{"title":"Archives","description":"","products":[{"product_id":"burnside-a-community-by-kathleen-ryan","title":"BURNSIDE: A COMMUNITY by Kathleen Ryan","description":"\u003cp\u003e6\" x 8.5\" x 0.25\", 100 pages, black and white digital printing throughout, perfect bound, hand stamped cover, open edition, 2013.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e'Burnside: A Community is a \"photographic history of Portland's skid row,\" published by Portland photographer, Kathleen Ryan, in 1979. This striking series of photographs, text, and maps reveals the stagnation and flux in Portland's Old Town Chinatown neighborhood. Ryan's photography encompasses the homeless, Chinese, Japanese, and Native-American communities that called downtown Burnside their home along with the shelters, strip clubs, bars, and businesses that comprised the skid row landscape. As part of the Dill Pickle Club's PDX Re-Print series, this edition includes a new introduction by Street Roots editor Israel Bayer.'\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Publication Studio, Portland","offers":[{"title":"Default Title","offer_id":41886118740198,"sku":"","price":9.1,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/011_D.jpg?v=1634664166"},{"product_id":"21-revolutions-by-various-artists-edited-by-adele-patrick","title":"21 REVOLUTIONS by Various Artists (Edited By Adele Patrick)","description":"\u003cp\u003e300 x 250 mm, 192 pages, Full colour offset printed, Perfect bound, Softcover, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Glasgow Women’s Library is unique, part of the international feminist art and archive movement that has proliferated since the 1970s, its collections include an unrivalled range of artefacts and material relating to the women’s movement in Scotland. 21 Revolutions is a beautiful full colour, coffee table book celebrating the Library’s twenty first anniversary and featuring work by 21 artists and 21 writers, including some of Scotland’s most celebrated women creatives.\"\u003c\/p\u003e\n\u003cp\u003e\"Jackie Kay, Jen Hadfield, Anne Donovan, Karen Campbell, Denise Mina, Elizabeth Reeder, A.L. Kennedy, Helen Fitzgerald, Zoe Wicomb, Muriel Gray, Louise Welsh, Janice Galloway, Lucy Skaer, Karla Black, Claire Barclay, Sam Ainsley, Corin Sworn and many others have created extraordinary art, poetry and prose, each inspired by individual artefacts in the library, across the fields of social and women’s history, feminism and equality.\"\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Freight Books","offers":[{"title":"Default Title","offer_id":41886118969574,"sku":"","price":16.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/054_D.jpg?v=1634664186"},{"product_id":"1996-bis-by-various-artists","title":"1996 (BIS)  by Various Artists","description":"\u003cp\u003e 18cm x 23.5cm, 36 pages, single colour risograph printing throughout, saddle stitched.\u003c\/p\u003e\n\u003cp\u003eA collection of fax correspondence produced by Transmission Gallery, Glasgow.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Transmission Gallery","offers":[{"title":"Default Title","offer_id":41886120083686,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D.jpg?v=1634664251"},{"product_id":"a-living-almanac-of-appropriate-technologies-by-thomas-pausz-amp-evening-class","title":"A LIVING ALMANAC OF APPROPRIATE TECHNOLOGIES by Thomas Pausz and Evening Class","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 136 pages, black and white printing, perfect bound, softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe collaboration happened in parallel with Thomas’ residency at the Defina Foundation in London. Evening Class hosted a filtering workshop led by Thomas, scanning sections from his collection of The Whole Earth Review magazine according to themes developed during the workshop. The results of the workshop are published here, along with additional material by Thomas and Evening Class.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Evening Class","offers":[{"title":"Default Title","offer_id":41886126211302,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4696.jpg?v=1634664476"},{"product_id":"andrei-monastyrski-elementary-poetry","title":"ANDREI MONASTYRSKI: ELEMENTARY POETRY","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150mm x 210mm, 260 pages, full colour printing throughout, plus inserts and tip-in images, perfect bound, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited and Translated by Brian Droitcour and Yelena Kalinsky \/ Preface by Boris Groys\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn recent years Andrei Monastyrski has received international recognition for his work with Collective Actions, a group of artists who have organized actions in the fields around Moscow since 1976. Though his poetry is less well known, that is where it all began. After writing poetry in the manner of Russian modernists, newly available to Soviet readers during Khrushchev’s thaw, Monastyrski’s interest in John Cage and ideas about consciousness from Western and Eastern philosophical traditions led him to deepen his dialogue with poetry of the past through experiments with sound, form, and the creation of artistic environments involving carefully conceived objects and situations. Elementary Poetry collects poems, books, and action objects from the ’70s, tracing a genealogy of the art action in poetry.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eToday Monastyrski is considered a guru of the new Russian art in Moscow. His decisive influence on its origins and development is indisputable. — Boris Groys\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHe erases the delineation of what is “text” and what is “poem.” — Katherine Beaman\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eANDREI MONASTYRSKI (b. 1949) is a poet, author, artist, art theorist based in Moscow. He is, along with Ilya Kabakov, one of the founders of conceptualism in Russia. He graduated from Moscow State University with a degree in philology and worked for many years at the Literature Museum in Moscow. In 1973, he began to work with serial structures and minimalist sound compositions and in 1975, turned his attention to poetic objects and actions. He is best known as a founding member and chief theoretician of the Collective Actions group, which began to stage outdoor actions on the edges of Moscow in 1976. He compiled many of the group’s documentary volumes, Trips Out of the City, and participated in many solo and group exhibitions with his own work. In 2003, Monastyrski was awarded the Andrei Bely Prize in literature. He also received the Soratnik Prize in 2008 and the Innovation Prize in 2009. His poetry and theoretical writings have been gathered into several Russian-language volumes by the publisher German Titov for his Library of Moscow Conceptualism series.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBRIAN DROITCOUR is a writer, translator, and curator, as well as a doctoral candidate in Comparative Literature at New York University. From 2002 to 2007 he lived in Moscow, where he covered exhibitions for The Moscow Times, contributed to the Russian art monthly Artchronika and edited their English digest editions, and translated books for WAM Knigi, an art publisher. He has contributed essays and reviews to Artforum, Art in America, Rhizome, The New Inquiry, and other publications. In 2012 he won second prize in the Compass poetry translation competition for his rendering of Marina Tsvetaeva’s 1921 long poem, “Upon a Red Steed.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eYELENA KALINSKY is an art historian based in Lansing, MI. She earned her Ph.D. in Art History in 2013 from Rutgers, the State University of New Jersey with a dissertation entitled Collective Actions: Moscow Conceptualism, Performance, and the Archive, 1976-1989. In 2012, she edited and translated Collective Actions: Audience Recollections from the First Five Years, 1976-1981 (Soberscove). Previously, she worked as an archivist and Dodge curatorial fellow at the Zimmerli Art Museum, where she curated the exhibition “Performing the Archive: Collective Actions in the 1970s \u0026amp; 1980s.” Her writing has appeared in ARTMargins, Russian Literature, Nova Galerija Newspapers, and elsewhere.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Ugly Duckling Presse","offers":[{"title":"Default Title","offer_id":41886137155814,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_239d9b27-9892-4346-931a-9f0dfe609621.jpg?v=1634664793"},{"product_id":"central-books-a-brief-history-1939-to-1999-by-dave-cope","title":"CENTRAL BOOKS: A BRIEF HISTORY 1939 TO 1999 by Dave Cope","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e197 x 127mm, 80 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2000\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCentral Books was set up in 1939 as the retail and wholesale outlet for Communist Party and other left-wing books and magazines. This is the story of its ups and downs over the years, and includes the portrayal of an array of interesting and sometimes unusual characters who worked there. The transition to its present position as a successful medium-sized independent distributor provides an entertaining and original perspective on the relationship between business and politics.