{"title":"Feminism","description":"","products":[{"product_id":"punk-is-dad-by-jamie-johns","title":"PUNK IS DAD by Jamie Johns","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e210mm x 120mm, 16pp, black and white digital printing throughout, staple bound, hand stamped cover, includes a double sided poster, open edition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eTGIGITFFY is proud to present Punk is Dad by Jamie Johns; an engaging, powerful and important text now released in an open edition. Originally released in 2011 as a beautifully produced edition of 35 by Oso Press of Los Angeles, USA we're now able to deliver a near-facsimile edition with a wider distribution.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eOriginal and appropriated images and texts that convey gendered dialogues in punk and noise-related media. Fold-out of Dorothy single cover. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eTo quote a dear friend and collaborator\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\"It is embarrassing to talk about PUNK IS DAD because Jamie's presentation is so succinct you end up using twice as many words as her only to clomp and lurch around its perfection. I will just say that this zine is sharply vindicating for people who love punk but also think about its contradictions, its recuperation, and its deep possibility so undermined by the alienating force of male punk attitude. And if you haven't really thought about these things so much, but you love punk, it will turn your body to a skeleton. ”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627057894,"sku":"","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/MW_TGIGITFFY_PID_01_GPWEB.jpg?v=1673714266"},{"product_id":"21-revolutions-by-various-artists-edited-by-adele-patrick","title":"21 REVOLUTIONS by Various Artists (Edited By Adele Patrick)","description":"\u003cp\u003e300 x 250 mm, 192 pages, Full colour offset printed, Perfect bound, Softcover, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Glasgow Women’s Library is unique, part of the international feminist art and archive movement that has proliferated since the 1970s, its collections include an unrivalled range of artefacts and material relating to the women’s movement in Scotland. 21 Revolutions is a beautiful full colour, coffee table book celebrating the Library’s twenty first anniversary and featuring work by 21 artists and 21 writers, including some of Scotland’s most celebrated women creatives.\"\u003c\/p\u003e\n\u003cp\u003e\"Jackie Kay, Jen Hadfield, Anne Donovan, Karen Campbell, Denise Mina, Elizabeth Reeder, A.L. Kennedy, Helen Fitzgerald, Zoe Wicomb, Muriel Gray, Louise Welsh, Janice Galloway, Lucy Skaer, Karla Black, Claire Barclay, Sam Ainsley, Corin Sworn and many others have created extraordinary art, poetry and prose, each inspired by individual artefacts in the library, across the fields of social and women’s history, feminism and equality.\"\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Freight Books","offers":[{"title":"Default Title","offer_id":41886118969574,"sku":"","price":16.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/054_D.jpg?v=1634664186"},{"product_id":"conversations-across-place-vol1-reckoning-with-an-entangled-world","title":"CONVERSATIONS ACROSS PLACE VOL.1 RECKONING WITH AN ENTANGLED WORLD","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e140 x \u003cmeta charset=\"utf-8\"\u003e240mm, 192 pages, Full colour printed throughout, Softcover, Sewn bound, 2021.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eConversations Across Place\u003c\/em\u003e (CAP) provides a research and publishing platform for artists, writers, and scholars across the humanities and sciences to engage with landscape in the broader sense of geography, ecology, space, place, built, and “natural” environments. They converse beyond the borders that divide places and disciplines, enacting the tangling that already exists in our hybrid ecosystems. Contemporary discourse—shaped by decolonial, feminist and queer methodologies—is set in motion by a variety of subjects and themes so as to reveal historical and present-day entanglements.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe first volume grapples with the reflexive relationships of extraction, ruination and reverberation, working towards solidarity across places and perspectives. Together, the essays, conversations and artworks included here map new landscapes, producing images of liminal times and spaces that provide a critical opportunity to reassess diverse relationships to the world.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditors: Nicola Brandt and\u003cbr\u003eFrances Whorrall-Campbell\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Green Box","offers":[{"title":"Default Title","offer_id":41886148559078,"sku":"","price":21.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/17009_9d3425e8-f99e-46e9-a868-be464dbfa442.jpg?v=1634665297"},{"product_id":"yjcv40nqnwnupqjdmgnv89fk8r2r9v","title":"LSD #1 - A FEMINIST ISSUE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13 x 19cm, 224 pages, Full colour printed, Perfect bound, Softcover, Screen printed covers, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe first issue of the Cahiers du centre national du graphisme, around the relationship between graphic design and feminism.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSpeaking about Chaumont and its festival, Vanna Pinter once wrote rather modestly, “The graphic design faith has remained in dependable legitimate hands, the hands that ensure the transfer of power.” To act outside of those transfers of power, from a co-opting of use, is to run the risk of a possible delegitimization. Acting on the fringe, adopting another vantage point, is therefore not without its risks—in terms of territorial thinking—but must be an absolute in a global context.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAt the second iteration of the International Graphic Design Biennial in 2019, we tackled a number of themes, from invisiblization with Silvia Baum, Claudia Scheer and Lea Sievertsen [Not a Muse], and the postcolonial question with Jonathan Castro, to transformations of capital and the repercussion on the economy of a discipline with Tereza Ruller [The Rodina], and the notion of commitment with Teresa Sdralevich. In that context we found many more allies than fans of a “\u003cem\u003eBingo du Male Tears\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOpening this first issue of our periodical and titling it “\u003cem\u003eA Feminist Issue\u003c\/em\u003e” around the figure of Anja Kaiser is about approaching graphic design from a feminist, collaborative and co-constructionist perspective. It is a perspective that a number of others have joined here, including Anna Jehle, Juliane Schickedanz, Fabrice Bourlez, and Loraine Furter. The title of this issue implies another, such as “\u003cem\u003eAn other Feminist Issue\u003c\/em\u003e” coming after “\u003cem\u003eAnother Feminist Issue\u003c\/em\u003e,” for there are many voices and they require us to lend them an ear while being attentive and precise. Le Signe Design [LSD], designed by officeabc, is the periodical of a platform for production, distribution, creative support, dialogue, and mediation between the artistic field of graphic design and the public, what the National Center for Graphic Design is all about. Le Signe Design is not so much a communications forum as a new way to enter a field of study.