{"title":"Architecture","description":"","products":[{"product_id":"bonnington-hydro-electric-power-station-by-ally-wallace","title":"BONNINGTON HYDRO ELECTRIC POWER STATION By Ally Wallace","description":"\u003cp\u003eA5, 32 pages, Black \u0026amp; white digitally printed, Saddle stitch, Card cover, 2017\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"The ink drawings reproduced in this book are studies of Bonnington hydro electric power station and were created on site between August 2016 and May 2017 - focusing on details of the stations equipment, fixtures and architecture.\"\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Ally Wallace","offers":[{"title":"Default Title","offer_id":41886121361638,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5126_web.jpg?v=1634664312"},{"product_id":"angarth-or-wygarth-by-dr-james-lattin","title":"ANGARTH OR WYGARTH? by Dr James Lattin","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e48 pages, 210x205mm, Full colour digitally printed throughout, Saddle stitched, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e“This is the Museum of Imaginative Knowledge's 2014 catalogue which explores the area around the town of Angarth near the Scottish border.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eIt includes the story of how Dr James Lattin came to found the Museum, as well as a detailed overview of local stately home Judley Hall. It also focuses on some of the Museum's most well-known artefacts such as the world's largest one pence piece collection and a pair of Royal boxer shorts.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Imaginative Press","offers":[{"title":"Default Title","offer_id":41886123262182,"sku":"","price":3.25,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1729.jpg?v=1634664406"},{"product_id":"a-place-for-the-work-and-the-human-being","title":"A PLACE FOR THE WORK AND THE HUMAN BEING","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e155 x 185mm, 32 pages, colour printing onto newsprint, edition of 500, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributors Katrina Brown \u0026amp; Tom Jeffreys\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis 32-page publication brings together the discussion series ‘A Place for the Work and the Human Being’ that took place in various locations across the city of Glasgow throughout 2019. The series considered and questioned the space for art today from the perspective of leading artists, curators and architects including Nicole Wermers, Elvira Dyangani Ose and Stephanie Macdonald. Designed by A Practice for Everyday Life, the publication features an essay reflecting on the talks by art writer Tom Jeffreys and an introduction by Katrina Brown, director of The Common Guild, along with information about each of the venues and a list of recommended reading suggested by the speakers.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Common Guild","offers":[{"title":"Default Title","offer_id":41886139252966,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/3F91FA67-24D1-4C0D-871B-3BEB42394C7A.jpg?v=1634664821"},{"product_id":"displacements-architecture-and-refugee-by-andrew-herscher","title":"DISPLACEMENTS: ARCHITECTURE AND REFUGEE by Andrew Herscher","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 150mm, 156 pages, full colour printing on various paper stocks, perfect bound, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by NIKOLAUS HIRSCH, MARKUS MIESSEN\u003cbr\u003eFeaturing artwork by OMER FAST\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn architectural history, just as in global politics, refugees have tended to exist as mere human surplus; histories of architecture, then, have usually reproduced the nation-state’s exclusion of refugees as people out of place. Andrew Herscher’s \u003cem\u003eDisplacements: Architecture and Refugee\u003c\/em\u003e, the ninth book in the Critical Spatial Practice series, examines some of the usually disavowed but arguably decisive intersections of mass-population displacement and architecture—an art and technology of population placement—through the twentieth century and into the present. Posing the refugee as the preeminent collective political subject of our time, \u003cem\u003eDisplacements \u003c\/em\u003eattempts to open up an architectural history of the refugee that could refract on the history of architecture and the history of the refugee alike.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886144004326,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_81280313.jpg?v=1634665090"},{"product_id":"blocks-by-oliver-east","title":"BLOCKS by Oliver East","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e183.5 x 297mm, 68 pages, black and white printing, perfect bound, edition of 100 copies, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDrawn while walking around the block, during the nationally mandated one exercise a day allowance, Blocks is a collection of architecture comics recorded in contested Covid territories. Cyclical attempts to capture images at their inception.