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":41886137975014,"sku":"","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/098_D_ff2f006d-7e79-4990-9221-4fe50063f9ef.jpg?v=1634664818"},{"product_id":"1573-by-jeremy-moons","title":"15\/73 by Jeremy Moon","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e240x180mm, 56 pages, Full colour throughout, Perfect bound, 2020.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Jeremy Moon was a painter based in London during the 1960s, who came to attention for his use of hard-edge abstraction and eccentrically shaped canvases. His untimely death in 1973, aged 39, would cut short an artistic practice at its height.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis publication accompanied the exhibition '15\/73' that displayed '15\/73', the last painting Moon would complete, alongside a series of working drawings, related studies and other ephemera. \u003cbr\u003e\u003cbr\u003eIvory Tars is a curatorial project by Glasgow-based artists Rachel Adams and Neil Clements.”\u003cbr\u003e\u003cbr\u003eA printed publication will accompany the exhibition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Ivory Tars","offers":[{"title":"Default Title","offer_id":41886138040550,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/1_2048_63fd79a3-8de6-4f13-b256-a36786c04942.jpg?v=1634664745"},{"product_id":"broken-music-by-various-artists","title":"BROKEN MUSIC by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e26 x 21cm, 280 pages, Black \u0026amp; white offset printed, Perfect bound, Softcover, Includes flexi disc, Ed. of 2500, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Broken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD. \u003cem\u003eBroken Music \u003c\/em\u003efocuses on recordings, record-objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIt also includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Knizak’s “Broken Music.” The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWorks chosen for the publication revolved around four criteria: (1) record covers created as original work by visual artists; (2) record or sound-producing objects (multiples\/editions\/sculptures); (3) books and publications that contain a record or recorded-media object; and (4) records or recorded media that have sound by visual artists.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eArtists documented in the volume include Vito Acconci, albrecht\/d., Laurie Anderson, Guillaume Apollinaire, Karel Appel, Arman, Hans Arp, Antonin Artaud, John Baldessari, Hugo Ball, Claus van Bebber, John Bender, Harry Bertoia, Jean-Pierre Bertrand, Joseph Beuys, Mel Bochner, Claus Böhmler, Christian Boltanski, KP Brehmer, William Burroughs, John Cage, Henri Chopin, Henning Christiansen, Jean Cocteau, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Marcel Duchamp, Max Ernst, Lawrence Ferlinghetti, Fischli and Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Peter Gordon, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Holger Hiller, Richard Huelsenbeck, Isidore Isou, Marcel Janco, Servie Janssen, Jasper Johns, Joe Jones, Thomas Kapielski, Allan Kaprow, Martin Kippenberger, Per Kirkeby, Cheri Knight, Milan Knizak, Richard Kriesche, Christina Kubisch, Laibach, John Lennon, Sol Lewitt, Roy Lichtenstein, Annea Lockwood, Paul McCarthy, Meredith Monk, Josef Felix Müller, Piotr Nathan, Hermann Nitsch, Albert Oehlen, Frank O’Hara, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, A.R. Penck, Tom Phillips, Robert Rauschenberg, The Red Crayola, Ursula Reuter Christiansen, Gerhard Richter, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Robert Rutman, Sarkis, Thomas Schmit, Conrad Schnitzler, Kurt Schwitters, Selten Gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Strafe für Rebellion, Jean Tinguely, Moniek Toebosch, Tristan Tzara, Ben Vautier, Yoshi Wada, Emmett Walsh, Andy Warhol, William Wegman, and Lawrence Weiner.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886141612262,"sku":"","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/5jpg0220.jpg?v=1634665006"},{"product_id":"boooook-the-life-and-work-of-bob-cobbing-ed-william-cobbing-and-rosie-cooper","title":"BOOOOOK: THE LIFE AND WORK OF BOB COBBING ed. William Cobbing and Rosie Cooper","description":"\u003cp\u003e170 × 240 mm, 208 pages, full colour printing, perfect bound, 2015\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“Anyone interested in visual \/ concrete \/ sound poetry, DIY publishing and \/ or British underground culture of the 1960s should have this book.”\u003cbr\u003e– Matthew Robertson, Eye, no. 93 vol. 24, 2017\u003c\/p\u003e\n\u003cp\u003eThis is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920–2002). Boooook addresses all aspects of Cobbing’s rich career, with new essays detailing his key roles in London Film-makers’ Co-op, Better Books, abAna, as well as his involvement in the Destruction in Art Symposium, Fylkingen, and his publishing imprint Writers Forum.\u003c\/p\u003e\n\u003cp\u003eEdited by William Cobbing and Rosie Cooper – and illustrated with numerous reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – Boooook features contributions by Adrian Clarke, William Cobbing, Rosie Cooper, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Marc Matter \u0026amp; Tris Vonna-Michell, David Toop, Steve Willey, Andrew Wilson and Maxa Zoller.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Occasional Papers","offers":[{"title":"Default Title","offer_id":41886144397542,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_85650329.jpg?v=1634665108"},{"product_id":"camino-road-by-rene-green","title":"CAMINO ROAD by Renée Green","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e17.8 x 10.8cm, 120 pages, Offset printed, Perfect bound, Softcover, Ed. of 2500, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“First published in 1994, \u003cem\u003eCamino Road \u003c\/em\u003eis artist Renée Green’s debut novel—a short, ruminative work infused with semantic ambiguity and the dreamy poetry of the quotidian. Republished here in a facsimile edition, the book ostensibly traces its protagonist Lyn’s journeys to Mexico and her return to attend art school in 1980s New York, but what emerges is more an intertextual assemblage of the moments between drives, dreams, and consciousness. Lyn does her Spanish homework and makes note to read Anna Kavan and Cortázar; she watches Fellini; she dreams about the Mediterranean Sea. Much like Green’s multimedia installations encompassing the sonic, spatial, and visual, \u003cem\u003eCamino Road \u003c\/em\u003eis richly layered—part intellectual genealogy, part fictional personal memory, and part cultural criticism.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGreen has described the book as a “self-conscious homage to or parody of the ‘road novel,’ ‘bohemia,’ and artist-rebels.” “I’d been thinking about the beat generation, figures like Jack Kerouac, Burroughs, etc.—the mythic construction of the artist personality as rebel and how females, and myself in particular, entered into that,” she said. “These ‘beat’ sources seemed to form a typical American introduction to the idea of bohemia and of being an artist.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOriginally created as part of Green’s contribution for the group exhibition “Cocido y crudo\/The Cooked and the Raw” at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the text is written in both English and Spanish, and accompanied by an appendix of photographs and ephemera tracing Madrid’s La Movida, a Spanish countercultural moment from the 1980s. The book was published through Green’s production company, Free Agent Media (FAM), which since 1994 has been circulating and exhibiting media, printed matter, and time-based projects.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA unique treatise on the circuits of exchange in gender, politics, and art, \u003cem\u003eCamino Road \u003c\/em\u003ecan also be read as a variation on the classic \u003cem\u003eBildungsroman \u003c\/em\u003egenre. “I don’t feel developed in any area,” thinks Lyn at one point. “It’s very difficult being young and incomplete.” Importantly, she also muses, “I want to be swallowed by another language.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886144725222,"sku":"","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8520jpg0422.jpg?v=1634665137"},{"product_id":"crisis-library-reader-by-robin-netherton","title":"CRISIS LIBRARY READER by Robin N","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e28 x 21.5cm, 212 pages, Xerox printed, Metal clasp bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Compilation of 9 texts concerning the intersections and manifestations of crime and capitalism. These texts were originally distributed online as part of the CRISIS LIBRARY project. For this collected edition the texts have been reformatted slightly and some additional content has been added mostly in the form of pictures.