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"LSD (Le Sagne Design)","offers":[{"title":"Default Title","offer_id":41886278025446,"sku":"","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7130009.jpg?v=1670944014"},{"product_id":"freedom-amp-prostitution-by-cassandra-troyan","title":"FREEDOM AND PROSTITUTION by Cassandra Troyan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e127 x 205mm, 136 pages, Black and white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFREEDOM \u0026amp; PROSTITUTION proposes the dream of a world without work, without money, without gender, while imagining forms of survival now for those who often have little to no choices, refuse to submit to the demands of tedious underpaid or unwaged labor, an abusive partner, or seek a life beyond work. Sex work is not a \"better\" type of labor but a proposal for the abolition of all work.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCassandra Troyan is a writer and researcher whose work explores the intersections of gendered violence, radical histories of resistance, sex work, and capital. They are the author of several books and chapbooks of poetry, most recently \u003cem\u003eKILL MANUAL\u003c\/em\u003e (Artifice Books, 2014) and \u003cem\u003eA Theory in Tears\u003c\/em\u003e (Kenning Editions, 2016), and have presented, performed, or screened their work widely. They live in southern Sweden and teach creative\/critical writing practices in the Department of Design at Linnaeus University.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Elephants","offers":[{"title":"Default Title","offer_id":41886278975718,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_51621126.jpg?v=1634668492"},{"product_id":"feminist-art-activisms-and-artivisms-by-katy-deepwell","title":"FEMINIST ART ACTIVISMS AND ARTIVISMS by Katy Deepwell","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e168 x 240mm, 448 pages, black and white printing, perfect bound, softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles\/ positions\/ lives\/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRichly illustrated with c. 300 black and white illustrations and photos.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is the first volume in the new PLURAL series. The series focuses on how the intersections between identity, power, representation and emancipation, play out in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from artists, arts professionals, activists, cultural and social researchers, journalists and theorists.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditor: Katy Deepwell \u003cbr\u003eContributors: Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886283956454,"sku":"","price":27.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8038jpg0313.jpg?v=1634668748"},{"product_id":"my-little-enlightenment-plays-by-sophie-seita","title":"MY LITTLE ENLIGHTENMENT PLAYS by Sophie Seita","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e136 x 192 mm, 158 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eMy Little Enlightenment Plays\u003c\/em\u003e is a multimedia project centred around three experimental theatre pieces: 1. \u003cem\u003eDon Carlos, or, Royal Jelly\u003c\/em\u003e; 2. \u003cem\u003eLes Bijoux Indiscrets, or, Paper Tigers\u003c\/em\u003e; 3. \u003cem\u003eEmilia Galotti’s Colouring Book of Feelings\u003c\/em\u003e — all of which present imaginary tête-a-têtes with Enlightenment thinkers, writers, and scientists. The costumes and props are often a trace of past performance, but also a score that can be activated yet again in performance. Each element in a performance translates my text into another material and medium – which is itself a queer-feminist and oblique translation of Enlightenment texts and ideas.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Pamenar Press","offers":[{"title":"Default Title","offer_id":41886297719014,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3027034.jpg?v=1634669343"},{"product_id":"uncovered-voices-by-vvaa","title":"UNCOVERED VOICES by Various Artists","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e148 x \u003cmeta charset=\"utf-8\"\u003e210mm, 52 pages, Full colour printed, Perfect bound, 2018.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eAn anthology of work created by survivors of sexual and domestic abuse.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Uncovered Artistry","offers":[{"title":"Default Title","offer_id":41886379442406,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/092_D_47bd7893-7adf-4540-96c6-fe9eac189c61.jpg?v=1634671607"},{"product_id":"the-natural-enemies-of-books-a-messy-history-of-women-in-printing-and-typography","title":"THE NATURAL ENEMIES OF BOOKS: A MESSY HISTORY OF WOMEN IN PRINTING AND TYPOGRAPHY by MMS (Eds.)","description":"\u003cp\u003e110mm x 190mm, 192 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp\u003eThe Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book.\u003c\/p\u003e\n\u003cp\u003eEdited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886391992550,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8165.jpg?v=1634671800"},{"product_id":"the-disintegration-of-a-critic-by-jill-johnston","title":"THE DISINTEGRATION OF A CRITIC by Jill Johnston","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003e110 x 180 mm, 224 pages, black and white printing, perfect bound, 2019\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003eJill Johnston—cultural critic, auto\/biographer, and lesbian icon—was renowned as a writer on dance, especially on the developments around Judson Dance and the 1960s downtown New York City scene, and later as the author of the radical-feminist classic \u003cem\u003eLesbian Nation\u003c\/em\u003e (1973). This book collects thirty texts by Jill Johnston that were initially published in her weekly column for \u003cem\u003eThe Village Voice\u003c\/em\u003e between 1960 and 1974. The column provided a format in which Johnston could dissolve distinctions between the personal, the critical, and the political. Her writing took turns and loops, reflecting its times and contexts, and set a stage for the emergence of Johnston as a public figure and self-proclaimed radical lesbian that defied any prescribed position.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003eJohnston’s original texts are accompanied by three new contributions by Ingrid Nyeboe, Bruce Hainley, and Jennifer Krasinski, as well as an appendix with archival material related to a panel Johnston organized in 1969, titled “The Disintegration of a Critic: An Analysis of Jill Johnston.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886407426278,"sku":"","price":13.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57531212.jpg?v=1634672236"},{"product_id":"where-are-the-tiny-revolts-ed-jeanne-gerrity-anthony-huberman","title":"WHERE ARE THE TINY REVOLTS? ed. Jeanne Gerrity, Anthony Huberman","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e111 x 180mm, 320 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTexts by Sara Ahmed, Nicole Archer, Georges Bataille, Dodie Bellamy, Michele Carlson, Thomas Clerc, Combahee River Collective, Bob Flanagan, Ursula K. Le Guin, Johanna Hedva, Glen Helfand, Juliana Huxtable, Alex Kitnick, Julia Kristeva, Audre Lorde, Lisa Robertson\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributions by Marcela Pardo Ariza, Justin G. Binek, Kaucyila Brooke, Tammy Rae Carland, Mary Beth Edelson, Mike Kuchar, Anne Mcguire, Patrick Staff, Frances Stark, Rosemarie Trockel\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDriven by the central question “What are we learning from artists today?” the first volume of the new series edited by Anthony Huberman and Jeanne Gerrity at the CCA Wattis, A Series of Open Questions, is informed by themes found in the work of Dodie Bellamy, such as contemporary forms of feminism and sexuality, the rebirth of the author, and ways in which vulnerability, perversion, vulgarity, and self-exposure can be forms of empowerment. \u003cem\u003eWhere are the tiny revolts?