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Rolling Stock Press","offers":[{"title":"Default Title","offer_id":41886144692454,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8815jpg0417.jpg?v=1634665015"},{"product_id":"dont-follow-the-wind-by-various","title":"DON'T FOLLOW THE WIND","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 150mm, 256 pages, full colour printing on various paper stocks, perfect bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by NIKOLAUS HIRSCH, MARKUS MIESSEN\u003cbr\u003eFeaturing texts by ODI DEAN, SILVIA FEDERICI, SVEN LÜTTICKEN, NOI SAWARAGI, JASON WAITE and artworks from AI WEIWEI, CHIM↑POM, DON’T FOLLOW THE WIND, NIKOLAUS HIRSCH \u0026amp; JORGE OTERO-PAILOS, MEIRO KOIZUMI, EVA \u0026amp; FRANCO MATTES, GRAND GUIGNOL MIRAI, AIKO MIYANAGA, AHMET ÖĞÜT, TREVOR PAGLEN, TARYN SIMON, NOBUAKI TAKEKAWA, and KOTA TAKEUCHI.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe twelfth volume of the Critical Spatial Practices series focuses on \"Don't Follow the Wind,\" the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public-the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades-a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886144954598,"sku":"","price":15.75,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0915jpg0507.jpg?v=1634665076"},{"product_id":"9am-gay-nihilism-by-john-garrood","title":"9AM GAY NIHILISM by John Garrood","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA4, 4 pages, colour printing, numbered edition of 25, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn a free written style, 9AM GAY NIHILISM offers in stream and flow an earnest and vulnerable explorative text on queerness, nihilism and architecture. Encompassing form, the body, self-perception, sex, the ambivalence of meaning and diet quantum theory, it’s an unashamedly queer and half-baked surge. Originally uploaded in segments over fourteen days at 9am, as part of the 2021 Architecture Fringe open programme, the unabridged prose piece is printed here in its entirety: an irreverent romp of liquid nihilism. A portion of the profits from sales will be donated to the Scottish charity LGBT Health and Wellbeing. 9AM GAY NIHILISM is represented by Chez Etym., as part of its wider body of work exploring alternative and speculative perceptions of architectural place and time; see www.chezetym.com \/ @chezetym.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Chez Etym","offers":[{"title":"Default Title","offer_id":41886146330854,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9659001.jpg?v=1634665198"},{"product_id":"depreciating-assets-by-jessica-vaughn","title":"DEPRECIATING ASSETS by Jessica Vaughn","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e210 x 280mm, 130 pages, full colour printing on various stocks, perfect bound with cloth tape, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDepreciating Assets is a new artists’ book by Jessica Vaughn investigating labor, diversity politics, and the material environment of the American workplace. With a new lens to the artist’s multidisciplinary practice, the project examines how affirmative action and other office equity measures are intersected by corporate infrastructure and, specifically, the physical layout of office space.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAcross four interwoven sections and related appendices, Vaughn assembles her photographs and critical writings alongside xeroxed images, diversity training video stills, and manipulated open source documents of the US Government. The project considers and distills the symptoms of late 20th and 21st century work culture produced by open office plans and modular architecture’s promise of malleability, compliance, and universality — provisions that bid for increased efficiency and productivity at the expense of visibility for Black workers and workers of color. Vaughn looks at how minimalist design gestures of the modern office (as envisioned by Rem Koolhaas’ formative essay “Typical Plan,” and Herman Miller’s Ethospace brochures) cannot exist outside the conditions of race, class and labor.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe project also includes an interview between Vaughn and curator Magdalyn Asimakis, in which the two discuss the structural failings of arts and cultural institutions to practice equitable inclusion of artists of color, or to develop a language and praxis in support of diverse programming that extends beyond compliance, optics, and concerns of the market. Vaughn draws connections between the operations of these institutions to that of the corporate environment, and discusses the ways in which she manipulates their commonalities through the material of her work.