{"title":"Design","description":"","products":[{"product_id":"language-scraps-02-language-scraps-02-mark-e-smiths-handwriting-and-the-typography-of-the-fall-by-paul-wilson","title":"LANGUAGE SCRAPS 02: MARK E. SMITH’S HANDWRITING AND THE TYPOGRAPHY OF THE FALL by Paul Wilson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 180mm, 36 pages, black and white and risograph printed throughout, saddle stitched, second edition, 2023\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn this essay Paul Wilson views The Fall through a typographic lens and explores their visual identity as propelled and produced by Mark E. Smith.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Mark E. Smith’s handwriting became part of The Fall’s visual identity: a typographic signifier of and for The Fall. His attitude towards the development and articulation of a visual identity for The Fall, and in particular the use of his handwriting, reflects his position towards The Fall’s sonic identity. Further, his ambivalence towards contemporary technologies (of sound recording, communication and graphic design), together with his fascination with the idea of creative unwinding (or as he often calls it ‘unlearning’) continually relocates The Fall’s aesthetic tending towards an idealized primitivism.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis essay was first published in Mark E. Smith and The Fall: Art, Music and Politics (2010) published by Routledge. Edited, updated and represented between March and May of 2021.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627254502,"sku":"","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/PW_LS_01_B.jpg?v=1709907904"},{"product_id":"a-circular-2-by-various-artists","title":"A CIRCULAR 2  by Various Artists","description":"\u003cp\u003e 210×265mm, 96 pages, offset printed throughout, perfect bound, 2012.\u003c\/p\u003e\n\u003cp\u003e'CONTENTS:\u003c\/p\u003e\n\u003cp\u003eReal Estate by David Antin\u003cbr\u003eEmpty Words (Part III) (1.18–1.28) by David Morris\u003cbr\u003eFlags, Stars and Signs by Richard Hollis\u003cbr\u003e1972 by Pedro Neves Marques\u003cbr\u003eDieter Roth’s Trophies Rotated by James Langdon\u003cbr\u003eThe poet is a fake fancying feigner who feign and conceal is a faker pretender a feigner a forger a forger pretender are liars inventor pretending a feigner pretend is a faker by Patrick Coyle\u003cbr\u003eOut in the Streets (0.00–0.10) by David Morris\u003cbr\u003eExtract from ‘Fugue’, a Biography by Roger Laporte\u003cbr\u003ePositioning the Residual Wayne Daly in conversation with Sean Lynch\u003cbr\u003eTo Art (Reg. Intrans. V.) by Adrian Piper\u003cbr\u003eMiddle of Nowhere by Will Holder\u003cbr\u003eHappily Ever After (2.06–2.16) by David Morris'\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"A Circular","offers":[{"title":"Default Title","offer_id":41886118838502,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/073_D.jpg?v=1634664175"},{"product_id":"bricks-from-the-kiln-2-by-various-artists","title":"BRICKS FROM THE KILN #2 By Various Artists","description":"\u003cp\u003e23 x 17 cm, 84 pages, Colour printed, Stab bound, PVC screen printed dust jacket, Includes various inserts, Ed. of 700, 2016\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes contributions by Ryan Gerald Nelson, James Bulley, Daphne Oram, Celine Condorelli, James Langdon, David Whelan, Ron Hunt, Rose Gridneff, the Scandinavian Institute for Computational Vandalism and GP pal Mark Simmonds.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Bricks From The Kiln","offers":[{"title":"Default Title","offer_id":41886121066726,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1060.jpg?v=1634664300"},{"product_id":"a-living-almanac-of-appropriate-technologies-by-thomas-pausz-amp-evening-class","title":"A LIVING ALMANAC OF APPROPRIATE TECHNOLOGIES by Thomas Pausz and Evening Class","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 136 pages, black and white printing, perfect bound, softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe collaboration happened in parallel with Thomas’ residency at the Defina Foundation in London. Evening Class hosted a filtering workshop led by Thomas, scanning sections from his collection of The Whole Earth Review magazine according to themes developed during the workshop. The results of the workshop are published here, along with additional material by Thomas and Evening Class.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Evening Class","offers":[{"title":"Default Title","offer_id":41886126211302,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4696.jpg?v=1634664476"},{"product_id":"heimat-by-friedrich-hlderlin-by-phil-baber","title":"HEIMAT BY FRIEDRICH HÖLDERLIN by Phil Baber","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 4 pages, Purple risograph throughout, Unbound, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBricks from the Kiln releases in anticipation for Issue 4. These singular sheet pieces look at translation and event based publishing.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Bricks From The Kiln","offers":[{"title":"Default Title","offer_id":41886127587558,"sku":"","price":3.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6546.jpg?v=1634664491"},{"product_id":"a-new-program-for-graphic-design-by-david-reinfurt","title":"A *NEW* PROGRAM FOR GRAPHIC DESIGN by David Reinfurt","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e155 x 230mm, 256 pages, full colour printing, perfect bound, softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eA *New* Program for Graphic Design\u003c\/em\u003e is the first Communication Design text book expressly of and for the 21st century. Synthesizing the pragmatic with the experimental, \u003cem\u003eA *New* Program for Graphic Design\u003c\/em\u003e builds upon mid- to late-20th-century pedagogical models to convey advanced principles in an understandable form for students of all levels.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDavid Reinfurt, a graphic designer, writer, and educator, has developed a design curriculum at Princeton University in which three courses provide a broad and comprehensive introduction to the field for students coming from a range of other disciplines. These courses—Typography, Gestalt, and Interface—are the foundation of this book.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThrough a series of in-depth historical case studies and assignments that progressively build in complexity, the book serves as a practical guide to visually understanding and shaping the increasingly networked world of information and design.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Inventory Press","offers":[{"title":"Default Title","offer_id":41886127882470,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6785.jpg?v=1634664472"},{"product_id":"as-celebration-as-critique-as-play-ron-hunt-selected-writings-19572020-eds-matthew-stuart-amp-andrew-walsh-lister","title":"AS CELEBRATION, AS CRITIQUE, AS PLAY: RON HUNT, SELECTED WRITINGS (1957–2020) eds. 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Structured as a ‘biographic bibliography’ supplemented with annotations and contextual notes, ‘As Celebration, As Critique, As Play’ combines commissioned writing and previously unpublished texts that range from exhibition catalogue essays and détourned Q\u0026amp;As, to A–Z indexes and cherry-picked readers.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Bricks From The Kiln","offers":[{"title":"Default Title","offer_id":41886131585254,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4653.jpg?v=1634664535"},{"product_id":"design-on-demand-are-tom-joyes-and-finn-arschavir","title":"DESIGN ON DEMAND are Tom Joyes and Finn Arschavir","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e200 x 250mm, 16 pages, three colour risograph, saddle stitched, edition of 20, 2016\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA design studio conceived and performed over 24 hours.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Tom Joyes","offers":[{"title":"Default Title","offer_id":41886133354726,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/039_D_1afdfc59-66ad-4252-b55f-c7b565f03eaa.jpg?v=1634664667"},{"product_id":"dinamo-specimen-by-dynamo-typefaces","title":"DINAMO SPECIMEN by Dynamo Typefaces","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e8 x A2 posters folded down to A4 - double sided, full colour offset printed. Comes in metallic screen-printed bag.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eSpecimen for the foundry in an inventive way; good compositions and type on reverse.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Dynamo","offers":[{"title":"Default Title","offer_id":41886133453030,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/069_D_fa5aa72c-c9fd-4214-b6ac-652a94276c22.jpg?v=1634664587"},{"product_id":"accordance-by-kat-knight-amp-joe-obrien","title":"ACCORDANCE by Kat Knight and Joe O’Brien","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 38 pages, Full colour throughout, Saddle stitched, 2018.