\u003c\/em\u003e comprises a broad array of contributions, including memoir, theoretical essay, art-historical analysis, poetry, and fiction, as well as diverse visual elements, ranging from photographs by Anne McGuire and Mike Kuchar, among others, collages by Mary Beth Edelson, and drawings by Rosemarie Trockel.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886407459046,"sku":"","price":13.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57741212.jpg?v=1634672298"},{"product_id":"the-monumental-misrememberings-by-mimi-tempestt","title":"THE MONUMENTAL MISREMEMBERINGS by Mimi Tempestt","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e130 x 190mm, 88 pages, single colour risograph printing throughout, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished \u003cmeta charset=\"utf-8\"\u003ewith the support of Women's Center for Creative Work.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003ethe monumental misrememberings\u003c\/em\u003e is a meditation on death. It’s a curious insight on the creative and violent ways in which Black girls, women, trans women and femmes often become displaced, experience death, and subjugation as a result of patriarchal systems in America. This debut collection of poems by Mimi Tempestt operates through this specific lens, not to romanticize the pain of Black femme bodies, but to bring light to this sadistic truth. When we turn on the television, when we log into social media, when we look in the mirror, the normalcy of how often and creatively Black women are murdered weighs on our conscience. the monumental misrememberings addresses our unwillingness to grapple with these violences, and places front and center the realities faced by Black femmes.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"CO—Conspirator Press","offers":[{"title":"Default Title","offer_id":41886408704230,"sku":"","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_64460106.jpg?v=1634672309"},{"product_id":"sirens-by-dawn-mellor","title":"SIRENS by Dawn Mellor","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 132 pages, Full colour printed, Perfect bound, Hard cover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn a series of paintings, female police officers from British television shows such as Happy Valley and The Bill are positioned in an array of apocalyptic settings: freezing, burning, and backdropped by flooding. The accompanying text chronicles an acute feeling of being watched, what it feels like to watch whoever is watching you, or, as Mellor writes, how it feels to be kettled in your own flat, by your own paintings.\u003cbr\u003e\u003cbr\u003eFragmented accounts map the protagonist’s shifting relationship to crime, gender, class and sexuality from multiple perspectives: as a child in Gamesley in the ‘70s, a lesbian performer in sex clubs in the mid ‘90s, an artist with and without gallery representation, and as a lecturer within an academic institution. These changes of position mix the language of a rally cry with an acerbic satire of the authorial voice and everyone they encounter.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Montez Press","offers":[{"title":"Default Title","offer_id":41886412701926,"sku":"","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/42jpg0316.jpg?v=1634672512"},{"product_id":"the-second-sound-conversations-on-gender-and-music","title":"THE SECOND SOUND: CONVERSATIONS ON GENDER AND MUSIC by Julia Eckhardt \u0026 Leen De Graeve (Eds.)","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135 x 210mm, 168 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2017\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Second Sound is an imaginary conversation based on the testimonies of musicians and sound artists on the role of gender and sex within their field.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGathering anonymous testimonies from artists of different backgrounds into a single stream of (often contrary) opinions, the book addresses discrimination as a paradigm of otherness, the possibility of gendered music and sound art, and how sound artists and musicians navigate the field.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Second Sound raises questions such as: How do life circumstances find their way into music and sound art? How does music reflect historical and social structures? What does discrimination do, and how can we navigate around it? Is the under-representation of women and LGBTQ people in the field a symptom or a cause? Is art itself gendered? And can it reflect the gender of its maker? Is a different way of listening needed to more accurately understand those voices from outside the historical canon?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAlthough this book raises more questions than it answers, it came to be a pledge for embracing artistic differences, for the richness of contextual listening, and for honesty in the expression of concerns and doubts. The responses seem to suggest that understanding differences by theme and not as predetermination is a way to provide freedom in a field of seemingly abstract art.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBased on the contributions of Adam Smith, Amandine Pras, Amelia Diamond, Amnon Wolman, Amy Reed, Andrea-Jane Cornell, Angela K. Roberts, Barnabas Yianni, Benjamin Mawson, Benjamin Silva-Pereira, Cedrik Fermont, Camila Durães, Carl Golembeski, Cath Meeson, Christina Clar, Claire Williams, Dave Phillips, Dell, Diamanda La Berge Dramm, Diego Garcia, Elizabeth Veldon, Frederik Croene, Furchick, Gívan Belá, Godfried-Willem Raes, Gretchen Jude, Guy De Bièvre, Hannah Reardon-Smith, Jason Kahn, Jorge Bachman, Julie Cambier, Hery Randriambololona, Hilary Jeffery, Ian Shanahan, I.v. Martinez, Jerry Gordon, Jez Riley French, Jim Denley, Joanna Bailie, Jodie Rowe, Joe Bates, Jorge Bachmann, Joseph Foster, Joseph Kudirka, José Villalobos, Julia Teles, Julie Cambier, Julito aka Magnata, Katarina Glowicka, Keenan DuBois, Korhan Erel, L.S.Rosenberg, Larissa Loyva, Liselotte Sels, Matthew Shlomowitz, Max Aggropop, Michael Tuttle, Mila Dietrich, Monica Benet, Nevin Eronde, Nurse, Okkyung Lee, Olivia Block, Omer Eilam, Pak Yan Lau, Pali Meursault, Patricia Janssen, Paula Daunt, Paulo Alves, Pei-Wen Liu, Pete Shepherd, Pia Palme, Pierre Favrez, poemproducer agf Antye Greie, Primož Sukic, Raiza Coelho, Rebecca Hunt, Roel Heremans, Romy Rüegger, Ruta Vitkauskaite, Sally Greenaway, Sarah Snider, Scott Mc Laughlin, Silvia Tarozzi, Steffi Weismann, Stijn Dickel, SusannaFerrar, Szilvia Lednitzky, Travis Johnson, Valeria Merlini, Vera Bremerton, Vesna Tomse, Wendy Van Wynsberghe...\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eJulia Eckhardt is a musician and curator in the field of the sounding arts. She is founding member and artistic director of Q-O2 workspace in Brussels. As a viola player, she has been involved in various collaborations with composers and improvisers, such as Phill Niblock, Pauline Oliveros, Stevie Wishart, Jennifer Walshe, Wandelweiser-composers, Christian Wolff, Antony Coleman and many of the young generation. She has taught and lectured at art institutes in Leuven and Brussels. Eckhardt is the editor of Grounds for Possible Music – On Gender, Voice, Language, and Identity.