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Crisis Editions","offers":[{"title":"Default Title","offer_id":41886145708262,"sku":"","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/18jpg0602.jpg?v=1634665183"},{"product_id":"a-is-for-allah-by-sebastian-utzni","title":"A IS FOR ALLAH by Sebastian Utzni","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 24 pages, Offset printed, Saddle stitched, Softcover, Ed. of 500, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“The works of Swiss artist Sebastian Utzni uncover cultural, political and aesthetical parallels. They are conceptually strong, politically challenging and never lack a certain childishly playfulness, like his latest publication “A is for Allah”. The booklet appears like an oversized school notebook, with handwritten texts inside which are actually based on woodcuts. The text is a series of writing exercises that has its origin in an Afghan schoolbook series, which was financed by the United States. The Education Program for Afghanistan of the University of Nebraska in Omaha published the books since the beginning of the 1980s with a 50 million dollar grant from United States Agency for International Development during the Russian occupation of Afghanistan. For the Mujahidin, who were fighting against the Sowiets, the schoolbooks were a medium to spread political propaganda and to prepare a new generation of holy warriors with the ideas of a militant islamism for the fight against the enemies of islam. In 1992 there was a revision of the series, militant pictures and texts were removed. Anyway, even today a lot of the original copies of the books are used in the areas influenced by the Taliban in Afghanistan and Pakistan.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886146101478,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/1001.jpg?v=1634665200"},{"product_id":"index-a-land-by-kate-morrell","title":"INDEX: A LAND by Kate Morrell","description":"\u003cp\u003e19.5 x 31 cm, 52 pages, Full colour printing, Staple bound, Softcover, Hand Numbered, Ed. of 200, 2014. Published with \u003cmeta charset=\"utf-8\"\u003eGallery II\u003c\/p\u003e\n\u003cp\u003eThis publication is a reproduction of a handwritten and annotated index for A Land, a non-fiction book by archaeologist and writer Jacquetta Hawkes, first published in 1951.\u003c\/p\u003e\n\u003cp\u003eProduced from archival material held in The Jacquetta Hawkes Archive, Special Collections at University of Bradford, the original index was written and compiled by Jacquetta and Nicolas Hawkes.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Kate Morrell","offers":[{"title":"Default Title","offer_id":41886256136422,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2674.jpg?v=1634667430"},{"product_id":"outremer-by-kevin-malcolm","title":"OUTREMER By Kevin Malcolm","description":"\u003cp\u003e28 x 21 cm, 152 pages, Single color offset printed, Perfect bound, Softcover, Ed. of 600, 2017, Published with Woodpecker Projects\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"This book by Kevin Malcolm is co-published by Varv Varv and Woodpecker Projects and presents works from an ongoing artistic research project initiated in 2014. Its starting point is the Musée Guimet in Paris and the collection of Asian art amassed by industrialist and traveller Émile Étienne Guimet whose fortune was made in the production of a synthetic ultramarine pigment essential as a whitening agent. This project asks questions of European identity and the role of the artist as collector and exhibitor of images and objects. \u003c\/p\u003e\n\u003cp\u003eEntitled Outremer, the book explores Malcolm’s personal archive relating to the project alongside specially commissioned texts by Henning Lundkvist and Simen Joachim Helsvig. Driven by an interest in how images, texts and objects communicate, Malcolm is concerned with unearthing subliminal layers of meaning. Through strategies of alteration, combination and repositioning, the work aims to highlight residual histories and power dynamics, enabling reflection on knowledge production and representation. \u003c\/p\u003e\n\u003cp\u003eMalcolm’s practice displays a tendency to engage with and rework found material and his work often features a fragmentation or decay of language and information, suggesting alternative interpretations and narratives.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished By\u003c\/p\u003e","brand":"Varv Varv","offers":[{"title":"Default Title","offer_id":41886261412070,"sku":"","price":14.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1966.jpg?v=1634667763"},{"product_id":"modelling-phenomena-by-christos-tzivelos","title":"MODELLING PHENOMENA by Christos Tzivelos","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e 210 x 280 mm, 304 pages, full colour printing throughout, perfect bound, hardback, edition of 600, 2018, published with \u003cmeta charset=\"utf-8\"\u003eThe Benaki Museum\u003cbr\u003eLanguage: English, Greek\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e‘Modelling Phenomena is the first book\/monograph for the visual artist Christos Tzivelos (1949-1995).\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eThis book highlights the full breadth and complexity of Tzivelos’s career, one of the most radical and distinctive greek artists of the ’80s and ’90s.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eIncluding exhibition image archives since 1977-1995, unknown work, early work and his studies-references, this volume salutes on an assiduous research on the artists working path, implying his social ideals and values as a visual artist and as a person.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eHis work is timeless, he was a visionary, an observer, a thinker.’\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Big Black Mountain The Darkness Never Ever Comes","offers":[{"title":"Default Title","offer_id":41886262493414,"sku":"","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2822.jpg?v=1634667743"},{"product_id":"foil-by-forth-by-ashley-kinnard","title":"FOIL BY FORTH By Ashley Kinnard","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e20 x 18.5cm, 40 pages, full colour printing, Saddle stitch, Card cover, Ed. of 60, 2017\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“A selection of Kodachrome photographs taken by Colin Smith between 1970 - 1979. Consisting primarily of images taken on family holidays to Scotland, the images were curated based on those that evoked an immediate connection, wether that be purely aesthetic or emotional.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Ashley Kinnard","offers":[{"title":"Default Title","offer_id":41886262624486,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/12_2048_820b4fa1-1dc3-46aa-98a8-75cf9d731d34.jpg?v=1634667823"},{"product_id":"more-than-stories-by-anya-lewin","title":"MORE THAN STORIES by Anya Lewin","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e205mm x 220mm, 112 pages, full colour printing throughout, perfect bound, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe book examines the archive materials — photographs, newspaper clippings and other ephemera — from the research processes that culminated in her film trilogy With Heartfelt Gratitude for the Painless Treatment (2008), Chez Paulette on the Sunset Strip (2013), and Fez: The Royal Scent (2019).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTogether with film and production stills, excerpts from the films’ screenplays, and Anya’s introductory text, the book interweaves the haunted memories of Jewish life embedded in her family stories, wandering through the cities that her father inhabited: Cairo, Berlin, and Los Angeles.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Gordian Projects","offers":[{"title":"Default Title","offer_id":41886272454886,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/070_D_dad402b6-d826-4dd5-b1c8-98e43e01bbef.jpg?v=1634668152"},{"product_id":"el-impublicado-by-various-artists","title":"EL IMPUBLICADO by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e35 x 29 cm, 16 pages, Full color offset printed, Unbound, 2015\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eEl Impublicado\u003c\/em\u003e developed from a period of residency in April\/May 2015, and exhibition (26th April - 28th June) at Museo Universitario Del Chopo, Mexico City. It included a presentation of publications from the Banner Repeater Archive of Artists’ Publishing, displayed alongside an installation of the work \u003cem\u003eLow Animal Spirits\u003c\/em\u003e - a High Frequency Trading algorithm dealing in world news - by Ami Clarke and Richard Cochrane, and the speculative headline twitter feed \u003cem\u003e@LowAnimalSpirit\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDuring the residency there were four seminars held by Ami Clarke and Isaac Olvera to discuss the conceptual apparatus’ of publishing, distribution, and dissemination in the 21st Century which led to \u003cem\u003eEl Impublicado\u003c\/em\u003e being devloped with two writers that attended the seminars. It takes Mexico’s The Economist - El Economista - as it’s reference, and writers and artists wrote on and through new technologies to consider current conditions relating to publishing, distribution and dissemination.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditors:\u003cstrong\u003e Isaac Olvera\u003c\/strong\u003e and \u003cstrong\u003eAmi Clarke\u003c\/strong\u003e.\u003cbr\u003eContributions from writers: \u003cstrong\u003eNadia Cortés\u003c\/strong\u003e and \u003cstrong\u003eMiguel Trancozo\u003c\/strong\u003e, with \u003cstrong\u003eIsaac Olvera\u003c\/strong\u003e and\u003cstrong\u003e Ami Clarke\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Banner Repeater","offers":[{"title":"Default Title","offer_id":41886274289894,"sku":"","price":2.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/72_2048_82365a8d-c0fa-4925-bac8-c6b5f2fdb88e.jpg?v=1634668225"},{"product_id":"i-believe-in-musuems-by-cassandra-thorne","title":"I BELIEVE IN MUSUEMS by Cassandra Thorne","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA6, 16 pages, Full colour printed, Saddle stitch, Softcover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“… continues the author’s analysis of the future of museums, focusing on belief systems. Features new photographs from several different museums in the UK and Italy.