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePhotographic publication documenting the collaboration between designer Kat Knight and photographer Joe O'Brien. Questioning notions of non-traditional masculinity; exploring how clothing is reactive to the space or body it manifests. Each book comes complete with a sleeve.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Kat Knight and Joe O’Brien","offers":[{"title":"Default Title","offer_id":41886134239462,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/21_2048_7157e9f7-9ad1-40ff-9197-2ceeab76bd2a.jpg?v=1634664704"},{"product_id":"class-of-2o2o-by-various-artist-ed-jasmine-wong","title":"Class Of 2O2O by Various Artist (Ed. Jasmine Wong)","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 76 pages, full colour digital printing, perfect bound, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Created during the quarantine period, the goal of this project has always been to unite with one another regardless of our coordinates, forming a space like home within the confines of our literal homes. Since our conception, we’ve been able to build this community of youths online, recognizing that togetherness can live on in virtual spaces. To create something memorable to encapsulate these few months, we decided to create a zine, done almost completely online, with the team all in different countries. This Zine of 76 pages involves around 100 youths, from as young as 15, around the world: Singapore, the UK, Nigeria, Hong Kong, the US, Japan, and more. We wanted to create a place for them to tell their stories, and recognize their journeys (not just the results of their labour), be it through a 'creative' medium, or not. We’ve also created a section featuring 2020 graduates who may not have been able to graduate as they would have wished. Over the last few months, we have put our minds together to create this zine as a show of digital and emotional solidarity during a time of isolation, letting them answer the question: ‘Who do you want to be during the hardest times?’. As a non-profit initiative, the foundation of our project is rooted in helping others, therefore all proceeds of this zine will go towards our partner, GlobalGiving's Covid Relief Fund, and the Equal Justice Initiative in support of the Black Lives Matter movement. The Class of 2020 is graduating from this year together.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Class Of 2O2O","offers":[{"title":"Default Title","offer_id":41886138499302,"sku":"","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/20_web_b08c4d71-3f61-4f83-a62b-0298f3fd4479.jpg?v=1634664777"},{"product_id":"diagrams-of-power-ed-by-patricio-dvila","title":"DIAGRAMS OF POWER: VISUALIZING, MAPPING, AND PERFORMING RESISTANCE ed. by Patricio Dávila","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 x 240mm, 312 pages, Colour printing, Perfect bound, Softcover, 2024\u003c\/p\u003e\n\u003cp\u003eWe draw diagrams to help us think, communicate and put forth what we think is important or what we want to be true. While some diagrams are seen as statements of fact, they can also further agendas by discounting other realities beneath a cloak of perceived objectivity. Diagrams of power work against representations that claim omniscience by speaking from a position, and making visible what and who gets represented and who does the representing. They also make us consider how we create and maintain relations between producers and receivers of particular forms of knowledge.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiagrams of Power: Visualizing, Mapping, and Performing Resistance\u003c\/em\u003e, brings together the work of designers, artists, cartographers, geographers, researchers and activists who create diagrams to tell inconvenient stories that upset and resist the status quo.\u003c\/p\u003e\n\u003cp\u003eEdited by Patricio Dávila. Words and works by Joshua Akers, Burak Arikan, Josh Begley, Joseph Beuys, Alexis Bhagat, Vincent Brown, Bureau d’Études, Teddy Cruz, Department of Unusual Certainties, Peter Hall, Alex Hill, W.E.B. DuBois, Patricio Dávila, Catherine D’Ignazio, Forensic Architecture, Fonna Forman, Terra Graziani, Iconoclasistas, Lucas LaRochelle, Eliana MacDonald, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz, Sheila Sampath, and Visualizing Impact.\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":41886140989670,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_62651230.jpg?v=1634664880"},{"product_id":"bricks-from-the-kiln-4","title":"BRICKS FROM THE KILN #4","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 × 224.764mm, 288pages + insert, single colour printing throughout, perfect bound, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDesign-adjacent journal now in its fourth edition, this time edited by Natalie Ferris, Bryony Quinn, Matthew Stuart \u0026amp; Andrew Walsh‐Lister\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished as an even \/ publication, existing initially as a series of presentations and live events taking place across 2019\/20, before being transcribed ad supplemented as a printed issue.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFeaturing, Helen Marten, Sophie Collins, Don Mee Choi, Kate Briggs, Phil Baber, Joyce Dixon, Florian Roithmayr, Jen Calleja, J.R. Carpenter, Edgar Wind, Natalie Ferris, Bryony Quinn, Rebecca Collins, Naomi Pearce, Karen Di Franco, James Bulley, Saki Mafundikwa, Matthew Stuart, James Langdon, Peter Nencini, Sophie Seita, Caroline Bergvall, Seb McLauchlan, Maria Fusco.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Bricks From The Kiln","offers":[{"title":"Default Title","offer_id":41886141120742,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_69440120.jpg?v=1634664905"},{"product_id":"design-in-conservative-times-ed-joannette-van-der-veer","title":"DESIGN IN CONSERVATIVE TIMES ed. 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By inviting both graphic design and fashion design professionals to comment, reflect, promote, critique, provoke and\/or contemplate on conservative culture in relation to their own visions, design practice and designed goods, we wish to lay bare the intricacies and dynamics of design(er) in society today. As a result, issues of feminism, decolonisation, queerness, engagement, ecology, production and preservation in relation to conservatism today come to the forefront of conversation.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886144528614,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_85790329.jpg?v=1634665036"},{"product_id":"about-graphic-design-by-richard-hollis","title":"WRITINGS ABOUT GRAPHIC DESIGN by Richard Hollis","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170mm × 240 mm, 296 pages, Black \u0026amp; white printing, Paperback, 2012; reprinted 2017\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom the man who brought you the layout of John Berger’s \u003cem\u003eWays of Seeing\u003c\/em\u003e comes a comprehensive selection of writings covering over 40 years of reflection on graphic design history, including interviews, essays, letters, articles, lectures and course outlines. Designed by Richard Hollis himself and densely illustrated with over 500 images, \u003cem\u003eAbout Graphic Design \u003c\/em\u003echarts the insatiable curiosity and methodological rigour of the renowned graphic designer, graphic design theorist and historian. This book is testimony to the importance of the role of the graphic designer – who ensures the legibility of our urban and other spaces – and to the value of historical precedent for contemporary graphic design.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886145446118,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1165jpg0521.jpg?v=1634665098"},{"product_id":"criticall-unprofessional-everyday-design-criticism-edited-by-joannette-van-der-veer","title":"CRITICALL!: (UN)PROFESSIONAL EVERYDAY DESIGN CRITICISM edited by Joannette van der Veer","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e124 x 240mm, 104 pages, black and white printing, perfect bound softcover with embossed detail, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom Google reviews to YouTube tutorials, and from online service desks to real-life ‘may I speak to the manager’ requests–we are all critics of our designed environments. It seems therefore strange, if not outrageous, that design criticism is a practice considered to be a haute-for-few instead of a low-for-all. Design belongs to all of us and, therefore, its criticism as well. How can we activate more people to become actively aware of and critical towards their designed environments?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn Spring 2020, Onomatopee launched CriticALL: an open call to advocate for (un) professional everyday design criticism. Participants were asked to submit a short text that criticizes, discusses, analyzes or reflects upon an everyday design object, system, environment, or construct. Anyone, from layman to professional, and everyone in between, was invited to submit an essay. Out of 70 submissions a selection of 15 short essays were chosen and are displayed in this book, alongside commissioned contributions by renowned (design) critics. With this book, Onomatopee wishes to break down the often closed circuit of design criticism and establish a grounding for a ‘design criticism for all’.