{"title":"Performance \u0026 Dance","description":"","products":[{"product_id":"abstract-speaking-sharing-uncertainty-and-collective-acts-by-koki-tanaka","title":"ABSTRACT SPEAKING SHARING UNCERTAINTY AND COLLECTIVE ACTS by Koki Tanaka","description":"\u003cp\u003e15 x 21 cm, 256 pages, Perfect Bound, Black \u0026amp; white \/ purple offset printed, Softcover, Ed. of 2000, 2013\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"In recent years Koki Tanaka has employed a variety of methods to produce works on the relationality that arises between human beings. In Tanaka’s works, it is possible to see the process of people who have the same occupation, who employ a common language that only they understand, clashing with each other. As well as this, there are what Tanaka calls “collective acts”: experiments of various sorts which still lack a fixed destination.\" \u003c\/p\u003e\n\u003cp\u003e\"Publication released on the occasion of the Koki Tanaka’s exhibition at Japan Pavilion at the 55th International Art Exhibition – Venice Biennale.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished By\u003c\/p\u003e","brand":"Nero","offers":[{"title":"Default Title","offer_id":41886118707430,"sku":"","price":10.73,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0209.jpg?v=1634664166"},{"product_id":"brotschuh-by-louise-schmid","title":"BROTSCHUH by Louise Schmid","description":"\u003cp\u003e210mm x 270mm, 20 pages, black and white offset printing throughout, saddle stitched, German text throughout.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLouise Schmid is a visual artist based in Glasgow. Here 'Brotschuh' , which translates to 'Bread Shoe' from German, can be seen as a performance documented. A fast yet clear and beautiful set of images, accompanied by texts (all in German) from the bread on foot, to its outcome with birds.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Louise Schmid","offers":[{"title":"Default Title","offer_id":41886119493862,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/037_D_66cdae76-8ac2-44f5-8975-c7a6b9b047ab.jpg?v=1634664221"},{"product_id":"athlete-of-joy-athlete-of-despair-by-mercuro-chrome","title":"ATHLETE OF JOY \/ ATHLETE OF DESPAIR By Mercuro-Chrome","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBlue cassette, Includes sticker, mini-postcard, \u0026amp; download code, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Mercuro-Chrome is the tin-foiled alter ego of the \u0026gt;CHOKE\u0026lt; poet, artist and musician Jamie Bolland and adapts his poem 'On All Fours' for performance with costumes by Morven Mulgrew. \u003cbr\u003eThe ballet dancer Vaslav Nijinski experienced a psychotic episode toward the end of his career and exclaimed in his diaries \"I am God, I was not God, I am a clown of God...\" This quote forms the starting point for an extended on-going exploration into bipolar identity, delusional intuition and the body; with the performance taking the form of a megalomaniacal tract spliced with rhythms and samples of Ornette Coleman, Goblin, the b-side rap of Madonna, and occasional auto-tune.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eReleased by Mercuro-Chrome\u003c\/p\u003e","brand":"Mercuro-Chrome","offers":[{"title":"Default Title","offer_id":41886124933350,"sku":"","price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8047.jpg?v=1634664454"},{"product_id":"david-sherrys-golden-thread-book-by-david-sherry","title":"DAVID SHERRY'S GOLDEN THREAD BOOK by David Sherry","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e14.5 × 21 cm, 36 pages, Full color digitally printed, Saddle stitch, Ed. of 350, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“David Sherry is a Glasgow based artist working with live performance, comedy and sculpture. “David Sherry may draw inspiration from stand-up comics, but he also shows the dark side of what might be called normality”, writes Susan Mansfield. This publication is a collection that invites you into Sherry's madcap world and once entered we promise you it will hit you!”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886125687014,"sku":"","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/37_web_d3fc5d42-13d7-4795-8fa9-5bae592640a1.jpg?v=1634664465"},{"product_id":"black-hyperbox-by-various-artists","title":"BLACK HYPERBOX by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 160mm, 368 pages, Full colour printed, Perfect bound, Softcover, Ed. of 800, 2016\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributions by Florin Flueras, Alina Popa, Ioana Gheorghiu, Ștefan Tiron, Gabriel Catren, Irina Gheorghe, Garett Strickland, Sina Seifee, Bogdan Drăgănescu, Cătălina Gubandru, Eleni Ikoniadou, Cristina Bogdan, Cosima Opartan, Nicola Masciandaro, Ben Woodard, Blake Victor, Adriana Gheorghe, Cătălina Gubandru, Gregory Chatonsky, Dorothée Legrand \u0026amp; Georges Heidmann, Matt Hare, Larisa Crunţeanu, Dylan Trigg, Ion Dumitrescu.\u003cbr\u003e\u003cbr\u003eA point alienates from itself and becomes a line. A line alienates from itself and becomes a square. A square alienates from itself and becomes a cube. A cube alienates from itself and becomes a hypercube. Black Hyperbox is a dimension of productive alienation from concepts through experience and from experience through thinking. Black Hyperbox is a productive lie, a future-oriented spatiotemporal ruse, where the conceptual horizon is mutilated through doing and the horizon of imagination is mutilated through thought. In Black Hyperbox, any known can be black-boxed and the unknown can turn out to be most banal.\u003cbr\u003e\u003cbr\u003eThis was the text that announced Black Hyperbox, initiated by Florin Flueraș and Alina Popa in 2015. Black Hyperbox started as a frame for performance and text based on the alienation between practice and conceptualization. Meanwhile, individual artworks, mostly performances, emerged from its process. They are circulating sometimes independently, sometimes together. Now Black Hyperbox is also a book, the outcome of the discursive section of the project. Its contributing authors were immersed in Black Hyperbox or gravitating around it, at least conceptually. In the book, Black Hyperbox comes forth as a place that holds incompatible conceptual zones and spatiotemporalities together: Old World and New World, theater and jungle, jaguars and AI, prehistory and futurism, the earthly home and the alien space, Mecca and the North Pole, spaceships lost in cosmos and the politics of Isis, Malevich’s black square and the moon travel, thought and hallucination.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"PUNCH","offers":[{"title":"Default Title","offer_id":41886128177382,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0036.jpg?v=1634664568"},{"product_id":"confab-in-the-archives-volume-one-by-erin-walter","title":"CONFAB IN THE ARCHIVES VOLUME ONE by Erin Walter","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 43 pages, full colour printing throughout, Saddle stitch, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eConfab is a zine of interviews centred on performance. As research continues into Glasgow’s performance art scene Confab will continue as a running publication. Featuring interviews with Eoddy Hunter; Bryony McIntyre and Caitlin Merrett King\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Erin Walter","offers":[{"title":"Default Title","offer_id":41886128406758,"sku":"","price":4.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0134.jpg?v=1634664575"},{"product_id":"blank-by-ben-kritikos","title":"BLANK by Ben Kritikos","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, full colour covers, black and white interior, saddle stitched, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘A play in one act’ from Glasgow based Ben Kritikos and his Spaghetti for Brains imprint.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Spaghetti for Brains","offers":[{"title":"Default Title","offer_id":41886128767206,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7845.jpg?v=1634664505"},{"product_id":"a-study-of-noses-past-present-proboscises-by-james-stephen-wright","title":"A STUDY OF NOSES: PAST, PRESENT, PROBOSCISES by James Stephen Wright","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 40 pages, black and white digital printing throughout, saddle stitched.