{"title":"Biography \u0026 Memoir","description":"","products":[{"product_id":"a-side-are-your-dreams-at-night-1985-sizes-too-big-by-graham-holliday","title":"A-SIDE: ARE YOUR DREAMS AT NIGHT 1985 SIZES TOO BIG? by Graham Holliday","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e130 x 180mm, 140pages, Perfect bound, Hand stamped cover, Includes a risograph printed bookmark, 2019 (second printing, open edition, 2022)\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eNew project from our own Matthew Walkerdine: The Grass is Green in the Fields for You. A small press publisher investigating the unsung corners of music culture, its participants and subculture fandom. Releases shun exaggerated self-opinion instead favouring collaboration, community and conversation.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eIn the early 1980's, in the small town of Rugby in the centre of England, three teenagers began melding early blues with feedback, one-chord drones, booming drums, smashing cymbals, gospel, Turkish Saz and two-note melodies. Natty Brooker, Pete Kember and Jason Pierce were Spacemen 3. On 3 August, 1985, they played a gig in the backroom of the Black Lion pub on St. Giles Street in the nearby town of Northampton. All these years laters, it is still the best gig I’ve ever seen. It is also the gig that led directly to the band’s first-ever recording deal.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eAs a teenager growing up in Rugby in the '80s I saw Spacemen 3 play in many pub backrooms. They were, and remain, an incredible band and over the years, their reputation has spread far beyond those sticky floored, fag ash filled, grubby backrooms. Sometime in the early part of the 21st century, in a house in the south of France, I rediscovered a shoebox filled with photos, posters, tickets, flyers and cassettes from the mid-'80s and I tipped the lot out onto the floor. In among the ephemera were the photographs and cassette recording from that gig on 3 August 1985, the earliest Spacemen 3 gig for which there was a recording and photographs. And I wondered: where were all the people who were at the gig that night? And did they remember it too?\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627025126,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/MW_TGIGITFFY_ASIDE_01_GPWEB.jpg?v=1673714400"},{"product_id":"central-books-a-brief-history-1939-to-1999-by-dave-cope","title":"CENTRAL BOOKS: A BRIEF HISTORY 1939 TO 1999 by Dave Cope","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e197 x 127mm, 80 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2000\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCentral Books was set up in 1939 as the retail and wholesale outlet for Communist Party and other left-wing books and magazines. This is the story of its ups and downs over the years, and includes the portrayal of an array of interesting and sometimes unusual characters who worked there. The transition to its present position as a successful medium-sized independent distributor provides an entertaining and original perspective on the relationship between business and politics.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":41886137975014,"sku":"","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/098_D_ff2f006d-7e79-4990-9221-4fe50063f9ef.jpg?v=1634664818"},{"product_id":"colin-i-think-of-you-endlessly-by-emma-parkinson","title":"COLIN, I THINK OF YOU ENDLESSLY by Emma Parkinson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 32 pages, Digitally printed, Saddle stitched, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“… an exploration of the pathetic; longing emails sent to colleagues I've never met, stories of foreign affairs, and a tribute to Oasis which they perhaps don't deserve.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Emma Parkinson","offers":[{"title":"Default Title","offer_id":41886144626918,"sku":"","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/5jpg0406.jpg?v=1634665110"},{"product_id":"conversas-things-people-say-by-dusica-banduka","title":"CONVERSAS - THINGS PEOPLE SAY by Dusica Banduka","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 24 pages, Black risograph printed, Saddle stitch, Softcover, Ed. of 50, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Conversas is a collection of very personal and open conversations held during many months of travel through South America, documenting encounters in Chile, Argentina and Brazil in 2019. These are presented in the form of literal transcripts, visualized with b\/w illustrations and proving once more that human connections shape our experiences.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Dusica Banduka","offers":[{"title":"Default Title","offer_id":41886147281126,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/18010_9217dc39-f131-468c-a388-0d9418c6325c.jpg?v=1634665242"},{"product_id":"qsrk30kilyb6egmpr5na1ofu2fz7z1","title":"INTERMEDIARY SPACES by Eliane Radigue \u0026 Julia Eckhardt","description":"\u003cp\u003e170 x 240mm, 210 pages, Colour printing, Perfect bound, Softcover, 2nd Edition, 2024\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal.\u003c\/p\u003e\n\u003cp\u003eText in English \u0026amp; French\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"Q-02","offers":[{"title":"Default Title","offer_id":41886278123750,"sku":"","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_9540069.jpg?v=1712156734"},{"product_id":"fascination-memoirs-by-kevin-killian","title":"FASCINATION: MEMOIRS by Kevin Killian","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e152 x 228mm, 312 pages, black and white printing, perfect bound, 2018\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA memoir of gay life in 1970s Long Island by one of the leading proponents of the New Narrative movement.