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions by Vanessa Brazeau, Lara Chapman, Pete Fung, Iskander Guetta, Adina Glickstein, Judith Leijdekkers, Ellen Lupton, Rosannagh Maddock, Jo Minhinnett, PLSTCTY Studio, Josh Plough, Alice Rawsthorn, Bessie Rubinstein, Y. Selim, Lauren Thu, Anniek Tijmes, Joannette van der Veer, Vincent van Velsen, Stijn van de Vyver and Zack Wellin.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886146298086,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9633026.jpg?v=1634665207"},{"product_id":"designing-a-thought-beyond-a-solution-by-various","title":"DESIGNING A THOUGHT BEYOND A SOLUTION by Various","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e176 x 240mm, 84 pages, black and white printing on coloured stock, perfect bound, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Royal College of Art Design \u0026amp; Philosophy Society was founded by Valeska Noemi Mangel in 2019 to give designers and creatives a space to debate, read, critically observe and develop a theoretical practice alongside their projects. We believe that design is more than form \u0026amp; function it is responsible for the shaping of our world and being and therefore requires a constant philosophical exchange with our environment and each other. The journal is our contribution to promote reflections and deeper thoughts arising while designing and creating.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn this issue we edited selected pieces around the topic of thinking and the question if design is as centred around a solution as it claims to be. It includes poetry, essayistic, theoretical writing as well as experimental writing from a workshop with Scrawl Writing Society analysing the theme from different angles.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions by Valeska Noemi Mangel, Sebastian Banderath, Elena Mariani, Chleo Li, Scrawl Society (led by Hattie Morrison), Summer Chen, Magdalena Bravo Flores, Kate Morgan\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGraphic Design by Victoria Evans \u003cbr\u003eEdited by Magdalena Bravo Flores, Laura Dudek and Valeska Noemi Mangel\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Design and Philosophy Society RCA","offers":[{"title":"Default Title","offer_id":41886146625766,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9875013.jpg?v=1634665150"},{"product_id":"copy-this-book-an-artists-guide-to-copyright-by-eric-schrijver","title":"COPY THIS BOOK: AN ARTIST’S GUIDE TO COPYRIGHT by Eric Schrijver","description":"\u003cp\u003e140 x 190mm, 192 pages, black and white and colour printing, perfect bound softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis book is an artist’s guide to copyright, written for makers.  Both practical and critical, this book will guide you through the concepts underlying copyright and how they apply in your practice.\u003c\/p\u003e\n\u003cp\u003eHow do you get copyright? For what work? And for how long? How does copyright move across mediums, and how can you go about integrating the work of others? Because they get copyright too!\u003c\/p\u003e\n\u003cp\u003eCopy this Book will detail the concepts of authorship and original creation that underlie our legal system. This way, it will equip you with the conceptual keys to participate in the debate on intellectual property today.\u003c\/p\u003e\n\u003cp\u003eThis sharp and useful book shines a light on the rights of all artists to protect—and share—their work. Eric Schrijver has produced an essential guide for navigating the new Commons and the old laws of copyright control.\u003cbr\u003e— Ellen Lupton, curator and critic\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886146855142,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0505041.jpg?v=1634665136"},{"product_id":"bag-shell-by-amanda-kyritsopoulou","title":"BAG SHELL by Amanda Kyritsopoulou","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e175 x 215 mm, 94 pages, Black and white printed, Elastic band bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBag Shell is an artist book , written and illustrated by Amanda Kyritsopoulou and designed in collaboration with NumberedEditions. The book is a series of reflections on the history of bags spreading across five chapters. The bag is looked at as a functional object, a cultural artifact and a metaphor to reflect on urban life, consumerism, writing, art and sculpture.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"NumberedEditions","offers":[{"title":"Default Title","offer_id":41886146953446,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/23016.jpg?v=1634665222"},{"product_id":"bricks-from-the-kiln-3-by-various-artrists","title":"BRICKS FROM THE KILN #3 by Various Artrists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 × 225mm, 120 pages, black and white printing, perfect bound, with pvc dust jacket and insert\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Andrew Lister \u0026amp; Matthew Stuart.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions from James Bulley, Bryony Quinn, Matthew Stuart talks with Nayia Yiakoumaki, Astrid Seme, Mark Owens, Virginia Woolf with Paul Bailey and Sophie Demay, Till Wittwer, Emma Smith, Bruce McLean and Bruce McLean, Alexandru Balgiu, David Bennewith, Nontsikelelo Mutiti and Tinashe Mushkavanhu.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Bricks From The Kiln","offers":[{"title":"Default Title","offer_id":41886148034790,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1939001.jpg?v=1634665191"},{"product_id":"counter-signals-4-identity-is-the-crisis","title":"COUNTER-SIGNALS #4: IDENTITY IS THE CRISIS","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e16.5 x 23.5cm, 352 pages, offset printed, softcover. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe fourth issue of Counter Signals aims to invoke and assemble writing and images that query the aesthetic claims and political-economic stakes of identity, in design and in cultural production more generally. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Visual identity” names the highest order project within the discipline of graphic design, historically constituted in post-war capitalist europe and the us. it enlisted the concepts, forms, and techniques of design modernism towards the consolidation of globalizing language technology corporations like olivetti and ibm. the project of “corporate identity,” as it became known, reflected and advanced the dematerializing production trajectories of industrial capitalism, organized by concepts of “scientific” and then cybernetic management. graphic design was used to formally unify corporate information products and their publicity, through totalizing identity systems and the powers of the logo. in this advanced capitalist superstructural project, the corporate identity standards manual produced not only signs and products, but subjectivities as well: the white-skinned, white-collared, grey-flanneled heterosexual male professional class. the production of these subjectivities was understood, within the dystopian collectivity of the corporation, to compose a distinct and homogeneous “corporate culture,” and thus to extend a process by which corporations came to aesthetically appear as sovereign entities on an equal footing with nation states.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions from Jack Henrie Fisher, Nathan Brown, Ulrike Jordan, Gerd Conradt, Lisa Vinebaum, Samo Tomšič, Bea Walker, Verónica Casado Hernández, Nat Pyper, Werker Collective, Evan Fusco, Michaelis Pichler, Andrea Garcia Flores, Angel Gonzalez, Chris Lee, Mahmoud Keshavarz, Hannah Bruckmüller, Michal B. Ron, Jorge Cano \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFebles\u003c\/span\u003e, Anuar Portugal, Carlos Quiroz, Erin Madarieta, Alex Lahr, Sean Martin-Iverson, Jacob Lindgren.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Other Forms","offers":[{"title":"Default Title","offer_id":41886149804262,"sku":"","price":21.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2799001.jpg?v=1634665308"},{"product_id":"a-place-to-stay-practising-embedded-design-by-shay-raviv","title":"A PLACE TO STAY: PRACTISING EMBEDDED DESIGN by Shay Raviv","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e24 × 17 cm, 136 pages full colour offset, softcover with large format, fold out dust jacket. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePreconditions and tools to facilitate a successful and enduring collaboration between designers and local communities.