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Imaginative Press","offers":[{"title":"Default Title","offer_id":41886274322662,"sku":"","price":1.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/11_2048_0c2c6cc3-3574-47c7-8214-492a749190b2.jpg?v=1634668216"},{"product_id":"msheresies-3-amniotechnics","title":"MSHERESIES 3: AMNIOTECHNICS","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e190 x 300mm, 24 pages, black, brown and purple printing, saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDedicated to the incredible – and incredibly beautiful – publication Triple Jeopardy (1971–75, by the Third World Women’s Alliance), as well as the ideas in Sophie Lewis’s book Full Surrogacy Now! – Feminism Against Family (Verso, 2019). Ms Heresies 3 is reprinting the book’s final chapter, the essay *Amniotechnics.*\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEach spread weaves edited material from Triple Jeopardy with Sophie Lewis’s essay. These intuitive and meticulous compositions are the outcome of looking at Triple Jeopardy through the lens of collaborative graphic design. Reading, typesetting, collaging, painting, and ornamenting became a way of designing together while attempting an homage, a re-reading, and a cross-publication friendship.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Rietlanden Women’s Office","offers":[{"title":"Default Title","offer_id":41886280253670,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_56271212.jpg?v=1634668476"},{"product_id":"flypaperholiday-special","title":"FLYPAPERHOLIDAY SPECIAL","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 28 pages, full colour printing, saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e28 Page colour magazine on ritual and vernacular, looking at street rituals, flyposting, 1960's graffiti.., and a main section on Peronalised and Homemade Record Sleeves.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"John Hall \/ Bifocals","offers":[{"title":"Default Title","offer_id":41886280286438,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_59481217.jpg?v=1634668561"},{"product_id":"finally-got-the-news-the-printed-legacy-of-the-us-radical-left-1970-79","title":"FINALLY GOT THE NEWS: THE PRINTED LEGACY OF THE U.S. RADICAL LEFT, 1970-79","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e175 x 250mm, 256 pages, full colour printing, perfect bound, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eFinally Got the News\u003c\/em\u003e uncovers the hidden legacy of the radical Left of the 1970s, a decade when vibrant social movements challenged racism, imperialism, patriarchy and capitalism itself. It combines written contributions from movement participants with original printed materials—from pamphlets to posters, flyers to newspapers—to tell this politically rich and little-known story.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe dawn of the 1970s saw an absolute explosion of interest in revolutionary ideas and activism. Young people radicalized by the antiwar movement became anti-imperialists, veterans of the Civil Rights and Black Power movements increasingly identified with communism and Pan-Africanism, and women were organizing for autonomy and liberation. While these movements may have different roots, there was also an incredible overlapping and intermingling of activists and ideologies.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThese diverse movements used printed materials as organizing tools in every political activity, creating a sprawling and remarkable array of printing styles, techniques, and formats. Through the lens of printed materials we can see the real nuts and bolts of revolutionary organizing in an era when thousands of young revolutionaries were attempting to put their beliefs into practice in workplaces and neighborhoods across the U.S.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eTable of Contents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eForeword\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn the Factories and in the Streets: Going to the Working Class\u003c\/em\u003e — Dan La Botz\u003cbr\u003e\u003cem\u003eFlashpoint: The Revival of May Day\u003c\/em\u003e — Elly Leary\u003cbr\u003e\u003cem\u003eSolidarity and Global Liberation: Anticolonial Struggles\u003c\/em\u003e — Bill Fletcher\u003cbr\u003e\u003cem\u003eWomen! Nothing to Lose but Our Chains!\u003c\/em\u003e — Johanna Brenner\u003cbr\u003e\u003cem\u003eFlashpoint: International Women’s Day\u003c\/em\u003e — Silvia Federici\u003cbr\u003e\u003cem\u003eNation, Class, and Culture: People of Color Majority Communist Organizations\u003c\/em\u003e — Kazembe Balagun\u003cbr\u003e\u003cem\u003eFlashpoint: Boston Busing Crisis\u003c\/em\u003e — Ethan Young\u003cbr\u003e\u003cem\u003eToward New Afrika: Black Self-Determination Politics in the Seventies\u003c\/em\u003e — Akinyele Umoja\u003cbr\u003e\u003cem\u003eFlashpoint: African Liberation Day\u003c\/em\u003e — Badili Ifadoyin Jones-Goodhope\u003cbr\u003e\u003cem\u003eBreak De Chains: Resisting Police and Prisons\u003c\/em\u003e — Dan Berger\u003cbr\u003e\u003cem\u003eLove and Solidarity: Queer Liberation\u003c\/em\u003e — Emily K. Hobson\u003cbr\u003e\u003cem\u003eNo More Business as Usual: Anarchists, Antiauthoritarians, and other Troublemakers\u003c\/em\u003e — Stephanie Browner\u003cbr\u003e\u003cem\u003eRadical Roundtable\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGlossary\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Interference Archive","offers":[{"title":"Default Title","offer_id":41886283006182,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7714jpg0304.jpg?v=1634668927"},{"product_id":"new-york-rave-flyers-volume-2-1990-1995","title":"NEW YORK RAVE FLYERS VOLUME 2 1990-1995","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e21 × 13.5 cm, 76 pages, Full color offset printed, Perfect bound, Softcover, Open edition, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A collection of New York Rave Flyers from 1990 to 1995.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Colpa Press","offers":[{"title":"Default Title","offer_id":41886283628774,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/13jpg0309.jpg?v=1634668768"},{"product_id":"london-rave-flyers-1990-1996","title":"LONDON RAVE FLYERS 1990-1996","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135 x 210 mm, 88 pages, Full colour printed, Perfect bound, Softcover, Open Edition, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA collection of U.K. Rave Flyers from 1990 to 1996. Courtesy of Matt Acornley.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Colpa Press","offers":[{"title":"Default Title","offer_id":41886283661542,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/5jpg0309.jpg?v=1634668725"},{"product_id":"lizard-point-99-by-jerry-odriscoll-amp-luke-overin","title":"LIZARD POINT '99 by Jerry O'Driscoll and Luke Overin","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e17.5 x 25 cm, 66 pages, Risograph printed, Perfect bound, Softcover, Thermographic silver cover, Ed. of 200, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“A road trip to the heart of pre-millennial, communal fervour; \u003cem\u003eLizard Point '99\u003c\/em\u003e is a textual and photographic exploration of a young man's last few days of being wild.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBy a chance inter-generational encounter, Jerry O'Driscoll's documentary photography of the Total Solar Eclipse event has been un-earthed and curated by Luke Overin - amounting to a glorious, monochromatic ode to illegal raves, fuggy campervans, and a very English kind of communal identity.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhilst the photographs in the book recount a specific and special time in O’Driscoll’s life, the supporting interview is forward thinking in its messaging and presents a rallying cry to a fragmentary society tip-toeing cautiously towards a post-pandemic future.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Bronze Age Editions","offers":[{"title":"Default Title","offer_id":41886287102182,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/3jpg0512.jpg?v=1634668897"},{"product_id":"ejournal-volume-1-3-by-robin-netherton","title":"EJOURNAL Volume 1-3 by Robin N","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e25.7 x 19cm, 160 pages, Digitally printed, Coil bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“EJOURNAL was an academic journal published electronically out of the University of Albany, it discussed issues of ownership, personal expression, and the electronic dissemination of information. Reproduced from an online archive and formatted for print, EJOURNAL was originally distributed online exclusively, the books together most of the entire EJOURNAL run.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Crisis Editions","offers":[{"title":"Default Title","offer_id":41886287462630,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/13jpg0602.jpg?v=1634669174"},{"product_id":"ejournal-volume-4-6-by-robin-netherton","title":"EJOURNAL VOLUME 4-6 by Robin N","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e25.7 x 19cm, 136 pages, Digitally printed, Coil bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“EJOURNAL was an academic journal published electronically out of the University of Albany, it discussed issues of ownership, personal expression, and the electronic dissemination of information. Reproduced from an online archive and formatted for print, EJOURNAL was originally distributed online exclusively, the books together most of the entire EJOURNAL run.