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn its design, Depreciating Assets intentionally replicates the style, materials, and colors outlined by the US Government Publishing Office—standards set to ensure design efficiency and the economical production of their internal documents. The book draws from the familiar copyshop palette of Venetian blue, tan pink, salmon, green and brown, and uses varied paper stocks in accordance with Paper Standard specifications. In doing so the project takes on and examines the homogeneity imposed by so-called ‘corporate efficiency measures,’ and the fundamental tension between diversity initiatives and one-size-fits-all approaches to office resources.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe publication concludes with an afterword by the author contextualizing the project’s themes within the contemporary reality of global pandemic, economic precarity, and protests against racist state violence. Here Vaughn explores how in the absence of an adequate governmental response to structural problems, workplaces implement ad-hoc solutions (such as plexi-dividers) that still leave workers vulnerable and at risk — most acutely, Black workers who are often underinsured.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"Printed Matter","offers":[{"title":"Default Title","offer_id":41886148722918,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2749070.jpg?v=1634665307"},{"product_id":"a-place-to-stay-practising-embedded-design-by-shay-raviv","title":"A PLACE TO STAY: PRACTISING EMBEDDED DESIGN by Shay Raviv","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e24 × 17 cm, 136 pages full colour offset, softcover with large format, fold out dust jacket. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePreconditions and tools to facilitate a successful and enduring collaboration between designers and local communities.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEmbedded design gives fresh impetus to an area by exploring the unique character and life of a place through the eyes of designers on the ground. This book documents the work of designers who embedded themselves in and around the former penal colony in Veenhuizen, soon to become a UNESCO World Heritage Site. It reveals the experience gained and lessons learned, illustrating them with countless design projects and events. This initiative, a blueprint for creative research focused on a particular area, is intended to spur similar projects.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eYoung designers, prisoners, policy-makers and others joined forces in Veenhuizen, inspired by the unique cultural, historical, landscape and architectural reality. This lengthy design collaboration was instigated by embedded design pioneer KETTER\u0026amp;Co, and was guided by Design Academy Eindhoven. With local authorities and prison management in Veenhuizen, they drew up an ambitious ‘Design Deal’. Together they examined the challenges of local development in a long-term process that explored the many perspectives on the past and present. Their efforts helped to define a revised vision for Veenhuizen, one that is local and social, that can be experienced, that is shaped in conjunction with stakeholders, and that has an impact on visibility and policy, with energy flowing in many directions. The work resulted in proposals aimed at boosting commercial opportunities and enhancing the sense of community, while also promoting sustainable heritage management and a dynamic awareness of history. In other words: a magnificent challenge to give renewed vitality to this remarkable cultural landscape.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThrough numerous interviews and conversations on projects, design researcher Shay Raviv analyses the preconditions and tools that are needed to facilitate a successful and enduring collaboration between designers and local communities. She also looks ahead and asks: How can embedded design continue to be relevant, not only for the World Heritage Site of Veenhuizen but also for other places?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWritten by Shay Raviv with a preface of David Hamers and contributions by Guus Kusters and Gert Staal.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":41886150099174,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3101064.jpg?v=1634665405"},{"product_id":"lisca-1-by-camilla-brueton-amp-lisa-solovieva","title":"LISCA #1 by Camilla Brueton and Lisa Solovieva","description":"\u003cp style=\"white-space: pre-wrap;\"\u003eA4, 28 pages, Blue risograph throughout, Saddle stitch, Softcover, 2017\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eResponses to architecture and spatiality printed entirely in blue risograph!\u003c\/p\u003e","brand":"Camilla Brueton and Lisa Solovieva","offers":[{"title":"Default Title","offer_id":41886265049318,"sku":"","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/61_web.jpg?v=1634667936"},{"product_id":"proposal-by-fk-mcloone","title":"PROPOSAL By FK Mcloone","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, Full color digitally printed, Saddle stitch, 2017.