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEmbedded design gives fresh impetus to an area by exploring the unique character and life of a place through the eyes of designers on the ground. This book documents the work of designers who embedded themselves in and around the former penal colony in Veenhuizen, soon to become a UNESCO World Heritage Site. It reveals the experience gained and lessons learned, illustrating them with countless design projects and events. This initiative, a blueprint for creative research focused on a particular area, is intended to spur similar projects.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eYoung designers, prisoners, policy-makers and others joined forces in Veenhuizen, inspired by the unique cultural, historical, landscape and architectural reality. This lengthy design collaboration was instigated by embedded design pioneer KETTER\u0026amp;Co, and was guided by Design Academy Eindhoven. With local authorities and prison management in Veenhuizen, they drew up an ambitious ‘Design Deal’. Together they examined the challenges of local development in a long-term process that explored the many perspectives on the past and present. Their efforts helped to define a revised vision for Veenhuizen, one that is local and social, that can be experienced, that is shaped in conjunction with stakeholders, and that has an impact on visibility and policy, with energy flowing in many directions. The work resulted in proposals aimed at boosting commercial opportunities and enhancing the sense of community, while also promoting sustainable heritage management and a dynamic awareness of history. In other words: a magnificent challenge to give renewed vitality to this remarkable cultural landscape.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThrough numerous interviews and conversations on projects, design researcher Shay Raviv analyses the preconditions and tools that are needed to facilitate a successful and enduring collaboration between designers and local communities. She also looks ahead and asks: How can embedded design continue to be relevant, not only for the World Heritage Site of Veenhuizen but also for other places?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWritten by Shay Raviv with a preface of David Hamers and contributions by Guus Kusters and Gert Staal.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886150099174,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3101064.jpg?v=1634665405"},{"product_id":"or-in-part-by-lydia-brownlee-and-gareth-lyndsay","title":"OR IN PART by Lydia Brownlee and Gareth Lyndsay","description":"\u003cp\u003eA5, 16 pages, two colour process printed, saddle stitched, 2013.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e'A conversation between Lydia Brownlee and Gareth Lindsay about working processes and the thinking behind the object itself, in the format of a 16 page signature. Available in 3 different formats at varying price increments.\u003c\/p\u003e\n\u003cp\u003eFirst part in the ongoing series 'or in part', each subsequent part will be funded by the proceeds from previous sales.'\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Lydia Brownlee and Gareth Lyndsay","offers":[{"title":"Default Title","offer_id":41886257742054,"sku":"","price":2.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2749.jpg?v=1634667488"},{"product_id":"forth-back-by-various-artists","title":"FORTH and BACK By Various Artists","description":"\u003cp\u003e20 x 15cm, 97 pages, Full colour printing, Perfect bound, Softcover, 2012\u003c\/p\u003e\n\u003cp\u003e\"In autumn 2011 fifteen artists were invited to design a poster, post it somewhere and document the piece in its chosen location. The posters were anticipated as temporarily situated objects, announcements or simply as gestures put forward. \u003cem\u003eForth \u0026amp; Back \u003c\/em\u003ecomes from Richard Bevan's work \u003cem\u003eGrouch, \u003c\/em\u003ea folded 1970s Kodak advert, which has acted as a signpost or working description for the project. The name, like back-and-forth, suggests a dialogue or outing, only here the action of placing forth becomes the impetus for each work.\"\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"The Everyday Press and Furnished Editions","offers":[{"title":"Default Title","offer_id":41886259511526,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/024_D_3d929490-764a-4972-b090-ae38404ccbf5.jpg?v=1634667562"},{"product_id":"fin-by-drme","title":"FIN? by DR.ME","description":"\u003cp\u003eA4, 32 pages, full colour offset printing throughout, saddle stitched, edition of 100, 2017\u003c\/p\u003e\n\u003cp\u003eFrom Manchester based design combo DR.ME we have their new 'Fin?'. Looking at what exactly is finished. Unfinished, unseen, unrealised work realised in this high quality zine.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"DR.ME","offers":[{"title":"Default Title","offer_id":41886261215462,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2497.jpg?v=1634667653"},{"product_id":"project-z-by-rhonda-khalifeh","title":"PROJECT Z by Rhonda Khalifeh","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e252x202mm, 80 pages, Full colour digitally printed, Perfect bound, 2018.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eProject Z\u003c\/em\u003e is an artist’s book that approaches the practice of garment-making as an intimate social platform. By elevating the dialogue in the creation of one-of-a-kind pieces, the project explores the semiotics of dress in relation to community-building. In producing this publication, Khalifeh conducted a series of in-depth interviews with nine participants with the goal of creating an article of clothing in dialogue with each subject. Upon completion, the participants were given their respective garments to keep and wear. The resulting conversations, design research, construction process, and fittings have been compiled into this book created in collaboration with Open Projects Press.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Open Projects Press","offers":[{"title":"Default Title","offer_id":41886264131814,"sku":"","price":27.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/029_D_6eb85bb1-b41d-4612-98f3-48ed3ab88c45.jpg?v=1634667805"},{"product_id":"fin-2019-n-by-dr-me","title":"FIN? 2019 N°✌ by Dr. Me","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 32 pages, Full colour printing, Saddle stitch, With clear sleeve, Ed. of 200, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“FIN? is an outlet for rejected, killed, forgotten and experimental work from the studio.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis printed version is to celebrate six months of FIN? and the end of FIN? “\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"DR.ME","offers":[{"title":"Default Title","offer_id":41886267080934,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6320.jpg?v=1634667964"},{"product_id":"full-scale-false-scale-by-experimental-jetset","title":"FULL SCALE FALSE SCALE by Experimental Jetset","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110mm x 180mm, 280 pp, full colour and black and white offset printing, two books, one perfect bound, one saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Four years after 'Statement and Counter-Statement' (2015), Experimental Jetset returns with their second paperback for Roma Publications. Whereas the previous publication had a more overall monographic scope, 'Full Scale False Scale' focuses on a single project: the large, site-specific installation that the studio recently created for the Museum of Modern Art in New York, commissioned to coincide with the museum’s reopening in October 2019. Part reader, part collage, the book forms a subjective archive of research material, just as constructed as the installation itself – an investigation that took them from esoteric colour theories to dark political alliances, and from modernist diagonals to postmodern arches.’\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Roma","offers":[{"title":"Default Title","offer_id":41886269997286,"sku":"","price":22.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0851.jpg?v=1634668020"},{"product_id":"est-pas-une-by-philip-poppek","title":"EST PAS UNE by Philip Poppek","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e215x160mm, 88 pgs, Black and white throughout, Perfect Bound, Softcover, 2020.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“By way of archiving, digital translation and reproduction, Philip Poppek extracts from Magritte’s word paintings twenty-six letters; segmental symbols of a textual system form an alphabet of a, with a familiar apple punctuating a provisional end to the sequence. A poetic correspondence with the letter a speculates on the prehistory of this alphabet, as though searching for some indication as to how we may have come to where we are now, in this ‘post-factual moment’.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMaybe at some point we fell into the foxes’ den, only to re-surface in a landscape of ruins. This book poses a number of necessary questions, perhaps beginning with: ‘Which feminine noun trails after the title script ‘est pas une?