{"title":"Monographs","description":"","products":[{"product_id":"angela-brennan-19-desires-and-one-belief-by-angela-brennan","title":"ANGELA BRENNAN: 19 DESIRES AND ONE BELIEF by Angela Brennan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e214 x 285 mm, 224 pages, Full color offset printed, Perfect bound, Softcover, Ed. of 950, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eAngela Brennan: 19 Desires and One Belief\u003c\/em\u003e is an artist-driven publication edited by Angela Brennan, a non-exhaustive slice of practice, spanning around thirty years. The monograph includes an essay by Jan Bryant, a poem by Justin Clemens and contributions by Mitch Cairns, Mel Deerson, Michael Graf, Elizabeth Newman, Lisa Radford, and Georgina Sambell. The texts have been dispersed amongst an array of images, arranged non-periodically, sequenced to reflect a circuitous approach to practice. The book decontextualizes artworks, liberating them from previous frameworks in which they have been presented, opening space for new readings and atemporal crosscurrents.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"3-ply","offers":[{"title":"Default Title","offer_id":41886124769510,"sku":"","price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2465.jpg?v=1634664407"},{"product_id":"75-templates-by-stefan-reiterer","title":"75 TEMPLATES by Stefan Reiterer","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e22.5 × 32 cm, 80 pages, Full color offset printed, Perfect bound, Dustjacket, Ed. of 300, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“This publication is an anticipating monography of Stefan Reiterer’s future paintings. By this means, it reverses the production of a catalog: Instead of documenting old works, it shows 75 templates, that the artist might paint in the future. These templates have their origin in existing paintings which were first 3D scanned and afterwards distorted and transformed digitally by the artist. This continues and extends Reiterer’s painting practice that deals with representation of space and its manipulation potential. Mostly, he uses screenshots of landscapes from Google Earth.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886125719782,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3028.jpg?v=1634664510"},{"product_id":"blue-above-by-laura-mccluskey","title":"BLUE ABOVE by Laura McCluskey","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e270x220mm, 88 pages, Full color offset printed, Perfect bound, Clothbound, Tip in covers, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Addressing anxiety, Laura McCluskey’s new book captures the freedom of improvised dance. Blue Above asks dancers to physically interpret a journey of emotional turbulence. The improvised movement is photographed to capture pure moments of feeling, expression, conflict and joy.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Guest Editions","offers":[{"title":"Default Title","offer_id":41886126964966,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/49_2048.jpg?v=1634664449"},{"product_id":"agar-by-ana-manso","title":"AGAR by Ana Manso","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 240mm, 120 pages, full colour offset printing on various paper stocks, perfect bound with textured, fold in cover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book surveys the work of Ana Manso (Lisbon, 1984) made over the past few years. Firmly rooted in a regular practice of painting and drawing. Manso’s visual imagination as language is mirrored in the acconpanying essays – each presented in the original language – by curator Suzanne Cotter (AUS\/UK), philosopher Federico Nicolao (IT), and artist André Romão (PT), who draw on their distinct cultural perspectives.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Cura","offers":[{"title":"Default Title","offer_id":41886139908326,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_54771209.jpg?v=1634664843"},{"product_id":"boooook-the-life-and-work-of-bob-cobbing-ed-william-cobbing-and-rosie-cooper","title":"BOOOOOK: THE LIFE AND WORK OF BOB COBBING ed. William Cobbing and Rosie Cooper","description":"\u003cp\u003e170 × 240 mm, 208 pages, full colour printing, perfect bound, 2015\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Anyone interested in visual \/ concrete \/ sound poetry, DIY publishing and \/ or British underground culture of the 1960s should have this book.”\u003cbr\u003e– Matthew Robertson, Eye, no. 93 vol. 24, 2017\u003c\/p\u003e\n\u003cp\u003eThis is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920–2002). Boooook addresses all aspects of Cobbing’s rich career, with new essays detailing his key roles in London Film-makers’ Co-op, Better Books, abAna, as well as his involvement in the Destruction in Art Symposium, Fylkingen, and his publishing imprint Writers Forum.\u003c\/p\u003e\n\u003cp\u003eEdited by William Cobbing and Rosie Cooper – and illustrated with numerous reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – Boooook features contributions by Adrian Clarke, William Cobbing, Rosie Cooper, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Marc Matter \u0026amp; Tris Vonna-Michell, David Toop, Steve Willey, Andrew Wilson and Maxa Zoller.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886144397542,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_85650329.jpg?v=1634665108"},{"product_id":"green-tea-in-a-mauve-mood-by-paul-rondags","title":"GREEN TEA IN A MAUVE MOOD  by Paul Rondags","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e163mm x 215 mm, 128 pages, full colour printing, stitched \u0026amp; perfect binding with wraparound cover, edition of 250, 2014.\u003c\/p\u003e\n\u003cp\u003e'This book brings together for the very first time a selection of photographs taken from the artist Paul Rondags. It focuses primarily on his beautiful series of over 300 photographs \"Green Tea in a Mauve Mood\" produced since 2010.