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eFascination\u003c\/em\u003e brings together an early memoir, \u003cem\u003eBedrooms Have Windows\u003c\/em\u003e (1989) and a previously unpublished prose work, \u003cem\u003eBachelors Get Lonely\u003c\/em\u003e, by the poet and novelist Kevin Killian, one of the founding members of the New Narrative movement. The two together depict the author's early years struggling to become a writer in the sexed-up, boozy, drug-ridden world of Long Island's North Shore in the 1970s. It concludes with \u003cem\u003eTriangles in the Sand\u003c\/em\u003e, a new, previously unpublished memoir of Killian's brief affair in the 1970s with the composer Arthur Russell. \u003cem\u003eFascination\u003c\/em\u003e offers a moving and often funny view of the loneliness and desire that defined gay life of that era—a time in which Richard Nixon's resignation intersected with David Bowie's \u003cem\u003eDiamond Dogs\u003c\/em\u003e—from one of the leading voices in experimental gay writing of the past thirty years. “Move along the velvet rope,” Killian writes in \u003cem\u003eBedrooms Have Windows\u003c\/em\u003e, “run your shaky fingers past the lacquered Keith Haring graffito: 'You did not live in our time! Be Sorry!'”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886281335014,"sku":"","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/D1878020-7E3C-4CC2-B4EF-329FCDBE8B27.jpg?v=1634668625"},{"product_id":"ithell-colquhoun-genius-of-the-fern-loved-gulley-by-amy-hale","title":"ITHELL COLQUHOUN: GENIUS OF THE FERN LOVED GULLEY by Amy Hale","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 240mm, 304 pages, Colour printing, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAfter decades of neglect, the British Surrealist and occultist Ithell Colquhoun’s unique vision and hermetic life have generated enormous interest amongst historians and practitioners of art and magic. In this, the first in-depth biographical study of Colquhoun and her work, Amy Hale examines the magical and cultural confluences that shaped her imaginative life and artistic vision.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRejecting the hectic social expectations and magical orthodoxies of London’s art and occult scenes, Colquhoun retreated to Cornwall, where, at the price of relative cultural obscurity, she pursued a life of profoundly dedicated spiritual and artistic enquiry. As a result, her visual and written works have only recently begun to receive the recognition they deserve as daring experiments in magical art, autobiography and esoteric feminism.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs the influential role of occult ideas in the history of art becomes ever clearer, Colquhoun’s work is long overdue a fresh consideration. ‘Genius of the Fern Loved Gully’ balances engaging biography with historical erudition and critical insight into her art and writing.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Strange Attractor Press","offers":[{"title":"Default Title","offer_id":41886286479590,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8940jpg0429.jpg?v=1634668928"},{"product_id":"foreground-music-a-life-in-fifteen-gigs-by-graham-duff","title":"FOREGROUND MUSIC: A LIFE IN FIFTEEN GIGS by Graham Duff","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e194 x 137mm, 364 pages, Offset printed, Perfect bound, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForeground Music is the result of a lifetime’s passion for gig-going by one of British television’s most individual writers.  From a Cliff Richard gospel concert at the age of 10, to his first rock show aged 14, where The Jam play so loudly he blacks out, to a Joy Division gig which erupts into a full-scale riot.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eVivid, insightful and very funny, each chapter covers a different gig, including Primal Scream headlining Glastonbury at the height of Screamadelica, and the troubled reformation of The Velvet Underground. Taking in the first UK headline gig by The Strokes in a room above a pub, and the final arena tour by David Bowie.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAlong the way Duff experiences pub-crawls with Mark E. Smith of The Fall, convinces Paul Weller to undertake his first acting role and attempts to interview Genesis P. Orridge of Throbbing Gristle whilst tripping on LSD.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForeground Music captures the power of life-changing gigs, whilst tracing the evolution of 40 years of musical movements and subcultures. But more than that, it’s an honest, touching and witty story of friendship, love, creativity and mortality, and a testimony to music’s ability to inspire and heal.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Strange Attractor Press","offers":[{"title":"Default Title","offer_id":41886294081766,"sku":"","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3459093.jpg?v=1634669233"},{"product_id":"right-now-by-robin-cameron","title":"RIGHT NOW By Robin Cameron","description":"\u003cp\u003e15 x 15cm, 192 pages, Black and white printed, Perfect bound, Embossed cover, 2017\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRight Now\u003c\/em\u003e is a book of 365 stories inspired by the chronological events of an e-mail archive. A 10-year span in the artist’s life is distilled into a single new year--days, months and years are blurred into a pastiche of deconstructed personal histories, episodic memory. Cameron uses our perception of time as a device to formulate themes of permanence, change and nostalgia. In \u003cem\u003eRight Now\u003c\/em\u003e, the past is reiterated into the present creating an examination of readers’ tenuous relationship to memory and time.\"\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Run\/Off Editions","offers":[{"title":"Default Title","offer_id":41886374297830,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0339.jpg?v=1634671535"},{"product_id":"uncovered-voices-by-vvaa","title":"UNCOVERED VOICES by Various Artists","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e148 x \u003cmeta charset=\"utf-8\"\u003e210mm, 52 pages, Full colour printed, Perfect bound, 2018.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eAn anthology of work created by survivors of sexual and domestic abuse.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Uncovered Artistry","offers":[{"title":"Default Title","offer_id":41886379442406,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/092_D_47bd7893-7adf-4540-96c6-fe9eac189c61.jpg?v=1634671607"},{"product_id":"weight-of-the-earth-by-david-wojnarowicz","title":"WEIGHT OF THE EARTH by David Wojnarowicz","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135mm x 205mm, 184 pages, black and white, perfect bound, 2018\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAudio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming.... It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence.