{"title":"Publishing","description":"","products":[{"product_id":"central-books-a-brief-history-1939-to-1999-by-dave-cope","title":"CENTRAL BOOKS: A BRIEF HISTORY 1939 TO 1999 by Dave Cope","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e197 x 127mm, 80 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2000\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCentral Books was set up in 1939 as the retail and wholesale outlet for Communist Party and other left-wing books and magazines. This is the story of its ups and downs over the years, and includes the portrayal of an array of interesting and sometimes unusual characters who worked there. The transition to its present position as a successful medium-sized independent distributor provides an entertaining and original perspective on the relationship between business and politics.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":41886137975014,"sku":"","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/098_D_ff2f006d-7e79-4990-9221-4fe50063f9ef.jpg?v=1634664818"},{"product_id":"05symsfr19u6mqk6pycd4f4oxzs06a","title":"DISTRIBUTED by Various Artists","description":"\u003cp class=\"\"\u003e\u003cbr\u003e21.5 x 15.7cm, 252 pages, Offset printed, Perfect bound, Softcover, 2018\u003c\/p\u003e\n\u003cp class=\"\"\u003e“For those who would seek to influence others, the distribution of ideas is paramount. Similarly, for those holding ambition to secrete knowledge for reasons of authority, or to protect the fruits of intellectual labour for reasons of profit or ethical concern, dissemination is key. Certainly before, but more importantly since, the Gutenberg Bible, the predicament of the power of knowledge has lain not with its generation but with the control of its dispersion. \u003cbr\u003e\u003cbr\u003eThis new volume in the Occasional Table series of critical anthologies focusses attention on the act of distribution as a subject for serious creative consideration and one of great social and economic importance. Contributors from a variety of backgrounds paint a big picture that embraces the actions of the individual along-side the workings of global markets. From the attention-seeking impulse of the poseur to the democratisation of art and knowledge through books, digital networks, pop music and self-organised libraries, and to the question of what can be known and by whom, the urge to disseminate is explored here as an elemental phenomenon of our time.”\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdited by David Blamey \u0026amp; Brad Haylock\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Open Editions","offers":[{"title":"Default Title","offer_id":41886140334310,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57991212.jpg?v=1634664952"},{"product_id":"boooook-the-life-and-work-of-bob-cobbing-ed-william-cobbing-and-rosie-cooper","title":"BOOOOOK: THE LIFE AND WORK OF BOB COBBING ed. William Cobbing and Rosie Cooper","description":"\u003cp\u003e170 × 240 mm, 208 pages, full colour printing, perfect bound, 2015\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Anyone interested in visual \/ concrete \/ sound poetry, DIY publishing and \/ or British underground culture of the 1960s should have this book.”\u003cbr\u003e– Matthew Robertson, Eye, no. 93 vol. 24, 2017\u003c\/p\u003e\n\u003cp\u003eThis is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920–2002). Boooook addresses all aspects of Cobbing’s rich career, with new essays detailing his key roles in London Film-makers’ Co-op, Better Books, abAna, as well as his involvement in the Destruction in Art Symposium, Fylkingen, and his publishing imprint Writers Forum.\u003c\/p\u003e\n\u003cp\u003eEdited by William Cobbing and Rosie Cooper – and illustrated with numerous reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – Boooook features contributions by Adrian Clarke, William Cobbing, Rosie Cooper, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Marc Matter \u0026amp; Tris Vonna-Michell, David Toop, Steve Willey, Andrew Wilson and Maxa Zoller.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886144397542,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_85650329.jpg?v=1634665108"},{"product_id":"copy-this-book-an-artists-guide-to-copyright-by-eric-schrijver","title":"COPY THIS BOOK: AN ARTIST’S GUIDE TO COPYRIGHT by Eric Schrijver","description":"\u003cp\u003e140 x 190mm, 192 pages, black and white and colour printing, perfect bound softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis book is an artist’s guide to copyright, written for makers.  Both practical and critical, this book will guide you through the concepts underlying copyright and how they apply in your practice.\u003c\/p\u003e\n\u003cp\u003eHow do you get copyright? For what work? And for how long? How does copyright move across mediums, and how can you go about integrating the work of others? Because they get copyright too!\u003c\/p\u003e\n\u003cp\u003eCopy this Book will detail the concepts of authorship and original creation that underlie our legal system. This way, it will equip you with the conceptual keys to participate in the debate on intellectual property today.\u003c\/p\u003e\n\u003cp\u003eThis sharp and useful book shines a light on the rights of all artists to protect—and share—their work. Eric Schrijver has produced an essential guide for navigating the new Commons and the old laws of copyright control.\u003cbr\u003e— Ellen Lupton, curator and critic\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886146855142,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0505041.jpg?v=1634665136"},{"product_id":"lubricants-literature-by-richard-healy","title":"LUBRICANTS \u0026 LITERATURE By Richard Healy","description":"\u003cp\u003e148 x 201mm, 68 pages, Full colour printed, Perfect bound, 2017\u003c\/p\u003e\n\u003cp\u003e\"The title \u003cem\u003eLubricants \u0026amp; Literature\u003c\/em\u003e suggests a frisson of sexual possibilities coaxed by the book as a fetish object. This book unfolds a complex web of encounters already staged and also potently waiting to be discovered by the reader.