\u003c\/p\u003e\n\u003cp\u003eThe pictures he makes are isolation's, observations of everyday life. Elements of aesthetics, mood, tone, are framed in memories and encounters of everyday life. In this way the pictures are also about him. There narrative aspects are loose, inconclusive, made by intuition rather than concept. He is looking to the point where the image is stripped from 'the spectacular', but have enough presence and expressiveness of their own.\u003c\/p\u003e\n\u003cp\u003ePaul Rondags lives and works in Maasticht, the Netherlands. He was born in Maastricht in 1960. He studied at the \"Fotovakschool\" in Apeldoorn and finished his degree in 1982. In 1988 he finished the Academy of Fine Arts in Maastricht. From 2012-2013 he was a photography teacher at the Pentagoon Academy in Tongeren, Belgium.'\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Big Black Mountain The Darkness Never Ever Comes","offers":[{"title":"Default Title","offer_id":41886255284454,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/18_2048_de3aa0ca-4e91-4dba-a006-ab867ffe5e48.jpg?v=1634667408"},{"product_id":"flore-de-compagnie-by-olivier-kosta-thfaine","title":"FLORE DE COMPAGNIE By Olivier Kosta-Théfaine","description":"\u003cp\u003e18 x 28 cm, 42 pages, Colour printed, Perfect bound, Softcover, Ed. of 150, 2013\u003c\/p\u003e\n\u003cp\u003eFlore de Compagnie is a collection of personal archives and photos which supplies keys for the understanding of Olivier Kosta-Théfaine's work. Documents collected between 2005 and 2013.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"Bunk Editions","offers":[{"title":"Default Title","offer_id":41886256169190,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/35_2048_0aac6436-c626-41a0-8723-0b3edf7b9181.jpg?v=1634667428"},{"product_id":"futurisms-bastard-son-by-billy-x-curmano","title":"FUTURISMS BASTARD SON  by Billy X. Curmano","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e22 x 28cm, 128 pages, black and white offset printed throughout, design by Astrid Seme, Studio, edition of 500, 2012\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e'He’s the only human being in recorded history to claim the distinction of swimming the entire length of the Mississippi River. He was buried alive for three days in a much ballyhooed effort to bring art to the spirirt world that included a New Orleans-style funeral complete with Christlike resurrection. He once imprisoned himself in a tiger cage to protest the inhumane treatment of POWs in Vietnam. Maverick? Eccentric? Full-blown madman? Billy X. Curmano will be delighted to let you decide. — Mary Beth Crain, LA Weekly, 1999\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDuring the life of an artist countless photos are taken, numerous videos are shot and plenty of text is written. In the case of a performance artist this material is even more extensive and also more important, because it gives us a witness report about a past event. When we noticed that Billy archived all the material about his work very accurately and everything was already there we decided to use only the accumulated images and texts, such as: stills and off-voices from Billy's video documentation, newspaper articles ranging from local press to international art critique, TV-Excerpts, lyrics from Billy's songs .'\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886256431334,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/041_D_c083a0d8-43fb-4950-8d94-477b6d536e4e.jpg?v=1634667447"},{"product_id":"orion-aveugle-by-anne-laure-sacriste","title":"ORION AVEUGLE by Anne Laure Sacriste","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e16.5cm x 23cm, 48 pages, includes two information inserts, full colour offset printing throughout, embossed cloth hardcover, perfect bound, edition of 700, 2014.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e'With the same image of Freud’s divan on its front and back covers, Orion Aveugle, Anne Laure Sacriste’s new artist’s book, offers a selection of recent paintings marked by an intensification of the characteristics we have come to know: monochrome grounds, vegetal motifs and visual anamneses. Borrowing the principle of free association (here, of pictures) from psychoanalysis, she also includes a fragment from Nicolas Poussin’s Blind Orion Searching for the Rising Sun. This is her simultaneous subversion of the ideals of classical clarity and analytical decoding: we can see only thanks to blindness and dazzlement.\u003c\/p\u003e\n\u003cp\u003eAnne Laure Sacriste (1970) is a paris-based visual artist.'\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Shelter Press","offers":[{"title":"Default Title","offer_id":41886256496870,"sku":"","price":16.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/20.jpg?v=1634667480"},{"product_id":"invisible-green-by-elizabeth-corkery","title":"INVISIBLE GREEN by Elizabeth Corkery","description":"\u003cp\u003e152 x 228mm, 96 pages, full colour printing throughout, perfect bound, hand silkscreen dustjacket cover, edition of 100, 2015\u003c\/p\u003e\n\u003cp\u003eArtist book examining the recent work of Elizabeth Corkery\u003c\/p\u003e\n\u003cp\u003eEssays from Drew Sawyer, Emerson Bowyer, Bret Leraul, Christine Schott and designed by Maria Smit and Harumi Takagi.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Elizabeth Corkery","offers":[{"title":"Default Title","offer_id":41886258659558,"sku":"","price":14.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/082_D_140fca13-a59f-4f16-ae74-29511f58de4c.jpg?v=1634667529"},{"product_id":"enter-the-untitled-by-kiwa","title":"ENTER THE UNTITLED by KIWA","description":"\u003cp\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003e144 pages, 19,5x29cm, bilingual Estonian\/English, full color offset printing throughout, perfect bound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eBig monograph by interdisciplinary Estonian artist Kiwa, who has done everything you can imagine and some more. This one is a collection of conceptual paintings and sculptures, mounted on mysterious monoliths in some bleak snowy place. Kiwa dissects it all, language, himself, pop-culture, art history and whatnot. Highly idiosyncratic, and confusing, this is a bold statement by one of Estonia’s most prolific and subversive Artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003c\/p\u003e","brand":"Paranoia","offers":[{"title":"Default Title","offer_id":41886259020006,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7131.jpg?v=1634667570"},{"product_id":"modelling-phenomena-by-christos-tzivelos","title":"MODELLING PHENOMENA by Christos Tzivelos","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e 210 x 280 mm, 304 pages, full colour printing throughout, perfect bound, hardback, edition of 600, 2018, published with \u003cmeta charset=\"utf-8\"\u003eThe Benaki Museum\u003cbr\u003eLanguage: English, Greek\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e‘Modelling Phenomena is the first book\/monograph for the visual artist Christos Tzivelos (1949-1995).