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Q-02","offers":[{"title":"Default Title","offer_id":41886414012646,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8683jpg0408.jpg?v=1634672553"},{"product_id":"stronger-than-bone-on-feminisms","title":"STRONGER THAN BONE – ON FEMINISM(S)","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e140 x 220mm, 316 pages, Single colour printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Defne Ayas, Natasha Ginwala, Jill Winder.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributions by Chris Abani, Gloria Anzaldúa, Wendy Hui Kyong Chun \u0026amp; Sarah Friedland, Tishani Doshi, Maya Indira Ganesh, Eeva-Kristiina Harlin \u0026amp; Ciske-Jovsset Biret Hánsa Outi\/Outi Pieski, Laurel Kendall, Kim Hyesoon, Kim Seongnae, S. Heijin Lee, Audre Lorde, Soraya Murray, Esha Pillay \u0026amp; Quishile Charan, Djamila Ribeiro, Tamarra \u0026amp; Brigitta Isabella, Oxana Timofeeva, Cecilia Vicuña.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eStronger than Bone draws upon the embodied strength, intuitive desires, and collective wisdom of feminists and non-binary protagonists to foreground the manifold dimensions of feminist politics and commitments. Written by thinkers and allies across generations with a focus on heterogeneity, intersectionality, and influence across geographies, this reader arrives into the world at a moment of heightened fragility, under the shadow of the coronavirus pandemic. In key historical texts, poetry, and new commissions, a range of artists, theorists, philosophers, and writers grapple with how gender politics might be reconfigured in a world undergoing an interregnum of extraordinary intellectual, technological, political, artistic, and social ferment. Stronger than Bone reveals strands of inquiry into a range of subjects including: embodiment and techno feminism; sexual freedom and sexual violence; matriarchal resistance building and shamanic practices; the gendered dimensions of self-optimization; digital identity and gaming culture; how the trauma of state violence and racial injustice is passed to future generations; and artistic strategies of renewal and rewriting history. With a view to the peril and possibility of the current moment, bringing together this constellation of voices is an act of acknowledging kinship, one iteration of the liberatory potential of collective forms of intelligence!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":41886414995686,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8288jpg0422.jpg?v=1634672605"},{"product_id":"why-call-it-labor-on-motherhood-and-art-work","title":"WHY CALL IT LABOR? – ON MOTHERHOOD AND ART WORK","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e124 x 208mm, 178 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Mai Abu ElDahab. Contributions by Mai Abu ElDahab, Lara Khaldi, Mary Jirmanus Saba, Mirene Arsanios and Nikki Columbus, Basma Alsharif.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFour essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhile their reflections represent a similar strata of art worker in terms of background, class, and career trajectory, the impact of instruments of patriarchy on rendering maternity invisible that they describe is recognizable and insidious. In a post-partum diary, Lara Khaldi makes audible the everyday exhaustion and disregard that comes with being a new mother; Mirene Arsanios and Nikki Columbus discuss the impact of the absence of legal or social protection for mothers; Basma Alsharif walks us through the difficulties of navigating the demands of different social contexts; Mary Jirmanus Saba pre-occupies at home with a flimsy maternity blog; And Mai Abu ElDahab put propositions on the table for how to deal with all of this.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":41886415061222,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8181jpg0422.jpg?v=1634672642"},{"product_id":"the-poor-children-by-suzanna-slack","title":"THE POOR CHILDREN by Suzanna Slack","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 164 pages, black and white printing, perfect bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Poor Children is a book of meditations on the construction of motherhood, gender and the carceral family. It is about the house, it's about sex work and reproductive labour, and it is most of all a reflection of how we might think about love. ​\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"I found it truly moving, eloquent, insightful, on almost every aspect of Love.\" \u003cbr\u003e—Lynne Segal ​\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"There's an achy, startling quality in The Poor Children that's almost unbearable – but there is also magic, beauty, care, wonder and a hardcore honesty deft at unravelling the queer intricacies of staying alive, against all odds, in a heterosexist white supremacist world we didn't make and yet keep waking up to over \u0026amp; over. The Poor Children reads like a playbook for unmaking and remaking our rotten, stinky world, stretching and bending what's left of it to host ever more life, holding all living things from the very big to the very small. Suzanna Slack cuts through the dull illusions surrounding our modern day myths about money, marriage and motherhood to tell us tales we desperately need about failed social systems and slow collective healing. Read it now.\" \u003cbr\u003e—Dr. Sofia Varino \u003cbr\u003ePostdoctoral Fellow, Department of English \u0026amp; American Studies \u003cbr\u003eUniversity of Potsdam ​\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Their writing style is absolutely captivating and inspiring me to read more and to keep on reading. it's delectable and unique. i enjoy a lot and it reminds me of the joy that is reading. a proof of that is simply the fact that from the get go, i'm not sure that i would have read something about this subject matter. They have a very clear working class critique that isn't done in an expected or matter of fact sort of a way. i appreciate it a lot. thank you for doing this.\" \u003cbr\u003e—Liad Hussein Kantorowicz ​\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"VF Press","offers":[{"title":"Default Title","offer_id":41886418370790,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9494005.jpg?v=1634672774"},{"product_id":"women-for-peace-banners-from-greenham-common-by-charlotte-dew","title":"WOMEN FOR PEACE: BANNERS FROM GREENHAM COMMON by Charlotte Dew","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 224 pages, Colour printing, Perfect bound, Hardcover, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished to coincide with the 40th anniversary of the Greenham Common peace protests, this book is packed full of the vibrant fabric banners made for Greenham, many presented here for the first time in decades.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn the late summer of 1981, a group of women walked from Cardiff for over a hundred miles carrying a hand-made banner proclaiming their protest against nuclear missiles. This march to the military base at Greenham Common led to the establishment of camps that, for nearly two decades, drew women from all over the world to make their voices heard in the name of peace.