\u003c\/p\u003e\n\u003cp\u003eThe scene is set in Cecil Court, London in which the famous occultist and writer Aleister Crowley performed an incantation in Watkins Books. In this private performance for John Watkins in 1929, Crowley made all the books in the store disappear, whilst simultaneously making them reappear. This tale generated a series of artworks by Richard Healy appearing as \u003cem\u003eLubricants \u0026amp; Literature \u003c\/em\u003eat Tenderpixel Gallery. This publication acts as both a document of the exhibition and as an extension of that artwork.\"\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"Tenderbooks","offers":[{"title":"Default Title","offer_id":41886261739750,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1144.jpg?v=1634667699"},{"product_id":"one-should-suffice-by-tiago-duarte","title":"ONE SHOULD SUFFICE by Tiago Duarte","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 188 pages, full colour digital printing, perfect bound, 2017.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eArtists books by Tiago Duarte in unlimited runs. We have just one copy of each. Conceptual approach for each and firmly placed in artists-publishing. More information can be found here: http:\/\/www.tiagoalexandreduarte.com\/publications\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Tiago Duarte","offers":[{"title":"Default Title","offer_id":41886270030054,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5428.jpg?v=1634668142"},{"product_id":"el-impublicado-by-various-artists","title":"EL IMPUBLICADO by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e35 x 29 cm, 16 pages, Full color offset printed, Unbound, 2015\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eEl Impublicado\u003c\/em\u003e developed from a period of residency in April\/May 2015, and exhibition (26th April - 28th June) at Museo Universitario Del Chopo, Mexico City. It included a presentation of publications from the Banner Repeater Archive of Artists’ Publishing, displayed alongside an installation of the work \u003cem\u003eLow Animal Spirits\u003c\/em\u003e - a High Frequency Trading algorithm dealing in world news - by Ami Clarke and Richard Cochrane, and the speculative headline twitter feed \u003cem\u003e@LowAnimalSpirit\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDuring the residency there were four seminars held by Ami Clarke and Isaac Olvera to discuss the conceptual apparatus’ of publishing, distribution, and dissemination in the 21st Century which led to \u003cem\u003eEl Impublicado\u003c\/em\u003e being devloped with two writers that attended the seminars. It takes Mexico’s The Economist - El Economista - as it’s reference, and writers and artists wrote on and through new technologies to consider current conditions relating to publishing, distribution and dissemination.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditors:\u003cstrong\u003e Isaac Olvera\u003c\/strong\u003e and \u003cstrong\u003eAmi Clarke\u003c\/strong\u003e.\u003cbr\u003eContributions from writers: \u003cstrong\u003eNadia Cortés\u003c\/strong\u003e and \u003cstrong\u003eMiguel Trancozo\u003c\/strong\u003e, with \u003cstrong\u003eIsaac Olvera\u003c\/strong\u003e and\u003cstrong\u003e Ami Clarke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Banner Repeater","offers":[{"title":"Default Title","offer_id":41886274289894,"sku":"","price":2.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/72_2048_82365a8d-c0fa-4925-bac8-c6b5f2fdb88e.jpg?v=1634668225"},{"product_id":"msheresies-3-amniotechnics","title":"MSHERESIES 3: AMNIOTECHNICS","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e190 x 300mm, 24 pages, black, brown and purple printing, saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDedicated to the incredible – and incredibly beautiful – publication Triple Jeopardy (1971–75, by the Third World Women’s Alliance), as well as the ideas in Sophie Lewis’s book Full Surrogacy Now! – Feminism Against Family (Verso, 2019). Ms Heresies 3 is reprinting the book’s final chapter, the essay *Amniotechnics.*\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEach spread weaves edited material from Triple Jeopardy with Sophie Lewis’s essay. These intuitive and meticulous compositions are the outcome of looking at Triple Jeopardy through the lens of collaborative graphic design. Reading, typesetting, collaging, painting, and ornamenting became a way of designing together while attempting an homage, a re-reading, and a cross-publication friendship.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Rietlanden Women’s Office","offers":[{"title":"Default Title","offer_id":41886280253670,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_56271212.jpg?v=1634668476"},{"product_id":"finally-got-the-news-the-printed-legacy-of-the-us-radical-left-1970-79","title":"FINALLY GOT THE NEWS: THE PRINTED LEGACY OF THE U.S. RADICAL LEFT, 1970-79","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e175 x 250mm, 256 pages, full colour printing, perfect bound, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eFinally Got the News\u003c\/em\u003e uncovers the hidden legacy of the radical Left of the 1970s, a decade when vibrant social movements challenged racism, imperialism, patriarchy and capitalism itself. It combines written contributions from movement participants with original printed materials—from pamphlets to posters, flyers to newspapers—to tell this politically rich and little-known story.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe dawn of the 1970s saw an absolute explosion of interest in revolutionary ideas and activism. Young people radicalized by the antiwar movement became anti-imperialists, veterans of the Civil Rights and Black Power movements increasingly identified with communism and Pan-Africanism, and women were organizing for autonomy and liberation. While these movements may have different roots, there was also an incredible overlapping and intermingling of activists and ideologies.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThese diverse movements used printed materials as organizing tools in every political activity, creating a sprawling and remarkable array of printing styles, techniques, and formats. Through the lens of printed materials we can see the real nuts and bolts of revolutionary organizing in an era when thousands of young revolutionaries were attempting to put their beliefs into practice in workplaces and neighborhoods across the U.S.