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDrawn, conceived and written by the nose of James Stephen Wright. Part performative action, part drawing zine, JSW had constructed a helmet which would allow drawings to move from the nose. ‘The third level of consciousness is the understanding of your surroundings via your nose’\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"James Stephen Wright","offers":[{"title":"Default Title","offer_id":41886133092582,"sku":"","price":3.9,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/021_D_3455f2e4-5a5e-4729-9d34-3bfccf41f826.jpg?v=1634664574"},{"product_id":"crystalline-chrysalis-crisis-by-fritz-welch","title":"CRYSTALLINE CHRYSALIS CRISIS by Fritz Welch","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA1 poster folded down to A4, double sided, full colour printing on front, black and white on back, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDoubling as exhibition display come poster and writing publication ‘CRYSTALLINE CHRYSALIS CRISIS’ in this form contains a collection of texts by Fritz Welch.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Artist and musician Fritz Welch presents CRYSTALLINE CHRYSALIS CRISIS in Summerhall’s Machine Shop – a bunker-like area in the former veterinary school, housing its defunct metal-lathe, responding to the space’s architectural and interior features. Utilising the privately-owned art centre’s inherited and personal furniture in-conjunction with sculptural installation, which includes wall drawings, videos and sound works, Welch will attempt to make the metal-lathe disappear under a greenish haze of scepticism.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCRYSTALLINE CHRYSALIS CRISIS is a redux of Welch and producer Holly Knox Yeoman’s previous work together – CRACK SQUAD OF SITU (University of Glasgow – History of Art Department, Aug 2017). Their\u003cem\u003e situs\u003c\/em\u003e, combine installation and one-off performances, influenced and in retaliation to the restriction and policing of thoughts, feelings and space. CRYSTALLINE CHRYSALIS CRISIS looks to the inbuilt programming of ideological and organic revival and its dichotomous characteristics – brutally nostalgic to the point of urging destruction or transformative to the point of instilling release.’\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Summerhall","offers":[{"title":"Default Title","offer_id":41886134337766,"sku":"","price":1.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/052_D_bd4222eb-b878-438a-92c8-1d82b28f1b36.jpg?v=1634664612"},{"product_id":"continuum-by-sarah-boulton","title":"CONTINUUM by Sarah Boulton","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e115 x 215 x 28mm, 62 loose leaf sheets (black and white printing) in a custom box (full colour printing), Open Edition \/ first run of 250 copies, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is the first collection of writings by the artist Sarah Boulton and brings together her happenings, encounters and happening-upons. Boulton carefully documents and responds to her happenings, covering works from 2012 to one happening that has yet to be made. The collection includes another kind of happening, one that Boulton happens upon and encounters in the role as an observant passerby-er.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSarah Boulton (b. 1989) is based in Powys, Mid Wales and her works have been presented at Wysing Arts Centre, Cambridge, Caraboo Projects, Bristol, Cell Project Space, London, Rhuababa Gallery, Edinburgh and Patara Gallery, Tbilisi. Her writings have appeared in Tender Journal, Danarti and in the 2015 Best British Poetry Anthology, and can be found online at \u003ca href=\"http:\/\/aqnb.com\/\" target=\"_blank\"\u003eaqnb.com\u003c\/a\u003e, Jupiter Woods and New York Tyrant.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Care of Time","offers":[{"title":"Default Title","offer_id":41886136959206,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_34190a25-7626-471a-89d4-f2afd09405dd.jpg?v=1634664779"},{"product_id":"at-twilight-by-simon-starling","title":"AT TWILIGHT by Simon Starling","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTwo publications, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e31 x 20 cm, Offset printed, 1x Newspaper, 1x Perfect bound,\u003c\/span\u003e Editions of 1650, 2016\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributors Katrina Brown, Yukie Kamiya \u0026amp; Simon Starling\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA publication in two parts: one a hard-bound book that includes the script for ‘At Twilight: A play for two actors, three musicians, one dancer, eight masks (and a donkey costume)’ by Graham Eatough and Simon Starling, first performed in Glasgow in 2016; and the other a tabloid-format newspaper that documents the exhibition 'At Twilight' and the live performances. The publication also includes texts by Katrina Brown, Director of The Common Guild, and Yukie Kamiya, Director of The Japan Society Gallery, alongside character biographies written by Simon Starling and source material selected by the artist. Designed by graphic design collective Åbäke to accompany the exhibitions ‘At Twilight' at The Common Guild 2 July – 4 September 2016 and 'At Twilight (After W.B. Yeats’ Noh Reincarnation)' at Japan Society, New York 14 October 2016 – 15 January 2017.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Common Guild","offers":[{"title":"Default Title","offer_id":41886139318502,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/50DCC5FB-3542-4A2C-8740-8F4DB642C3F7.jpg?v=1634664911"},{"product_id":"broken-music-by-various-artists","title":"BROKEN MUSIC by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e26 x 21cm, 280 pages, Black \u0026amp; white offset printed, Perfect bound, Softcover, Includes flexi disc, Ed. of 2500, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Broken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD. \u003cem\u003eBroken Music \u003c\/em\u003efocuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIt also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak’s “Broken Music.” The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWorks chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples\/editions\/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eArtists documented in the volume include Vito Acconci, albrecht\/d., Laurie Anderson, Guillaume Apollinaire, Karel Appel, Arman, Hans Arp, Antonin Artaud, John Baldessari, Hugo Ball, Claus van Bebber, John Bender, Harry Bertoia, Jean-Pierre Bertrand, Joseph Beuys, Mel Bochner, Claus Böhmler, Christian Boltanski, KP Brehmer, William Burroughs, John Cage, Henri Chopin, Henning Christiansen, Jean Cocteau, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Marcel Duchamp, Max Ernst, Lawrence Ferlinghetti, Fischli and Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Peter Gordon, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Holger Hiller, Richard Huelsenbeck, Isidore Isou, Marcel Janco, Servie Janssen, Jasper Johns, Joe Jones, Thomas Kapielski, Allan Kaprow, Martin Kippenberger, Per Kirkeby, Cheri Knight, Milan Knizak, Richard Kriesche, Christina Kubisch, Laibach, John Lennon, Sol Lewitt, Roy Lichtenstein, Annea Lockwood, Paul McCarthy, Meredith Monk, Josef Felix Müller, Piotr Nathan, Hermann Nitsch, Albert Oehlen, Frank O’Hara, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, A.R. Penck, Tom Phillips, Robert Rauschenberg, The Red Crayola, Ursula Reuter Christiansen, Gerhard Richter, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Robert Rutman, Sarkis, Thomas Schmit, Conrad Schnitzler, Kurt Schwitters, Selten Gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Strafe für Rebellion, Jean Tinguely, Moniek Toebosch, Tristan Tzara, Ben Vautier, Yoshi Wada, Emmett Walsh, Andy Warhol, William Wegman, and Lawrence Weiner.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886141612262,"sku":"","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/5jpg0220.jpg?v=1634665006"},{"product_id":"dublin-dancers-amp-dreams-by-anne-sophie-gigan","title":"DUBLIN DANCERS and DREAMS by Anne-Sophie Gigan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 128 pages, Digitally printed, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“‘Dublin Dancers \u0026amp; Dreams’’ portrays a variety of dance styles - from traditional to modern - through the power of photography while using Dublin city’s most iconic landmarks as storytelling backdrops. Accompanied by Irish poetry and English adaptations for those without Gaeilge, each photo series captures the cultural richness and diversity of Dublin by welcoming different cultures from across the globe to share their art in a city that has welcomed them so openly. ‘‘Dublin Dancers \u0026amp; Dreams’’ is not just a book, but a whole artistic and escapist experience that aims to take people out of their hectic lives, to pause and connect with what drives their soul. Dare to explore your creativity; enjoy the photography; the bilingual poetry, and open your mind and imagination. Bain sult as!”