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDrawing on a wealth of archival material from across England and Wales, Women for Peace is a richly illustrated book about the brilliant banners made for the Greenham Common protests. It is a celebration of the collective power of women, women’s art and the history of peace campaigning.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCharlotte Dew is a curator, researcher and writer, specialising in 20th century and contemporary craft. She is currently Public Programme Manager at The Goldsmiths’ Centre in London. Formerly she has held curatorial roles at the Crafts Council, The National Archives, The Mercers’ Company and The Women’s Library.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886424203494,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3749087.jpg?v=1634673031"},{"product_id":"complaint-by-sara-ahmed","title":"COMPLAINT! by Sara Ahmed","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15 x 23 cm, 376 pages, Black and white printed, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn Complaint!, Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":42033580605670,"sku":"","price":30.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0277010.jpg?v=1636564202"},{"product_id":"men-and-apparitions-by-lynne-tillman","title":"MEN AND APPARITIONS by Lynne Tillman","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e12.7 x 19.7cm, 400 pages, Black and white printing, Perfect bound, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMEET EZEKIEL HOOPER STARK, cultural anthropologist and bemused commentator on the contemporary world. Zeke has carved out an academic career studying family photographs, gender and images. Meanwhile – now 38 – he still contends with his own family’s perversities and pathologies, which charge his chaotic love life.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhile living in London, Zeke finds himself spiralling into crisis. As the centre ceases to hold, so too does any pretence of his having a dispassionate, purely academic interest in these issues.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e Zeke finds a new research topic: himself. He embarks on a quixotic new project, studying the ‘New Man’, born under the sign of feminism. What, he asks his male subjects, does masculinity mean today, in a world in which all the old models are broken? What do you expect from women? What do you expect from yourself? Meanwhile, what will the reader make of Zeke – is he enlightened or misguided, chauvinistic or simply delusional?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eKaleidoscopic and encyclopaedic, comic, tragic, and philosophical, \u003cem\u003eMen and Apparitions\u003c\/em\u003e showcases Lynne Tillman not only as a unique novelist but also as one of our most important contemporary thinkers on art, culture and the politics of gender.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Peninsula Press","offers":[{"title":"Default Title","offer_id":42033581162726,"sku":"","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3916109.jpg?v=1636564226"},{"product_id":"revolution-as-an-eternal-dream-the-exemplary-failure-of-the-madame-binh-graphics-collective-by-mary-patten","title":"REVOLUTION AS AN ETERNAL DREAM: THE EXEMPLARY FAILURE OF THE MADAME BINH GRAPHICS COLLECTIVE by Mary Patten","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13.7 x 21.4cm, 84 pages, full colour printing, perfect bound, edition of 1353, 2011\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRevolution as an Eternal Dream: the Exemplary Failure of the Madame Binh Graphics Collective (MBGC) examines the political practice and visual propaganda of a now-obscure womens poster, printmaking, and street art collective based in New York City between 1975 and 1983. For a brief, intense period of time, the MBGC collaborated on projects against racism and in solidarity with national liberation movements, producing many beautiful multicolored silkscreened prints, note cards, banners, posters, and other print ephemera before withdrawing into the isolation of a sectarian and militaristic political line. By 1982 its core members were in prison or underground. Revolution as an Eternal Dream calls up the perpetual desire for revolution, but also the frailty of such dreams.\u003cbr\u003e\u003cbr\u003eFrom the Preface by Lucy Lippard:\u003cbr\u003e\u003cbr\u003e\"Mary Patten’s penetrating discussion of her longtime commitment to the May 19th Communist organization and its somewhat independent graphics wing, the Madame Binh Graphics Collective, carries history lessons for political artists confined to art world contexts as well as for the sectarian Left. Although fragile alliances were formed in the 1970s and 1980s, the MBGC never trusted the art world, with good reason. Acting on the fringes of the Left as well as the fringes of the political art scene, MBGC forged ahead and made some stunning graphics in an era that excelled in that medium Patten tells the story of a web of alliances and support that exemplifies the diversity of political art making in a period that today seems even more distant than it really is.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Half Letter Press","offers":[{"title":"Default Title","offer_id":42033581555942,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3827033.jpg?v=1636564269"},{"product_id":"my-life-as-a-bitch-by-karen-byrne","title":"MY LIFE AS A BITCH by Karen Byrne","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e14 x 19 cm, 16 pages, Risograph printed, Saddle stitch, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“The words dog and bitch are reconsidered as the artist imagines the benefits of life as a canine. A humorous and feminist exploration of language.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Karen Byrne","offers":[{"title":"Default Title","offer_id":42033582276838,"sku":"","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0983001.jpg?v=1636564293"},{"product_id":"experiments-in-imagining-otherwise-by-lola-olufemi","title":"EXPERIMENTS IN IMAGINING OTHERWISE by Lola Olufemi","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e125 x 195 mm, 146 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is a book of failure and mistakes; it begins with what is stolen from us and proposes only an invitation to imagine.\u003cbr\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eIn these playful written experiments, Lola Olufemi navigates the space between what is and what could be. Weaving together fragmentary reflections in prose and poetry, this is an exploration of the possibility of living differently, grounded in black feminist scholarship and political organising.\u003cbr\u003e\u003cbr\u003eOlufemi shows that the horizon is not an immaterial state we gesture toward. Instead, propelled by the motion of thinking against and beyond, we must invent the future now and never let go of the otherwise.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Hajar Press","offers":[{"title":"Default Title","offer_id":42033582407910,"sku":"","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0841010.jpg?v=1636564278"},{"product_id":"see-red-womens-workshop-feminist-posters-1974-1990","title":"SEE RED WOMEN’S WORKSHOP: FEMINIST POSTERS 1974-1990","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by Four Corners Books\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e220x310mm, 184 pages, Full colour throughout, Soft cover, Perfect bound, 2016.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Founded in 1974, See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWritten by See Red members, detailing the group’s history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation — and have continued relevance for today.”