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“…documents the fictionalised design process behind the specific architecture of the shopping centre and its sleek, bright and unremarkably modern aesthetic.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"FK Mcloone","offers":[{"title":"Default Title","offer_id":41886265082086,"sku":"","price":6.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/59_2048_789f9ab8-73e0-442a-a9fc-cde982cc3d74.jpg?v=1634667849"},{"product_id":"pompei-pompeii-by-bianca-pedrina-1","title":"POMPEI, POMPEII by Bianca Pedrina","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e23 x 16cm, 112 pages, Full colour printing, Perfect bound, Softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFor \u003cem\u003ePompei, Pompeii\u003c\/em\u003e Bianca Pedrina carefully inspects the relationship between form and function in a newly implemented accessibility project in Pompeii. The project consists of iron elements embedded in the gaps of the historic Roman streets, and allow barrier-free access to the excavation site. These custom-fit grids and ramps seem to melt between lava stones underfoot.\u003cbr\u003eThe contemporary architectural intervention into the ancient Roman city structure shows the individual city planning concepts of different eras and cultures and their handling of marginalised groups.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003ePompei, Pompeii\u003c\/em\u003e contains portrait photographs of those newly installed iron grids, and images of isolated Pompeii tourists. They both ask questions about sustainable and meaningful forms of tourism and about the use and transformation of built environments over time.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe photographs are accompanied by an essay by Dutch architectural theorist and artist Michiel Huijben. He traces the history of Pompeii, its continued existence as one of the most visit\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886266687718,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/45_2048_b545a0fc-0652-4461-b4c1-ec47e305102f.jpg?v=1634667930"},{"product_id":"lost-in-play-collective-personal-storytelling-by-nooma-studio","title":"LOST IN PLAY: COLLECTIVE PERSONAL STORYTELLING by Nooma Studio","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 28 pages, two colour risograph printing, saddle stitched, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLost in Play: Collective Personal Storytelling is the first of a new periodical zine publication about Unlearning Through Play from Nooma and friends of the studio as part of commissioned work for Architecture Fringe 2021.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis year’s Architecture Fringe Festival is based on the theme of (Un)Learning - a recurring theme in NOOMA Studio’s work and a topic that is very much close to our hearts both professionally and personally as a collective design studio.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom the outset it was obvious that our response needed to be conversational and true to our belief in the effectiveness of collective play-led storytelling. We asked members and friends of the studio to each submit a personal spread that responds to the theme ‘[UN]Learning Through Play’ which has captured a snapshot of our studio discourse in zine form.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEngaging with the festival this year has given us an opportunity to look deep within and to open a dialogue amongst our wider network on the theme of [UN]Learning. It has encouraged us to ask what more can be done to shake off the inherited knowledge and social structures that perpetuate the social injustices that we seek to deconstruct?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eZine contributors \u003cbr\u003eEditor and producer - Frances Leung \u003cbr\u003e1. Nooma Studio Team \u003cbr\u003e2. Re:Learning, Victor Vorski +Anton Chernikov \u003cbr\u003e3. Shifting Terrain in Tottenham, Morgan Dunn \u003cbr\u003e4. Dar_zine_ling, Bik Pakhrin \u003cbr\u003e5. The Big Playground \u003cbr\u003e6. A Story of Togetherness 7\u003cbr\u003e. Alternative Theories in Architecture, Farouk Agoro \u003cbr\u003e8. [UN] Loop, David Franklin \u003cbr\u003e9. The Free Prison + Seeds Education, Karl Lenton \u003cbr\u003e10.Your Poverty is Most Endearing, Bik Pakhrin \u003cbr\u003e11.Dot to Dot, Matt Hopkins \u003cbr\u003e12.[UN] LEXICON, Josh Artus, Centric Lab \u003cbr\u003e13.Collective Personal Storytelling\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Nooma Studio","offers":[{"title":"Default Title","offer_id":41886288838886,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9887025.jpg?v=1634669036"},{"product_id":"less-a-building-interactions-with-the-london-zoo-aviary-by-various-artists","title":"LESS A BUILDING: INTERACTIONS WITH THE LONDON ZOO AVIARY by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e130 x 190mm, 130 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRealised by Cedric Price, Lord Snowdon and Frank Newby in the mid-1960s, the landmark London Zoo Aviary is known for its pioneering tensile structure, its immersive and sensory qualities and its architectural paradoxes of permanence\/plasticity, transparency\/opacity and openness\/enclosure. 