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eTable of Contents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eForeword\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn the Factories and in the Streets: Going to the Working Class\u003c\/em\u003e — Dan La Botz\u003cbr\u003e\u003cem\u003eFlashpoint: The Revival of May Day\u003c\/em\u003e — Elly Leary\u003cbr\u003e\u003cem\u003eSolidarity and Global Liberation: Anticolonial Struggles\u003c\/em\u003e — Bill Fletcher\u003cbr\u003e\u003cem\u003eWomen! Nothing to Lose but Our Chains!\u003c\/em\u003e — Johanna Brenner\u003cbr\u003e\u003cem\u003eFlashpoint: International Women’s Day\u003c\/em\u003e — Silvia Federici\u003cbr\u003e\u003cem\u003eNation, Class, and Culture: People of Color Majority Communist Organizations\u003c\/em\u003e — Kazembe Balagun\u003cbr\u003e\u003cem\u003eFlashpoint: Boston Busing Crisis\u003c\/em\u003e — Ethan Young\u003cbr\u003e\u003cem\u003eToward New Afrika: Black Self-Determination Politics in the Seventies\u003c\/em\u003e — Akinyele Umoja\u003cbr\u003e\u003cem\u003eFlashpoint: African Liberation Day\u003c\/em\u003e — Badili Ifadoyin Jones-Goodhope\u003cbr\u003e\u003cem\u003eBreak De Chains: Resisting Police and Prisons\u003c\/em\u003e — Dan Berger\u003cbr\u003e\u003cem\u003eLove and Solidarity: Queer Liberation\u003c\/em\u003e — Emily K. Hobson\u003cbr\u003e\u003cem\u003eNo More Business as Usual: Anarchists, Antiauthoritarians, and other Troublemakers\u003c\/em\u003e — Stephanie Browner\u003cbr\u003e\u003cem\u003eRadical Roundtable\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGlossary\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Interference Archive","offers":[{"title":"Default Title","offer_id":41886283006182,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7714jpg0304.jpg?v=1634668927"},{"product_id":"mentiras-13-pb","title":"MENTIRAS 13 - PB","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and PB (Paul Bonnet)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283038950,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7733jpg0305.jpg?v=1634668752"},{"product_id":"mentiras-15-ab","title":"MENTIRAS 15 - AB","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and AB (Anne Bourse)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283104486,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7739jpg0305.jpg?v=1634668718"},{"product_id":"mentiras-11-jh","title":"MENTIRAS 11 - JH","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and JH (Jeff Hartford)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283137254,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7742jpg0305.jpg?v=1634668951"},{"product_id":"mentiras-14-am","title":"MENTIRAS 14 - AM","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, saddle stitched with heavyweight cover and handwritten sticker on cover.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSubdued but insightful series from France which covers an interview with a single individual about publishing and practice in art production. This issue is between J (Jonas Delaborde) and AM (Antonie Marquis)\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"MENTIRAS","offers":[{"title":"Default Title","offer_id":41886283170022,"sku":"","price":4.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7782jpg0305.jpg?v=1634668759"},{"product_id":"imperfect-archiving-archiving-as-practice-for-a-love-of-softness-by-genderfail","title":"IMPERFECT ARCHIVING, ARCHIVING AS PRACTICE: THE ETHICS OF THE ARCHIVE by Be Oakley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 185mm, 72 pages, Risograph printed, Coil bound, 5th Edition of 350, 2024\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eImperfect Archiving, Archiving as Practice: The Ethics of the Archive is a special 4th edition of our popular essay printed in conjunction with the opening of Imperfect Archiving\/Archiving as Practice a reading room by GenderFail Archive Project at The Center for Book Arts. The exhibition is on view at Center for Book Arts Manhattan location from July 9th- September 18th 2021. This manifesto talks to core of GenderFail collecting and archiving practices that looks to the softness of the collected and archived book as a metaphor for the type of content that are housed within. The GenderFail Archive Project is a socially engaged reading room that looks at archiving as a social activity. The project stems from GenderFail’s desire to share the publications from their personal library and give a platform to other publishers that they cherish.\u003c\/p\u003e\n\u003cp\u003eVisit the exhibition page here: https:\/\/centerforbookarts.org\/genderfail-archive-project-exhibition\u003c\/p\u003e\n\u003cp\u003eAlong with the essay, this 4th edition features 10 curated GenderFail Archive Project reading lists from my Publishing Now class taught from 2021-2023. In Late 2020 I was offered a teaching position at SMFA, Tufts University to teach a course I designed called “Publishing Now.” For this course I wanted the students to read zines and publications being produced in real time, so I started to digitize my collection. Many of the readings for this course were scanned from my personal collection of over 2,000 zines, artist books and art books that make up the GenderFail archive. Since we were not able to meet in person (due to the pandemic) I spent hours scanning zines and artist books to be used as required readings for the course. Each of the reading lists will accompany a link and QR code to read and engage with each of the publications online.