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Crisis Editions","offers":[{"title":"Default Title","offer_id":41886287495398,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/24jpg0602.jpg?v=1634668988"},{"product_id":"oei-8081-the-zero-alternative-ernesto-de-sousa-and-some-other-aesthetic-operators-in-portuguese-art-and-poetry-from-the-1960s-onwards-edited-by-jonas-j-magnusson-amp-cecilia-grnberg","title":"OEI #80–81: THE ZERO ALTERNATIVE: ERNESTO DE SOUSA AND SOME OTHER AESTHETIC OPERATORS IN PORTUGUESE ART AND POETRY FROM THE 1960S ONWARDS edited by Jonas (J) Magnusson and Cecilia Grönberg","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e195 x 300mm, 640 pages, Colour printing, Perfect bound, Softcover, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eOEI\u003c\/em\u003e editors Jonas Magnusson and Cecilia Grönberg are quick to correct anyone who might see issue 80-81, \u003cem\u003eThe Zero Alternative\u003c\/em\u003e, as an anthological publication. For them, it is “a montage based publication trying, in as material a way as possible, to register, prolong, transform, and reflect upon energies from the work of Ernesto de Sousa and some of his fellow aesthetic operators.” In this celebration of de Sousa, a prominent twentieth-century Portuguese multidisciplinary artist, writer, and curator, Magnusson and Grönberg have curated a selection of work by artists, experimental poets, and writers that were apart of de Sousa’s contemporaneous circuit, those that were outside of such a designation but whose work reflects his cultural and political interests, and contemporary artists whose outputs are equally suited to de Sousa’s concerns.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eOEI #80-81\u003c\/em\u003e is not an anthological publication, and has no representative ambition. It is a montage-based publication trying, in as material a way as possible, to register, prolong, transform and reflect upon energies from the work of Portuguese artist Ernesto de Sousa and his fellows (Alberto Carneiro, Túlia Saldanha, Álvaro Lapa, Fernando Calhau, Lourdes Castro, Ana Vieira, Ana Hatherly, E.M. de Melo e Castro, António Barros...). Ernesto de Sousa and his fellows defined themselves as aesthetic operators and worked as filmmakers, photographers, curators, critics, writers, folk art researchers, multimedia artists... \u003cem\u003eOEI #80-81\u003c\/em\u003e also gathers texts on magazines such as \u003cem\u003ePoesia Experimental\u003c\/em\u003e, \u003cem\u003eOperação\u003c\/em\u003e, \u003cem\u003eNova\u003c\/em\u003e, \u003cem\u003eA Urtiga\u003c\/em\u003e, and \u003cem\u003eAlternativa\u003c\/em\u003e; and works by artists from younger generations such as Isabel Carvalho, Paulo Mendes and Mariana Silva, in dialogue with that of de Sousa.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"OEI","offers":[{"title":"Default Title","offer_id":41886287855846,"sku":"","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9314jpg0605.jpg?v=1634668940"},{"product_id":"flexing-muscles-by-ravikumar-kashi","title":"FLEXING MUSCLES by Ravikumar Kashi","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e155 x 210mm, 152pp, full colour offset, perfect bound, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAmidst the various objects that compete for attention on the streets of Bangalore, there have been in recent times a new addition in the form of flex banners. These banners represent the vast number of \u003cem\u003esene\u003c\/em\u003e (armies) that have been surfacing in the state of Karnataka. Founded in the name of language, caste\/community, and even film stars, these \u003cem\u003esene\u003c\/em\u003e are announced and re-imagined through the digitally produced banners. \u003cbr\u003e\u003cbr\u003eFlexing Muscles brings together an essay in Kannada and English by Ravikumar Kashi reflecting on his observations of the medium, format, and content of these banners. Illustrated with photographs collected by the artist over six years, the essay locates in these banners a portrait of the changing city of Bangalore – one increasingly attuned to aggression and vulnerability.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eRavikumar Kashi\u003c\/strong\u003e is an artist who works across painting, sculpture, photography, and installation. At the core of his practice is an interest in exploring the mechanics of meaning making. Kashi completed his B.F.A. from College of Fine Arts, Bangalore; his M.F.A. from Faculty of Fine Arts, M.S. University, Baroda; and also holds an M.A. in English from Mysore University. In addition to his practice, he teaches, lectures, and writes on visual culture. His book in Kannada titled \u003cem\u003eKannele \u003c\/em\u003e(Akshara Prakashana, 2012) has received the Karnataka Sahitya Academy Award.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Reliable Copy","offers":[{"title":"Default Title","offer_id":41886288675046,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1689012.jpg?v=1634668990"},{"product_id":"imperfect-archiving-archiving-as-practice-for-a-love-of-softness-by-genderfail","title":"IMPERFECT ARCHIVING, ARCHIVING AS PRACTICE: THE ETHICS OF THE ARCHIVE by Be Oakley","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120 x 185mm, 72 pages, Risograph printed, Coil bound, 5th Edition of 350, 2024\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eImperfect Archiving, Archiving as Practice: The Ethics of the Archive is a special 4th edition of our popular essay printed in conjunction with the opening of Imperfect Archiving\/Archiving as Practice a reading room by GenderFail Archive Project at The Center for Book Arts. The exhibition is on view at Center for Book Arts Manhattan location from July 9th- September 18th 2021. This manifesto talks to core of GenderFail collecting and archiving practices that looks to the softness of the collected and archived book as a metaphor for the type of content that are housed within. The GenderFail Archive Project is a socially engaged reading room that looks at archiving as a social activity. The project stems from GenderFail’s desire to share the publications from their personal library and give a platform to other publishers that they cherish.\u003c\/p\u003e\n\u003cp\u003eVisit the exhibition page here: https:\/\/centerforbookarts.org\/genderfail-archive-project-exhibition\u003c\/p\u003e\n\u003cp\u003eAlong with the essay, this 4th edition features 10 curated GenderFail Archive Project reading lists from my Publishing Now class taught from 2021-2023. In Late 2020 I was offered a teaching position at SMFA, Tufts University to teach a course I designed called “Publishing Now.” For this course I wanted the students to read zines and publications being produced in real time, so I started to digitize my collection. Many of the readings for this course were scanned from my personal collection of over 2,000 zines, artist books and art books that make up the GenderFail archive. Since we were not able to meet in person (due to the pandemic) I spent hours scanning zines and artist books to be used as required readings for the course. Each of the reading lists will accompany a link and QR code to read and engage with each of the publications online.\u003c\/p\u003e\n\u003cp\u003e~ ~ ~ Covers may vary ~ ~ ~\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886289199334,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/files\/IMG_5706014.jpg?v=1706535865"},{"product_id":"frank-ed-sille-storihle","title":"FRANK  Ed. Sille Storihle","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e226x170mm, 264 pages, Full colour offset printed throughout, Softcover, Perfect bound, 2021.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFRANK was an Oslo-based queer-feminist platform established in 2012 to nurture art and critical discourse revolving around gender, desire and sexuality, run by Liv Bugge and Sille Storihle until 2020. The final publication, \u003cem\u003eFRANK,\u003c\/em\u003e is a self-archive, making what we have done accessible for the future, filling institutional gaps. It offers insight into the thinking, process and life of FRANK, and it also provides straightforward information about the projects FRANK undertook and when. Running a nomadic platform that started as a salon—as a social and critical meeting place—made FRANK vulnerable to the politics of remembering, but this book\u003cem\u003e \u003c\/em\u003egives shape to the nomadic and uncategorizable life of FRANK through newly commissioned essays, conversations, unpublished and reprinted articles, and personal anecdotes and letters.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs with many of FRANK’s other projects, this book has found its form in a three-part structure following a chronology of urgency—one not defined by linear time—and understood as the various phases of FRANK. The first part, \u003cem\u003eTemple of Friendship\u003c\/em\u003e, fleshes out the initial drive behind FRANK, focusing on the salon and its various forms. Part two, \u003cem\u003eGenealogies\u003c\/em\u003e, is dedicated to our work on the tracing and touching of history through exhibitions, publications, screening series and the restaging of a historical lesbian club. The last section, \u003cem\u003ePower\u003c\/em\u003e, marks FRANK’s shift from concerns of representation to production, discussing the power relationships in the art field that have encouraged and provoked us.