'Less a building' takes the hiatus of the aviary’s redevelopment in the early 2020s as an opportunity to consider the structure anew, exposing it as a powerful catalyst for experimental thinking and making.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Passengers","offers":[{"title":"Default Title","offer_id":41886298112230,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9285007.jpg?v=1634669371"},{"product_id":"form-shape-and-light-by-flo-armitage-hookes-and-process-play","title":"FORM, SHAPE AND LIGHT by Flo Armitage-Hookes and Process Play","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e13 x 21cm, 16 pages, full colour, staple bound. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForm, Shape and Light is a collaborative publication by Flo Armitage-Hookes and Process Play design studio – playfully exploring three architectural landmarks of Leeds. The project builds on Flo’s ‘Glimpses’ photographic essays – recognising and celebrating details of architecture which are often overlooked in the daily process of living. As an expression of the themes found within Flo's words and images – the design takes a modernist, library-find direction. The self-referential cover and lightweight, recycled stock play into the lo-fi reference-document thinking. Words and photography by Flo Armitage-Hookes. Design and direction by Process Play.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Process Play","offers":[{"title":"Default Title","offer_id":41886298341606,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3600001.jpg?v=1634669689"},{"product_id":"re-print-1-1-2-3-1992-by-stephen-bram-and-david-morrison","title":"RE-PRINT #1: 1 2 3 (1992) by Stephen Bram and David Morrison","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e175mm x 256mm, 48 pages, black and white printing, archive staple binding, edition of 500, 2014\u003c\/p\u003e\n\u003cp\u003eDesign by Matt Hinkley\u003c\/p\u003e\n\u003cp\u003e'In 1992, artist Stephen Bram and architect David Morrison collaborated in the production of three staple-bound, xeroxed books to accompany an exhibition at City Gallery, Melbourne. The books were published in a small edition by Pataphysics Books, run by Leo Edelstein and Yanni Florence. Re-print #1: 1 2 3 (1992) presents the three books produced by Bram and Morrison, collated in a single 1:1 scale reprint.\u003c\/p\u003e\n\u003cp\u003eThe Re-print project is a curated series that reintroduces out-of-print artist publications to a contemporary audience. The series also exploits the character of the reprints to insert interventions in public archives: introducing material that was never legally deposited, or reinserting previously archived publications in the form of mediated replications, thereby indexing the originals.\u003c\/p\u003e\n\u003cp\u003eFor more than twenty-five years, Stephen Bram has produced artworks made in relation to external points in space. He describes this as a concern for articulating the relationship between the conceptual\/structural interior of an artwork and the external spaces that the artwork inhabits.\u003c\/p\u003e\n\u003cp\u003eThe 1992 City Gallery exhibition consisted of an edition of ten plotter drawings, showing different views of an array of objects. The three books that accompanied the exhibition were products of Bram’s rigorous indexing experiments: one showed basic elements used to make up the original array of objects; another presented views that made up the exhibited edition; and the third showed the whole array as seen from the outside.\u003c\/p\u003e\n\u003cp\u003eA reprint only comes into being in reference to externalities. Its form and content are proscribed by the original to which it refers, and it attains conceptual significance through its relationship to processes and discourses that shape the space it inhabits. Bram’s core indexing practice is thus reenacted in the making and archiving of the reprint.\u003c\/p\u003e\n\u003cp\u003eRe-print #1 has been legally deposited in state and federal printed matter archives, and through its mediated design, will attach a traceable visibility to the original project, reasserting its place within contemporary and historic narratives of artistic practice.'\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"3-ply","offers":[{"title":"Default Title","offer_id":41886364205286,"sku":"","price":7.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7673.jpg?v=1634671316"},{"product_id":"y0i2fp78wz8lw9zjp1xg0lvjnngxo1","title":"STUDIO L28: SONIC PERSPECTIVES ON URBANISM by Caroline Claus","description":"\u003cp class=\"\"\u003e166 x 266mm, 80 pages, Black \u0026amp; white printed, Perfect bound, Softcover with cloth spine, 2020\u003c\/p\u003e\n\u003cp class=\"\"\u003eA multifaceted examination of sound as a central feature in urban planning.