\u003c\/p\u003e\n\u003cp\u003e~ ~ ~ Covers may vary ~ ~ ~\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886289199334,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_5706014.jpg?v=1706535865"},{"product_id":"manifesto-profit-for-survival-by-genderfail","title":"MANIFESTO, PROFIT-FOR-SURVIVAL by Be Oakley","description":"\u003cp\u003e12 x 18cm, 20 pages, Risograph printed, Saddle stitch, Softcover, 3rd Edition, 2022\u003c\/p\u003e\n\u003cp\u003e“Manifesto, Profit-for-Survival was first written for Towards a Self Sustaining Publishing Model, a panel created by Be Oakley with Marc Fischer, Vivian Sming, Yuri Ogita, and Devin Troy Strother apart of the 2021 Printed Matter Virtual Art Book Fair. This Manifesto looks at the word profit through an anti-capital lens from the perspective of small and self publishing practices. From the manifesto Oakley states:\u003cbr\u003e\u003cbr\u003eWhen we say “profit” (in the non-for-profit to for-profit spectrum) what do we mean? As a person trying to live off the “profit” they generate from their work, profit is essential to my livelihood and my ability to continue producing work that I am passionate about. So to say that I am for-profit does not yet speak to the complexities of a non-capitalist small publishing project. The word “profit” without any other context is a simplification, it can’t speak to the complexities of what making profit means for my life, my work and my future. GenderFail is not non-for-profit but profit-for-survival, or profit-to-continue-our-work-without-other-means-of-capital -- and most importantly to make money for the people I publish, to create profit-for-labor. Defining the means of Non-Exploitative-Profit, through describing how our work is created, who is being paid and the ethics behind its creation, is essential when trying to define the terms of any engagement with “profit.”\u003c\/p\u003e\n\u003cp\u003eThis new edition features a new essay Notes on Anti-Capitalist Solidarity: An Essay for the Working Class Artist expanding on our Manifesto, Profit for Survival essay. This new essay explores chapters including Class Solidarity in the Art World, Against Growth Towards Sustainability, Breaking with Capitalism: Identity Politics and Working Class Solidarity, Anti-Capitalist Pedagogy? Pedagogy for Low Wage Workers? and Anti Capitalist Art Practice?\u003cbr\u003e\u003cbr\u003e20% from each zine will be invested in a publishing grant established by GenderFail to be given out to a self and small publishers in a series of $100 grants.”\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886289232102,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8444001.jpg?v=1673890278"},{"product_id":"eyeball-cards-by-william-hogan-and-david-titlow","title":"EYEBALL CARDS by William Hogan and David Titlow","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 192 pages, full colour printing, perfect bound hardcover, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom the hiss and crackle of Britain’s CB radio heyday, only Eyeball cards remain. These are the mysterious business cards of ‘breakers’ exchanged when British CB enthusiasts would meet up in person after chatting on the airwaves. These alternate identities are sometimes amusing, occasionally mundane, dark or bawdy, but always personal creations — flotsam from a more innocent analogue world.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is the first to document this late 70s and early 80s sub culture and presents hundreds of the funniest, strangest and most intriguing Eyeball cards from across the UK. In addition, photographer David Titlow has taken portraits of some of the breakers who owned the cards, and writer William Hogan has written a lively history of how and why these cards came to exist.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe result is a window into an outpouring of creativity that prefigures online identities — social media handles before there was even an internet.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEyeball Cards is part of the Four Corners Irregulars, a series about modern British visual history. Two books will be published in autumn 2017, with further titles to follow, presenting introductions to important but overlooked areas of creativity.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296080614,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3734072.jpg?v=1634669467"},{"product_id":"publications-2008-2018-by-sara-mackillop","title":"PUBLICATIONS 2008 - 2018 by Sara MacKillop","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e21 x 29.7, 90 pages with folded A2 poster, 2018, Co-published by \u003cmeta charset=\"utf-8\"\u003eBierke Books\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003ePublications 2008-2018\u003c\/em\u003e presents MacKillops self-published material from the last decade, covering around more than 40 publications and objects. They are notable for their diverse range of format and style often using pre- existing publications as a starting point. MacKillop usually begins working with different materials, “looking at something in the wrong way or purposely misunderstanding it”, while in the end the format becomes a book, an artwork as an endpoint itself. Most publications over the period have been self published or produced with small press.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFor \u003cem\u003ePublications 2008-2018\u003c\/em\u003e MacKillop choose a conceptual play on the book on books format itself, by printing a poster displaying all publications and only inserting it into a blank book.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Sara MacKillop","offers":[{"title":"Default Title","offer_id":41886296441062,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2570001.jpg?v=1634669491"},{"product_id":"mine-searching-yours-by-various-artists","title":"MINE SEARCHING YOURS by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eVarious sheet sizes in 325 mm x 230mm envelope, Digitally printed, Unbound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Mine Searching Yours’ is a collaborative publishing project by 15 international artists and writers. Commissioned by Forma during the global lockdown, the project takes inspiration from the rich history of Mail Art and hybrid publishing projects. It invites artists to connect and correspond with their peers during a time of uncertainty, when we all collectively face the challenges of enforced separation and isolation brought upon us by the Covid-19 crisis and the wider social and political context.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Forma Arts and Media","offers":[{"title":"Default Title","offer_id":41886298046694,"sku":"","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9163061.jpg?v=1634669363"},{"product_id":"no-against-adult-supremacy","title":"NO! AGAINST ADULT SUPREMACY","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e15 x 21cm, 320 pages, black \u0026amp; white printing, perfect bound, softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e“… a collection of Youth Liberation writing, originally published online by Stinney Distro. This anthology draws together all 20 issues of the NO! zine series into one print edition. It is jointly published with Active Distribution.