\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eThis book highlights the full breadth and complexity of Tzivelos’s career, one of the most radical and distinctive greek artists of the ’80s and ’90s.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eIncluding exhibition image archives since 1977-1995, unknown work, early work and his studies-references, this volume salutes on an assiduous research on the artists working path, implying his social ideals and values as a visual artist and as a person.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eHis work is timeless, he was a visionary, an observer, a thinker.’\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Big Black Mountain The Darkness Never Ever Comes","offers":[{"title":"Default Title","offer_id":41886262493414,"sku":"","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2822.jpg?v=1634667743"},{"product_id":"pompei-pompeii-by-bianca-pedrina-1","title":"POMPEI, POMPEII by Bianca Pedrina","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e23 x 16cm, 112 pages, Full colour printing, Perfect bound, Softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFor \u003cem\u003ePompei, Pompeii\u003c\/em\u003e Bianca Pedrina carefully inspects the relationship between form and function in a newly implemented accessibility project in Pompeii. The project consists of iron elements embedded in the gaps of the historic Roman streets, and allow barrier-free access to the excavation site. These custom-fit grids and ramps seem to melt between lava stones underfoot.\u003cbr\u003eThe contemporary architectural intervention into the ancient Roman city structure shows the individual city planning concepts of different eras and cultures and their handling of marginalised groups.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003ePompei, Pompeii\u003c\/em\u003e contains portrait photographs of those newly installed iron grids, and images of isolated Pompeii tourists. They both ask questions about sustainable and meaningful forms of tourism and about the use and transformation of built environments over time.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe photographs are accompanied by an essay by Dutch architectural theorist and artist Michiel Huijben. He traces the history of Pompeii, its continued existence as one of the most visit\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886266687718,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/45_2048_b545a0fc-0652-4461-b4c1-ec47e305102f.jpg?v=1634667930"},{"product_id":"map-maker-like-lyrical-by-katja-lee-eliad","title":"MAP MAKER LIKE LYRICAL by Katja Lee Eliad","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 215 mm, 272 pages, Full colour printed, Perfect bound, Canvas dust jacket, Softcover, Ed. of 700, 2018\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eKatja Lee Eliad’s Map Maker Like Lyrical offers a retrospective view on the self-taught artist’s work over the past two decades. Her personal trajectory has been shaped by the experience of migration, queer identity, rich\/complex family history, which also reflect in her artworks that arch across mediums, from drawing and painting to poetry, video and sound. Having to adapt to constantly shifting conditions, by often changing studios between France, Romania and the US, her artworks are diverse in terms of formal qualities and means of expression. The extensively illustrated book is accompanied by two essays by Valentina Iancu and Anca Verona Mihuleț and a conversation with the artist by Nicolas de Ribou, aiming to map the coordinates of a tortuous journey.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"PUNCH","offers":[{"title":"Default Title","offer_id":41886268588262,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0048.jpg?v=1634668015"},{"product_id":"full-scale-false-scale-by-experimental-jetset","title":"FULL SCALE FALSE SCALE by Experimental Jetset","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110mm x 180mm, 280 pp, full colour and black and white offset printing, two books, one perfect bound, one saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Four years after 'Statement and Counter-Statement' (2015), Experimental Jetset returns with their second paperback for Roma Publications. Whereas the previous publication had a more overall monographic scope, 'Full Scale False Scale' focuses on a single project: the large, site-specific installation that the studio recently created for the Museum of Modern Art in New York, commissioned to coincide with the museum’s reopening in October 2019. Part reader, part collage, the book forms a subjective archive of research material, just as constructed as the installation itself – an investigation that took them from esoteric colour theories to dark political alliances, and from modernist diagonals to postmodern arches.’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Roma","offers":[{"title":"Default Title","offer_id":41886269997286,"sku":"","price":22.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0851.jpg?v=1634668020"},{"product_id":"future-techno-fossil-tumbleweed-by-thomas-vlisen","title":"FUTURE TECHNO FOSSIL TUMBLEWEED by Thomas Øvlisen","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e12 x 19, 120 pages, Full colour printing, Perfect bound, Card cover, Each cover is hand drawn, Signed \u0026amp; numbered, Ed. of 300, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“'Future Techno Fossil Tumbleweed' takes off after his solo show 'Techno Fossil Tumbleweed' at Eighteen Gallery in November of 2016, and looks into his practice and inspirations as an artist with texts, new and old, by Andrianna Campbell, Nick Paumgarten, Knud Romer, Jesper Elg, Paul Auster, Paul Barolsky and Thomas Øvlisen.