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePomme? Pipe? Histoire? Communauté?”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886276288742,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/022_D_c7ba93a2-4002-4ba6-b301-dc75a69a9338.jpg?v=1634668318"},{"product_id":"one-and-many-mirrors-perspectives-on-graphic-design-education-by-various-artists","title":"ONE AND MANY MIRRORS: PERSPECTIVES ON GRAPHIC DESIGN EDUCATION by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e165 × 235 mm, 276 pages, colour offset printing throughout, semi-gloss finish ink on black cardstock cover, perfect bound, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘This ambitious book brings together a wide international selection of new and recent writing by educators and practitioners who question the rules and hierarchies of graphic design education today. It holds a vivid mirror up to the ways in which graphic design is imagined, taught, received and reproduced.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by two designer-educators, \u003cem\u003eOne and many mirrors\u003c\/em\u003e provides an urgent overview of the field of contemporary graphic design education for all those concerned with its past, present and possible futures.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFeaturing contributions by Paul Bailey, Stuart Bertolotti-Bailey, Sheila Levrant de Bretteville, Richard Buchanan, Vincent Chan, Tony Credland, Europa, Katie Evans, Matthew Galloway, Rob Giampietro, Corin Gisel, Ricardo Gonçalves, Lisa Grocott, Brad Haylock, Constanze Hein, Richard Hollis, Na Kim, James Langdon, Lu Liang, Ellen Lupton, Gabriela Matuszyk, Fraser Muggeridge, Paul Mylecharane, Nina Paim, Megan Patty, Radim Peško, Joe Potts, Bryony Quinn, Carlos Romo‑Melgar, Naomi Strinati, Jon Sueda, Lucille Tenazas, Teal Triggs, Michael Twyman, Jonty Valentine, Laurene Vaughan, Noel Waite, Luke Wood, Jia Xiao, Bonne Zabolotney and Roxy Zeiher.’\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886276780262,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_28ded291-2cb9-4cdd-afbc-224981347e70.jpg?v=1634668346"},{"product_id":"bmzvbuwuox6bgf3zcleos6ewqisitg","title":"I AM YOUR WORST FEAR I AM YOUR BEST FANTASY \/ FIRST GAY AMERICANS by Be Oakley","description":"\u003cp class=\"\"\u003e12.9 x 18.8 cm, 28 pages, Black \u0026amp; blue risograph printing, Saddle stitch, Card cover, Ed. of 100, 2020\u003c\/p\u003e\n\u003cp class=\"\"\u003e“i am your worst fear i am your best fantasy \/ FIRST GAY AMERICANS is a publication based on a typeset sourced from two protest signs from the gay liberation movement. The publication features an essay talking to the Oakley's protest sign typesets. In the publication designer Kelsey Elder states \"Leveraging the authority afforded to language by typographic form, oakley’s typefaces pull dissenting letterform's and narratives from queer history into contemporary context. Through the act of digitization, the work simultaneously functions as an archive as well as a platform of visibility for voices largely excluded from the field in which the work is positioned. Formally ‘nice,’ the letter forms transcend static interpretation when in context of the language present on their specimens and Oakley's open source distribution model. The letter forms become a site of significance. The typeface a metaphor. The publishing model and access to the typefaces, an act of dissent. The work is unapologetic to its trespasses, and pushes against hegemonic aesthetics and values. By employing aspects of lived experience and culture which are external to the typographic field itself, Oakley importantly exposes the lack of divergent narratives currently present while simultaneously providing a platform for them.\"\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886277304550,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/C81B8BA7-C2E8-47D0-A9DE-71C219707177.jpg?v=1634668330"},{"product_id":"yjcv40nqnwnupqjdmgnv89fk8r2r9v","title":"LSD #1 - A FEMINIST ISSUE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13 x 19cm, 224 pages, Full colour printed, Perfect bound, Softcover, Screen printed covers, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe first issue of the Cahiers du centre national du graphisme, around the relationship between graphic design and feminism.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSpeaking about Chaumont and its festival, Vanna Pinter once wrote rather modestly, “The graphic design faith has remained in dependable legitimate hands, the hands that ensure the transfer of power.” To act outside of those transfers of power, from a co-opting of use, is to run the risk of a possible delegitimization. Acting on the fringe, adopting another vantage point, is therefore not without its risks—in terms of territorial thinking—but must be an absolute in a global context.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAt the second iteration of the International Graphic Design Biennial in 2019, we tackled a number of themes, from invisiblization with Silvia Baum, Claudia Scheer and Lea Sievertsen [Not a Muse], and the postcolonial question with Jonathan Castro, to transformations of capital and the repercussion on the economy of a discipline with Tereza Ruller [The Rodina], and the notion of commitment with Teresa Sdralevich. In that context we found many more allies than fans of a “\u003cem\u003eBingo du Male Tears\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOpening this first issue of our periodical and titling it “\u003cem\u003eA Feminist Issue\u003c\/em\u003e” around the figure of Anja Kaiser is about approaching graphic design from a feminist, collaborative and co-constructionist perspective. It is a perspective that a number of others have joined here, including Anna Jehle, Juliane Schickedanz, Fabrice Bourlez, and Loraine Furter. The title of this issue implies another, such as “\u003cem\u003eAn other Feminist Issue\u003c\/em\u003e” coming after “\u003cem\u003eAnother Feminist Issue\u003c\/em\u003e,” for there are many voices and they require us to lend them an ear while being attentive and precise. Le Signe Design [LSD], designed by officeabc, is the periodical of a platform for production, distribution, creative support, dialogue, and mediation between the artistic field of graphic design and the public, what the National Center for Graphic Design is all about. Le Signe Design is not so much a communications forum as a new way to enter a field of study.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"LSD (Le Sagne Design)","offers":[{"title":"Default Title","offer_id":41886278025446,"sku":"","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7130009.jpg?v=1670944014"},{"product_id":"notes-on-the-type-time-letters-amp-spirits-by-dexter-sinister","title":"NOTES ON THE TYPE, TIME, LETTERS and SPIRITS by Dexter Sinister","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 190 mm, 64 pages, black and white printing, perfect bound, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThree interconnected palimpsest essays recount (1) the backstory of a “meta” font recently updated by Dexter Sinister and used to typeset the Contemporary Condition book series, (2) a broad history of the rationalization of letterforms that considers the same typeface from “a higher point of disinterest,” and (3) a pending proposal for a sundial designed to operate in parallel physical and digital realms. Along the way they contemplate the ambiguous nature of our shared idea of *time* itself.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886279860454,"sku":"","price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57101212.jpg?v=1634668686"},{"product_id":"msheresies-2-useful-work-versus-useless-toil","title":"MSHERESIES 2: USEFUL WORK VERSUS USELESS TOIL","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e190 x 300mm, 32 pages, black and purple printing, saddle stitched, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe second issue of MsHeresies includes collages, paintings, and hommages to the work of sisters Vanessa Bell and Virginia Woolf, whose collaboration defied preconceived ideas of both text\/image hierarchies, as well as rivalry at the cost of sisterhood. This visual essay is published alongside William Morris’s lecture Useful Work versus Useless Toil from 1884 which introduces the idea of the ornamental and its relationship to work and rest.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe ornamental can only come about under certain conditions: enough rest, agency, and variation of work. The ornamental is never an outcome or product of these conditions; but something intrinsically intertwined therein.