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThough sound is a central feature within urban life, it still receives little to no attention within processes of urban planning. The main difficulty in integrating sound is that it remains largely immeasurable—decibel levels say little about whether a sound is wanted or not, intrusive or welcome.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eStudio_L28 – Sonic Perspectives on Urbanism\u003c\/em\u003e hooks into the debate here, experimenting with tools and strategies of observation, mapping, and planning. By mixing research practices from theoretical, professional, and artistic fields, the publication argues for an integration of sound in urban planning that is multifaceted, versatile, and keenly observed.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Q-02","offers":[{"title":"Default Title","offer_id":41886405132518,"sku":"","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0101112.jpg?v=1634672204"},{"product_id":"the-nomadic-listener-by-budhaditya-chattopadhyay","title":"THE NOMADIC LISTENER by Budhaditya Chattopadhyay","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15 x 21cm, 124 pages, Black and white printed, Perfect bound, Softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBased on the author's artistic research on migration, contemporary urban experience, and sonic alienation, \u003cem\u003eThe Nomadic Listener\u003c\/em\u003e is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai, and New York, among others.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEach text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising, and random interactions found in traveling. \u003cem\u003eThe Nomadic Listener \u003c\/em\u003eincludes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by Gruenrekorder and accessed through a QR code included in the book.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Errant Bodies","offers":[{"title":"Default Title","offer_id":41886405165286,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/0751112.jpg?v=1634672143"},{"product_id":"superstructures-notes-on-experimental-jetset-volume-2-by-experimental-jetset","title":"SUPERSTRUCTURES (NOTES ON EXPERIMENTAL JETSET \/ VOLUME 2) by Experimental Jetset","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e180 x 105mm, 420 pages, Black, fluorescent and full colour printed, Perfect bound, with additional 24 page, Saddle stitched booklet, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eSuperstructures (Notes on Experimental Jetset \/ Volume 2)\u003c\/em\u003e is an inquiry into the role of the city as an infrastructure for language (and simultaneously, into the role of language as an infrastructure for the city), as seen through the lens of four historical movements: Constructivism, the Situationist International, Provo, and the Post-Punk explosion. Based on a research project (and accompanying exhibition) by Experimental Jetset, the publication features footnotes written by Vasyl Cherepanyn, Leontine Coelewij, Linda van Deursen, Experimental Jetset, Owen Hatherley, Brad Haylock, Dirk van den Heuvel, Lieven Lahaye, Samata Masato, Tom McDonough, Kateryna Mishchenko, Other Forms, Mark Owens, Megan Patty, Adam Pendleton, Simon Reynolds, Ian F. Svenonius, McKenzie Wark, Lori Waxman, and Mimi Zeiger. The 420-page paperback comes with a 24-page zine, zooming in on the design typology of the original exhibition.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Roma","offers":[{"title":"Default Title","offer_id":41886410997990,"sku":"","price":25.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7655jpg0227.jpg?v=1634672398"},{"product_id":"still-preludes-in-light-by-samuel-stair","title":"STILL PRELUDES IN LIGHT by Samuel Stair","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e210 x 297mm, 16 pages, black, colour digital printing on newsprint, folded, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e'Still Preludes in Light' presents fourteen photographs taken while on a lite pilgrimage to a series of iconic Modernist architectural works in the United States in 2015. In most cases, there was intention to avoid exploring the classic and expected angles of each work, instead attempting to establish a dialogue with moments less often presented and offer a greater intimacy with each architectural subject. Each photograph is an attempt to capture a latent state of stillness in light, or light in stillness, characteristic to each work. Printed on A4 newsprint, the ephemeral nature of the medium owes itself to this fleeting and illusory focus. With a full photograph per page, each spread can be removed and used as a duet of stand alone prints if desired. Limited run of 50 copies.