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"At Last Books","offers":[{"title":"Default Title","offer_id":41886278385894,"sku":"","price":15.6,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0491119.jpg?v=1634668455"},{"product_id":"fellow-traveller-by-neil-clements","title":"FELLOW TRAVELLER by Neil Clements","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e21 x 21cm, 124 pages, full colour printed, perfect bound, foiled softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is the first monographic essay on the work of contemporary artist Neil Clements. It analyses his practice in terms of processes of 'surfacing' and 'fabrication,' and sets it in context as a genealogical project that reconsiders the legacies of 1960s abstract painting and sculpture.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eApophenia is classed as a symptom of schizophrenia, and is characterised by the pathological desire to see connections between elements that do not in fact exist. In its undiagnosed form, is it commonly associated with the activities of conspiracy theorists, individuals for whom a wide range of seeminly disparate occurrences are causally interlinked. The adoption of an apophenic attitude is a valid method with which to visualise the structural conditions unerpinning the production of contemporary artworks.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Hunterian, University of Glasgow","offers":[{"title":"Default Title","offer_id":41886286119142,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/DISTRO_NC_1.jpg?v=1677605611"},{"product_id":"frank-ed-sille-storihle","title":"FRANK  Ed. Sille Storihle","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e226x170mm, 264 pages, Full colour offset printed throughout, Softcover, Perfect bound, 2021.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFRANK was an Oslo-based queer-feminist platform established in 2012 to nurture art and critical discourse revolving around gender, desire and sexuality, run by Liv Bugge and Sille Storihle until 2020. The final publication, \u003cem\u003eFRANK,\u003c\/em\u003e is a self-archive, making what we have done accessible for the future, filling institutional gaps. It offers insight into the thinking, process and life of FRANK, and it also provides straightforward information about the projects FRANK undertook and when. Running a nomadic platform that started as a salon—as a social and critical meeting place—made FRANK vulnerable to the politics of remembering, but this book\u003cem\u003e \u003c\/em\u003egives shape to the nomadic and uncategorizable life of FRANK through newly commissioned essays, conversations, unpublished and reprinted articles, and personal anecdotes and letters.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs with many of FRANK’s other projects, this book has found its form in a three-part structure following a chronology of urgency—one not defined by linear time—and understood as the various phases of FRANK. The first part, \u003cem\u003eTemple of Friendship\u003c\/em\u003e, fleshes out the initial drive behind FRANK, focusing on the salon and its various forms. Part two, \u003cem\u003eGenealogies\u003c\/em\u003e, is dedicated to our work on the tracing and touching of history through exhibitions, publications, screening series and the restaging of a historical lesbian club. The last section, \u003cem\u003ePower\u003c\/em\u003e, marks FRANK’s shift from concerns of representation to production, discussing the power relationships in the art field that have encouraged and provoked us.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions by Brynjar Åbel Bandlien, Katarina Bonnevier, Liv Bugge, Antonio Cataldo, Malene Dam, Mathias Danbolt, Geir Haraldseth, Shoghig Halajian, Siri Hjorton Wagner, Every Ocean Hughes, Maaretta Jaukkuri, Helle Lindskog, Louise Dany (Ina Hagen and Daisuke Kosugi), Magnus Mork, Eline Mugaas, Wencke Mühleisen, MYCKET, Cecilie Poulsson, Ruben Steinum, Sille Storihle, Elise Storsveen, Fredrik Svensk, Anne Szefer Karlsen, Jim Særnblom and Nico Woche. \u003cbr\u003eProduced with financial support from: Arts Council Norway, Billedkunstnernes Vederlagsfond, Fritt Ord, Nordic Culture Point and Office for Contemporary Art Norway (OCA).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLaunched with financial support from: Kunstnerforbundet and the Royal Norwegian Consulate General in New York.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"FRANK","offers":[{"title":"Default Title","offer_id":41886293950694,"sku":"","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/8034_16b60bd4-3779-4008-85fe-1191dd15a0a9.jpg?v=1634669217"},{"product_id":"notes-working-processes-re-concerns-that-take-on-deal-with-by-dara-birnbaum","title":"NOTE(S): WORK(ING) PROCESS(ES) RE: CONCERNS (THAT TAKE ON \/ DEAL WITH) by Dara Birnbaum","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e200 x 280mm, 434 pages, full colour printing, perfect bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOriginally created in 1977 as a single handmade copy, Dara Birnbaum’s \u003cem\u003eNote(s): Work(ing) Process(es) Re: Concerns (That Take On \/ Deal With) \u003c\/em\u003egathers writings, working drawings, photographic documentation, and ephemera from the artist’s earliest video and installation works. The publication was originally produced by Birnbaum and exhibited in \u003cem\u003eNotebooks, Workbooks, Scripts, and Scores \u003c\/em\u003eat Franklin Furnace in 1977. The book’s vinyl cover and section dividers, hand-folded pages, and color images have all been reproduced, and Alex Kitnick provides a new introduction.