—from \u003cem\u003eThe Weight of the Earth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eArtist, writer, and activist David Wojnarowicz (1954–1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence, and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.\u003cem\u003eThe Weight of the Earth\u003c\/em\u003e presents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft, the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886393172198,"sku":"","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7753.jpg?v=1634671794"},{"product_id":"written-in-invisible-ink-selected-stories-by-herve-guibert","title":"WRITTEN IN INVISIBLE INK: SELECTED STORIES by Herve Guibert","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13.6 x \u003cmeta charset=\"utf-8\"\u003e19.8cm, 268 pages, Black and white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eStories that map the writer’s artistic development, written with candor, detachment, and passion.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHervé Guibert published twenty-five books before dying of AIDS in 1991 at age 36. An originator of French “autofiction” of the 1990s, Guibert wrote with aggressive candor, detachment, and passion, mixing diary writing, memoir, and fiction. Best known for the series of books he wrote during the last years of his life, chronicling his coexistence with illness, he has been a powerful influence on many contemporary writers.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWritten in Invisible Ink maps the writer’s artistic development, from his earliest texts—fragmented stories of queer desire—to the unnervingly photorealistic descriptions in Vice and the autobiographical sojourns of Singular Adventures. Propaganda Death, his harsh, visceral debut, is included in its entirety. The volume concludes with a series of short, jewel-like stories composed at the end of his life. These anarchic and lyrical pieces are translated into English for the first time by Jeffrey Zuckerman.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom midnight encounters with strangers to tormented relationships with friends, from a blistering sequence written for Roland Barthes to a tender summoning of Michel Foucault upon his death, these texts lay bare Guibert’s relentless obsessions in miniature\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886405820646,"sku":"","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0881112.jpg?v=1634672222"},{"product_id":"this-is-supposed-to-be-a-record-label-by-frans-de-waard","title":"THIS IS SUPPOSED TO BE A RECORD LABEL by Frans de Waard","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 240mm, 288 pages, Black \u0026amp; white printing, Perfect bound, Softcover, Fourth edition, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn 1992, Frans de Waard (of Kapotte Muziek, Beequeen and the Korm Plastics label) was asked to work for Staalplaat, then one of the biggest independent labels for experimental and electronic music. Staalplaat was the home for bands like Muslimgauze, :zoviet*france:, Rapoon, O Yuki Conjugate as well as Jaap Blonk, Normally Invisible and Kingdom Scum. With an average of three new releases every month, Staalplaat remained a major player for the next eleven years. Hired to set-up a database and to sell and buy new music, Frans de Waard over the years also assumed a role as (unofficial) business director and A\u0026amp;R man, and came to be regarded as the head honcho. In 2003 he’d had enough and decided to quit.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book tells his story about those eleven years, the many high and as many lows of working for a small independent record label, which also functioned as a shop, mail order, radio programme, news outlet, and concert organiser. It’s about embarrassing confrontations with musicians, labels, distributors, and the endless spending on the most unique packaging CD-Land ever saw.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIncluding an interview with Staalplaat founder Geert-Jan Hobijn, a transcript of a radio interview with Muslimgauze, a 1980’s account of Staalplaat’s activities, and a discography, among others.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFor everyone with an interest in the experimental music scene, and anyone else who wants to read a crazy, funny and sad story about a small struggling record label. Anyone who is interested in a manual of how (not) to run your record label might want to take notes.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Korm Plastics","offers":[{"title":"Default Title","offer_id":41886408540390,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_64370106.jpg?v=1634672345"},{"product_id":"thoughts-one-cant-do-without-no-3-a-magpie-and-an-envelope-by-carol-mavor","title":"THOUGHTS ONE CAN'T DO WITHOUT NO. 3: A MAGPIE AND AN ENVELOPE by Carol Mavor","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 48 pages, Black \u0026amp; white printed, Saddle stitch, Softcover, Ed. of 750, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA contemplative and lyrical memoir of early childhood, inheritance, and loss. Carol Mavor blends encounters with the works of Piero della Francesca and Brueghel, Goya and Mann, alongside a synesthetic immersion in pre-linguistic memory. It is a scholarly and intimate look at grief and reparation, imagination and forgiveness, told by one of the most interesting and genre-defying contemporary essayists around.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Juxta Press","offers":[{"title":"Default Title","offer_id":41886411423974,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/17jpg0302.jpg?v=1634672417"},{"product_id":"we-have-delivered-ourselves-from-the-tonal-of-towards-on-for-julius-eastman","title":"WE HAVE DELIVERED OURSELVES FROM THE TONAL – OF, TOWARDS, ON, FOR JULIUS EASTMAN","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e130 x 200mm, 264 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Federica Bueti, Antonia Alampi, Bonaventure Soh Bejeng Ndikung.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributions by Antonia Alampi, Rocco Di Pietro, Kodwo Eshun, Federica Bueti, Sean Griffin, Sumanth Gopinath, Jean-Christophe Marti, Josh Kun, Elaine Mitchener, Malak Helmy, Bonaventure Soh Bejeng Ndikung, Marie Jane Leach, George E. Lewis, Berno Odo Polzer, Pungwe, Christine Rusiniak.