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions by Brynjar Åbel Bandlien, Katarina Bonnevier, Liv Bugge, Antonio Cataldo, Malene Dam, Mathias Danbolt, Geir Haraldseth, Shoghig Halajian, Siri Hjorton Wagner, Every Ocean Hughes, Maaretta Jaukkuri, Helle Lindskog, Louise Dany (Ina Hagen and Daisuke Kosugi), Magnus Mork, Eline Mugaas, Wencke Mühleisen, MYCKET, Cecilie Poulsson, Ruben Steinum, Sille Storihle, Elise Storsveen, Fredrik Svensk, Anne Szefer Karlsen, Jim Særnblom and Nico Woche. \u003cbr\u003eProduced with financial support from: Arts Council Norway, Billedkunstnernes Vederlagsfond, Fritt Ord, Nordic Culture Point and Office for Contemporary Art Norway (OCA).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLaunched with financial support from: Kunstnerforbundet and the Royal Norwegian Consulate General in New York.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"FRANK","offers":[{"title":"Default Title","offer_id":41886293950694,"sku":"","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/8034_16b60bd4-3779-4008-85fe-1191dd15a0a9.jpg?v=1634669217"},{"product_id":"notes-working-processes-re-concerns-that-take-on-deal-with-by-dara-birnbaum","title":"NOTE(S): WORK(ING) PROCESS(ES) RE: CONCERNS (THAT TAKE ON \/ DEAL WITH) by Dara Birnbaum","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e200 x 280mm, 434 pages, full colour printing, perfect bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOriginally created in 1977 as a single handmade copy, Dara Birnbaum’s \u003cem\u003eNote(s): Work(ing) Process(es) Re: Concerns (That Take On \/ Deal With) \u003c\/em\u003egathers writings, working drawings, photographic documentation, and ephemera from the artist’s earliest video and installation works. The publication was originally produced by Birnbaum and exhibited in \u003cem\u003eNotebooks, Workbooks, Scripts, and Scores \u003c\/em\u003eat Franklin Furnace in 1977. The book’s vinyl cover and section dividers, hand-folded pages, and color images have all been reproduced, and Alex Kitnick provides a new introduction.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eNote(s) \u003c\/em\u003eprovides a rare look into Birnbaum’s early investigations of video art and its relationship to television. Her work of this period orchestrates a complex circuit of viewership and representation, in which her interest in psychoanalytic concepts—projective identification, regression, resistance, and intersubjectivity—are analyzed in tandem with the formal and interpersonal politics of image making. These investigations lay the groundwork for the artist’s breakthrough works, such as \u003cem\u003eTechnology\/Transformation: Wonder Woman\u003c\/em\u003e and \u003cem\u003eKiss the Girls: Make Them Cry\u003c\/em\u003e, in which she appropriates popular television programs to critique the language and images of networked television.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFeatured works include \u003cem\u003eBack Piece \u003c\/em\u003e(1975), \u003cem\u003eAttack Piece \u003c\/em\u003e(1975), \u003cem\u003eMirroring \u003c\/em\u003e(1975), \u003cem\u003eLiberty: A Dozen or So Views \u003c\/em\u003e(1976), \u003cem\u003eRelationship Perspectives: Perspective Relationships \u003c\/em\u003e(1976–77), \u003cem\u003eAmerica: Land of Contrasts (A Day of Awakening) (A Shot in the Dark) \u003c\/em\u003e(1976–77), \u003cem\u003ePivot: Turning Around Suppositions \u003c\/em\u003e(1976), and \u003cem\u003eLesson Plans to Keep the Revolution Alive \u003c\/em\u003e(1977).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDara Birnbaum was born in New York City in 1946, and studied architecture at Carnegie Mellon University and painting at the San Francisco Art Institute. Recognized as one of the first artists to manipulate television footage to “talk back to the media,” Birnbaum enlists video technology and mass media images to deconstruct and redefine cultural, personal, and historical mythologies. Drawing from critical theory, literature, and feminist thought, Birnbaum matrixes film techniques such as dramatic wipes and layered images onto works that are deeply introspective and experiential. Her work has been widely exhibited, including at MoMA PS1, New York (2019); National Portrait Gallery, London (2018); the Cleveland Museum of Art, Ohio (2018); the Museum of Modern Art, New York (2008); and the Kunsthalle Wien, Vienna, Austria (2006).\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886294409446,"sku":"","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2843078.jpg?v=1634669153"},{"product_id":"poster-workshop-1968-1971-by-by-sam-lord-with-peter-dukes-jo-robinson-and-sarah-wilson","title":"POSTER WORKSHOP 1968-1971 by by Sam Lord, with Peter Dukes, Jo Robinson and Sarah Wilson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 128 pages, full colour printing, perfect bound, hardback, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith a foreword by Jess Baines\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom 1968 to 1971, anyone could drop in to the basement in Camden Town and commission a poster from the Poster Workshop. In walked workers on strike, tenants associations, civil rights groups and liberation movements from all over the world. Inspired by the Atelier Populaire, set up in Paris, in May 1968, the posters could be made quickly to respond to what was needed, on a great number of themes: Vietnam, Northern Ireland, South Africa, housing, workers rights, and revolution.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Poster Workshop existed at an exceptional time. It thrived on the energy generated by the belief that huge changes were possible, through movements for equality, civil rights, freedom and revolution. It was an expression of that time - of excitement, change and hope.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is the third in the Irregulars series of aspects of modern British visual history. It reproduces all of the Poster Workshop's posters which give a unique perspective on the key political issues in 1960s and 1970s Britain - many of which still resonate today.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296047846,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3719057.jpg?v=1634669220"},{"product_id":"eyeball-cards-by-william-hogan-and-david-titlow","title":"EYEBALL CARDS by William Hogan and David Titlow","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 192 pages, full colour printing, perfect bound hardcover, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom the hiss and crackle of Britain’s CB radio heyday, only Eyeball cards remain. These are the mysterious business cards of ‘breakers’ exchanged when British CB enthusiasts would meet up in person after chatting on the airwaves. These alternate identities are sometimes amusing, occasionally mundane, dark or bawdy, but always personal creations — flotsam from a more innocent analogue world.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is the first to document this late 70s and early 80s sub culture and presents hundreds of the funniest, strangest and most intriguing Eyeball cards from across the UK. In addition, photographer David Titlow has taken portraits of some of the breakers who owned the cards, and writer William Hogan has written a lively history of how and why these cards came to exist.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe result is a window into an outpouring of creativity that prefigures online identities — social media handles before there was even an internet.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEyeball Cards is part of the Four Corners Irregulars, a series about modern British visual history. Two books will be published in autumn 2017, with further titles to follow, presenting introductions to important but overlooked areas of creativity.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296080614,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3734072.jpg?v=1634669467"},{"product_id":"nuclear-war-in-the-uk-by-taras-young","title":"NUCLEAR WAR IN THE UK by Taras Young","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 128 pages, full colour printing, perfect bound hardcover, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFor almost five decades, the United Kingdom made plans for a nuclear attack that never came (Correct at time of publication). To help their citizens, civil servants and armed forces prepare, those in power designed and published a variety of booklets, posters and how-to guides. Most infamous among these was the Protect and Survive campaign, but just as fascinating are lesser-known materials made for the United Kingdom Warning and Monitoring Organisation and the Royal Observer Corps, many of which are reproduced for the first time. From terrifying images issued by central government, to local councils’ sometimes amateurish guides, Nuclear War in the UK is an eye-opening look at the way Britain’s authorities reacted to the Soviet nuclear threat.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTaras Young is a researcher and writer with an interest in weird, hidden and forgotten history. Nuclear War In The UK is the seventh volume in the Irregulars series of introductions to aspects of modern British visual culture.