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Anne-Sophie Gigan","offers":[{"title":"Default Title","offer_id":41886142103782,"sku":"","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/25jpg0302.jpg?v=1634664952"},{"product_id":"deslices-by-catalina-barroso-luque-and-daniella-valz-gen","title":"DESLICES by Catalina Barroso-Luque and Daniella Valz Gen","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA3 flat, double sided, three colour risograph printed onto peach paper, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e***If ordered online this will be folded to A4***\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDeslices accompanies artist Daniella Valz Gen and Catalina Barroso-Luque through a series of correspondences between Mexico City, London and Glasgow. The work is available as an audio piece and an A3 riso print, offering shared reflections, forms of cross-cultural kinship and moments of misunderstanding in order to examine multiple notions of gender and the exchanges that shape these relationships. Deslices was devised for Glasgow International 2021.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Catalina Barroso-Luque and Daniella Valz Gen","offers":[{"title":"Default Title","offer_id":41886146887910,"sku":"","price":1.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0657008.jpg?v=1634665229"},{"product_id":"avoidanceavoidance-by-jesse-ash","title":"AVOIDANCE—AVOIDANCE by Jesse Ash","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e240x170mm, 208 pages, Full colour offset printed, Perfect bound, Softcover, 2020.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“The script for, and conversations around, artist Jesse Ash's multi-dimensional project built around a play about a bitter argument between two ex-lovers.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eAvoidance—Avoidance\u003c\/em\u003e is a multi-dimensional project built around a play about a bitter argument between two ex-lovers. The project incorporates artworks which act as props, set pieces, and stage, and as individual artworks in their own right. Brought together through an evolving script, the narrative unfolds to reveal a multiplicity of secrets through an ongoing, interrogative dialogue. The individual artworks act both as backdrops to, and reflections on this repetitive exercise in extracting and concealing information. The culmination of which shines a light on public and private forms of disclosure within a contemporary context of state and commercial surveillance.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBringing together material from each iteration of the project, spanning multiple continents and languages—including annotated and translated scripts, rehearsal and performance stills, studio sketches and intricate newspaper collages—the book explores the theme of transparency in emotional, material and political terms.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe project is introduced through a text by curator Elsa Coustou. Conversations with actor Ansu Kabia, writer Peter Pomerantsev, and artist Daniel Sinsel consider issues such as “performed” intimacy, troll farms, and trompe l'oeil through the lens of the \u003cem\u003eAvoidance—Avoidance\u003c\/em\u003e project.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886148526310,"sku":"","price":18.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/1001_88f3ab67-a2f6-4983-92bd-686311439fbf.jpg?v=1634665214"},{"product_id":"choreography-as-self-conditioning-a-written-exhibition-edited-by-simone-basani","title":"CHOREOGRAPHY AS SELF-CONDITIONING — A WRITTEN EXHIBITION edited by Simone Basani","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e112 x 177mm, 64 pages, black and white printing, perfect bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe books included in the series \u003cem\u003eChoreography as Conditioning\u003c\/em\u003e are rooted in a cycle of work sessions entitled \u003cem\u003eCASC at KASK,\u003c\/em\u003e in which students work together with invited guests. They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe fourth book, \u003cem\u003eChoreography as Self-Conditioning,\u003c\/em\u003e presents a ‘written exhibition’. It consists of re-scripted scores originally develop­ed for the architectural space and the live audience of \u003cem\u003eHouse of Ear,\u003c\/em\u003e an immersive and intro-active sound parcours conceived and curated by David Helbich and Joris Blanckaert. These scores are DIY versions of the original works that invite readers to re-activate and engage with the thinking processes they stem from.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41886148690150,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2055001.jpg?v=1634665224"},{"product_id":"futurisms-bastard-son-by-billy-x-curmano","title":"FUTURISMS BASTARD SON  by Billy X. Curmano","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e22 x 28cm, 128 pages, black and white offset printed throughout, design by Astrid Seme, Studio, edition of 500, 2012\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e'He’s the only human being in recorded history to claim the distinction of swimming the entire length of the Mississippi River. He was buried alive for three days in a much ballyhooed effort to bring art to the spirirt world that included a New Orleans-style funeral complete with Christlike resurrection. He once imprisoned himself in a tiger cage to protest the inhumane treatment of POWs in Vietnam. Maverick? Eccentric? Full-blown madman? Billy X. Curmano will be delighted to let you decide. — Mary Beth Crain, LA Weekly, 1999\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDuring the life of an artist countless photos are taken, numerous videos are shot and plenty of text is written. In the case of a performance artist this material is even more extensive and also more important, because it gives us a witness report about a past event. When we noticed that Billy archived all the material about his work very accurately and everything was already there we decided to use only the accumulated images and texts, such as: stills and off-voices from Billy's video documentation, newspaper articles ranging from local press to international art critique, TV-Excerpts, lyrics from Billy's songs .'\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886256431334,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/041_D_c083a0d8-43fb-4950-8d94-477b6d536e4e.jpg?v=1634667447"},{"product_id":"parts-manual-ii-by-james-capper","title":"PARTS MANUAL II by James Capper","description":"\u003cp\u003e14.7 x 28cm, 64 pages, 1 \u0026amp; 2 color risograph throughout, Staple bound, Softcover, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"James Capper employs the materials of mechanical engineering and the techniques of industrial design to create sculpture in action. His practice consists of three distinct but interrelated processes – drawings, sculpture and performance. Beginning with concept sketches, he designs and builds automotive machines that gouge, scratch and score the materials to which they are applied. They are both sculptures, and sculptural tools in performance. These machines vary in size, from handheld power tools through mechanical diggers to gargantuan ships with knuckled legs that wade through shallow water.