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eNote(s) \u003c\/em\u003eprovides a rare look into Birnbaum’s early investigations of video art and its relationship to television. Her work of this period orchestrates a complex circuit of viewership and representation, in which her interest in psychoanalytic concepts—projective identification, regression, resistance, and intersubjectivity—are analyzed in tandem with the formal and interpersonal politics of image making. These investigations lay the groundwork for the artist’s breakthrough works, such as \u003cem\u003eTechnology\/Transformation: Wonder Woman\u003c\/em\u003e and \u003cem\u003eKiss the Girls: Make Them Cry\u003c\/em\u003e, in which she appropriates popular television programs to critique the language and images of networked television.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFeatured works include \u003cem\u003eBack Piece \u003c\/em\u003e(1975), \u003cem\u003eAttack Piece \u003c\/em\u003e(1975), \u003cem\u003eMirroring \u003c\/em\u003e(1975), \u003cem\u003eLiberty: A Dozen or So Views \u003c\/em\u003e(1976), \u003cem\u003eRelationship Perspectives: Perspective Relationships \u003c\/em\u003e(1976–77), \u003cem\u003eAmerica: Land of Contrasts (A Day of Awakening) (A Shot in the Dark) \u003c\/em\u003e(1976–77), \u003cem\u003ePivot: Turning Around Suppositions \u003c\/em\u003e(1976), and \u003cem\u003eLesson Plans to Keep the Revolution Alive \u003c\/em\u003e(1977).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDara Birnbaum was born in New York City in 1946, and studied architecture at Carnegie Mellon University and painting at the San Francisco Art Institute. Recognized as one of the first artists to manipulate television footage to “talk back to the media,” Birnbaum enlists video technology and mass media images to deconstruct and redefine cultural, personal, and historical mythologies. Drawing from critical theory, literature, and feminist thought, Birnbaum matrixes film techniques such as dramatic wipes and layered images onto works that are deeply introspective and experiential. Her work has been widely exhibited, including at MoMA PS1, New York (2019); National Portrait Gallery, London (2018); the Cleveland Museum of Art, Ohio (2018); the Museum of Modern Art, New York (2008); and the Kunsthalle Wien, Vienna, Austria (2006).\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886294409446,"sku":"","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2843078.jpg?v=1634669153"},{"product_id":"portable-retrospective-by-nicola-atkinson","title":"PORTABLE RETROSPECTIVE by Nicola Atkinson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e21 x 21cm, 206 pages, full colour, softcover. 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePortable Retrospective book is a tactile object containing two sections: a physical documentation of the 54 Paintings virtual gallery, and a retrospective of Nicola Atkinson’s artistic career featuring 125 projects. It is an art exhibition in your hands and continues the theme of reimagining spaces for art.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Beautiful Materials Publishing","offers":[{"title":"Default Title","offer_id":41886297030886,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2736022.jpg?v=1634669290"},{"product_id":"judy-chicago-to-sustain-the-vision-by-graldine-gourbe","title":"JUDY CHICAGO – TO SUSTAIN THE VISION by Géraldine Gourbe","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e20 x 26cm, 176 pages, full colour, perfect bound, softcover, 2020. Published with \u003cmeta charset=\"utf-8\"\u003eVilla Arson Nice\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMonograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eJudy Chicago says she wants to live as long as possible; not to transcend her mortal condition, but to be around as her works successively find recognition. A woman holding out against all odds: such is the image of an artist more a visionary than the pioneer she has so often been described as. Unlike the pioneers, Chicago has never joined the “greats” of the white, modernist, Eurocentric canon. Rather she has avoided this historical snare, urging instead the alternatives of to sustain the vision.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Shelter Press","offers":[{"title":"Default Title","offer_id":41886298308838,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3496081.jpg?v=1634669380"},{"product_id":"souvenir-by-vlad-nanc","title":"SOUVENIR by Vlad Nancā","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e165 x 230mm, 184 pages, Full colour printed, Perfect bound, Softcover, Ed. of 700, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eVlad Nancă Souvenir is the first monographic publication dedicated to one of the foremost artists of his generation and a key figure in the development of Bucharest’s artistic community in the early 2000s. The book offers an extended overview of his multifaceted practice, focusing on works made from 2003 to 2017, opting to highlight the affinities between them rather than their chronological unfolding. Alongside ample illustrations of the documented works, the book includes essays by Inti Guerrero, Mihnea Mircan and Magda Radu, which contextualize Vlad Nancă’s activity from different perspectives.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"PUNCH","offers":[{"title":"Default Title","offer_id":41886392058086,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0060.jpg?v=1634671746"},{"product_id":"work-1961-1973-by-yvonne-rainer","title":"WORK 1961-1973 by Yvonne Rainer","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e20 × 27 cm, 344 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForty-five years after its publication, Primary Information brings Yvonne Rainer’s classic book back into print in an exact facsimile.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn 1974, Yvonne Rainer published Work 1961–73, an illustrated catalog of her performance works up to that point. In these years, as the art world turned toward minimalism, Rainer and her Judson Dance Theater colleagues were engaged in a parallel, and equally radical, redefinition of dance. Stripping dance of its pomp and self-serious virtuosity, they created what dancer and choreographer Pat Catterson has called “the people’s dance.” Or, as Rainer put it, instead of the “overblown plot” of traditional dance, she explored the “obvious” alternative: “stand, walk, run, eat, carry bricks, show movies, or move and be moved by some thing other than oneself.