecture live, I emailed him as I listened and responded in the moment about my hopes in being able to publish Urgent Publishing After the Artist’s Book: Making Public in Movements Towards Liberation as a printed book. For this information to be engaged with in such a personal fashion, and further to disseminate it as a physical object, felt important in my position as a publisher.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is a reproduction of the photographs and texts from the lecture by Paul Soulellis and risograph printed into a 112 page book. Taking only 11 days from the lecture on February 27th, 2021 to the finished book on March 10th, 2021, this book is an urgent publishing response to an urgent text. The book is an edition of 200 designed by Be Oakley and published by GenderFail. 25% of the book is invested in Queer.Archive.Work.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886413586662,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_1145007_2746b0b8-bfcc-4cf5-9fe4-0294190efe5e.jpg?v=1716911416"},{"product_id":"the-second-sound-conversations-on-gender-and-music","title":"THE SECOND SOUND: CONVERSATIONS ON GENDER AND MUSIC by Julia Eckhardt \u0026 Leen De Graeve (Eds.)","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135 x 210mm, 168 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2017\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGathering anonymous testimonies from artists of different backgrounds into a single stream of (often contrary) opinions, the book addresses discrimination as a paradigm of otherness, the possibility of gendered music and sound art, and how sound artists and musicians navigate the field.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Second Sound raises questions such as: How do life circumstances find their way into music and sound art? How does music reflect historical and social structures? What does discrimination do, and how can we navigate around it? Is the under-representation of women and LGBTQ people in the field a symptom or a cause? Is art itself gendered? And can it reflect the gender of its maker? Is a different way of listening needed to more accurately understand those voices from outside the historical canon?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAlthough this book raises more questions than it answers, it came to be a pledge for embracing artistic differences, for the richness of contextual listening, and for honesty in the expression of concerns and doubts. The responses seem to suggest that understanding differences by theme and not as predetermination is a way to provide freedom in a field of seemingly abstract art.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBased on the contributions of Adam Smith, Amandine Pras, Amelia Diamond, Amnon Wolman, Amy Reed, Andrea-Jane Cornell, Angela K. Roberts, Barnabas Yianni, Benjamin Mawson, Benjamin Silva-Pereira, Cedrik Fermont, Camila Durães, Carl Golembeski, Cath Meeson, Christina Clar, Claire Williams, Dave Phillips, Dell, Diamanda La Berge Dramm, Diego Garcia, Elizabeth Veldon, Frederik Croene, Furchick, Gívan Belá, Godfried-Willem Raes, Gretchen Jude, Guy De Bièvre, Hannah Reardon-Smith, Jason Kahn, Jorge Bachman, Julie Cambier, Hery Randriambololona, Hilary Jeffery, Ian Shanahan, I.v. Martinez, Jerry Gordon, Jez Riley French, Jim Denley, Joanna Bailie, Jodie Rowe, Joe Bates, Jorge Bachmann, Joseph Foster, Joseph Kudirka, José Villalobos, Julia Teles, Julie Cambier, Julito aka Magnata, Katarina Glowicka, Keenan DuBois, Korhan Erel, L.S.Rosenberg, Larissa Loyva, Liselotte Sels, Matthew Shlomowitz, Max Aggropop, Michael Tuttle, Mila Dietrich, Monica Benet, Nevin Eronde, Nurse, Okkyung Lee, Olivia Block, Omer Eilam, Pak Yan Lau, Pali Meursault, Patricia Janssen, Paula Daunt, Paulo Alves, Pei-Wen Liu, Pete Shepherd, Pia Palme, Pierre Favrez, poemproducer agf Antye Greie, Primož Sukic, Raiza Coelho, Rebecca Hunt, Roel Heremans, Romy Rüegger, Ruta Vitkauskaite, Sally Greenaway, Sarah Snider, Scott Mc Laughlin, Silvia Tarozzi, Steffi Weismann, Stijn Dickel, SusannaFerrar, Szilvia Lednitzky, Travis Johnson, Valeria Merlini, Vera Bremerton, Vesna Tomse, Wendy Van Wynsberghe...\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eJulia Eckhardt is a musician and curator in the field of the sounding arts. She is founding member and artistic director of Q-O2 workspace in Brussels. As a viola player, she has been involved in various collaborations with composers and improvisers, such as Phill Niblock, Pauline Oliveros, Stevie Wishart, Jennifer Walshe, Wandelweiser-composers, Christian Wolff, Antony Coleman and many of the young generation. She has taught and lectured at art institutes in Leuven and Brussels. Eckhardt is the editor of Grounds for Possible Music – On Gender, Voice, Language, and Identity.