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished By \u003c\/p\u003e","brand":"Hato Press","offers":[{"title":"Default Title","offer_id":41886257905894,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_d864526b-7a35-4232-8cf7-16cbbf507233.jpg?v=1634667492"},{"product_id":"knotted-mass-ii-by-holly-slingsby","title":"KNOTTED MASS II By Holly Slingsby","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e14.5 x \u003cmeta charset=\"utf-8\"\u003e18.5cm, 80 pages, Full colour printed, Perfect bound, Softcover, Open edition, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eKnotted Mass II\u003c\/em\u003e is an artist’s book developed from Slingsby’s 2016 performance of the same name at Finishing Touch, London. This work evolved from her research into the language of hair in the narratives of pop-cultural and mythical figures. It took place by candlelight, drawing from a rich selection of images, where hair is both subject and object, exploring its significance in popular culture, history, mythology and religion. \u003cem\u003eKnotted Mass II\u003c\/em\u003eincludes texts and images from the performance, new drawings, photographic documentation and a specially commissioned text by Beth Bramich. Holly Slingsby’s practice centres on performance and uses props, costumes and video. She reinvents depictions of holy figures to explore their impact on contemporary culture and politics, using the ancient as a mirror to view the present with. Her pieces often take the form of staged miracles, rites or ceremonies.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Publication Studio London","offers":[{"title":"Default Title","offer_id":41886262460646,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1210.jpg?v=1634667818"},{"product_id":"perception-frames-by-rosanna-irvine","title":"PERCEPTION FRAMES by Rosanna Irvine","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220 mm, 98pages, Black \u0026amp; white printed, Wire bound, Softcover, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“The work was developed through a long research process that took philosopher Gilles Deleuze’s critique of representation, orientated that critique to choreographic practice, and sought to develop conditions for what Deleuze calls ‘the act of thinking in thought itself’\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePerception Frames can be used as a workbook, choreographic toolkit, teaching resource and as performance scores. The scores work with processes of giving attention and shifting attention in a present moment. They aim to constrain modes of anticipation in thought and action and to generate an always-different choreographic producing\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe scores are: ‘Initial practices’ (a sequence of 5 preparations), ‘Practice frames’ (18 mini scores), “Availabilty’ and ‘Tendings’ (two extended scores)\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMore than forty artists contributed to the development of Perception Frames through participation in research workshops in London, Dartington, Glasgow, Nottingham and Leeds and through independently testing out the scores in their development”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Rosanna Irvine","offers":[{"title":"Default Title","offer_id":41886269374694,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0109.jpg?v=1634668121"},{"product_id":"fierce-untitled-by-am-schmidt","title":"FIERCE (UNTITLED) by Am Schmidt","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e275x210, Green riso printed with Black and white digitally printed, Perfect bound, Ed. of 25, 2013.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A performance in which I wore Abercrombie \u0026amp; Fitch graphic shirts and their Fierce™ cologne every day for one year; funded by my mother”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Am Schmidt","offers":[{"title":"Default Title","offer_id":41886271897830,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/40_2048_3d764914-dd0b-400c-9fd6-87b32b6cc320.jpg?v=1634668128"},{"product_id":"masks-by-aliyah-hussain","title":"MASKS by Aliyah Hussain","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 20 pages, Risograph throughout, Hand sewn, French fold inners, Softcover, 2016\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“I was drawn to the faces and patterned masks depicted by Christopher J Holme, and for the residency and the publication I placed these brightly coloured and mysterious characters within real sites. Adapting the eclectic cultural and historical references that can be read in Holme’s work, I staged a photo-shoot in Preston’s Avenham park with my father standing in as the masked figure.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Team Trident Press","offers":[{"title":"Default Title","offer_id":41886274191590,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/31_2048_177529d1-70f2-4787-b56d-71f4835c2616.jpg?v=1634668208"},{"product_id":"grin-expectations-of-generosity-by-various-artists","title":"GRIN: EXPECTATIONS OF GENEROSITY by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, full colour printing, staple bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA response and continued conversation to theatre production Grin directed by Mele Broomes in collaboration with Kemono L.Riot, Divine Tasinda and Levent Nyembo. Community-building, refusals, friendship, support and networks of care grounds the development of Grin. This is a reflection of the Black experience in Scotland.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGrin is authored by Aisha Oyedepo, KJ Clarke-Davis, Alberta Whittle, Natasha Ruwonda and Micheal Issac Temple\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Mele Broomes","offers":[{"title":"Default Title","offer_id":41886277566694,"sku":"","price":2.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/10_web.jpg?v=1634668337"},{"product_id":"jxgpjlwt5lhv559sg12ez5h46cg1dz","title":"MULTIVOICES: A SCRIPT BY RESEARCHERS by Jonathan Orlek","description":"\u003cp class=\"\"\u003eA4, 36 pages, Risograph printed, Saddle stitch, Softcover, Ed. of 200 \u003c\/p\u003e\n\u003cp class=\"\"\u003e“Researchers working across art, architecture, ethnography and creative writing discuss how multiple voices are activated and hosted in their work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdited by Jon Orlek and designed by Jon Cannon, each copy is unique and contains a performance by Vulpes Vulpes.\u003c\/p\u003e\n\u003cp class=\"\"\u003eContributions range from autobiographical experiences to artistic performances. In many of the texts, creative methods negotiate and encounter new, hybrid voices, which escape easy definition. Includes texts and dialogue by Andrew Wilson, Ben Cornish, Brave New Alps, Claire Booth, Cathryn Ladd, Cristina Cerulli, Goran Vodicka, Jon Cannon, Julia Udall, Katherine Quinn, Lester Drake, Lydia Catterall, Matthew Cheeseman, Paula McCloskey and Toby Lloyd.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Spirit Duplicator","offers":[{"title":"Default Title","offer_id":41886280483046,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/D984A759-1C4A-4AD1-9DE2-5AD2F05568E0.jpg?v=1634668731"},{"product_id":"is-god-is-by-aleshea-harris","title":"IS GOD IS by Aleshea Harris","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e128 x 178mm, 134 pages, black and white printing, perfect bound, die cut detail on cover, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIntroduced by Dawn Lundy Martin\u003cbr\u003eWinner of the 2016 Relentless Award from The American Playwriting Foundation\u003cbr\u003eWinner of a 2018 Obie Award for Playwriting\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBlending epic tragedy, the Spaghetti Western, hip-hop and Afropunk, \u003cem\u003eIs God Is\u003c\/em\u003e is a revenge tale about twin sisters. In this award-winning work by playwright Aleshea Harris, emotions are laid bare through dialogue and visual gaps in language.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eAleshea Harris’s\u003c\/strong\u003e epic western revenge play \u003cem\u003eIs God Is \u003c\/em\u003e(world premiere directed by Taibi Magar at Soho Rep) won the 2016 Relentless Award, an OBIE award for playwriting, the Helen Merrill Playwriting Award and was a finalist for the Susan Smith Blackburn Prize. \u003cem\u003eWhat to Send Up When It Goes Down\u003c\/em\u003e, a ritualized response to anti-blackness, had its critically-acclaimed NYC premier (dir. Whitney White, produced by The Movement Theatre Company), then toured D.C. and Boston in fall of 2019, was featured in American Theatre Magazine’s April ’19 issue and won a rare Special Commendation from the 2020 Blackburn Prize. Harris was awarded the Next Step Award from Samuel French and is a recipient of the 2020 Windham-Campbell Literature Prize.