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e“Every hierarchy, every abuse, every act of domination that seeks to justify or excuse itself appeals through analogy to the rule of adults over children. We are all indoctrinated from birth in ways of ‘because I said so.’ The flags of supposed experience, benevolence, and familial obligation are the first of many paraded through our lives to celebrate the suppression of our agency, the dismissal of our desires, the reduction of our personhood. Our whole world is caught in a cycle of abuse, largely unexamined and unnamed. And at its root lies our dehumanisation of children.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Dog Section Press","offers":[{"title":"Default Title","offer_id":41886298243302,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3356001.jpg?v=1634669454"},{"product_id":"wrong-test-by-riccardo-previdi","title":"WRONG TEST by Riccardo Previdi","description":"\u003cp\u003e19 x 27 cm, 484 pages, Full colour printed, Perfect bound, Softcover, Includes mini booklet, Ed. of 500, 2011\u003c\/p\u003e\n\u003cp\u003eWrong Test presents some 46 test patterns across 120 pages, accompanied by a brief text extracted from Amazon.com customer reviews of the commercial products. The series was produced for this publication. The selection, reminiscent of a visual scientific study, places particular focus on the commercial use of digital photographs and sheds light on various aspects of the technical image. Another focal point is the confrontation with the history of the technical image and the conditions of seeing.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"Nero","offers":[{"title":"Default Title","offer_id":41886364106982,"sku":"","price":16.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/070_D_ff03614f-a9b5-419f-bde2-cd825442f3b1.jpg?v=1634671305"},{"product_id":"the-natural-enemies-of-books-a-messy-history-of-women-in-printing-and-typography","title":"THE NATURAL ENEMIES OF BOOKS: A MESSY HISTORY OF WOMEN IN PRINTING AND TYPOGRAPHY by MMS (Eds.)","description":"\u003cp\u003e110mm x 190mm, 192 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp\u003eThe Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book.\u003c\/p\u003e\n\u003cp\u003eEdited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886391992550,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8165.jpg?v=1634671800"},{"product_id":"the-form-of-the-book-book-edited-by-sara-de-bondt-and-fraser-muggeridge","title":"THE FORM OF THE BOOK BOOK Edited by Sara De Bondt and Fraser Muggeridge","description":"\u003cp\u003e140 x 230mm, 96 pages, black and white printing, perfect bound, originally published in 2009, this is the fourth edition - 2020\u003c\/p\u003e\n\u003cp\u003eNow it in its fourth printing, The Form of the Book Book brings together essential essays on the book – its history, present, and possible futures – by preeminent graphic designers and graphic design theorists\/historians including Chrissie Charlton, Catherine de Smet, James Goggin, Jennie Eneqvist, Roland Früh \u0026amp; Corina Neuenschwander, Sarah Gottlieb, Richard Hollis and Armand Mevis. In a nod to Jan Tschichold’s famous collection of essays The Form of the Book (1975), this book offers in-depth analyses of key moments in the history of book design in order to better imagine the many forms the book will take, and is already taking, in our digital age.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886399660262,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_b435b14e-63ff-422a-b617-69578f3127b1.jpg?v=1634672068"},{"product_id":"systematic-book-design-by-jost-hochuli","title":"SYSTEMATIC BOOK DESIGN? by Jost Hochuli","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e200 x 300 mm, 80 pages, colour printing throughout, perfect bound with fold in and foiled cover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Systematic book design?” was written for a lecture Jost Hochuli gave for the first time in Munich in 2007, and then at the Palais de Tokyo in Paris in 2011 on the initiative of F7. The text has been first published in \u003cem\u003eBack Cover\u003c\/em\u003e magazine in 2011. John Morgan’s foreword was especially written for the present edition.\u003cbr\u003eJost Hochuli’s text was translated from German by Charles Whitehouse.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDoes designing a book follow a logical and well-thought-out process? Swiss graphic designer and typographer Jost Hochuli studies the crucial role played by instinct throughout the various stages of planning a book, from selecting a typeface and its size to determining the layout of the blocks of text.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDrawing on his own experience and examples taken from various books he created, Jost Hochuli considers the questions which arose while they were being designed and the importance of intuition in rational thought.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Éditions B42","offers":[{"title":"Default Title","offer_id":41886412046566,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_80870313.jpg?v=1634672475"},{"product_id":"urgent-publishing-after-the-artists-book-making-public-in-movements-towards-liberation-by-paul-soulellis","title":"URGENT PUBLISHING AFTER THE ARTIST’S BOOK: MAKING PUBLIC IN MOVEMENTS TOWARDS LIBERATION by Paul Soulellis","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e125 x 193mm, 112 pages, risograph printed throughout, perfect bound, first edition of 200\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eUrgent Publishing After the Artist’s Book: Making Public in Movements Towards Liberation was a performative talk given by artist and designer Paul Soulellis during the the 2021 Contemporary Artist’s book Conference, hosted by the Center for Book Arts during the 2021 Printed Matter Virtual Art Book Fair.