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Rietlanden Women’s Office","offers":[{"title":"Default Title","offer_id":41886280220902,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_56221212.jpg?v=1634668570"},{"product_id":"msheresies-3-amniotechnics","title":"MSHERESIES 3: AMNIOTECHNICS","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e190 x 300mm, 24 pages, black, brown and purple printing, saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDedicated to the incredible – and incredibly beautiful – publication Triple Jeopardy (1971–75, by the Third World Women’s Alliance), as well as the ideas in Sophie Lewis’s book Full Surrogacy Now! – Feminism Against Family (Verso, 2019). Ms Heresies 3 is reprinting the book’s final chapter, the essay *Amniotechnics.*\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEach spread weaves edited material from Triple Jeopardy with Sophie Lewis’s essay. These intuitive and meticulous compositions are the outcome of looking at Triple Jeopardy through the lens of collaborative graphic design. Reading, typesetting, collaging, painting, and ornamenting became a way of designing together while attempting an homage, a re-reading, and a cross-publication friendship.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Rietlanden Women’s Office","offers":[{"title":"Default Title","offer_id":41886280253670,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_56271212.jpg?v=1634668476"},{"product_id":"graphic-design-history-in-the-writing-19832011-ed-catherine-de-smet-and-sara-de-bondt","title":"GRAPHIC DESIGN: HISTORY IN THE WRITING (1983–2011) ed. Catherine de Smet and Sara De Bondt","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e210 x 300mm, 304 pages, black and white printing, perfect bound, second edition 2014\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe first anthology of its kind, \u003cem\u003eGraphic Design: History in the Writing (1983–2011)\u003c\/em\u003e comprises the most influential texts about graphic design history published in English. Edited by a graphic design theorist and a practicing graphic designer, the book chronicles the development of the emerging field of graphic design history from 1983 to 2011, underscoring the aesthetic, theoretical, political and social tensions that have underpinned it from the beginning. \u003cem\u003eGraphic Design: History in the Writing\u003c\/em\u003e is a long-overdue sourcebook for students, teachers, curators and anyone else interested in the past and future of a field in rapid development.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith texts by Jeremy Aynsley, Steve Baker, Andrew Blauvelt, Piers Carey, François Chastanet, Wen Huei Chou, Denise Gonzales Crisp, Brian Donnelly, Johanna Drucker, Steven Heller, Richard Hollis, Robin Kinross, Ellen Lupton, Victor Margolin, Ellen Mazur Thomson, Philip B. Meggs, Gérard Mermoz, Abbott Miller, Rick Poynor, Martha Scotford, Catherine de Smet, Teal Triggs, Massimo Vignelli and Bridget Wilkins.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886280974566,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_62481230.jpg?v=1634668521"},{"product_id":"inhabiting-the-negative-space-by-jenny-odell","title":"INHABITING THE NEGATIVE SPACE by Jenny Odell","description":"\u003cp\u003e120 x 190mm, 80 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003eHi, everyone. I’m speaking to you from my apartment in Oakland, though I’ve virtually placed myself in the rose garden nearby.\u003c\/p\u003e\n\u003cp\u003eArtist and writer Jenny Odell hadn’t originally planned to deliver the Harvard University Graduate School of Design’s 2020 Class Day Address from her living room. But on May 28, 2020, bounded by the abnormal conditions of a global pandemic, she joined graduates and their guests in a fully virtual commencement ceremony. Framed by a Zoom background of a rose garden, she spoke to an audience she could not see about the role of design in a suspended moment marked by uncertainty. Odell’s message, itself a timely reflection on observation, embraces the standstill and its potential to deepen our individual and collective attention and our sensitivity to time, place, and presence—in turn, perhaps, enabling us all, amid our “new” virtual contexts, to better connect with our natural and cultural environments.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eForeword by SARAH M. WHITING\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEdited by MARIELLE SUBA\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886284087526,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8135.jpg?v=1634668770"},{"product_id":"ecsembling-1-by-various-artists","title":"ECSEMBLING #1 by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 48 pages, Various print methods, Hand bound, Risographed covers, Ed. of 50, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\"Assembling magazine produced during lockdown – taking advantage of our forced atomisation to regroup collectively. It consists of separately produced 4 page sections, collated and sewn into hand-marbled softcovers using risograph ink – each cover is unique. Limited print run, no reprint.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions from Evening Class, Quentin Gaudry and Mark Pawson.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Evening Class","offers":[{"title":"Default Title","offer_id":41886285070566,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/4jpg0323.jpg?v=1634668815"},{"product_id":"ideas-arrangements-effects-systems-design-and-social-justice-by-the-design-studio-for-social-intervention","title":"IDEAS ARRANGEMENTS EFFECTS: SYSTEMS DESIGN AND SOCIAL JUSTICE by The Design Studio for Social Intervention","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x 225mm, 180 pages, full colour printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForeword by Arturo Escobar\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eA guide for using design principles to inform and shape radical politics\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIdeas are embedded in social arrangements, which in turn produce effects.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith this simple premise, this radically accessible systems design book makes a compelling case for \u003cem\u003earrangements \u003c\/em\u003eas a rich and overlooked terrain for social justice and world building. Unpacking how ideas like racism and sexism remain sturdy by embedding themselves in everything from physical and social infrastructure to everyday speech and thought habits, this book gives readers the tools to sense, intervene in and imagine new arrangements. Using diverse examples from their work and others, DS4SI offers readers a roadmap for using social interventions to invite the larger public into imagining and creating a more just and vibrant world.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Throughout their work, DS4SI strives to enact the principle that design is not just about problem-solving within existing paradigms and social orders, it is about world building, about imagining and constructing new territories of life and difference… This is design’s imagination at its best, the grounds for a genuinely transformative design praxis. It is a route to disclosing new worlds and bringing them into existence.” – Arturo Escobar, author of \u003cem\u003eDesigning the Pluriverse\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Minor Compositions","offers":[{"title":"Default Title","offer_id":41886288117990,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9434022.jpg?v=1634668972"},{"product_id":"insearch-research-imagining-scenarios-through-art-and-design-edited-by-gabrielle-kennedy","title":"IN\/SEARCH RE\/SEARCH: IMAGINING SCENARIOS THROUGH ART AND DESIGN edited by Gabrielle Kennedy","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e115 x 215mm, 420 pages, Colour printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditor: Gabrielle Kennedy\u003cbr\u003eContributions: Amade Aouatef M’charek, Lorand Bartels, David Bell, Jeroen Boomgaard, Fabrice Bourlez, Rogier Brom, Jane Coaston, Ronald W. Dworkin, Adam Gopnik, Will Grant, Gabrielle Kennedy, Toby Kiers, Matthew Longo, Robert MacFarlane, Deirdre McCloskey, John McWorter, Bart Nooteboom, Daan Oostveen, Jim van Os, Michael Paterniti, Pedro Ramos Pinto, Christopher Robinson, Tim Rogan, Richard Stenger, Doreen St. Félix, Rachel Wiseman, Aiora Zabala, and many artists and designers\u003cbr\u003eIllustrations: Sunjoo Lee\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eIN\/Search RE\/Search\u003c\/em\u003e offers a unique insight into the wide range of appearances of the intersection between art, design and research. The book is organized into twelve substantive chapters: The Anthropocene Epoch; The Climate Crisis; The Coexerced Existence, The Limitations of Language; Facts and Fictions; The Fragile Human; The Instrumentalised Identity; Gender and Violence; The Question of Race; Politics of Public Space; Naked Capitalism; The Morality of a Cyborg. These themes are analysed through art and design projects. The projects are further contextualised by journalistic explorations and academic reflections on similar matters, grappled by varied research outlooks.