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Samuel Stair","offers":[{"title":"Default Title","offer_id":41886411030758,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0389jpg0301.jpg?v=1634672403"},{"product_id":"white-paper-on-land-law-and-the-imaginary-by-adelita-husni-bey","title":"WHITE PAPER: ON LAND, LAW AND THE IMAGINARY by Adelita Husni-Bey","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x \u003cmeta charset=\"utf-8\"\u003e240mm, 88 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2017\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eWhite Paper: On Land, Law and the Imaginary\u003c\/em\u003e is an experimental compendium to White Paper (2013–16), a project developed by artist Adelita Husni-Bey in collaboration with several organizations and bodies. Divided into three distinct chapters revolving around the relationship between legislation, property and agency vis-à-vis the right to housing in Egypt, the Netherlands and Spain, this publication chronicles the project’s tactics of representation and diverse methodological approaches across institutions and informal spaces. Ranging from workshops, film production and formal exhibition-making to public discussion, \u003cem\u003eWhite Paper: On Land, Law and the Imaginary\u003c\/em\u003e provides tools for analysing and acting upon the expansion of speculative neoliberal urban policies, and for re-imagining the space of the commons.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886411915494,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7970033.jpg?v=1642683796"},{"product_id":"the-emblematic-cabinet-an-improvisatory-transcript-by-hanakam-amp-schuller","title":"THE EMBLEMATIC CABINET: AN IMPROVISATORY TRANSCRIPT by Hanakam and Schuller","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e100 x 145mm, 76 pages, colour printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn 1924, the Philadelphia architect Horace Trumbauer was commissioned by tobacco millionaire and plantation owner, James Buchanan Duke, to develop and expand the existing Trinity College campus of Duke University Durham, North Carolina. The resulting design, produced by Trumbauer’ office in collegiate Gothic style, were ultimately the work of Afro-American architect Julian F. Abele–at a time when segregation laws prohibited him from even setting foot on the campus. The neo-Gothic style of the Duke campus is extensive stylistically eclectic. There are seals of renowned European and North American universities; ecclesial heraldry is mixed with apparently contemporary stonemasonry. Mixed in with this, early 20th-century artefacts (also for instance, the symbol of a film camera) can be seen on heraldic shields. Duke student Nicholas Chrapliwy and art-history professor Paul B. Jaskot have improvised image analyses of these enigmatic emblems and heraldic features. They will, however remain hidden to you, the reader.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Mark Pezinger Books","offers":[{"title":"Default Title","offer_id":41886418206950,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9448036.jpg?v=1634672710"},{"product_id":"the-clyde-renovation-project-by-lorien-barker","title":"THE CLYDE RENOVATION PROJECT by Lorien Barker","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eA5, 24 pages, full colour printing, staple bound, with 3 colour prints and concertina insert in belly band, 2021\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThe Clyde Regeneration Project explores the visual qualities of Glasgow, by documenting interventions made within the city.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Lorien Barker","offers":[{"title":"Default Title","offer_id":41886418338022,"sku":"","price":6.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1518055.jpg?v=1634672722"},{"product_id":"socialist-amnesia-by-siraj-izhar","title":"SOCIALIST AMNESIA by Siraj Izhar","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15 x 20cm, 144 pages, Full colour printed, Perfect bound, Softcover, 2nd edition, 2023\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSocialist amnesia is an exploration of the east Berlin district of Lichtenberg. It is a wandering into the space of \u003cem\u003edie Wende\u003c\/em\u003e the peaceful revolution of German reunification. Socialist amnesia begins as an amnesia to annul the place of socialism in the aftermath of the \u003cem\u003eWende\u003c\/em\u003e but evolves into an amnesia necessary to produce the new social relations of the twenty-first century. Yet in this process, we come to see how the social condition of amnesia itself acquires revolutionary potential in our age.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"amp press","offers":[{"title":"Default Title","offer_id":41886419943654,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2992007.jpg?v=1634672869"},{"product_id":"volcanoes-of-the-capitalocene-cities-and-landscapes-of-the-second-industrial-revolution-by-alan-smart","title":"VOLCANOES OF THE CAPITALOCENE: CITIES AND LANDSCAPES OF THE SECOND INDUSTRIAL REVOLUTION by Alan Smart","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 24 pages, Risograph printed, staple bound. 