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn attending this livestreamed talk, I was struck by the obvious intersections with my own work with GenderFail. While Paul was giving this lecture live, I emailed him as I listened and responded in the moment about my hopes in being able to publish Urgent Publishing After the Artist’s Book: Making Public in Movements Towards Liberation as a printed book. For this information to be engaged with in such a personal fashion, and further to disseminate it as a physical object, felt important in my position as a publisher.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is a reproduction of the photographs and texts from the lecture by Paul Soulellis and risograph printed into a 112 page book. Taking only 11 days from the lecture on February 27th, 2021 to the finished book on March 10th, 2021, this book is an urgent publishing response to an urgent text. The book is an edition of 200 designed by Be Oakley and published by GenderFail. 25% of the book is invested in Queer.Archive.Work.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886413586662,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_1145007_2746b0b8-bfcc-4cf5-9fe4-0294190efe5e.jpg?v=1716911416"},{"product_id":"some-definitions-some-thoughts-some-assertions-radical-softness-as-a-boundless-form-of-resistance-by-be-oakley","title":"SOME DEFINITIONS, SOME THOUGHTS, SOME ASSERTIONS, RADICAL SOFTNESS AS A BOUNDLESS FORM OF RESISTANCE by Be Oakley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13 x 18.8cm, 32 pages, Risograph printed, Saddle stitch, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSome Definitions, Some Thoughts, Some Assertions, Radical Softness as a Boundless Form of Resistance is a special edition zine in GenderFails ongoing exploration into this statement. This zine, the 8th edition in the series, features text art, quotes, images and other interpretations of Radical Softness as a Boundless Form of Resistance.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886415978726,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/20jpg0428.jpg?v=1634672662"},{"product_id":"twelve-gatefolds-by-joe-devlin","title":"TWELVE GATEFOLDS by Joe Devlin","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA6, Concertina folded, Unbound, Black and white printed, Ed. of 100, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eUtilising an illustrated page depicting a taxonomy of regional gate patterns, encountered in a library, as a starting point. All twelve designs are reduced to geometric shapes through the act of folding.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Nuts and Bolts","offers":[{"title":"Default Title","offer_id":41886417486054,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/13jpg0526.jpg?v=1634672673"},{"product_id":"these-are-situationist-times-an-inventory-of-reproductions-deformations-modifications-derivations-and-transformations","title":"THESE ARE SITUATIONIST TIMES! – AN INVENTORY OF REPRODUCTIONS, DEFORMATIONS, MODIFICATIONS, DERIVATIONS, AND TRANSFORMATIONS","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e200 x 280mm, 352 pages, full colour printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAn in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“I'm proud you call us gangsters, nevertheless you are wrong. We are worse, we are situationists.” — Jacqueline de Jong, 1962\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe Situationist Times\u003c\/em\u003e was a magazine edited and published by the Dutch artist Jacqueline de Jong during the years 1962–67. In its multilingual, transdisciplinary, and cross-cultural exuberance, it became one of the most exciting and playful magazines of the 1960s. Throughout its six remarkably diverse issues, \u003cem\u003eThe Situationist Times\u003c\/em\u003e challenges the notion of what it means to be a situationist, as well as traditional understandings of culture in the broader sense and of how culture is created, formatted, and shared. \u003cem\u003eThese Are Situationist Times!\u003c\/em\u003e provides an in-depth history of the magazine while probing its contemporary relevance. The book also presents the material De Jong assembled in the early 1970s in collaboration with Hans Brinkman for a never realized seventh issue of \u003cem\u003eThe Situationist Times\u003c\/em\u003e, devoted to the game of pinball.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLavishly illustrated and brimming with previously unseen archival material, \u003cem\u003eThese Are Situationist Times! \u003c\/em\u003epresents new and compelling perspectives on situationism, experimental publishing, and artist-run magazines.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Torpedo","offers":[{"title":"Default Title","offer_id":41886418927846,"sku":"","price":33.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9863001.jpg?v=1634672759"},{"product_id":"unshelfmarked-reconceiving-the-artists-book-by-michael-hampton","title":"UNSHELFMARKED: RECONCEIVING THE ARTISTS’ BOOK by Michael Hampton","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e142 x 234mm, 176 pages, Black \u0026amp; white printing, Perfect bound, Softcover with flaps, 2015\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePost-Deweyed, these works form an entirely new corpus, showcasing the artists’ book not as a by-product of the book \u003cem\u003eper se\u003c\/em\u003e, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, its epigenetic influence finally come to permeate mainstream book design everywhere; the manifold traits and studio processes inherent to the artists’ book bursting from their stitched sheath, cheerfully pollinating the whole gamut of reading impedimenta and spaces.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Uniform Books","offers":[{"title":"Default Title","offer_id":41886419157222,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0329023.jpg?v=1634672779"},{"product_id":"title-by-author-by-rahel-zoller","title":"TITLE BY AUTHOR by Rahel Zoller","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e125 x 200mm, 48 pages, black and white printing, perfect bound with dustjacket, print on demand edition first printed in 2011\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTitle by Author is an experimental exploration and illustration of the rules of book design.