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWork 1961–73 chronicles the years when Rainer found herself and her work at the heart of a revolution in dance, performance and art. Written in Rainer’s wonderful frank, funny and perceptive prose, and illustrated with photographs, handwritten scores, sketches, press articles and ephemera, Work 1961–73 is a period document and an instruction manual, an archive and a manifesto.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA sought-after, rare classic, Work 1961–73 is brought back into print in a true facsimile edition by Primary Information; the only change is the small addition of new notes at the back of the book.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886392156390,"sku":"","price":32.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5984.jpg?v=1634671784"},{"product_id":"raoul-reynolds-a-retrospective","title":"RAOUL REYNOLDS: A RETROSPECTIVE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170mm x 240mm, 164 pages, full colour printing throughout, perfect bound with embossed finish on cover, 2018.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘A name that clears your throat, catches your eyes and ends up infiltrating your thoughts. If you have not heard of Raoul Reynolds, that comes as no surprise. In the shadows he remained, in silence. Raoul Reynolds was one of many dark paths in life - despite burning investigation - leave us with countless unanswered questions. Raoul Reynolds was a pedlar, a confidence trickster, a camelot of art, a storybook character thumbing his nose to a history of a capital. Here we are offered another experience: change the angle and look at the margin. Artist, his default role, he used as a cover for his life of secrets while creating works of art as if they were gateways that would enable him to cross through time. It would be a very good thing if it was going to be so, but it was going to be a little bit more than anything. Alternately a surrealist and a minimalist, he would overcome the most unexpected masks. It was more particularly at the end of his life, though, during exile, that he let himself be indulge totally, undistractedly in art. Here is a retrospective path, a set of works attributed to him, a hypothetical stack where we sometimes give way to doubts, and doubts give way to stories fired by our own fantasies. The exhibition Raoul Reynolds: A retrospective was shown in 2016 at the Glasgow International festival in Scotland and at the Friche la Belle de Mai on the occasion of the Rentrée de l'Art Contemporain in Marseille.’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Poursuite Editions","offers":[{"title":"Default Title","offer_id":41886395760870,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/056_D_d122d7fb-b4ee-4eac-a293-588a6e769a6f.jpg?v=1634671902"},{"product_id":"utendrs-outdoors-by-camilla-lw","title":"UTENDØRS OUTDOORS by Camilla Løw","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 88 pages plus various die-cut bound in and shaped pages, full colour printing on various stocks, heavyweight cover stock which is reflective on the inside, perfect bound, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eutendørs outdoors is a monographic publication on the work of Norwegian artist Camilla Løw with a foreword by artist and art critic Sune Nordgren, an introduction by architect Alison Crawshaw, an essayby art historian and curator Lavinia Filippi and an interview with gallerist and designer Julia Muggenburg, Belmacz, London.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Belmacz","offers":[{"title":"Default Title","offer_id":41886402117862,"sku":"","price":37.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/021_D_a59f8b9a-501d-451c-9582-fa507085c153.jpg?v=1634672139"},{"product_id":"reynaldo-rivera-provisional-notes-for-a-disappeared-city","title":"REYNALDO RIVERA: PROVISIONAL NOTES FOR A DISAPPEARED CITY","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e197mm x 292mm, 200 pages, colour and black and white printing, various paper stocks, hardcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePhotographs by Reynaldo Rivera that document a vanished LA of cheap rent, house parties, subversive fashion, and underground bands, and long-closed gay and transvestite bars.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThroughout the 1980s and 1990s, Reynaldo Rivera took personal photos of the Los Angeles that he lived in and knew: a world of cheap rent, house parties, subversive fashion, underground bands, and a handful of Latino gay and transvestite bars: Mugi's, The Silverlake Lounge, and La Plaza. Most of these bars are long closed and many of the performers have died. But in Rivera's photographs, these men and women live on in a silvery landscape of makeshift old-style cinematic glamour, a fabulous flight from unacceptable reality.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs a teenager, Rivera took refuge in used bookstores and thrift stores, where he discovered old photo books of Mexican film stars and the work of Lisette Model, Brassai, and Bresson. Inspired, he bought a camera and began photographing people at his hotel. In 1981 he moved to Echo Park and began taking photos for the \u003cem\u003eLA Weekly\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is an ensemble of almost 200 images selected by Hedi El Kholti and Lauren Mackler spanning more than two decades in Los Angeles and Mexico. The book also includes Luis Bauz's story, “Tatiana,” about one of the subjects of these photographs; a critical essay on Rivera's work by Chris Kraus; and a novella-length conversation between Rivera and his friend and contemporary Vaginal Davis about their lives, work, fantasies, and collective histories.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886409621734,"sku":"","price":32.