\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":42268897640678,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7191002.jpg?v=1642076608"},{"product_id":"revolutionary-letters-by-diane-di-prima","title":"REVOLUTIONARY LETTERS by Diane Di Prima","description":"\u003cp\u003e130 x 200 mm, 232 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDiane di Prima began writing her ‘Letters’ in 1968, conjuring a potent blend of utopian visions, ecological urgency and spiritual insight. By turns a manifesto for breaking free, a manual for street protest and a feminist broadside, these poems are as relevant to the convulsions and crises of today as they were fifty years ago.\u003c\/p\u003e\n\u003cp\u003eDuring the last years of her life, di Prima worked on the final iteration of her enduring project. This volume brings together fifteen new poems with all the previously published Letters in an expanded fiftieth anniversary edition.\u003c\/p\u003e\n\u003cp\u003eWith a Foreword by Francesca Wade and an Introduction by Sophie Lewis\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e Published by\u003c\/p\u003e","brand":"Silver Press","offers":[{"title":"Default Title","offer_id":42269963092198,"sku":"","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2047022.jpg?v=1641401917"},{"product_id":"baseline-shift-untold-stories-of-women-in-graphic-design-edited-by-briar-levit","title":"BASELINE SHIFT: UNTOLD STORIES OF WOMEN IN GRAPHIC DESIGN edited by Briar Levit","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e142 x 200, 192 pages, Full color printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eBaseline Shift\u003c\/em\u003e centers diverse women across backgrounds whose work has shaped, shifted, and formed graphic design as we know it today. From an interdisciplinary book designer and calligrapher starting out in Harlem's Renaissance, to the invisible drafters of Monotype's drawing office, the women represented here include auteurs, advocates for social justice, and creators ahead of their time. The fifteen essays in this illustrated collection come from contributors with a variety of backgrounds and perspectives. \u003cem\u003eBaseline Shift\u003c\/em\u003e is essential reading for students and practitioners of graphic design, as well as anyone with an interest in women's history.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003c\/p\u003e","brand":"Princeton Architectural Press","offers":[{"title":"Default Title","offer_id":42269964173542,"sku":"","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4210001.jpg?v=1641401955"},{"product_id":"extra-bold-a-feminist-inclusive-anit-racist-nonbinary-field-guide-for-graphic-design","title":"EXTRA BOLD: A FEMINIST INCLUSIVE ANIT-RACIST NONBINARY FIELD GUIDE FOR GRAPHIC DESIGN","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e152 x 230mm, 220 pages, Colourprinting, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e\u003cem\u003eExtra Bold\u003c\/em\u003e is the inclusive, practical, and informative career handbook for designers that we've all been waiting for. Written collaboratively by a diverse team of authors, the book opens with critical essays that rethink design principles and practices through theories of feminism, anti-racism, inclusion, and nonbinary thinking. \u003cem\u003eExtra Bold\u003c\/em\u003e features interviews, essays, typefaces, and projects from dozens of contributors with a variety of racial and ethnic backgrounds, abilities, gender identities, and positions of economic and social privilege. The book adds new voices to the dominant design canon.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003ePart textbook and part comic book, zine, manifesto, survival guide, and self-help manual, \u003cem\u003eExtra Bold\u003c\/em\u003e is filled with stories and ideas that don't show up in other career books or design overviews. Both pragmatic and inquisitive, the book explores power structures and how to navigate them. Interviews showcase people at different stages of their careers, and biographical sketches explore individuals marginalized by sexism, racism, and ableism. Jennifer Tobias's original, handcrafted illustrations bring warmth, happiness, humor, and narrative depth. \u003cem\u003eExtra Bold\u003c\/em\u003e is the design career manual for everyone.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eFeaturing Ellen Lupton, Farah Kafei, Jennifer Tobias, Josh A. 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Trapped in an anxious spiral of self-doubt, she became alienated from herself and her work. Blaming her own mental-health masked a wider problem that still persists: the tendency for writing by women, whether fiction or personal testimony, to be invalidated on the grounds of sex.\u003c\/p\u003e\n\u003cp\u003eDrawing on Sudjic’s experience of anxiety — as well as the work of Elena Ferrante, Maggie Nelson, Jenny Offill, Rachel Cusk and others — Exposure examines the damaging assumptions that attend female artists, indeed any woman who risks exposure, as well as the strategies by which one might escape them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Peninsula Press","offers":[{"title":"Default Title","offer_id":42269964697830,"sku":"","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4187024.jpg?v=1641402001"},{"product_id":"self-portrait-by-carla-lonzi","title":"SELF-PORTRAIT by Carla Lonzi","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e216 x 139mm, 364 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003eRecorded and transcribed throughout the 1960s, Carla Lonzi’s Self-portrait ruptures the narration of post-war modern art in Italy and beyond. Artmaking struck Lonzi as an invitation to be together in a ‘humanly satisfying way’, and this experiment in art-historical writing is a testament to her belief. Lonzi abolishes the role of the critic, her own, seeking change over self-preservation by theorising against the act of theorising.\u003c\/p\u003e\n\u003cp\u003eTranslated by Allison Grimaldi Donahue\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Divided Publishing","offers":[{"title":"Default Title","offer_id":42300219359462,"sku":"","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6584051.jpg?v=1641994381"},{"product_id":"shelf-documents-art-library-as-practice-by-various-artists","title":"SHELF DOCUMENTS: ART LIBRARY AS PRACTICE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e100 x 180 mm, 268 pages, Full colour printing, Perfect bound, Softcover, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtists, writers, curators, teachers, and librarians reflect on how they can use the beloved library as a source of inspiration or a field of action for anyone who identifies as a woman, queer, non-binary, or a person of colour. In thinking about diversity in collections, the publication proposes art libraries as sites of intersubjective communion. This represents a collaborative book acquisition project, initiated by artist Heide Hinrichs at the Royal Academy of Fine Arts in Antwerp, in which her group integrated 223 new titles in art libraries as a way to fill gaps, to amplify voices, and seek out the self-initiated or the overlooked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by Heide Hinrichs, Jo-ey Tang \u0026amp; Elizabeth Haines\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by \u003c\/span\u003e\u003c\/p\u003e","brand":"Royal Academy Fine Arts Antwerp","offers":[{"title":"Default Title","offer_id":42304362643686,"sku":"","price":19.