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Rahel Zoller","offers":[{"title":"Default Title","offer_id":41886422466790,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2344029.jpg?v=1634672957"},{"product_id":"catalog-issue-19-shimmer-slice-accretion","title":"CATALOG ISSUE 19 — SHIMMER, SLICE, ACCRETION","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e174 x 240m, Folds out to 685 x 476mm, Black \u0026amp; white printing, Unbound, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Catalog is a serial publication about cataloging written by Lieven Lahaye and designed by Ott Metusala. This is Catalog issue 19: Shimmer, Slice, Accretion; it’s part of a sub-series on near invisibility. Formally, each publication is an offset-printed A2 sheet folded into a signature. The series will be compiled into a book. This is done in the trust that the presentations, talks and conversations that stem from one issue's publication will influence the next issue. And the next. And the next.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Catalog","offers":[{"title":"Default Title","offer_id":42268850290918,"sku":"","price":3.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3802002.jpg?v=1641388069"},{"product_id":"how-to-maneuver-shapeshifting-texts-and-other-publishing-tactics","title":"HOW TO MANEUVER: SHAPESHIFTING TEXTS AND OTHER PUBLISHING TACTICS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e150 x 230mm, \u003cmeta charset=\"utf-8\"\u003e336 pages, Colour printing, Perfect bound, Softcover, Second edition, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe research and series of exhibitions that this publication grew out of, is part of an ongoing project exploring the significant work of individuals, collectives and institutions in the field of alternative art and publishing practices, past and present.\u003cbr\u003e\u003cbr\u003eContributors: Ahmad Makia, Ali Eyal, Ali Hussein Al-Adawy, Ali Yass, Andrew Murphie, Bady Dalloul, Barakunan, Bernhard Cella, Elaine W. HO., Faisal Al Hassan, Farah Khelil \u0026amp; antoine lefebvre editions, Fehras Publishing Practices, Giulia Crispiani \u0026amp; Federico Antonini, Hala Bizri \u0026amp; Jana Traboulsi, Haytham el-Wardany, Huda Smitshuijzen AbiFarès, Hussein Nassereddine, Jabbour Douaihy, Jaffat El Aqlam, Khalid Albudoor \u0026amp; Nujoom Alghanem with Rand Abdul Jabbar \u0026amp; Uns Kattan \u0026amp; Hammad Nasar, Moad Musbahi, Noopur Desai, Raafat Majzoub, Yazan Ashqar.\u003cbr\u003e\u003cbr\u003eEdited by Maha Maamoun and Ala Younis\u003cbr\u003eCo-published by Kayfa ta and Warehouse421 (2020)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Kayfa ta","offers":[{"title":"Default Title","offer_id":42310942327014,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6602069.jpg?v=1641999808"},{"product_id":"godzilla-asian-american-arts-network-1990-2001-edited-by-howie-chen","title":"GODZILLA: ASIAN AMERICAN ARTS NETWORK 1990-2001 Edited by Howie Chen","description":"\u003cp\u003e230 x 305mm, 552 pages, Black \u0026amp; white printing, Perfect bound, Softcover, Ed. of 2500, 2021\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eGodzilla: Asian American Arts Network 1990–2001\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a comprehensive anthology of writings, art projects, publications, correspondence, organizational documents, and other archival ephemera from the trailblazing Asian artist collective. Edited by curator Howie Chen, this publication includes full essays and contextual material detailing the critical genealogies embodied by the group as well as its wide-ranging activities.\u003c\/p\u003e\n\u003cp\u003eThe collective known as Godzilla: Asian American Art Network was formed in 1990 to support the production of critical discourse around Asian American art and increase the visibility of Asian American artists, curators, and writers, who were negotiating a historically exclusionary society and art world. Founded by Ken Chu, Bing Lee, and Margo Machida, Godzilla produced exhibitions, publications, and community collaborations that sought to stimulate social change through art and advocacy. For more than a decade, the diasporic group, having grown from a local organization into a nationwide network, confronted institutional racism, Western imperialism, anti-Asian violence, the AIDS crisis, and representations of Asian sexuality and gender, among other urgent issues.\"\u003c\/p\u003e\n\u003cp\u003eGodzilla created a social space for diasporic Asian artists and art professionals, including members Tomie Arai, Karin Higa, Byron Kim, Paul Pfeiffer, Eugenie Tsai, Alice Yang, Lynne Yamamoto, among others.  Envisioning a lateral and porous network, Godzilla was independently run by successive steering committees that included Diyan Achjadi, Tomie Arai, Todd Ayoung, Monica Chau, Debi-Ray Chaudhuri, China Blue, Allan deSouza, Skowmon Hastanan, Arlan Huang, Michi Itami, Jenni Kim, Franky Kong, Jeanette Louie, Yong Soon Min, Helen Oji, Sanda Zan Oo, Athena Robles, Carol Sun, Eugenie Tsai, Lynne Yamamoto, Rubina Yeh, and Charles Yuen.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":42361335578854,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0261001.jpg?v=1643291438"},{"product_id":"the-genderfail-reader-1-2-3-essays-by-be-oakley-and-noah-lebien","title":"THE GENDERFAIL READER 1 + 2 + 3  ESSAYS by Be Oakley and Yvonne LeBien","description":"\u003cp\u003e105 x 173mm, 318 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA compilation of all three volumes of our GenderFail Reader series. At the beginning of the covid-19 pandemic (and now almost two years into this ongoing tragedy) we released our first GenderFail Reader. This first edition compiled essays from previously published zines and other written essays by myself (Be Oakley) and my partner Yvonne LeBien. This book is a capstone of all three volumes, including essays, artworks and ideas that have helped to formulate GenderFail during the last 6 years of the project. These essays speak to the interests, research and passions that drive GenderFail and highlight the powerful agency behind self and small publishing. My hope is that these essays inspire you to future actions, dreams, hopes and new worlds that center people and communities fighting for a world without colonialism, white supremacy, capitalism, ableism and heteronormative oppression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":42420322664678,"sku":"","price":19.