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eDawn Lundy Martin \u003c\/strong\u003ewas awarded the Cave Canem Poetry Prize for her first poetry collection, A Gathering of Matter\/A Matter of Gathering. Her collection Life in a Box is a Pretty Life was published in 2015 by Nightboat Books. A founding member of the Black Took Collective, a group of experimental black poets, she is an associate professor of English at the University of Pittsburgh. \u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"3 Hole Press","offers":[{"title":"Default Title","offer_id":41886280876262,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_66350107.jpg?v=1634668590"},{"product_id":"near-by-by-richy-carey","title":"NEAR BY by Richy Carey","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e20.5 x 15cm, 80 pages, Digitally printed, Perfect bound, Softcover, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003etracing the lines between sound, text and image across four works:\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMemo to Spring with Sarah Rose.\u003cbr\u003eNOW, The Scottish National Galleries of Modern Art, Edinburgh, Oct ’17 – Feb ’18.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSpecial Works School with Bambitchell (Sharlene Bamboat and Alexis Mitchell).\u003cbr\u003eGallery TPW, Toronto, Jan – Feb ’18 + Berlinale, Berlin, Feb ’18.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWondering Soul with Alexander Storey Gordon.\u003cbr\u003eRadiophrenia, Centre for Contemporary Arts, Glasgow, Nov ’17.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSonorous Objects with Mark Bleakley and Lauren Gault.\u003cbr\u003eOngoing.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTeased out from a series of letters between Richy and the artists, written during and following collaborating on these works, these letters focused on the processes of making, and the translation and flux between sound, image, object and text. The authorship of these letters was then composed into a single voice, or utterance, through an editing process with author and collaborator Martin Cathcart Froden. These processes, along with the production of the object, happened in conversation with Ainslie Roddick.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Richy Carey","offers":[{"title":"Default Title","offer_id":41886282645734,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/30jpg0223.jpg?v=1634668677"},{"product_id":"lonely-at-the-party-by-eleonora-bonino-valerio-conti-pauline-maure-stefano-pelosato-giulia-savorani","title":"LONELY AT THE PARTY by Eleonora Bonino, Valerio Conti, Pauline Maure, Stefano Pelosato, Giulia Savorani","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLarge format poster folded down to 245 × 340 mm, colour printing, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis folded poster has been published on the occasion of the homonymous one-night happening hosted at Meta Forte on September 4, 2020. A 30-hands reflection on the intersections between the moving image and performance arts is unfolded through the surrealistic game of the Cadavre Exquis.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Meta Forte","offers":[{"title":"Default Title","offer_id":41886284382438,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0522jpg0315.jpg?v=1634668788"},{"product_id":"petit-oiseau-by-jatinder-singh-durhailay-and-suren-seneviratne","title":"PETIT OISEAU by Jatinder Singh Durhailay and Suren Seneviratne","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 x 250mm, 24 pages, full colour printing, newpsrint paper stock, saddle stitched, Including a CD, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Johanna Tagada Hoffbeck, designed by 75W Studio. Including an essay by Harr-Joht Kaur Takhar and the participation of Sarah Gissinger.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Sounds are swollen, expanded and layered, steadily unfolding through time. However, these smooth resonances are also disrupted through Jatinder’s attempts to imitate the synthesiser by plucking the smaller strings of the dilruba. Though an unusual method to adopt, plucking demonstrates Jatinder’s concern to create intimate dialogues between both instruments. This is also matched by Suren, who at points attempts to mimic the dilruba using the synthesiser’s palette. Such exchanges, occurring at a sonic level, are made visible in this publication through measured textual and visual offerings. The choice to accompany their debut album with a design-led publication highlights how Petit Oiseau isn’t merely a musical project, but an artistic one too.“ Harr-Joht Kaur Takhar\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAfter their 2012 inaugural performance at Tate Modern The Tanks, the duo Jatinder Singh Durhailay and Suren Seneviratne returns to its fruitful collaboration with a new experimental and sonic musical endeavour titled Petit Oiseau. The duo has in 2019 performed in venues including the V\u0026amp;A Museum and The Design Museum London. The project brings together rare classical Indian string instruments played by Durhailay known as the Dilruba and the Taus, unusually combined with Seneviratne’s interests in alternate tunings and numerology through custom patches built on a E- MU Command Station digital synthesiser.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Poetic Pastel Press","offers":[{"title":"Default Title","offer_id":41886286512358,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8950jpg0429.jpg?v=1634668874"},{"product_id":"marfa-sounding-by-various-artists","title":"MARFA SOUNDING by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e14 x 21.5cm, 200 pages, Full colour printed, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.This book is an extension of conversations begun at Marfa Sounding, a three-year exploration into the acoustic processes of a specific place, which began as a 2015 curatorial residency with Fieldwork Marfa, an international program run by Beaux-Arts Nantes Saint-Nazaire, France; the University of Houston School of Art; and HEAD, Geneva. Focusing on \"place-shifting\" in music, particularly as it relates to early experiments in Minimalism and artists whose practices run from the 1960s into the present, Marfa Sounding hosted writers from many different backgrounds—composers, sound theorists, art critics, dance historians, filmmakers, educators, students, curators, and archivists—who treat performance as a point of departure for thinking through the intersection of music, minimalism, and the political. Marfa Sounding treated sound as a frame for understanding how art integrates with, invades, and is effectively produced by its context. The spaces of Marfa also became frames for sound as individual and collective experience, where people come together at a specific place and time, in a site that enfolds them.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Jennifer Burris and Ida Soulard.Texts by Alvin Lucier and Éliane Radigue with Charles Curtis; James Fei; Jennifer Burris; Erik DeLuca; Ida Soulard; Maria Chávez; Anna Halprin with Phillip Greenlief, Rashaun Mitchell, Silas Riener, Nina Martin, and Stephen Petronio; Janice Ross; Andrew Abrahams in conversation with Cate Cole Schrim; Wendy Vogel; Claudia La Rocco; Tarek Atoui with Amma Ateria, Jad Atoui, and Robert Aiki Aubrey Lowe; Ian Lewis; Amma Ateria in conversation with Caitlin Murray; Jad Atoui in conversation with Claire Amiot; Robert Aiki Aubrey Lowe in conversation with Anthony Elms; Sabrina Tarasoff.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Mousse Publishing","offers":[{"title":"Default Title","offer_id":41886286807270,"sku":"","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/31jpg0512.jpg?v=1634668893"},{"product_id":"milk-report-by-conway-and-young","title":"MILK REPORT by Conway And Young","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e18 x 26 cm, 14 pages, Risograph \u0026amp; digitally printed, Saddle stitch, Softcover, Hand numbered, Ed. of 720, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Milk Report is a print piece recording the hours and minutes Young spent breastfeeding during the first six-months after giving birth. This totalled 720 hours and 7 minutes. This data is accompanied by a narrative text exploring the politics of care through the lense of breastfeeding. Seeking full remuneration for the labour-intensive work undertaken, based on the 2019 National Living Wage of £8.21 per hour, an edition of 720 copies of Milk Report have been printed to be sold for £8.21 each. This will equate to a wage of £5916.95 once all of the Milk Reports are sold. Milk Report was launched in May 2019 as part of Spike Open, each copy sold was served with a milk shake.