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7304013.jpg?v=1642076762"},{"product_id":"talking-to-women-by-nell-dunn","title":"TALKING TO WOMEN by Nell Dunn","description":"\u003cp\u003e130 x 200mm, 240 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2018\u003c\/p\u003e\n\u003cp\u003eIn 1964, Nell Dunn spoke to nine of her friends over a bottle of wine about sex, work, money, babies, freedom and love. The novelist Ann Quin says she appears to be a 'singular girl, singular and single’ but questions the use she makes of her freedom. The Pop artist Pauline Boty reveals she married 'the first man I could talk very freely to’ ten days after meeting him. Kathy Collier, who worked with Dunn in a Battersea sweet factory, talks about what it takes to 'get out’ of a life that isn’t fulfilling. Edna O’Brien tells us about the time she inadvertently stole a brown georgette scarf and the lesson she took from it: 'Morality is not the same thing as abstinence.’ After more than fifty years out of print, \u003cem\u003eTalking to Women\u003c\/em\u003e is still as sparkling, honest, profound, funny and wise as when it was first published.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWith an introduction by Ali Smith and a new Afterword by Nell Dunn\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Silver Press","offers":[{"title":"Default Title","offer_id":42358585229542,"sku":"","price":13.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8715042.jpg?v=1643215894"},{"product_id":"i-see-you-mean-by-lucy-r-lippard","title":"I SEE \/ YOU MEAN by Lucy R. 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It contains Roseanne Watt’s commissioned text Lukkie Minnie’s Føy, content from the newly launched Up Helly Aa for Aa Archive, poetry by Amy Gear, Illustrations by Esther McManus, alongside work made by artists throughout Weemin’s Wark (including Holly Graham, Hannah Harkes, Isabel Greenberg and Brooke Palmieri AKA Camp Books). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs well as the publication, Gaada and Up Helly Aa for Aa have created a digital archive to document over 100 years of campaigning for gender equality in the island’s largest cultural festival – Lerwick Up Helly Aa. Some fragments of the archive have been reproduced in the book. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited edition of 300 copies. Designed by Esther McManus and printed in the Gaada workshop in Burra.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Gaada","offers":[{"title":"Default Title","offer_id":42477298843878,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7226020.jpg?v=1645630111"},{"product_id":"the-shedding-by-suzanna-slack","title":"THE SHEDDING by Suzanna Slack","description":"\u003cp\u003e150 x 220mm, 194 pages, full colour printing, perfect bound, softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Shedding is one part in three of the non-sequential memory trilogy with Is This It? \u0026amp; The Poor Children. 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It has a real electric movement” — Michelle Tea ​ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"VF Press","offers":[{"title":"Default Title","offer_id":42477343375590,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7222016.jpg?v=1645628637"},{"product_id":"be-your-own-muse-by-dominique-rivard","title":"BE YOUR OWN MUSE by Dominique Rivard","description":"\u003cp\u003e125 x 175mm, 104 pages, single colour risograph and full colour printing, perfect bound softcover with letterpress finish, 2021\u003c\/p\u003e\n\u003cp\u003eBe Your Own Muse is an artist's book, a poetic journal, a visual arts master's essay and a feminist manifesto. The text, written in English, questions the autofiction and the fragmentation of the self by wandering through different labyrinths of ice.\u003c\/p\u003e\n\u003cp\u003e'\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis essay explores the elaboration of autofiction in writing. 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Drawing from their practices and experiences, Martinis Roe's research forms a proposal for a transgenerational approach to feminist politics. This is further developed as a practical handbook of twenty new propositions for feminist collective practice, which were formed in collaboration with a network of contributors through experiments with these historical practices.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":42685241360614,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4992023.jpg?v=1647438782"},{"product_id":"ywy-searching-for-a-character-between-future-worlds-gender-ecology-science-fiction-edited-by-pedro-neves-marques","title":"YWY, SEARCHING FOR A CHARACTER BETWEEN FUTURE WORLDS: GENDER, ECOLOGY, SCIENCE FICTION Edited by Pedro Neves Marques","description":"\u003cp\u003eA5, 232 pages, Colour printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cdiv id=\"single-book-head\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"single-book-body-text\"\u003eConceived by Pedro Neves Marques, YWY is an android played by indigenous actress and artist Zahy Guajajara, who gave her the name “YWY,” meaning “land” or “territory” in her native Tupi-Guarani language. 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ELIZABETH GINWAY, ZAHY GUAJAJARA, SUZANNE KITE, ROSA LLEÓ, PEDRO NEVES MARQUES, NEW RED ORDER, ELIANE POTIGUARA\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePublished by\u003c\/div\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":42769753538790,"sku":"","price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8224012.jpg?v=1649336036"},{"product_id":"as-i-fall-apart-by-oriana-rose-natasha-natarajan","title":"AS I FALL APART by Oriana Rose \u0026 Natasha Natarajan","description":"\u003cp\u003e88 x 125mm, 32 pages, Colour printing, Saddle stitched, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis essential interrogation examines the cultural narratives surrounding the contraceptive implant and its effects on the body. Through an analysis of her own and others’ testimonies, as well the all too rare research on the implant itself, Oriana Rose illustrates how supposedly liberating technologies can be toxic for personal and environmental health, and how this is widely ignored or dismissed within patriarchal society so that the pharmaceutical industry can profit. Rose asks us to unravel not only ourselves but also the relationship between health, sex, agency, desire, and capitalism. British-Indian artist Natasha Natarajan contributes an honest and intimate four page comic that explores her own relationship with ‘fertility work’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Packing a necessary punch when discussing contraceptives, menstruation and gender, Rose and Natarajan’s stunning work problematises all three in the pursuit of liberation.\" - Lucy Writers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Focus Print","offers":[{"title":"Default Title","offer_id":42876673097958,"sku":"","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1890001.jpg?v=1651662285"},{"product_id":"quizogyny-no-9-weve-a-fight-on-our-hands","title":"QUIZOGYNY NO. 9: WE'VE A FIGHT ON OUR HANDS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA5, 8 pages, Black and white printed, Saddle stitched, Softcover, 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvery issue of Quizogyny includes five rounds of feminist quiz fun, plus a pull-out answer booklet.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood for teams or on your own - take to the pub \/ do on zoom for the full experience.