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1417043.jpg?v=1644497307"},{"product_id":"top-stories-by-various-artists-edited-by-anne-turyn","title":"TOP STORIES by Various Artists, edited by Anne Turyn","description":"\u003cp\u003e140 x 215 x 60mm hardcover slip case. 2 x books within; 954 pages, colour and black and white printing, perfect bound, softcover, Edition of 2000, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas a prose periodical published from 1978 to 1991 by the artist Anne Turyn in Buffalo, New York, and New York City. Over the course of twenty-nine issues, it served as a pivotal platform for experimental fiction and art through single-artist issues and two anthologies. The entire run of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis collected and reproduced here across two volumes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eprimarily featured female artists, though in Turyn’s words a few men “crept in as collaborators.” Although primarily “a prose periodical” (as its byline often stated), the issues varied in form and aesthetics, pushing the boundaries of what prose could be and, from time to time, escaping the genre altogether. In fact, the only parameters required for participants were that the periodical’s logo and issue list be included on the front and back covers, respectively.\u003c\/p\u003e\n\u003cp\u003eA great deal of the works are short stories by the likes of Pati Hill, Tama Janowitz, and Kathy Acker, whose Pushcart Prize–winning “New York City in 1979” appeared for the first time in book form as part of the series. Constance DeJong contributes “I.T.I.L.O.E.,” a widely unavailable work that features the artist’s trademark prose and is sure to please fans of her novel,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eModern Love\u003c\/em\u003e. The largest issue of the periodical is undoubtedly Cookie Mueller’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“\u003c\/em\u003eHow to Get Rid of Pimples,” which consists of a series of character studies of friends interspersed with photographs by David Armstrong, Nan Goldin, and Peter Hujar altered with freshly drawn blemishes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Stories\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealso celebrates less conventional literary forms. Issues by Lisa Bloomfield, Linda Neaman, and Anne Turyn take the form of artists’ books, juxtaposing image and text to construct tightly wound, interdependent narratives. Jenny Holzer and Peter Nadin present a collaborative work in copper ink comprised of truisms by Holzer on corporeal and emotional states and drawings of abstract bodies by Nadin. Janet Stein contributes a comic, while Ursule Molinaro provides a thorough index of daily life (and the contempt it produces) consisting of entries that were written just prior to lighting a cigarette.\u003c\/p\u003e\n\u003cp\u003ePrimary contributors include Kathy Acker, Laurie Anderson, Sheila Ascher, Douglas Blau, Lisa Bloomfield, Linda L. 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So too have art book fairs, an increasingly important venue—or even medium—for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's \"linguistic turn.\" Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. \u003ci\u003ePublishing Manifestos\u003c\/i\u003e gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.\u003c\/p\u003e\n\u003cp\u003eThe book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile—including a handwritten \"speculative, future-forward newspaper\" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. 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A collection of originals related to the « image in the age of mechanical reproduction » published in the periodic Dot Dot Dot and its sequel in the digital age The Bulletins of The Serving Library. An eclectic collection gathered over the course of time almost by chance and not without some casualness, but with the requirements of a projet capable of federating the research of graphic or type designers, academics, authors, international critics among the most refreshing and innovative of our time.\u003c\/p\u003e\n\u003cp\u003eThe installation of the collection must come with a pedagogical activation, with the meeting between the periodical's most recent editors, Stuart et Francesca Bertolotti-Bailey, Vincenzo Latronico, and the graphic design's bachelor students of Ensba Lyon, accompanied by Alexandru Balgiu. But what we now call Covid 19's first wave swept across Europe in September with all the consequences we know. Borders closures, confinements, curfews. In November this installation is postponed to an unknown date. From then on, everything is tried so this seminar is held via the networks. Regular videoconferences are set up by Alex Balgiu between Stuart Bertolotti-Bailey and the students from Lyon. The progress of the student's work is regularly relayed on Ravisius Textor's Instagram account.\u003c\/p\u003e\n\u003cp\u003eThis book is in a way the sum, the relay and the memory of the students' reading work of the Bulletins of the Serving Library, made in this curious pedagogical place which is experimented then: the screen, the phone, the videoconferences and the social networks. 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Published across various issues, the debate brings into conversation Pherozeshah Rustomji Mehta, a writer and art connoisseur from Karachi, and Jyoti Bhatt, a young artist who had just begun teaching at the Faculty of Fine Arts, MSU Baroda. While Mehta chose to defend what he believed were the timeless and traditional values of art, Bhatt proposed that Modern Art was no stranger to these values and in fact had much in common with them. Alongside the articles by Mehta and Bhatt, the publication also brings together responses to the debate from various readers who interjected in the 'Readers Write' column of the periodical, as well as notes from Kumar's editor, Bachubhai Ravat, who informally acted as a mediator. 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What alternative stories about queer life across Europe can visual material reveal?\u003cbr\u003e\u003cbr\u003e\u003ci\u003eQueer Print in Europe\u003c\/i\u003e is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts. 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