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Conway And Young","offers":[{"title":"Default Title","offer_id":41886288543974,"sku":"","price":12.65,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/5026.jpg?v=1634669008"},{"product_id":"party-studies-vol-1-by-various-artists","title":"PARTY STUDIES VOL. 1 by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15 x 21 cm, 140 pages, Colour printed, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom social get-together to scenes of delirium, the publication aims to unpack the party as a complex, vertiginous construct that provides a dynamic view onto questions of community. If the party functions as an intensification of togetherness, what lessons might it provide in negotiating a given social order?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn particular, volume 1 considers the house party, and in what ways domestic space is reworked in support of an extension of the family unit. Including a series of interviews with those active in flat events in Budapest during the communist regime and today, essays on hospitality, the politics of rest, and erotic knowledge, and documentation on Sala 603, an informal house-theater in Curitiba.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe publication is the first in a series developed in parallel to a set of party-workshops held in different locations in Madrid, each of which performatively investigates states of partying, posing the party as a scene of creative study.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Errant Bodies","offers":[{"title":"Default Title","offer_id":41886289395942,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/32026_3913fdbb-16be-48b0-a19d-0089c4604dbc.jpg?v=1634669045"},{"product_id":"fix19-by-various-artists","title":"FIX19 by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x 210mm, 88 pages, full colour printing, perfect bound, softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Catalyst Arts’ 13th International Live Art Festival FIX is one of Europe’s longest running live art festivals. Established by Catalyst Arts in 1994, it has consistently delivered an innovative programme of local and international live, sonic, and performance artists to the city of Belfast. FIX19 engaged with established and emerging, local and international artists, utilizing different media and approaches to performance. Through a curated programme full of exciting new work in different venues in Belfast city centre, FIX19 questioned ideas of transnationalism through different perspectives. The publication contains writing by Niamh McCann and Desiree Nault, and photographic documentation of FIX19’s programme, including artists Amanda Coogan, Lee Hamill, Brennagh Meehan, Rory Mullen, Aoife O’Connor, Marie Ouazzani \u0026amp; Nicolas Carrier, Evamaria Schaller, Dominic Thorpe, Bettina Wenzel, and Sandra Corrigan Breathnach, Christoff Gillen, Bernadette Hopkins, Elaine McGinn, James King,and Niamh Seana Meehan for Bbeyond.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Catalyst Arts","offers":[{"title":"Default Title","offer_id":41886289658086,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/47042_ed23c67c-950c-4bc9-a82f-5c7394c7140b.jpg?v=1634669151"},{"product_id":"guide-me-o-thou-great-redeemer-by-paul-haworth","title":"GUIDE ME O THOU GREAT REDEEMER by Paul Haworth","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e100 x 297mm, 20 pages, risograph printed, staple bound, 2020. Edition of 100\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“It’s all chemsex and zombie knives in London, but I know you’ll steer well clear of that…” This is the script for 'Guide Me O Thou Great Redeemer', a site-specific play set in a function room. The Queen Mother, chemsex and the occult all feature in this coming-out tale written by Paul Haworth and performed by David G. Lees. The pamphlet is designed by Sam de Groot and riso-printed at Pamfleet in a first edition of 100. Each copy comes with a unique name sticker. 'Guide Me O Thou Great Redeemer' was presented by Weekend Server \/ Coda Press at Belgin in Bergen on October 11th, 2019.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Coda Press","offers":[{"title":"Default Title","offer_id":41886291951846,"sku":"","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2051016.jpg?v=1634669167"},{"product_id":"my-little-enlightenment-plays-by-sophie-seita","title":"MY LITTLE ENLIGHTENMENT PLAYS by Sophie Seita","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e136 x 192 mm, 158 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eMy Little Enlightenment Plays\u003c\/em\u003e is a multimedia project centred around three experimental theatre pieces: 1. \u003cem\u003eDon Carlos, or, Royal Jelly\u003c\/em\u003e; 2. \u003cem\u003eLes Bijoux Indiscrets, or, Paper Tigers\u003c\/em\u003e; 3. \u003cem\u003eEmilia Galotti’s Colouring Book of Feelings\u003c\/em\u003e — all of which present imaginary tête-a-têtes with Enlightenment thinkers, writers, and scientists. The costumes and props are often a trace of past performance, but also a score that can be activated yet again in performance. Each element in a performance translates my text into another material and medium – which is itself a queer-feminist and oblique translation of Enlightenment texts and ideas.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Pamenar Press","offers":[{"title":"Default Title","offer_id":41886297719014,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3027034.jpg?v=1634669343"},{"product_id":"what-remains-and-is-to-come-a-document-by-katrina-brown-and-rosanna-irvine","title":"WHAT REMAINS AND IS TO COME: A DOCUMENT by Katrina Brown and Rosanna Irvine","description":"\u003cp\u003eA5, 70 pages, Colour printing, Perfect bound, 2014\u003c\/p\u003e\n\u003cp\u003eThis is an artist book and document of the live performance work with texts by Ramsay Burt, Ivana Ivkovi and Mark Leahy. Photographic images, video stills, performance scores and the texts operate together to bring another experience of the work.\u003cbr\u003e \u003cbr\u003eIn what remains and is to come Brown and Irvine work with charcoal, paper, body and breath treating each material as equal in the process. The performance is an activation of material processes - a generating and erasing of large-scale prints - bodies moving through paper and charcoal - charcoal clinging to bodies.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Middlesex University","offers":[{"title":"Default Title","offer_id":41886367842534,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/09_D_8c95f635-69a3-461f-9513-d887eec00e8e.jpg?v=1634671446"},{"product_id":"winning-toward-a-theory-of-instruction-by-tomas-palmer","title":"WINNING: TOWARD A THEORY OF INSTRUCTION by Tomas Palmer","description":"\u003cp\u003eA5, 52 pages, 2 color risograph throughout, Rubber band bound, Softcover, 2015\u003c\/p\u003e\n\u003cp\u003eDocumentation \/ translation of a recent performance. Reads much like a mental board game. \u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Tomas Palmer","offers":[{"title":"Default Title","offer_id":41886369874150,"sku":"","price":4.22,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1612.jpg?v=1634671456"},{"product_id":"talker-1-by-giles-bailey","title":"TALKER #1: IAN WHITE by Giles Bailey","description":"\u003cp\u003e18 x 28 cm, 24 pages, Risograph printed, Saddle stitch, Softcover, 2017\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA conversation with artist, writer and curator of film, Ian White. The interview took place in 2012 and focuses on Ian's live work - from early experimental collaborations to his landmark solo triology \u003cem\u003eIbiza Black Flags Democracy\u003c\/em\u003e and hybrid curatorial projects.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Giles Bailey","offers":[{"title":"Default Title","offer_id":41886372135142,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1380.jpg?v=1634671514"},{"product_id":"talker-2-kate-valk-by-giles-bailey","title":"TALKER #2: KATE VALK By Giles Bailey","description":"\u003cp\u003e180 x 280mm, 24 pages, Risograph printed, Saddle stitch, Card cover, 2017\u003c\/p\u003e\n\u003cp\u003eTalker is an interview zine about performance. \u003c\/p\u003e\n\u003cp\u003eThis is issue #2. It features a conversation with performer Kate Valk. As a founding member of experimental theatre company the Wooster Group she has contributed to some of the most vital and exploratory live work of the past three decades.\u003c\/p\u003e\n\u003cp\u003eThis interview took place in October 2016 as her first directorial contribution to the company \u003cem\u003eEarly Shaker Spirituals\u003c\/em\u003e was being performed at the Pompidou Centre.