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBy bringing together various practices (arts, design and writing practices and academic research), \u003cem\u003eIN\/Search RE\/Search\u003c\/em\u003e shows how artistic research processes are designed and performed. The kaleidoscopic convergence of the featured approaches promises an exciting shift in thinking about how knowledge within the arts comes about, and how this knowledge nurtures daily practice, and vice versa. In this way, this publication discloses methods of thinking and working through which a new generation of artists\/designers\/researchers is shaping scenarios for the near future.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe core of this publication is formed by various art and design projects by students of the Rietveld Academie and the Sandberg Instituut. Many of these projects confuse, blur and confront what is traditionally relevant in research practices. These young artists demonstrate what happens when ideas and practices that seem to be miles apart within the traditional domain of research, are suddenly allowed touch upon and influence each other.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eIN\/Search RE\/Search\u003c\/em\u003e is intended for anyone who is involved in creative, artistic and academic research and all hybrid forms in between. \u003cem\u003eIN\/Search RE\/Search\u003c\/em\u003e is also aimed at anyone who is involved in the way our future is shaped and represented, ranging from policy makers, to teachers, journalists, curators, students and many others: anyone who wants to be part of a nuanced conversation about how we want our future to be shaped.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886288773350,"sku":"","price":19.9,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9783001.jpg?v=1634669084"},{"product_id":"strip-by-dr-me","title":"STRIP BY DR. ME","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e210 x 300 mm, 16 pages, Full color printing, Saddle stitched, Plastic cover, Ed of 100, 2019\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“Duke's 002 is proud to showcase the talent of our friends over at DR.ME design studio. Words from the artists themselves : ‘STRIP’ came about after a conversation around what defines our studio and over the last 8 years years we have became synomous with creating collages using a technique in which we literally strip and combine images to make a new. This was the starting point for the series of work that makes up this publication but we also wanted to explore mixed media collage techniques limiting ourselves to using imagery taken from vintage glamour magazines, vintage porn magazines, LGBT magazines and comic books all a gentle nod to this idea of STRIP. Also influenced by the french technique Detournment in which images are a variation of the previous work, in which the newly created work has a meaning that is antithetical to the original. Throughout the publication we have purposely censored any nudity, most if not all the images are sexual in content but everything has been censored in a variation of techniques over an array of body types, gender and sexual preference to question societies attitude to sex and nudity, why is a male nipple ok on instagram and yet a female nipple is not? Art history proves it that the naked human form has always been a point of interest for artists but somewhere along the line we all became body shy so in essence STRIP is a tribute to the human form. DR.ME is an independent design studio. Established 2010 in Manchester, UK. The studio works worldwide on projects ranging from visual identities, record sleeve art, poster design, video, editorial as well as teaching, exhibitions, workshops and talks.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"DR.ME","offers":[{"title":"Default Title","offer_id":41886379245798,"sku":"","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5639.jpg?v=1634671632"},{"product_id":"recast-a-collaborative-exploration-of-the-doves-type-by-julia-syrzistie","title":"RECAST: A COLLABORATIVE EXPLORATION OF THE DOVES TYPE by Julia Syrzistie","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e180mm x 240mm, 48 pages, full colour printing throughout, perfect bound, 2019\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e‘Recast began as a visual exploration of the Doves Type; an unimaginable yet entirely authentic story of a typeface.Thought to be destroyed at the beginning of the 20th Century through the disposal into the River Thames , the relatively heavy and static typeface managed to partially survive on the riverbed over the period of 100 years. By 2014 it was recovered and made into a digital font.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThis book presents photographic and sculptural interpretations of the metal typeface and its material qualities, focusing on the boundary between typography, narrative and illustration. The multi-layered and fragmented story , however, felt unresolved when told only through a visual lens. Recast thus developed into an interdisciplinary collaboration joined by writers Eloise Birtwhistle (poetry) and Sarah Smith (prose). Merging visuals with creative writing, each interpretation focusses on different aspects of the story. The book serves as an outcome of the collaboration.’\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Julia Syrzistie","offers":[{"title":"Default Title","offer_id":41886382555366,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/063_D_7726647c-6bc0-4081-8c6f-e7dfd4049373.jpg?v=1634671665"},{"product_id":"the-natural-enemies-of-books-a-messy-history-of-women-in-printing-and-typography","title":"THE NATURAL ENEMIES OF BOOKS: A MESSY HISTORY OF WOMEN IN PRINTING AND TYPOGRAPHY by MMS (Eds.)","description":"\u003cp\u003e110mm x 190mm, 192 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp\u003eThe Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book.\u003c\/p\u003e\n\u003cp\u003eEdited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886391992550,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8165.jpg?v=1634671800"},{"product_id":"2020-8-13-2u23in3n09jgustkvfv492ye7wlqkg","title":"TUMMY RUMBLE (TO ME, RUBBLE) by Rudy Guedj \u0026 Will Pollard","description":"\u003cp class=\"\"\u003e180 x 310mm, 52 pages, Black \u0026amp; white printed, Saddle stitched, Screen printed Transparent PVC cover, Edition of 300, 2017\u003c\/p\u003e\n\u003cp class=\"\"\u003eTummy Rumble (To Me, Rubble) was originally created for the exhibition Signals From The Periphery, held at the Tallinn Art Hall in July 2017. The installation consisted of a wall drawing and a video with sound and narration. The work is a collaboration between the designer and illustrator Rudy Guedj (installation, video, drawings, book design), and the writer Will Pollard (text, narration in the video).\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe publication Tummy Rumble (To Me, Rubble) puts the original text and illustrations into a new dialogue, thus working both as a documentation and a final translation of the work.\u003c\/p\u003e\n\u003cp class=\"\"\u003eTummy Rumble (To Me, Rubble) narrates and illustrates a series of fictional after-hours encounters set within imagined versions of the art hall and the club located in its basement. Its characters play a drunken game of association, passing through images and metaphors of the digesting body and of architectural form. These spatial fictions were represented on the wall of the exhibition with a diagram that also served, in the first instance, as a map for the plotting of the text. Drawing and writing are here the parallel instruments of a collaborative (and serendipitous) investigation into the abstraction of language and form.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"Building Fictions","offers":[{"title":"Default Title","offer_id":41886398316774,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/84AAD948-1631-4B14-B105-F1D413DE5909.jpg?v=1634672013"},{"product_id":"the-form-of-the-book-book-edited-by-sara-de-bondt-and-fraser-muggeridge","title":"THE FORM OF THE BOOK BOOK Edited by Sara De Bondt and Fraser Muggeridge","description":"\u003cp\u003e140 x 230mm, 96 pages, black and white printing, perfect bound, originally published in 2009, this is the fourth edition - 2020\u003c\/p\u003e\n\u003cp\u003eNow it in its fourth printing, The Form of the Book Book brings together essential essays on the book – its history, present, and possible futures – by preeminent graphic designers and graphic design theorists\/historians including Chrissie Charlton, Catherine de Smet, James Goggin, Jennie Eneqvist, Roland Früh \u0026amp; Corina Neuenschwander, Sarah Gottlieb, Richard Hollis and Armand Mevis. In a nod to Jan Tschichold’s famous collection of essays The Form of the Book (1975), this book offers in-depth analyses of key moments in the history of book design in order to better imagine the many forms the book will take, and is already taking, in our digital age.