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Q-02","offers":[{"title":"Default Title","offer_id":41886414012646,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8683jpg0408.jpg?v=1634672553"},{"product_id":"whirl-buoyant-hands-by-various-artists","title":"WHIRL BUOYANT HANDS by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e180 x 280mm, 72 pages, Risograph printing, various paper stocks, coptic binding, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions from Chloe Watts, Eva Gerretsen, Izzy Kroese, Lisa Lorenz, Ren Matso, Tiffany Leung\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePart of an international creative exchange, born from a global pandemic, this book features the reflections of 7 non-binary and womxn artists \u0026amp; thinkers connected with Manchester, UK. A hand-bound 72 page journey through meanderings and outlooks how this global event will affect art practices, outlooks, and personal interactions touching on topic such as: ablism, mental health, dysphoria.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Team Trident Press","offers":[{"title":"Default Title","offer_id":41886414700774,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8722jpg0408.jpg?v=1634672624"},{"product_id":"stronger-than-bone-on-feminisms","title":"STRONGER THAN BONE – ON FEMINISM(S)","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e140 x 220mm, 316 pages, Single colour printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Defne Ayas, Natasha Ginwala, Jill Winder.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributions by Chris Abani, Gloria Anzaldúa, Wendy Hui Kyong Chun \u0026amp; Sarah Friedland, Tishani Doshi, Maya Indira Ganesh, Eeva-Kristiina Harlin \u0026amp; Ciske-Jovsset Biret Hánsa Outi\/Outi Pieski, Laurel Kendall, Kim Hyesoon, Kim Seongnae, S. Heijin Lee, Audre Lorde, Soraya Murray, Esha Pillay \u0026amp; Quishile Charan, Djamila Ribeiro, Tamarra \u0026amp; Brigitta Isabella, Oxana Timofeeva, Cecilia Vicuña.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eStronger than Bone draws upon the embodied strength, intuitive desires, and collective wisdom of feminists and non-binary protagonists to foreground the manifold dimensions of feminist politics and commitments. Written by thinkers and allies across generations with a focus on heterogeneity, intersectionality, and influence across geographies, this reader arrives into the world at a moment of heightened fragility, under the shadow of the coronavirus pandemic. In key historical texts, poetry, and new commissions, a range of artists, theorists, philosophers, and writers grapple with how gender politics might be reconfigured in a world undergoing an interregnum of extraordinary intellectual, technological, political, artistic, and social ferment. Stronger than Bone reveals strands of inquiry into a range of subjects including: embodiment and techno feminism; sexual freedom and sexual violence; matriarchal resistance building and shamanic practices; the gendered dimensions of self-optimization; digital identity and gaming culture; how the trauma of state violence and racial injustice is passed to future generations; and artistic strategies of renewal and rewriting history. With a view to the peril and possibility of the current moment, bringing together this constellation of voices is an act of acknowledging kinship, one iteration of the liberatory potential of collective forms of intelligence!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":41886414995686,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8288jpg0422.jpg?v=1634672605"},{"product_id":"saturate-this-space-by-anna-tresse","title":"SATURATE THIS SPACE by Anna Tresse","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 32 pages, Digitally printed, Saddle stitch, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A collection of experimental prose poetry exploring ideas of saturation and space, intimacy and home, gender and witchcraft. Small embers of existence burning through the page, or: …a forced distancing, a crowding out and replacing with cotton, a cool observation of the few passing by, already a transitory, a floating thing, flaccid and unmoving, and only now, after igniting the pen at last, a hesitant, yet cindering, feeling of import, of purpose, -- a careful feeling of joy.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Anna Tresse","offers":[{"title":"Default Title","offer_id":41886417944806,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2255jpg0609020.jpg?v=1634672694"},{"product_id":"the-moon-and-the-echo-responses-to-the-moon-and-the-melodies-1986-by-harold-budd-and-cocteau-twins","title":"THE MOON AND THE ECHO: RESPONSES TO THE MOON AND THE MELODIES (1986) BY HAROLD BUDD AND COCTEAU TWINS","description":"\u003cp\u003e150 x 190mm, 76 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003eThe Moon and The Echo is the first in a new series of anthologies from London-based publisher Pilot Press seeking contemporary responses to works of art made during the AIDS crisis.