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Giles Bailey","offers":[{"title":"Default Title","offer_id":41886374985958,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1383.jpg?v=1634671562"},{"product_id":"stand-by-the-moon-by-elina-boy","title":"STAND BY THE MOON by Elina Bry","description":"\u003cp style=\"white-space: pre-wrap;\"\u003eGlittery cassette, 3 colour risographed sleeve, Ed. of 20, 2018.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eAcapella at times, acoustic and dreamy with hiccups included.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Elina Bry","offers":[{"title":"Default Title","offer_id":41886377246950,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5925.jpg?v=1634671565"},{"product_id":"talker-3-richard-maxwell-by-giles-bailey","title":"TALKER #3: RICHARD MAXWELL by Giles Bailey","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e180 x 280mm, 16 pages, Risograph printed, Saddle stitch, Card cover, 2018.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eTalker is an interview zine about performance. \u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eThis is issue #3. It features a conversation with the director and playwright Richard Maxwell.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eSince 1999 he has worked with his company New York City Players producing theatre work for the stage, for galleries and moving image. His plays are set in the everyday environments of lobbies, living rooms, karaoke bars and highway intersections. Often non-professionals, his actors portray American archetypes through spare, stylised dialogue and occasionally sing. Recent productions include \u003cem\u003eQueens Row\u003c\/em\u003e at ICA London, \u003cem\u003eParadiso\u003c\/em\u003e at Greene Naftali Gallery and \u003cem\u003eGood Samaritans \u003c\/em\u003eat Abrons Arts Centre.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Giles Bailey","offers":[{"title":"Default Title","offer_id":41886379114726,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1386.jpg?v=1634671627"},{"product_id":"talker-7","title":"TALKER #7: JO FONG by Giles Bailey","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e180 x 280mm, 24 pages, Risograph printed, saddle stitch, Card cover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is Issue #7. It features a conversation with director, choreographer and performer Jo Fong.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThough her background is as a dancer, performing as part of Rosas, Rambert Dance Company, Mark Bruce Company and National Dance Theatre Wales among many others, she also works across film, theatre and the visual arts. Her own work is distinguished by an open, self-aware process and an innovative and expansive approach to research and rehearsal.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis interview begins with her ongoing project\u003cem\u003e \u003c\/em\u003e\u003cem\u003eWays of Being Together,\u003c\/em\u003e a series of workshops, discussions and performances centered on the idea of belonging. Jo goes on to share insights into her working methods and discusses her complex relationship to dance, the difficulty of speaking and the impulse to do so.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Giles Bailey","offers":[{"title":"Default Title","offer_id":41886384292070,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1395.jpg?v=1634671723"},{"product_id":"witch-dance-by-rachel-cattle","title":"WITCH DANCE by Rachel Cattle","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 294 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWitch Dance (notes for radio) is an auto-fictive text\/score that operates in a space between thought, sound and gesture, tuning in and out of voices and sounds of female artists, writers and musicians.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by Centre For Useless Splendour \u0026amp;\u003c\/p\u003e","brand":"Rachel Cattle","offers":[{"title":"Default Title","offer_id":41886387798246,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2830.jpg?v=1634671714"},{"product_id":"work-1961-1973-by-yvonne-rainer","title":"WORK 1961-1973 by Yvonne Rainer","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e20 × 27 cm, 344 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForty-five years after its publication, Primary Information brings Yvonne Rainer’s classic book back into print in an exact facsimile.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn 1974, Yvonne Rainer published Work 1961–73, an illustrated catalog of her performance works up to that point. In these years, as the art world turned toward minimalism, Rainer and her Judson Dance Theater colleagues were engaged in a parallel, and equally radical, redefinition of dance. Stripping dance of its pomp and self-serious virtuosity, they created what dancer and choreographer Pat Catterson has called “the people’s dance.” Or, as Rainer put it, instead of the “overblown plot” of traditional dance, she explored the “obvious” alternative: “stand, walk, run, eat, carry bricks, show movies, or move and be moved by some thing other than oneself.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWork 1961–73 chronicles the years when Rainer found herself and her work at the heart of a revolution in dance, performance and art. Written in Rainer’s wonderful frank, funny and perceptive prose, and illustrated with photographs, handwritten scores, sketches, press articles and ephemera, Work 1961–73 is a period document and an instruction manual, an archive and a manifesto.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA sought-after, rare classic, Work 1961–73 is brought back into print in a true facsimile edition by Primary Information; the only change is the small addition of new notes at the back of the book.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886392156390,"sku":"","price":32.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5984.jpg?v=1634671784"},{"product_id":"the-italic-i-by-emma-cocker-and-clare-thronton","title":"THE ITALIC I by Emma Cocker and Clare Thronton","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e200x200mm, 10 Pages, 10 Images, Full colour, Softcover, fold-out cover, speciality papers throughout, 2014.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Italic I is a practice-based collaboration between writer-artist Emma Cocker and interdisciplinary artist Clare Thornton that explores the different states of potential made possible through purposefully surrendering to the event of a repeated fall. Rather than an accidental occurrence encountered by chance, within our artistic investigation falling is apprehended consciously as a training exercise for mind and muscle, tested out in physical, cognitive, and even linguistic terms.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWithin The Italic I the act of falling is slowed and extended through the use of both lens and language, as a means for attending to its discrete phases or scenes. This publication comes from a performative-poetic enquiry, comprising photographic performance-documents presented alongside a textual lexicon generated in the 'free-fall' of conversational exchange. The publication is not conceived as documentation (of a performance), but rather as a performative enactment of there enquiry, an exercise companion. They approached the production of this publication as a form of training in and of itself, requiring a specific physical and conceptual practice undertaken towards building — increasing and deepening — there collaborative capacity. Less a step-by-step manual for instructing another on how to fall, they propose the publication The Italic I as a spur or prompt for cultivating a willfully non-corrective tendency in thought, for operating against expectation.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Beam Editions","offers":[{"title":"Default Title","offer_id":41886392352998,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1244.jpg?v=1634671853"},{"product_id":"talker-9-clifford-owens-by-giles-bailey","title":"TALKER #9: CLIFFORD OWENS by Giles Bailey","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e180 x 280mm, 24 pages, Risograph printed, Saddle stitch, Card cover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e TALKER is an interview zine about performance.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e Issue #9 is a conversation with artist Clifford Owens.