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe book investigates his legacy beyond the predominantly Western musicological format of the tonal or harmonic and the framework of what is today understood as minimalist music. By trying to complicate, deny or expatiate on the notions of the harmonic, tonal hierarchy, the triadic, or even the tonal centre, Eastman's compositions explore strategies and technologies of attaining the atonal. One might be tempted to see Eastman in the legacy of Bartok, Schoenberg, Berg and others, but here too, it is worth shifting the geography of minimal tendencies and minimalism in music. It is worth listening and reading Eastman's music within the scope of what Oluwaseyi Kehinde describes as the application of chromatic forms such as polytonality, atonality, dissonance as the fulcrum in analysing some elements of African music such as melody, harmony, instruments and instrumentation. This publication constructs a non-linear genealogy of Eastman's practice and his cultural, political and social relevance, while situating his work within a broader rhizomatic relation of musical epistemologies and practices.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished following the exponymous exhibition at SAVVY Contemporary, Berlin, in 2018.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eJulius Eastman (1940-1990) was an American composer, pianist, vocalist, and dancer whose work fell under minimalism. He was among the first composers to combine minimalist processes with elements of pop music.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThere was some for John Cage, then came Christian Wolff, and finally Morton Feldman, from this school in New York. Only Julius Eastman remained outside the game, the last figure, the most solitary and enigmatic—undoubtedly also one of the most powerful. In the 1970s and 1980s, Eastman was one of the very few African-Americans to gain recognition in the New York avant-garde music scene. He was politically committed, a figure of queer culture and a solar and solitary poet whose melancholy influenced his genius as well as his tragic destiny: suffering from various addictions, declared missing, actually homeless. During Winter of 1981-82, he got deported from his apartment by the police, who destroyed most of what he owned—including scores and recordings. He was found dead in 1990, on the streets of Buffalo, after years of vagrancy.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":41886415159526,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8228jpg0422.jpg?v=1634672590"},{"product_id":"the-afro-scot-experience-by-michael-uzoramaka-jonathan","title":"THE AFRO-SCOT EXPERIENCE by Michael Uzoramaka Jonathan","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e150 x 210mm, 238 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThe book features the infusion of African \u0026amp; Scottish culture. This is a theme which distinguishes Afro-Scot from other brands. UZOR hopes to share his own \u0026amp; others experiences as an african growing up in Scotland to demonstrate how conflicting cultural assimilation can be. These three stories — ‘AFROSCOT’, ‘What is Nka?’ and ‘The Afro-Scot Experiment’ — demonstrate how cross cultural influences can fire up creativity. They explore how diversity leads to creativity. The author desires to give the reader the opportunity to piece all three stories together to understand what ‘The Afro-Scot Experience’ is. We hope our work will invoke emotional response that connects to our identity.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"UZOR","offers":[{"title":"Default Title","offer_id":41886424465638,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4017033.jpg?v=1634673056"},{"product_id":"writing-within-walls-by-various","title":"WRITING WITHIN WALLS by Various","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e12.7 x 20.3cm, 102 pages, softcover. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePrison. It is a word that conjures up loss, bleakness and despair. A place where those who have broken the law are kept, both for punishment and for the safety of society. But behind these images are human stories, accounts of tragic mistakes and broken lives, woven in-between with hope. For those inside prison, it is hope that often keeps them going: for the future, for those they care for, and for the chance to start afresh upon release. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Arkbound Foundation","offers":[{"title":"Default Title","offer_id":41886426136806,"sku":"","price":7.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2849048.jpg?v=1634673064"},{"product_id":"sunday-part-three-by-jack-dunleavy-and-lawrence-dodgson","title":"SUNDAY: PART THREE by Jack Dunleavy and Lawrence Dodgson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e17 x 25cm, 24 pages, full colour printing, staple bound, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSunday, Saturday, Friday, Thursday, Tuesday, Monday is an experiment in autofiction. It combines visual and textual narrative techniques to tell the story of four friends and how their relationships with one another change over a ten year period. It touches on suicide, schizophrenia, poetry and adolescent romance. But that’s only half the story. At the back, a long explanatory text reframes the narrative, blurring the line between life and fiction and turning everything you’ve just read on it’s head.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by Jack Dunleavy and Lawrence Dodgson\u003c\/p\u003e","brand":"Jack Dunleavy and Lawrence Dodgson","offers":[{"title":"Default Title","offer_id":42033580835046,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3858062.jpg?v=1636564205"},{"product_id":"the-waterfront-journals-by-david-wojnarowicz","title":"THE WATERFRONT JOURNALS by David Wojnarowicz","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e12.5 x 19.5cm, 190 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eA visceral and carnivalesque mosaic of life at the fringes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe Waterfront Journals\u003c\/em\u003e is a road trip through the sensuous, perilous landscape of alternative America—a series of fictional monologues that ventriloquise the real people Wojnarowicz met on his travels while he was sleeping rough.