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0250210.jpg?v=1634672399"},{"product_id":"selected-writings-and-interviews-by-maryanne-amacher-1","title":"SELECTED WRITINGS AND INTERVIEWS by Maryanne Amacher","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e165 x 240mm, 398 pages, black and white printing, perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe life and work of Maryanne Amacher are as vast as they are little known. In this volume, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the breadth of the papers included in the Amacher Collection. The chronologically grouped documents, ranging from private writings and letters to program notes, manifestos, and proposals for unrealized projects, are framed by interviews in which Amacher discusses corresponding periods of her life. This structure leads readers carefully into the composer’s musical thought as it develops and transforms over time, while working  strenuously against the definitiveness associated with “collected” writings. This study of a still-unfolding body of work approaches its materials as provisional, promissory and open-ended. Here, Cimini and Dietz have compiled a volume full of staggeringly rich primary documents, while probing the issue of what it means to assemble these materials while the question “who was Maryanne Amacher?” remains so open. This collection invites the reader to answer.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBecause Amacher worked across nearly every imaginable media format, this book will be be of interest to theorists and practitioners of urban design, contemporary art history, media and communications, music and sound studies, film, radio, art criticism, and performance studies—in short, a configuration of disciplines that we might call an Intermedial Humanities. At the same time, this collection challenges any area of music, sound, or media studies that might be remade through the recovery of understudied figures. This volume is about doing things a different way. It is organized to foreground Amacher’s voices and soundworlds  so that—whatever future musical and social constellations might join the ongoing excavation of this practice—readers can experience her work in, and through, her own words.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAt the time of this writing, the Maryanne Amacher Collection is currently being processed at the New York Public Library, stewarded by Blank Forms and the Maryanne Amacher Foundation.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Blank Forms","offers":[{"title":"Default Title","offer_id":41886414733542,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8363jpg0422.jpg?v=1634672591"},{"product_id":"typographic-architectures-by-wim-crouwel","title":"TYPOGRAPHIC ARCHITECTURES by Wim Crouwel","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 104 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs a major figure in contemporary European graphic design, Wim Crouwel (1928-2019) has widely influenced the history of the discipline through his extensive practice of design, applied both to the cultural and commercial field. Over the course of his career, he has carried out simultaneously works in the range of typographic creation, visual identities, posters, book design, or scenography.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn the 1950s and for decades, Wim Crouwel, whose influence extends beyond borders of the Netherlands to a large extent, has managed to develop an approach to graphic design combining modernist heritage with pop fantasy.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThrough two texts written by Catherine de Smet and Emmanuel Berard, and one by Wim Crouwel himself, this book testifies the diversity of his work and analyzes his wide range of production in diverse fields such as visual identities, publishing, or poster creation.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAbundantly illustrated, this book focuses on the layout of the catalogues made for museums such as the Stedelijk Museum of Amsterdam, as well as on the genesis and presentation of the New Alphabet, created between 1964 and 1967.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Éditions B42","offers":[{"title":"Default Title","offer_id":41886419288294,"sku":"","price":23.75,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0664015.jpg?v=1634672796"},{"product_id":"poems-documents-by-piero-heliczer","title":"POEMS \u0026 DOCUMENTS by Piero Heliczer","description":"\u003cp\u003e220 x 280mm, 256 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRarities and ephemera from the life and work of Piero Heliczer-poet, filmmaker, publisher, the Apollinaire of the international '60s avant-garde. Piero Heliczer (1937-93) was one of the most important and ubiquitous protagonists of the underground of the 1960s and '70s. Born in Italy, Heliczer lived between London, Paris, New York and Amsterdam; a poet, publisher and filmmaker, he took an active part in Andy Warhol's Factory, filmed the Velvet Underground, and helped Jack Smith on the production of Flaming Creatures. The founder of the Dead Language Press in Paris in the late 1950s, he published Beat poets such as Gregory Corso, as well as the works of Angus MacLise, and was a close friend and collaborator to Tom Raworth, Anselm Hollo and Gerard Malanga. However, Heliczer's work eludes easy classification and stable forms. He preferred the circulation and dissemination of his poetry in broadsheets, little magazines such as Outburst, Locus Solus and Little Caesar, and at public readings, in accord with his nomadic, nonconformist life. Piero Heliczer: Poems \u0026amp; Documents retraces his oeuvre, revealing its vital energy and experimental drive through the poems Heliczer published in magazines and periodicals between 1959 and 1979. The poems are presented as facsimile pages from the original magazines, accompanied by reproductions of documents and ephemera, to further highlight the singular printed culture of an era, and the fervent community it nourished.