\u003c\/p\u003e\n\u003cp\u003eIn the first iteration, responses were sought to the 1986 collaborative studio album The Moon and The Melodies by the late composer Harold Budd (1936-2020) and the Scottish dream pop band Cocteau Twins.\u003c\/p\u003e\n\u003cp\u003eContributors — In order of appearance\u003c\/p\u003e\n\u003cp\u003eMichelle Hannah, David Nash, Ellen Dillon, Gabriel Ross, Maria Sledmere, Jack Jacques, Nick Blackburn, Harry Agius, Lauren de Sá Naylor, Femke Zwiep, Ondo Fudd, Richard Porter, Freya Johnson Ross, Paul Lee, Nina Ines Ward, James Dearlove, James Rance, Fred Carter, Jane Cope, Tom Benford, Mary Manning, Simon Moretti, Rosa Jones, Ishika Ball, Oliver Ridings, Nat Raha, Kevin McAleese.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Pilot Press","offers":[{"title":"Default Title","offer_id":41886418534630,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9627020.jpg?v=1634672794"},{"product_id":"the-works-of-guillaume-dustan-vol-1-by-guillaume-dustan","title":"THE WORKS OF GUILLAUME DUSTAN: VOL. 1 by Guillaume Dustan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15.5 x 23cm, 384 pages, Black and white printed, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGuillaume Dustan's first three novels, published in France between 1996 and 1998, describing the narrator's sexual odyssey through a Paris still haunted by AIDS.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis volume collects a suite of three wildly entertaining and trailblazing short novels by the legendary French anti-assimilationist LGBTQ+ writer Guillaume Dustan. Published sequentially in France between 1996 and 1998, the three novels are exuberant and deliberately affectless accounts of the narrator's sexual odyssey through a Parisian club and bath scene still haunted by AIDS.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eIn My Room\u003c\/em\u003e (1996) takes place almost entirely in the narrator's bedroom. The middle volume, \u003cem\u003eI'm Going Out Tonight\u003c\/em\u003e (1997), finds him venturing out onto the gay scene in one long night. Finally, in \u003cem\u003eStronger Than Me\u003c\/em\u003e (1998), the narrator reflects on his early life, which coincided with the appearance and spread of the AIDS virus in France.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA close contemporary of Dennis Cooper, Brett Easton Ellis, Kevin Killian, and Gary Indiana, Guillaume Dustan offer deadpan autofiction that is at once satirical and intimate, and completely contemporary.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886419845350,"sku":"","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/37031_560e4d1f-fa58-48a1-a132-ccf9f5e5d4f8.jpg?v=1634672897"},{"product_id":"sams-eden-by-various-artists","title":"SAM'S EDEN by Various Artists","description":"\u003cp class=\"\"\u003e175mm x 250mm, 90 pages, full colour, perfect bound, 2021.\u003c\/p\u003e\n\u003cp class=\"\"\u003eSam’s Eden is an exhibition in printed matter. Supported by Catalyst Arts, The Arts Council of Northern Ireland and Art Fund. Sam’s Eden is a snap shot of contemporary queer arts practice in 2021. Formed due to the closure of galleries in 2020 as a result of coronavirus, this publication presents the work of queer artists and writers. Named for Samual Steward, the book references the tactics by the queer community throughout history to communicate in secret. From letter writing to activist pamphlets to the use of virtual ‘safe’ space online and the raft of symbolism in mainstream media, forming a coded language only we could interpret.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe project worked with a number of artists in Ireland, the UK and Europe and attempted to forge new collaborative connections, as well as forming a youth led engagement initiative, the LGBTQ Stereing Committee with Reimagine, Remake and Replay (NI) to look at queer representation in contemporary museum collections in the North of Ireland.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeaturing Richard Martin, Ruth McCarthy, Day Magee, Claire Biddles, the LGBTQIA Steering Group, Jennifer Mehigan, Bassam Al-Sabah, Charlie Beare, Sorcha Ní Cheallaigh, Mark Cousins, Padriag Regan, Phillip McCrilly, Yarli Allison, Michaela Nash, Richard O’Leary, Ben Malcolmson.\u003c\/p\u003e\n\u003cp class=\"\"\u003eCurated by Thomas Wells\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Catalyst Arts","offers":[{"title":"Default Title","offer_id":41886420140262,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2110015.jpg?v=1634672904"}],"url":"https:\/\/goodpress.co.uk\/collections\/queer-culture.oembed?page=24","provider":"Good Press — good books \u0026 more","version":"1.0","type":"link"}