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWe meet these hustlers, runaways and dreamers in unassuming locations—in truck stops, bus stations and parks. Their stories are disturbing, often shocking; but they’re told with an honesty and a hallucinatory intensity that simply demands to be heard.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished for the first time in the UK, this electrifying collection confirms that David Wojnarowicz was not only one of millennial America’s most necessary and visionary artists, but also among its most humane and urgent literary chroniclers.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Peninsula Press","offers":[{"title":"Default Title","offer_id":42033581195494,"sku":"","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3911104.jpg?v=1636564220"},{"product_id":"half-truths-by-seren-metcalfe","title":"HALF TRUTHS by Seren Metcalfe","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 152 pages, Colour printing, Perfect bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA publication housing a collection of daily passings. A mixture of daily strolls and daily scrolls gathered into an autobiographical archive.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Seren Metcalfe","offers":[{"title":"Default Title","offer_id":42269964468454,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5814008.jpg?v=1641401987"},{"product_id":"partners-by-stephen-housewright","title":"PARTNERS by Stephen Housewright","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135 x 197 mm, 288 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn \u003cem\u003ePartners\u003c\/em\u003e, writer, librarian, and teacher Stephen Housewright paints an intimate portrait of a lifetime spent with Jerry Hunt (1943–1993), a Texas-born artist and musician with an astonishing mind and a mystifying practice. Hunt was a singular figure in the world of new music, and one of the most radically unorthodox artists of his generation. His remarkable yet underknown work incorporated motion- and sensor-activated technologies, readymade props, eccentric choreographies, and sixteenth-century astrology into performance and composition. While he orbited avant-garde worlds in the United States and Europe, his personal life, spent largely on a ranch in rural Texas, remained elusive. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn this memoir-cum-biography, Housewright narrates a life spent together, beginning in high school as a closeted couple in East Texas and ending with Hunt’s battle with cancer and his eventual suicide in 1993, the subject of one of his most harrowing works on video, \u003cem\u003eHow to Kill Yourself Using the Inhalation of Carbon Monoxide \u003c\/em\u003e(1993). Including private correspondence with, and thrilling anecdotes about, Hunt’s friends, family, and art world peers, \u003cem\u003ePartners\u003c\/em\u003e is an essential introduction to Jerry Hunt, and one that only Housewright could share.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSelf-published online in 1995, and now printed for the first time by Blank Forms Editions with a new introduction by Hunt’s close collaborator Karen Finley, \u003cem\u003ePartners\u003c\/em\u003e is the first installment of Blank Forms’s extensive program dedicated to Jerry Hunt. This program includes the first-ever exhibition surveying the artist’s career, \u003cem\u003eJerry Hunt: Transmissions from the Pleroma\u003c\/em\u003e, opening at Blank Forms in early 2022; a deluxe LP boxed set and reader; the first vinyl pressing of Hunt’s final record, \u003cem\u003eGround: Five Mechanic Convention Streams\u003c\/em\u003e (1992); and the special anthology \u003cem\u003eBlank Forms 08: Transmissions from the Pleroma\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Blank Forms","offers":[{"title":"Default Title","offer_id":42269964533990,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4278033.jpg?v=1641401990"},{"product_id":"try-saying-youre-alive-by-kazuki-tomokawa","title":"TRY SAYING YOU'RE ALIVE! by Kazuki Tomokawa","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e140 x 198mm, 200 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eKazuki Tomokawa has lived many lives: poet, self-taught guitarist, actor, day laborer, basketball coach, painter, bicycle race tipster, and incomparable drinker among them. Above all, he is a legend of Japan’s avant-folk music scene and his searing lyrics and raw, unvarnished vocals have influenced generations of musicians since his mid-1970s debut, when his unique sound brought him to prominence in the turbulent worlds of Tokyo’s underground film and music. Here, in his contemplative and utterly original style, the “screaming philosopher” charts the last six decades of his life, reflecting on everything from \u003cem\u003ekeirin \u003c\/em\u003eto nuclear disaster to his own itinerancy, all the while providing an unfiltered view into the explosive cultural zeitgeist of postwar Tokyo. Originally printed in 2015, this translation is the first of Tomokawa’s writings to ever be published in English, and is accompanied by Blank Forms Editions’ reissue of Tomokawa’s first three solo records from 1975–77: \u003cem\u003eFinally, His First Album\u003c\/em\u003e, \u003cem\u003eStraight from the Throat\u003c\/em\u003e, and \u003cem\u003eA String of Paper Cranes Clenched between My Teeth\u003c\/em\u003e. \u003cem\u003eTry Saying You’re Alive! \u003c\/em\u003eis a memoir like no other, delivered with the incisive tongue and stubborn charm of one of Japan’s most singular living musicians. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eKazuki Tomokawa (b. 1950) is a prolific singer-songwriter from Hachiryu Village (now the town of Mitane) in the Akita Prefecture area of northern Japan. Since his first release in 1975, he has recorded more than thirty albums. The 2010 documentary about his life, \u003cem\u003eLa Faute des Fleurs\u003c\/em\u003e, won the Sound \u0026amp; Vision award at the Copenhagen International Documentary Film Festival, and that same year saw the Japanese release of the book \u003cem\u003eDreams Die Vigorously Day by Day\u003c\/em\u003e, a collection of his lyrics spanning forty years. His most recent albums are \u003cem\u003eVengeance Bourbon \u003c\/em\u003e(2014) and \u003cem\u003eGleaming Crayon \u003c\/em\u003e(2016), both on the Modest Launch label. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDamon Krukowski is a musician and writer based in Cambridge, MA. His most recent book is \u003cem\u003eWays of Hearing \u003c\/em\u003e(MIT Press, 2019) and his latest album is Damon \u0026amp; Naomi’s \u003cem\u003eA Sky Record \u003c\/em\u003e(20|20|20, 2021). \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDaniel Joseph is a translator, editor, and musician. He holds a master’s degree from Harvard University in medieval Japanese literature, and recently contributed translations to \u003cem\u003eTerminal Boredom \u003c\/em\u003e(Verso, 2021), a collection of stories by science fiction pioneer Izumi Suzuki.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003c\/p\u003e","brand":"Blank Forms","offers":[{"title":"Default Title","offer_id":42269964599526,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4330038.jpg?v=1641401986"},{"product_id":"doorways-women-homelessness-trauma-and-resistance-by-bekki-perriman","title":"DOORWAYS: WOMEN, HOMELESSNESS, TRAUMA AND RESISTANCE by Bekki Perriman","description":"\u003cp\u003e160 x 240mm, 156 pages, Colour printing, Perfect bound, Soft cover, Edition of 600, 2019\u003c\/p\u003e\n\u003cp\u003ewith Laura E. Fischer, Andrea Gibbons, Janna Graham, Pippa Hockton, Anna Minton, Mary Paterson, Moyra Peralta, Lisa Raftery, Shiri Shalmy and Andrea Luka Zimmerman\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e‘\u003cem\u003eDoorways\u003c\/em\u003e is an urgent book in this time of social crisis. The devastating stories of homeless women hit hard, while the essays show how this brutality is no accident – it’s the result of a deliberate policy against women and working class people. The book demonstrates the full scale of this tragedy: from housing policies designed to benefit developers to a collapsing mental health service, it is women who pay the highest price.’ – Kate Tempest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDoorways\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an expansive, layered and self-reflexive anthology exploring the personal stories of one of society’s most marginalised groups – women experiencing street homelessness. Growing out of the extreme personal experience that informed the sound and photographic works of artist Bekki Perriman’s The Doorways Project, ​\u003cem\u003eDoorways\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e​combines personal testimonies with new essays and commentary by renowned academics, activists, journalists, therapists and practitioners, exploring the cultural, social and political dimensions of homelessness, as well as the role of artists and institutions in challenging it.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"House Sparrow Press","offers":[{"title":"Default Title","offer_id":42300217196774,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6631098.jpg?v=1641998852"},{"product_id":"why-so-few-women-on-the-street-at-night-by-sarona-abuaker","title":"WHY SO FEW WOMEN ON THE STREET AT NIGHT by Sarona Abuaker","description":"\u003cp\u003e128 x 195mm, 108 pages, black and white printing, perfect bound, softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\"\u003e'In Sarona Abuaker’s extraordinary debut collection, “images, graphs, charts, statistics, maps, bank statements from the home of origin \u0026amp;\/or showing the said home of origins” perform a version of skin that shakes until it is no longer something another person could touch. Is this erasure, a metamorphic performance, or the moment, in fact, in which the body is disappeared? In one searing instance, Abuaker attends to somatic memory as something made available only by severance, a physiological and political act: “release memory\/ muscle\/heart\/if you cut open the chest\/you will see the blockages\/cross lines\/coronary\/green azygous\/armistice\/ partition\/seizing seizing seizing.” Here, syntax performs the cut and becomes the texture, the wound, the very thing that must be sutured now. As the poet writes: “resistance sometimes looks like constraint.” Perhaps the same could be said of recovery (aftermath) as well.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhy so few women on the street at night\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis another brilliant offering from the87press.' — Bhanu Kapil\u003c\/p\u003e\n\u003cp class=\"\"\u003eSarona Abuaker is a poet, artist, and educational outreach worker. Her poems have been published in Berfrois, MAP Magazine, and the87press’ Digital Poetics series. Her mixed-media essay\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSuture Fragmentations – A Note on Return\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewas published in December 2020 with KOHL: A Journal for Body and Gender Research. She is based in London.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhy so few women on the street at night\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis her debut collection (the87press, 2021).\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The 87 Press","offers":[{"title":"Default Title","offer_id":42389208498406,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6811001.jpg?v=1643803431"},{"product_id":"a-promenade-at-home-by-sevinc-calhanoglu","title":"A PROMENADE AT HOME by Sevinç Çalhanoğlu","description":"\u003cp\u003e120 x 170 mm, 80 pages, Black \u0026amp; white printing, Perfect bound, Softcover, Ed. of 500, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEqual parts lyric and performative, “A Promenade at Home” is a meticulous cataloging of possession in all its forms. Revisiting her childhood home in Istanbul in spirit, poet Sevinç Çalhanoğlu overhears a conversation between her mother and the sentient house, their dialogue a cantillated litany of decorations past and present. Meanwhile, her mother bustles about with broom and bleach, seeking to disrupt the settling of dust and malefic hexes in rooms that arrange themselves into a theatrical set. As Sevinç proceeds to piece together painful memories of coming of age in this middle-class, Muslim household, she reckons with an interior’s ability to occupy its occupants—specifically her mother and, through osmosis and inheritance, the poet-daughter—and explores how a home touched by grief can become a haunted space. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith cathartic intent, Sevinç excavates the microhistorical, retrieving memories long muffled by carpet in an effort to assuage the white noise of trauma. “A Promenade at Home” is comprised of two self-contained poetic works, each illustrated by Sevinç with its own of set of art: the titular “A Promenade at Home,” a weave of poems, fragments, and performative dialogue, arranged together with abstract monochromatic watercolors; and “Melancholia: An Inventory,” a prose-poetry hybrid of domestic diary and institutional guided tour, illustrated with drawings of household artifacts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTranslated from the Turkish by Ayça Akarsu and Cansen Mavituna. Aquarelle cover painting by Ürün Ünal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Bored Wolves","offers":[{"title":"Default Title","offer_id":42392440406246,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0447001.jpg?v=1643896238"},{"product_id":"close-to-the-knives-a-memoir-of-disintegration-by-david-wojnarowicz","title":"CLOSE TO THE KNIVES: A MEMOIR OF DISINTEGRATION by David Wojnarowicz","description":"\u003cp\u003e127 x 197mm, 288 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2017\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eClose to the Knives\u003c\/em\u003e\u003cspan\u003e is the artist, writer and activist David Wojnarowicz’s extraordinary memoir. Filthy, beautiful, and sharp to the point of piercing, it is both an exploration of the world seen through the eyes of an artist, and a moving portrait of a generation living, grieving, and dying through the AIDS crisis. It is a triumphant hymn of resistance, and a dizzying celebration of the joys of seeing and living in the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"review\"\u003e“David Wojnarowicz is brilliantly attuned to American talk and responsive to the moods and innovations of society’s truants. He also has the best conscience of any writer I know. This fierce, erotic, haunting, truthful book should be given to every teenager immediately” — \u003cspan class=\"review-source\"\u003eDENNIS COOPER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"review\"\u003e“Everyone should read\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eClose to the Knives\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eto understand the overall political agenda behind suffering … This isn’t just David’s story, it’s our story” — \u003cspan class=\"review-source\"\u003eKAREN FINLEY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"review\"\u003e\u003cspan class=\"review-source\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Canongate","offers":[{"title":"Default Title","offer_id":42477192872166,"sku":"","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7218012.jpg?v=1645630274"},{"product_id":"the-shedding-by-suzanna-slack","title":"THE SHEDDING by Suzanna Slack","description":"\u003cp\u003e150 x 220mm, 194 pages, full colour printing, perfect bound, softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Shedding is one part in three of the non-sequential memory trilogy with Is This It? \u0026amp; The Poor Children. 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A child of suburban 50‘s Maryland and post-beatnik 60’s freakdom, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious and sublime stories and short fiction and a maven of the Downtown art world. Edgewise tells the story of Cookie‘s life through an oral history composed from over 80 interviews with the people who knew her. After tracing back some of the steps of the author’s 7-year trip in search of Cookie, the voices take us from the late 60’s artist communes of Baltimore to 70’s Provincetown where romantics and queers crawled the dunes and discos, to the sleepless creative high of post-industrial Bohemian New York, through 80‘s West Berlin and Positano, and into the depths and contradictions of Cookie’s life and loves.\u003c\/p\u003e\n\u003cdiv class=\"copy-medium w-richtext\"\u003e\n\u003cp\u003eSince  her death from AIDS in 1989, Cookie’s work and life have made her  an underground icon. 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The book presents an authentic portrait of a notable American artist thatis compelling reading for the general reader as well as scholars interested in twentieth-century American music, American studies, gay rights, and civil rights. This Life of Sounds: Evenings for New Music inBuffalo received an ASCAP Deems Taylor Award for excellence. 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This issue also includes a short poetry quarantzine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Mika Gratzke","offers":[{"title":"Default Title","offer_id":43259625734374,"sku":"","price":1.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9011043.jpg?v=1661352551"},{"product_id":"bessie-quinn-survivor-spirit-from-galashiels-mills-to-garden-cities-by-ursula-howard","title":"BESSIE QUINN: SURVIVOR SPIRIT - FROM GALASHIELS MILLS TO GARDEN CITIES by Ursula Howard","description":"\u003cp\u003e155 x 230mm, 347 pages, Colour printed, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe moving, atmospheric story of an extraordinary woman and her 19th century immigrant family in Scotland, reveals their origins in Famine-ravaged Ireland. The lives and characters of the Quinn family among the woollen mills of Galashiels, the slums and factories of Edinburgh and the tenements of Clydebank around the Singer sewing machine works, come right off the page. Their hand-to-mouth existence and their stubborn independence in the face of poverty are brought vividly back to life. But as a young woman in the 1900s, Bessie Quinn, eighth child of a family in deep trouble, took flight and changed her life. Her journey from Clydebank to an emancipated life in Hampstead Garden Suburb in London, via the Arts and Crafts movement which then thrived in the Lake District, is nothing short of miraculous. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"The Endless Bookcase","offers":[{"title":"Default Title","offer_id":43285947842790,"sku":"","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0395007.jpg?v=1662030142"},{"product_id":"dilla-time-by-dan-charnas","title":"DILLA TIME: THE LIFE AND AFTERLIFE OF J DILLA, THE HIP-HOP PRODUCER WHO REINVENTED RHYTHM by Dan Charnas","description":"\u003cp\u003e130 x 197mm, 460 pages, Black \u0026amp; white printing, Perfect bound, softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two. In Dilla Time, Dan Charnas chronicles the life of J. Dilla, from his gifted childhood in Detroit, to the rare medical condition that caused his tragically premature death. He also records the histories of American rhythms: from the birth of funk and soul in Dilla's own Motown, to techno and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something totally new. Charnas teaches us to \"see\" sound differently, giving time itself texture, color, pattern. Dilla's beats, which to the untrained ear sound imprecise and chaotic, were born of the rigorous work ethic of a perfectionist almost spiritually devoted to his music. This is the story of the man, and the machines, that made up a new kind of time. Equal parts musicology, biography, and cultural history, Dilla Time is a book as delightfully detail-oriented and as vibrantly original as J. Dilla's music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Swift Press","offers":[{"title":"Default Title","offer_id":43384087478502,"sku":"","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_28282001.jpg?v=1717672262"},{"product_id":"on-not-knowing-by-emily-ogden","title":"ON NOT KNOWING by Emily Ogden","description":"\u003cp\u003e128 x 198mm, 118 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003eMoments of clarity are rare and fleeting; how can we become comfortable outside of them, in the more general condition of uncertainty within which we make our lives? Written by critic Emily Ogden while her children were small, On Not Knowing forays into this rich, ambivalent space. Each of her sharply observed essays invites the reader to think with her about questions she can’t set aside: not knowing how to give birth, to listen, to hold it together, to love.\u003c\/p\u003e\n\u003cp\u003eUnapologetically capacious in her range of reference and idiosyncratic in the canon she draws on, Ogden moves nimbly among the registers of experience, from the operation of a breast pump to the art of herding cattle; from one-night stands to the stories of Edgar Allan Poe. Committed to the accumulation of knowledge, Ogden nonetheless finds that knowingness for her can be a way of getting stuck, a way of not really living. Rather than the defensiveness of wilful ignorance, On Not Knowing celebrates the defencelessness of not knowing yet – which, Ogden suggests, may be a form of love.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Peninsula Press","offers":[{"title":"Default Title","offer_id":43391351193830,"sku":"","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4410016.jpg?v=1663934039"},{"product_id":"on-water-by-lorna-flutter-finn-murphy-dom-saulter-amy-gwilliam-antony-hurley-sam-donagh-and-emma-cheung","title":"ON WATER by Lorna Flutter, Finn Murphy, Dom Saulter, Amy Gwilliam, Antony Hurley, Sam Donagh and Emma Cheung","description":"\u003cp\u003eA5, 44 pages, full colour printing on various paper stocks, hand thread bound, softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA zine about living on water. Living on water is nothing like being amphibious. To make the water one’s home, one must be at ease with the endless unpredictability and constant danger of being surrounded by water. Water is constantly in motion, meaning that one’s home is always moving, swaying, held ashore by a few knots of rope through a stake in the mud. Water always threatens to seep through, fill up, overcome, sink. Being on water means surrendering to the life that is its own and learning to move with it and the wind. And with this slipperiness, this float state, comes freedom – freedom of movement and the tranquillity that comes with solitude and independence. Within this zine you will find writing, drawing and photography about canals, rivers and the coast from the perspective of those who have lived on them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Loose Associations","offers":[{"title":"Default Title","offer_id":43393781596390,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1072020.jpg?v=1664018930"},{"product_id":"letters-by-stephen-ratcliffe-and-barbara-guest","title":"LETTERS by Stephen Ratcliffe and Barbara Guest","description":"\u003cp\u003e205 x 230mm, 197 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBarbara Guest has been one of the finest American poets working, since the 1950s, known as one of the New York School poets. Her work took a radical, opening change that was influenced by her love of the visual arts, her move to California later in life, and her friendships and relationships with innovative California poets, including Stephen Ratcliffe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Chax Press","offers":[{"title":"Default Title","offer_id":43409768218854,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4698026.jpg?v=1664451682"},{"product_id":"inheritance-by-jessica-williams","title":"INHERITANCE by Jessica Williams","description":"\u003cp\u003e115 x 150mm, x2 16 page booklets, Risograph printing, Saddle stitched, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThese slim riso-printed booklets in mirrored versions of red and black beg the question: \"What is the shape of sorrow?\" A visual study of presence and absence. Nostalgia, disassociation, longing. Holes and\/or abstract shapes where there once was something.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Hverdag Books","offers":[{"title":"Default Title","offer_id":43419757248742,"sku":"","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5199031.jpg?v=1664801250"},{"product_id":"the-letters-of-douglas-oliver-and-j-h-prynne-1967-2000-edited-by-joe-luna","title":"THE LETTERS OF DOUGLAS OLIVER AND J. H. PRYNNE, 1967-2000 Edited by Joe Luna","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e170 × 240 mm, 208 pages, Black \u0026amp; white printing, Perfect bound, Softcover, Edition of 700, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDouglas Oliver (1937–2000) and J. H. Prynne (b. 1936) are two of the most original and ambitious poets of the contemporary era. Eschewing the conservativism of mainstream postwar British verse and embracing influences from America and Europe, each developed their craft through continuous correspondence and exchange as part of the febrile scene of poetical community and contestation that emerged in Cambridge in the 1960s. Their works over the following decades exhibit frequent shifts in form and style, from Prynne’s radical transformation and dispersal of the lyric tradition to Oliver’s adaptation of dream visions and medieval-inspired verse satires. 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