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296113382,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3758096.jpg?v=1634669304"},{"product_id":"posters-from-paddington-printshop-by-john-phillips","title":"POSTERS FROM PADDINGTON PRINTSHOP by John Phillips","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e216 × 310 cm., 144 pages, Colour printing, Perfect bound, Softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn the mid-1970s, in a disused taxi-meter factory, a group of artists and designers opened Paddington Printshop. Specialising in making posters for local campaigns, it quickly became a model of community activism, crystallising a wide range of causes into brilliant and memorable images. Anyone could come in to request a poster (although ‘nothing sexist, racist or commercial please!’).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFocusing on housing rights, neighbourhood initiatives as well as gigs and festivals, this local community resource used vibrant images to make the voices of underrepresented groups heard in local, national and international campaigns. 100 posters (1974–1988) in this large format book form a remarkable collection: powerful and passionate, with messages that still resonate today.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296146150,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3765103.jpg?v=1634669213"},{"product_id":"esping-by-owen-piper","title":"ESPing edited by Roger Jolly","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, Black \u0026amp; white digitally printed, saddle stitch. 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eReprints from Roger Jolly and Jolly Good Books, a seasoned professional in putting the information OUT THERE. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“BELIEVE IT OR NOT: Most mainstream academics will have nothing to do with studies of the paranormal. But a substatial bequest intended to finance research into the supernatural has tempted the dons of Darwin College, Cambridge…”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Jolly Good Books","offers":[{"title":"Default Title","offer_id":41886297096422,"sku":"","price":3.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2871069.jpg?v=1634669373"},{"product_id":"ned-edited-by-roger-jolly","title":"NED edited by Roger Jolly","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, Black \u0026amp; white digitally printed, saddle stitch. 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eReprints from Roger Jolly and Jolly Good Books, a seasoned professional in putting the information OUT THERE. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“The biographer Phillip Hoare celebrates the hedonism of the composer Ned Rorem”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Jolly Good Books","offers":[{"title":"Default Title","offer_id":41886297260262,"sku":"","price":3.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2912108.jpg?v=1634669315"},{"product_id":"post-death-edited-by-roger-jolly","title":"POST DEATH edited by Roger Jolly","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, Black \u0026amp; white digitally printed, saddle stitch. 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eReprints from Roger Jolly and Jolly Good Books, a seasoned professional in putting the information OUT THERE. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“THE DEATH THREAT’S IN THE POST. For 14 years, he or possibly she) has been sending them — nasty, obscene letters to the residents of a small village in North Yorkshire. Nobody has been hurt, but the spirit of a community has been broken.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Jolly Good Books","offers":[{"title":"Default Title","offer_id":41886297293030,"sku":"","price":3.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2916112.jpg?v=1634669315"},{"product_id":"olive-edited-by-roger-jolly","title":"OLIVE edited by Roger Jolly","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 20 pages, Black \u0026amp; white digitally printed, saddle stitch. 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eReprints from Roger Jolly and Jolly Good Books, a seasoned professional in putting the information OUT THERE. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Olive Curry is convinced that Peter Sutcliffe, the ‘Yorkshire Ripper’, had an accomplice, and that the two men used to frequent the canteen where she worked. The police don’t believe her, so Olive has decided to find the second man herself.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Jolly Good Books","offers":[{"title":"Default Title","offer_id":41886297358566,"sku":"","price":3.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2929125.jpg?v=1634669391"},{"product_id":"nature-of-objects-by-carlos-soto-romn","title":"NATURE OF OBJECTS by Carlos Soto-Román","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e210 x 148 mm, 168 pages, Black \u0026amp; white printing, Softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMultilingual (Spanish\/English) poems by Chilean radical poet, Carlos Soto-Román.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eIn Nature of Objects, Carlos Soto-Román proposes and exacts two different and complimentary feats. First, in Pierrot le Fou, the poet enters the lacunae of the unspeakable and wreaks language out from the naked fact of letters — the feeling I have is that Mallarmé and M. NourbeSe Philip have collided on the screen of a tender and enabling pillow of artificial intelligence….” — \u003c\/em\u003eRachel Levitsky.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Pamenar Press","offers":[{"title":"Default Title","offer_id":41886297686246,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3016023.jpg?v=1634669339"},{"product_id":"no-against-adult-supremacy","title":"NO! AGAINST ADULT SUPREMACY","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e15 x 21cm, 320 pages, black \u0026amp; white printing, perfect bound, softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e“… a collection of Youth Liberation writing, originally published online by Stinney Distro. This anthology draws together all 20 issues of the NO! zine series into one print edition. It is jointly published with Active Distribution.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e“Every hierarchy, every abuse, every act of domination that seeks to justify or excuse itself appeals through analogy to the rule of adults over children. We are all indoctrinated from birth in ways of ‘because I said so.’ The flags of supposed experience, benevolence, and familial obligation are the first of many paraded through our lives to celebrate the suppression of our agency, the dismissal of our desires, the reduction of our personhood. Our whole world is caught in a cycle of abuse, largely unexamined and unnamed. And at its root lies our dehumanisation of children.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Dog Section Press","offers":[{"title":"Default Title","offer_id":41886298243302,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3356001.jpg?v=1634669454"},{"product_id":"sourcebook-by-lewis-chaplin","title":"SOURCEBOOK  by Lewis Chaplin","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e\u003cmeta charset=\"utf-8\"\u003e19cm x 25cm, 60 pages, full colour throughout, perfect bound, card cover with screenprinted text, edition of 200.\u003c\/p\u003e\n\u003cp\u003eSourcebook presents the detritus and collected imagery of a year of contemplation, frustration and ambivalence with the nature of photography. From an initial starting point of the typographic reference book, within its pages a myriad of situations and pictures present themselves - each at once recognisable and indecipherable.\u003c\/p\u003e\n\u003cp\u003eDrawing heavily on ideas of representation and the 'reading' of an image, the work within is open-ended; a liquid, unstable mix of ideas and images that attempt to elude the conclusive, finite nature of the captured image or the printed photo. Instead, Sourcebook aims to be fluid - at once a source of reference and stimulation for future creative processes, and a photographic document littered with unanswered questions, oblique strategies and glimpses of meaning.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Fourteen-Nineteen Books","offers":[{"title":"Default Title","offer_id":41886364041446,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/65_2048_eb2519ca-1d2c-4745-8522-a86d97ad92f0.jpg?v=1634671305"},{"product_id":"re-print-1-1-2-3-1992-by-stephen-bram-and-david-morrison","title":"RE-PRINT #1: 1 2 3 (1992) by Stephen Bram and David Morrison","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e175mm x 256mm, 48 pages, black and white printing, archive staple binding, edition of 500, 2014\u003c\/p\u003e\n\u003cp\u003eDesign by Matt Hinkley\u003c\/p\u003e\n\u003cp\u003e'In 1992, artist Stephen Bram and architect David Morrison collaborated in the production of three staple-bound, xeroxed books to accompany an exhibition at City Gallery, Melbourne. The books were published in a small edition by Pataphysics Books, run by Leo Edelstein and Yanni Florence. Re-print #1: 1 2 3 (1992) presents the three books produced by Bram and Morrison, collated in a single 1:1 scale reprint.\u003c\/p\u003e\n\u003cp\u003eThe Re-print project is a curated series that reintroduces out-of-print artist publications to a contemporary audience. The series also exploits the character of the reprints to insert interventions in public archives: introducing material that was never legally deposited, or reinserting previously archived publications in the form of mediated replications, thereby indexing the originals.