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHe is based in Jersey City, New Jersey, and his work focuses on the body in relation to the power dynamics of race, masculinity, class and the fragility of social structures. It also closely examines the significance of photography in performance making and its histories.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHis project \u003cem\u003eAnthology\u003c\/em\u003e responds to the absence of a performance history that includes Black artists by soliciting and performing scores from Black artists working today. In \u003cem\u003ePhotographs with an Audience \u003c\/em\u003ethose attending the performance are invited to respond to prompts and questions by making a commitment to the moment and history by standing before the camera and having their picture taken.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Giles Bailey","offers":[{"title":"Default Title","offer_id":41886411096294,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0384jpg0301.jpg?v=1634672440"},{"product_id":"roygbivampb-by-marina-rosenfeld","title":"ROYGBIVandB by Marina Rosenfeld","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e19.7 x 29.3cm, 30 pages, Full colour printed, Wire-o bound, Foil stamped covers, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is “Marina Rosenfeld’s first book publication, documenting her performance of the same name, and includes gate-fold renderings of the score pages, a “User’s Manual” by the artist, photos from the several performances of the work, and a foreword by musicologist Benjamin Piekut. The performance was Rosenfeld’s contribution to the exhibition \u003cem\u003eInstructions Lab\u003c\/em\u003e at the Museum of Modern Art (NY) in 2011.\u003cbr\u003e\u003cbr\u003eA punning riff on spectral composition, the score from the work hinges on the misapprehension of the letters “r-o-y-g-b-” as song lyrics ( “are you that somebody…” “oh, oh, oh…” “why should my heart…” “just be…”). A choir is instructed to recall and re-perform in dense clusters of call-and-response, song fragments prompted by the familiar letters of the spectrum, which in the work’s premiere, were collected and projected vertically into the architectural volume of MoMA’s atrium in the implied form of a rainbow. “The drawings reproduced in this publication distill the playful translation of data across optical, auditory, and linguistic registers. As notations, they transcribe the MoMA performance, but they also enact a more general demonstration of human experience as transcription: light to color, letter, sound, word, lyric, and eventually music.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Run\/Off Editions","offers":[{"title":"Default Title","offer_id":41886414962918,"sku":"","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8532jpg0422.jpg?v=1634672648"},{"product_id":"the-stuart-brisley-interviews-performance-and-its-afterlives","title":"THE STUART BRISLEY INTERVIEWS: PERFORMANCE AND ITS AFTERLIVES","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 x 220mm, 128 pages, full colour printing, perfect bound, softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis series of interviews, held by curator and writer Gilane Tawadros are focussed entirely on Stuart Brisley’s practice and directed by him. The artist’s narration of his practice demonstrates an unswerving resistance to controlling the narrative or fixing the meaning of his works. Citing the Brazilian writer Clarice Lispector, Brisley emphasises the critical importance of error to the creation of his performances: ‘You can say what you’re going to do, you can think about it, you can prepare it, and then when you start, it’s all disappeared because it’s actually meaningless… errors make for where the key value lies.’ The enduring resonance of Brisley’s work lies in its formless and slippery characteristics that resonate so poignantly with our shared human condition.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Book Works","offers":[{"title":"Default Title","offer_id":41886416699622,"sku":"","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9076jpg0520.jpg?v=1634672655"},{"product_id":"the-orphans-of-tar-a-speculative-opera-edited-by-various-artists","title":"THE ORPHANS OF TAR – A SPECULATIVE OPERA edited by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e112 x 177mm, 104 pages, black and white printing, perfect bound, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBy Julien de Smet, Ronny Heiremans, Heike Langsdorf, Vanessa Müller, Filip Van Dingenen, Stijn Van Dorpe, Clémentine Vaultier, Katleen Vermeir.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe books included in the series \u003cem\u003eChoreography as Conditioning\u003c\/em\u003e are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe Orphans of Tar – A Speculative Opera\u003c\/em\u003e answers the question posed in the second book by transforming life into voices and presenting possible mindsets through co-authoring a factual fiction. As such, it constitutes a mental space in which ficti­tious characters find an almost disturbing expansion of their thoughts. Accordingly, the book can be considered as an alle­gory of human thoughts as (possible) actions: what could happen becomes what does happen. For better and worse.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41886418764006,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9778038.jpg?v=1634672749"},{"product_id":"thinking-conditioning-through-practice-edited-by-alex-arteaga-and-heike-langsdorf","title":"THINKING CONDITIONING THROUGH PRACTICE edited by Alex Arteaga and Heike Langsdorf","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e112 x 177mm, 96 pages, black and white printing, perfect bound, 2018\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe books included in the series\u003cem\u003e Choreography as Conditioning\u003c\/em\u003e are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThinking Conditioning through Practice\u003c\/em\u003e, the first book in this series, addresses the question of how these practices destabilize and (re)constitute the concept of conditioning through six writing processes performed by Alex Arteaga, Julia Barrios de la Mora, Julien Bruneau, Laetitia Gendre \u0026amp; Miram Rohde, Heike Langsdorf and Kristof Van Baarle.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Art Paper Editions","offers":[{"title":"Default Title","offer_id":41886418796774,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9768028.jpg?v=1634672795"},{"product_id":"the-space-age-by-aleksandra-mir","title":"THE SPACE AGE by Aleksandra Mir","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15.6 x 23.4 cm, 7 fold out posters, Full colour printed, Unbound, 2013. Published with \u003cmeta charset=\"utf-8\"\u003eM – Museum Leuven.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOn Saturday 28 August, 1999, against a background of puffing industrial plumes, a pinkish-blue sky, and the sound of bongo drum beats, Aleksandra Mir, dressed in a smart white dress and with American flag in hand, scaled the side of a moonscape of sand dunes and makeshift craters to become the first woman on the moon. The performance \u003cem\u003eFirst Woman on the Moon\u003c\/em\u003e marked the beginning of Mir’s exploration of outer space as she staged a moon landing by transforming a Dutch beach into the moon’s surface using the help of local people and heavy machinery.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMir’s projects offer her own take on popular cultural myths and historical events, by combining religious iconography with NASA imagery or symbols of space travel. Her work reflects on these events that span half a millennium of human—mostly male-dominated—quest, transforming or deconstructing them into a make-believe world of her own. Mir resists and modifies; her work creates its own authenticity and truth.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe Space Age\u003c\/em\u003e consists of seven fold-out posters and a text by Martin Herbert. The publication coincides with the exhibition at M – Museum Leuven which encompasses fourteen years of Mir’s career (1999–2013).\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886423875814,"sku":"","price":13.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8306011.jpg?v=1634672995"}],"url":"https:\/\/goodpress.co.uk\/collections\/performance.oembed?page=14","provider":"Good Press — good books \u0026 more","version":"1.0","type":"link"}