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe rounds in issue nine:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. Once Upon a Time\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. Mamas Making Music\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. Doves \u0026amp; Hawks\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. Arts \u0026amp; Crafts\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. 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Inspired by Octavia E. Butler’s novel Kindred, in which an African American writer is transported from 1970s Los Angeles to the antebellum South to save the life of the child of a slave-owner who is also her ancestor, the concept of the unpayable debt—a debt someone owes but that is not hers to pay—relates post-Enlightenment versions of ethical and economic value to colonial and racial subjugation. Focusing on the philosophical basis of these renderings of value, Denise Ferreira da Silva exposes how coloniality and raciality operate in the juridical, ethical, and symbolic systems that facilitate the expropriation of labor and extraction of land essential for the accumulation of Capital.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":42952939438310,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9415042.jpg?v=1653654869"},{"product_id":"the-ghouls-on-film-zine-issue-1","title":"THE GHOULS ON FILM ZINE: ISSUE 1","description":"\u003cp\u003eA5, 24 pages, full colour printing, saddle stitched, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Ghouls On Film Zine is a feminist zine for scream queens of all genders. 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Centering learning through practice and embedding Black feminist futurity at its core. Together we honour forms of knowledge production and dissemination that slip between the cracks, are formed on unstable ground, and take on multiple temporalities. Offerings are drawn from strands of theorising taking place in autonomous spaces, inserting the speculative into the present and holding space for the mess. this broken piece of yard was born out of exploring the history of LUX (formerly the London Filmmakers Co-op); navigating the lived conditions of Covid-19 and global uprisings in defence of Black life – together culminating in asking “what do we want from arts organisations now?” and “what do we want to bring into being?”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eContributors: Ode, Bea Freeman, Isaac Kariuki, Lola Olufemi, Rebecca Bellantoni, Tanaka Fuego, Shenece Oretha, Maybelle Peters, sisterwoman vegan, Onyeka Igwe, Sandra Jean Pierre, June Givanni, Danielle Brathwaite-Shirley, Julia Chinyere Oparah, Linda Jones, Kumbirai Makumbe, Tamar Clarke-Brown, Cairo Clarke\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"LUX","offers":[{"title":"Default Title","offer_id":43138603516134,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1769125.jpg?v=1658327020"},{"product_id":"continuity-girl-by-naomi-pearce","title":"CONTINUITY GIRL by Naomi Pearce","description":"\u003cp\u003e120 x 160mm, 112 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003eUnbidden Tongues #7: Continuity Girl unpacks the ‘forensic feminist methodology’ developed by writer, curator and administrator Naomi Pearce. Informed by research conducted in various personal archives of women administrators of artist studio spaces in London from the 1970s until now, the components of Pearce’s writing span mortuary field notes, interview transcripts, intimate first-person accounts and an auto-fictive mystery novella. These various evidentiary approaches blend to form an unconventional casebook that puts forward the complicating factors underpinning the process of writing history in the first place.\u003c\/p\u003e\n\u003cp\u003eIn this particular title, the biographical lens focuses on Shirley Read—a photographer, writer, teacher, administrator and oral historian, whose work has been largely overlooked, until now.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Unbidden Tongues\/Kunstverein Munich","offers":[{"title":"Default Title","offer_id":43144699871462,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2760053.jpg?v=1658413487"},{"product_id":"how-we-made-the-kick-inside-by-paul-becker","title":"HOW WE MADE 'THE KICK INSIDE' by Paul Becker","description":"\u003cp\u003e128 x 182mm, 68 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003eThe book, ‘voiced’ by Kate Bush, is a fictional inhabiting (via the Guardian’s ‘How We Made…’ feature) of the production of her remarkable first album. A meditation on the idiosyncrasies of the creative process and what constitutes an artist’s sensibility, and then an unravelling towards a manifestation of that process and the strangeness, the rapture, that can follow.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"JOAN","offers":[{"title":"Default Title","offer_id":43165815603430,"sku":"","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2981005.jpg?v=1658923383"},{"product_id":"what-happens-between-the-knots-edited-by-jeanne-gerrity-and-anthony-huberman","title":"WHAT HAPPENS BETWEEN THE KNOTS? edited by Jeanne Gerrity and Anthony Huberman","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e110 x 180mm, 256 pages, black and white printing, perfect bound with dustjacket and edge printing, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWhat happens between the knots? is the third book in the annual A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book in the series includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis's year-long research seasons dedicated to single artists. Each book takes the work of a single artist as its point of departure and spirals outward from there to create an expansive and carefully edited ecosystem of ideas and voices. This third issue is informed by themes found in the work of Cecilia Vicuna, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility. 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The author, Dr. Sharbreon Plummer (Baton Rouge, LA) is an artist, strategist and storyteller that centres the stories and creativity of Black women. Sharbreon's upbringing in southern Louisiana informs her interest into how culture and ancestral memory act as influencers of contemporary art-making. Sharbreon has worked for institutions such as the African American Museum in Philadelphia, Americans for the Arts and the Embroiderers Guild of America. This new publication surveys the history of Black women and textiles in North America, and spotlights five artists through a series of interviews, paying careful attention to the intersections of race, art, and cultural memory. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdited by Laura Moseley. Designed and illustrated by Saffa Khan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Common Threads Press","offers":[{"title":"Default Title","offer_id":43172190814438,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0479029.jpg?v=1659177230"},{"product_id":"practice-makes-perfect-by-rosa-johan-uddoh","title":"PRACTICE MAKES PERFECT by Rosa-Johan Uddoh","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e200 x 140mm, 140 pages, Colour printing, Perfect bound, Softcover, Ed. of 1000, 2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eComprising of new writing and works drawn from, and a part of, Uddoh’s 2021 exhibition at Focal Point Gallery, \u003cem\u003ePractice Makes Perfect\u003c\/em\u003e focuses on themes of radical self-love, inspired by black feminist practice and writing. 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