\u003c\/p\u003e\n\u003cp\u003eFor more than twenty-five years, Stephen Bram has produced artworks made in relation to external points in space. He describes this as a concern for articulating the relationship between the conceptual\/structural interior of an artwork and the external spaces that the artwork inhabits.\u003c\/p\u003e\n\u003cp\u003eThe 1992 City Gallery exhibition consisted of an edition of ten plotter drawings, showing different views of an array of objects. The three books that accompanied the exhibition were products of Bram’s rigorous indexing experiments: one showed basic elements used to make up the original array of objects; another presented views that made up the exhibited edition; and the third showed the whole array as seen from the outside.\u003c\/p\u003e\n\u003cp\u003eA reprint only comes into being in reference to externalities. Its form and content are proscribed by the original to which it refers, and it attains conceptual significance through its relationship to processes and discourses that shape the space it inhabits. Bram’s core indexing practice is thus reenacted in the making and archiving of the reprint.\u003c\/p\u003e\n\u003cp\u003eRe-print #1 has been legally deposited in state and federal printed matter archives, and through its mediated design, will attach a traceable visibility to the original project, reasserting its place within contemporary and historic narratives of artistic practice.'\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"3-ply","offers":[{"title":"Default Title","offer_id":41886364205286,"sku":"","price":7.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7673.jpg?v=1634671316"},{"product_id":"t3l1x9aoe7qbl1ylai2bgqeuw7devj","title":"WE ARE NOT ALONE... by Marina Xenofontos","description":"\u003cp\u003e21 x 30cm, 132 pages, Full colour printed, Perfect bound, Softcover, Ed. of 150, 2016\u003c\/p\u003e\n\u003cp\u003eAn amazing book sourced from the archive of architecture draughtsman and self proclaimed inventor Christophoros Kyriakides: in 1988 Kyriakides self published the 'educational' boardgame \"Six Continents Star Atlas\", a commercial failure despite or probably because of its off-kilter amalgamation of impossible objects, invented maps, landscape and anagrammatic poetry. Intrigued by the find of the game, Xenofontos uncovered his personal archive, parts of which are reproduced in this impeccably made and wide ranging publication.\u003c\/p\u003e\n\u003cp\u003ePublished by \u003c\/p\u003e","brand":"Neoterismoi Toumazou","offers":[{"title":"Default Title","offer_id":41886371053798,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/046_D_49772b25-4f12-45f2-94ce-4ceb439c4ccf.jpg?v=1634671468"},{"product_id":"the-ashtray-show-west-by-steph-huang-cullinan-richards-amp-belmacz","title":"THE ASHTRAY SHOW WEST by Steph Huang, Cullinan Richards and Belmacz","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e14.8 x 20cm, 93 pages, Full colour printed, Perfect bound, Softcover, Sugar paper dust jacket, Includes various inserts, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWe can move our hand across the table and we can move the ashtray. But we cannot move our hand through the tabletop, across the spot on which the ashtray stands, without moving the ashtray. To put it differently, our possibilities of action are limited.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMade in conjunction with the exhibition Ashtray Show West.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e","brand":"Belmacz","offers":[{"title":"Default Title","offer_id":41886382620902,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/038_D_d4f1593f-ab78-46a5-9435-7cb121d54afc.jpg?v=1634671701"},{"product_id":"the-bitter-cup-by-joanne-tatham-amp-tom-osullivan","title":"THE BITTER CUP by Joanne Tatham and Tom O'Sullivan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e130mm x 206mm, 112 pages, Black \u0026amp; white printed, Perfect bound, Softcover with dustjacket, 2019. Published with \u003cmeta charset=\"utf-8\"\u003eHospitalfield.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe Bitter Cup\u003c\/em\u003e is a novelistic response to the archive of paintings and sketch books left behind by Lil Neilson upon her death in 1998, and the encounter experienced by Joanne Tatham and Tom O’Sullivan of this work, the landscape and their formative art experiences. Neilson’s work is framed in a fiction, which locates itself in the historical moment that the landscape of Scottish art was radically transformed – through a process that was dubbed ‘the Glasgow Miracle’. The story moves between a fictional coastal village in the East, and a mystical recollection of Glasgow, in the West, in this period. A single image,\u003cem\u003e A Place for 4 Women\u003c\/em\u003e, a painting by Lil Neilson set against the watchie garden and the sea, interrupts the text and acts as a premonition of the stories that follows. Evie, the main protagonist, is positioned in this shift, articulating the conflicts and antagonisms, desires and sexuality of her own, and the authors’ imaginary.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Book Works","offers":[{"title":"Default Title","offer_id":41886385504486,"sku":"","price":14.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2448.jpg?v=1634671722"},{"product_id":"selected-drawings-91-19-by-jamie-johnson","title":"SELECTED DRAWINGS '91 - '19 by Jamie Johnson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135x205mm, 108 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eJamie Johnson creates intricate abstract landscapes that often hint at Scottish geology and folklore. Working across painting, collage, printmaking and video, his work explores cultural symbolism from both modern and ancient worlds, communicating observations and ideas by creating an autonomous visual language. \u003cem\u003eSelected Drawings\u003c\/em\u003e chronicles a group of works on paper made by the artist between 1991 and 2019, tracing the genesis of his unique take on characterisation and storytelling.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"5b","offers":[{"title":"Default Title","offer_id":41886392123622,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/064_D_e68ec48e-2d56-4188-b3cf-270ae829ec07.jpg?v=1634671811"},{"product_id":"work-1961-1973-by-yvonne-rainer","title":"WORK 1961-1973 by Yvonne Rainer","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e20 × 27 cm, 344 pages, Black \u0026amp; white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForty-five years after its publication, Primary Information brings Yvonne Rainer’s classic book back into print in an exact facsimile.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn 1974, Yvonne Rainer published Work 1961–73, an illustrated catalog of her performance works up to that point. In these years, as the art world turned toward minimalism, Rainer and her Judson Dance Theater colleagues were engaged in a parallel, and equally radical, redefinition of dance. Stripping dance of its pomp and self-serious virtuosity, they created what dancer and choreographer Pat Catterson has called “the people’s dance.” Or, as Rainer put it, instead of the “overblown plot” of traditional dance, she explored the “obvious” alternative: “stand, walk, run, eat, carry bricks, show movies, or move and be moved by some thing other than oneself.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWork 1961–73 chronicles the years when Rainer found herself and her work at the heart of a revolution in dance, performance and art. Written in Rainer’s wonderful frank, funny and perceptive prose, and illustrated with photographs, handwritten scores, sketches, press articles and ephemera, Work 1961–73 is a period document and an instruction manual, an archive and a manifesto.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA sought-after, rare classic, Work 1961–73 is brought back into print in a true facsimile edition by Primary Information; the only change is the small addition of new notes at the back of the book.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Primary Information","offers":[{"title":"Default Title","offer_id":41886392156390,"sku":"","price":32.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5984.jpg?v=1634671784"},{"product_id":"weight-of-the-earth-by-david-wojnarowicz","title":"WEIGHT OF THE EARTH by David Wojnarowicz","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e135mm x 205mm, 184 pages, black and white, perfect bound, 2018\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAudio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming.... It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence.—from \u003cem\u003eThe Weight of the Earth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eArtist, writer, and activist David Wojnarowicz (1954–1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence, and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.\u003cem\u003eThe Weight of the Earth\u003c\/em\u003e presents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft, the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886393172198,"sku":"","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7753.jpg?v=1634671794"}],"url":"https:\/\/goodpress.co.uk\/collections\/archives.oembed?page=21","provider":"Good Press — good books \u0026 more","version":"1.0","type":"link"}