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886399660262,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_b435b14e-63ff-422a-b617-69578f3127b1.jpg?v=1634672068"},{"product_id":"the-serving-library-202021-objects","title":"THE SERVING LIBRARY 2020\/21 (OBJECTS)","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 208 pages, full colour printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrancesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Vincenzo Latronico, David Reinfurt (editors)\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis year's \u003cem\u003eAnnual\u003c\/em\u003e is published in tandem with a long-term installation of The Serving Library's collection of (mostly) framed objects at 019, an artist-run space in a former welding factory in Ghent, Belgium. Apparently, the sole common denominator of the objects in the collection - which range from paintings, photographs, and LP sleeves, to a can of green paint, a German car license plate, and an ouija board - is to have appeared as illustrations in an issue of \u003cem\u003eThe Serving Library Annual\u003c\/em\u003e or one of its immediate predecessors, \u003cem\u003eBulletins of The Serving Library\u003c\/em\u003e or \u003cem\u003eDot Dot Dot\u003c\/em\u003e, sometime over the last 20 years. The present volume assembles The Serving Library collection at the time of writing, arranged in chronological order of production, as full-page images with extended captions.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Roma","offers":[{"title":"Default Title","offer_id":41886407852262,"sku":"","price":33.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_56441212.jpg?v=1634672301"},{"product_id":"superstructures-notes-on-experimental-jetset-volume-2-by-experimental-jetset","title":"SUPERSTRUCTURES (NOTES ON EXPERIMENTAL JETSET \/ VOLUME 2) by Experimental Jetset","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e180 x 105mm, 420 pages, Black, fluorescent and full colour printed, Perfect bound, with additional 24 page, Saddle stitched booklet, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eSuperstructures (Notes on Experimental Jetset \/ Volume 2)\u003c\/em\u003e is an inquiry into the role of the city as an infrastructure for language (and simultaneously, into the role of language as an infrastructure for the city), as seen through the lens of four historical movements: Constructivism, the Situationist International, Provo, and the Post-Punk explosion. Based on a research project (and accompanying exhibition) by Experimental Jetset, the publication features footnotes written by Vasyl Cherepanyn, Leontine Coelewij, Linda van Deursen, Experimental Jetset, Owen Hatherley, Brad Haylock, Dirk van den Heuvel, Lieven Lahaye, Samata Masato, Tom McDonough, Kateryna Mishchenko, Other Forms, Mark Owens, Megan Patty, Adam Pendleton, Simon Reynolds, Ian F. Svenonius, McKenzie Wark, Lori Waxman, and Mimi Zeiger. The 420-page paperback comes with a 24-page zine, zooming in on the design typology of the original exhibition.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Roma","offers":[{"title":"Default Title","offer_id":41886410997990,"sku":"","price":25.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7655jpg0227.jpg?v=1634672398"},{"product_id":"the-responsible-object-a-history-of-design-ideology-for-the-future-by-marjanne-van-helvert","title":"THE RESPONSIBLE OBJECT: A HISTORY OF DESIGN IDEOLOGY FOR THE FUTURE  by Marjanne van Helvert","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 x 240mm, 272 pages, Colour printed throughout, Perfect bound, 2016\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eToday, we live in an economic system that revolves around producing and consuming objects made of plastic and metal, electronics, synthetic textiles and other things that do not decompose within a foreseeable amount of time. We start to review the role of these objects in a series of challenges that lie ahead of us. In the design discipline, sustainability and social responsibility have become prolific epithets, generating new products, materials, and technologies, designed to change the course of our future. The intrinsic design ideologies are often not new, but form a fundamental part of design history, reappearing throughout the previous centuries. This book presents a history of socially committed design strategies within the western design tradition, from William Morris to Victor Papanek, and from VKhUTEMAS to FabLab. A critical resource for designers, students, cultural critics, and anyone interested in building a sustainable future.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMarjanne van Helvert explores the dynamics between theory and practice of design. Her main fields of interest are the relations between ethics and aesthetics, DIY practices, gender politics, utopia and dystopia.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditor: Marjanne van Helvert\u003cbr\u003eContributors: Andrea Bandoni, Ece Canli, Alison J. Clarke, Éva Forgács, Marjanne van Helvert, Susan R. Henderson, Ed van Hinte, Elizabeth C. Miller, Luiza Prado de O. Martins, Pedro J. S. Vieira de Oliveira\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886411849958,"sku":"","price":22.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8022jpg0313.jpg?v=1634672484"},{"product_id":"unjustified-texts-perspectives-on-typography-by-robin-kinross","title":"UNJUSTIFIED TEXTS: PERSPECTIVES ON TYPOGRAPHY by Robin Kinross","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e124 x 210 mm, 392 pages, black and white printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“The Hyphen Press series” is an imprint of Éditions B42 which republishes books formely edited by Hyphen Press. Hyphen Press is a London-based publisher founded by Robin Kinross in 1980. It has produced around thirty books on a diverse range of topics, but most of its publications are devoted to typography and graphic design.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOver twenty-five years of engagement, somewhere in the borderlands between journalism and the academy, Robin Kinross has written for magazines and journals, making a case for typography as a matter of fine detail and subtle judgement, whose products concern all of us, every day. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis selection of his shorter writings brings his major themes into focus: the unsung virtues of editorial and information design, the fate of Modernism in the twentieth century, the work of dissident and critical Modernist designers, the contributions of emigré designers from Europe in the English-speaking world, the virtues of a socially-oriented design approach. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHe argues for a design that is of use in the world, and against the cult of design and the delusions of theory. Pieces move from patient exposition, to sharp critique, to warm appreciation. This book presents an unexpected body of writing, which stakes out fresh territory between the purely academic and the merely journalistic. The whole is an unusual and powerful contribution to the subject of typography.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“In short, a nice book to read and the perfect antidote to all those slick design books.”\u003cbr\u003eMathieu Lommen, \u003cem\u003eItems\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Éditions B42","offers":[{"title":"Default Title","offer_id":41886412013798,"sku":"","price":29.25,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_80680313.jpg?v=1634672500"},{"product_id":"systematic-book-design-by-jost-hochuli","title":"SYSTEMATIC BOOK DESIGN? by Jost Hochuli","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e200 x 300 mm, 80 pages, colour printing throughout, perfect bound with fold in and foiled cover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Systematic book design?” was written for a lecture Jost Hochuli gave for the first time in Munich in 2007, and then at the Palais de Tokyo in Paris in 2011 on the initiative of F7. The text has been first published in \u003cem\u003eBack Cover\u003c\/em\u003e magazine in 2011. John Morgan’s foreword was especially written for the present edition.\u003cbr\u003eJost Hochuli’s text was translated from German by Charles Whitehouse.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDoes designing a book follow a logical and well-thought-out process? Swiss graphic designer and typographer Jost Hochuli studies the crucial role played by instinct throughout the various stages of planning a book, from selecting a typeface and its size to determining the layout of the blocks of text.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDrawing on his own experience and examples taken from various books he created, Jost Hochuli considers the questions which arose while they were being designed and the importance of intuition in rational thought.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Éditions B42","offers":[{"title":"Default Title","offer_id":41886412046566,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_80870313.jpg?v=1634672475"}],"url":"https:\/\/goodpress.co.uk\/collections\/design.oembed?page=17","provider":"Good Press — good books \u0026 more","version":"1.0","type":"link"}