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"After8","offers":[{"title":"Default Title","offer_id":42366795120870,"sku":"","price":21.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4934021.jpg?v=1643387601"},{"product_id":"migrating-eye-by-lotte-gertz","title":"MIGRATING EYE by Lotte Gertz","description":"\u003cp\u003e180 x 240mm, 46 pages, Colour printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003eA short monograph covering work by Glasgow based Lotte Gertz and featuring full colour works from an exhibition of the same name. With accompanying texts by Ainslie Roddick and Laurence Figgis, and also Gertz.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Lotte Gertz","offers":[{"title":"Default Title","offer_id":42389795700966,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6870001.jpg?v=1643813607"},{"product_id":"a-peculiar-freedom-with-reality-by-carol-rhodes","title":"A PECULIAR FREEDOM WITH REALITY by Carol Rhodes","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e202 x 223mm, 68 pages, Colour printing, Perfect bound, Softcover, Ed. of 300, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003c\/span\u003eCarol Rhodes’s paintings are fictional syntheses, but they are grounded in a reaction to things seen and felt in the real world. The paintings that she made between 1994 and 1998 were key to the development of her work. It was during this period that she established the subject matter, achieved the technical virtuosity and assumed the distinctive authorial tone that was to typify her work. This publication focuses on four of the paintings made at this time, plus a fifth dating from 2001, which all recognisably refer to the same location – the landscape and architecture of Kelvinbridge Park in the west end of Glasgow. A close look at these important formative works suggests new ways of approaching Rhodes’s art and assessing her achievement.\u003c\/p\u003e\n\u003cp\u003eThe publication explores Rhodes’s evolving creative process and draws on some of the source material for the paintings which is preserved in Rhodes’s archive: two notebooks dating from 1994 to 1997, several preparatory drawings and studies and a number of the artist’s own photographs. 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This monograph, published on the occasion of his first major exhibition in France at LUMA Arles, which includes earlier and more recent video and photographic works, includes essays by Flora Katz, Vassilis Oikonomopoulos and Diana Flores Ruíz, as well as an interview with Sky Hopinka by Andrea Lissoni and Filipa Ramos.\u003cbr\u003eEvery copy is unique: it is composed of seventeen booklets, fifteen of which are randomly bound. Published in an edition of 700 copies, each cover features a different excerpt from the video work Mnemonics of Shape and Reason (2021).\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the eponymous exhibition at LUMA, Arles, in 2022.\u003c\/p\u003e\n\u003cp\u003eSky Hopinka (born 1984 in Ferndale, Washington) is an experimental filmmaker, photographer, and poet. A member of the Ho-Chunk Nation of Wisconsin (United States), Hopinka engages with a practice he refers to as ethnopoetic and neomythological. Over the years, he has developed an idiosyncratic language informed by diverse histories, the intertwining of personal and collective memory and explorations that question dominant norms of identity, perception and myth-making. The sun comes in whenever it wants is his first major exhibition in France and includes earlier and more recent video and photographic works. Hopinka creates contemplative compositions of a rich formal and textural nature, based on interviews, family archives, diaristic travels and texts. His work reveals his interest in conceptual questions relating to perception, communication, and the metaphysical nature of the world. Balancing between intimacy and objectivity, his rigorous explorations challenge the viewer and reveal the complex relationship across documentary and fiction, oscillating between representation and abstraction. Central to his concerns are the stories of Native Americans living in the United States. Using archival material and personal chronicles, he explores places across the country, such as Standing Rock in South Dakota, a site of protest that brought together thousands in solidarity with the Standing Rock Sioux Tribe. The charged histories of sites, themes of resistance, revolt, slavery and colonization are often present. 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In collaboration with architects Jack Byrne and Séamus Bairead, McCann has created a large-scale work for the Main Gallery at VISUAL. Entitled Copernicus for Now and made of industrially produced cardboard tubes and plywood, the work draws on many references, ranging from topographical photos of the moon landscape from the 1969 moon landings, to the work of Buckminister Fuller, to the ideas of German expressionist architect and scenographer Hans Poelzig (1869-1936), best known for the design of Frankfurt’s IG Farben building and the sets for the iconic film Der Golem. 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The research carried out by Delmari Romero Keith and Marc Pottier validates the idea that vindicates art's power as a social denunciation vehicle and a poetic-politic complaint. This proposal re-dimensions Oiticica's work and positions it beyond conceptual and performative trends. Parangolés rekindle the postmodern allegorical impulse that activates fragments which manifest structures of cancelled imaginary. They are manifestations of atavistic referents, ancestral rituals, and residual memory—appropriated from the Brazilian favelas and the carnival—and links between the rhythms of the body and those of nature. Performative action, which covers the sensorial aspects of a human being—a radical elaboration of Neoconcretism connected to Merleau-Ponty's phenomenology. Hélio Oiticica's Parangolés are a manifestation of canons different to the euro-centric ones. In them, we find the crossing between the cult and the vernacular, a strategy of artistic renovation. 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