2021. Published with \u003cmeta charset=\"utf-8\"\u003eGato Negro.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDuring the rapid industrialization of the Soviet Union’s first five-year plan, the city of Magnitogorsk was built on a sparsely inhabited site in the Western Siberian steppe marked by a geological anomaly: a mountain of almost pure iron ore. In the rhetoric of Soviet planners and the European modernist architects who had come east to help build a new world, Magnitogorsk was to manifest the ideal of “Socialist City” in being organized completely by production such that the linearity of the assembly line, and the processes of steel making would extend into the kitchens and bedrooms of the workers and drive the creation of a new culture.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe design and construction of Magnitogorsk’s mills and the planning of its urban infrastructure was, however, largely directed by American consulting engineers with whom Soviet officials had made contact during the courses of a trade mission, which had toured the northern Midwest. The model they had been asked to reproduce was not the ideal Socialist City but a very real Capitalist one: that of Gary Indiana\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eBegun little more than twenty years before Magnitogorsk, Gary was also very much a planned utopia in which a city had been built around the economic and social engine the US Steel, Gary works. The site chosen for Gary had also appeared empty to its founders, but been charged with potential by its geographic location.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhile Magnitogorsk had extractable resources, Gary was situated so as to be a prime node in a logistics network drawing material from across the North American continent. Gary was also invested with intense ideological significance and would become a space in which the construction and “social engineering” of American urban\/industrial culture, with all of its conflicts, contradictions and brutal inequities, would be played out in stark terms.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eVolcanoes of the Capitalocene compares the development and transformation of these two linked cites as they exist as points of often mutually-constituting interpenetration between the natural world and its time sales, and the shock and rupture of the built worlds of technology, ideology, capital and human culture.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Other Forms","offers":[{"title":"Default Title","offer_id":41886425972966,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2816017.jpg?v=1634673049"},{"product_id":"concrete-and-ink-storytelling-and-the-future-of-architecture-edited-by-marta-michalowska-and-justinien-tribillon","title":"CONCRETE AND INK: STORYTELLING AND THE FUTURE OF ARCHITECTURE edited by Marta Michalowska and Justinien Tribillon","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150x230 mm, 160 pages, full colour printing, perfect bound, softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhat role does storytelling play in urban imaginaries? How do these imaginaries converge or diverge from reality? Can we use stories to test ideas for future architecture? Concrete and Ink: Storytelling and the Future of Architecture, the first volume in the series Staging Cities, brings together commissioned writing in fiction and non-fiction, a graphic story, and interviews, narrating buildings, housing estates and cities, between utopias and dystopias, through imagination, dreaming, magic, games and concrete realities, across past and present, and into the future.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributors: Adania Shibli, Alia Trabucco Zeran, Alison Irvine, Bedwyr Williams, Ben Okri, Crystal Bennes, Jodie Azhar, Justinien Tribillon, Marta Michalowska, Matthew Dooley, Meghana Bisineer, Mona Kareem, Natasha Lehrer, Nina Leger, Sophie Hughes, Sophie Mackintosh.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Theatrum Mundi","offers":[{"title":"Default Title","offer_id":42033580212454,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5304019.jpg?v=1636564161"},{"product_id":"interior-realms-edited-by-andrea-cetrulo-and-marta-michalowska","title":"INTERIOR REALMS edited by Andrea Cetrulo and Marta Michalowska","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e148 x 210mm, 180 pages, full colour printing, perfect bound, softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA domain of reflection, a zone of imagination, a sphere of cosmic reverie, a field of observation, an empire of fleeting thoughts, a territory of contemplation, a province of desires, an orbit of fantasy. Sixteen new pieces of writing – essays, poems, prose poems, short stories – two interviews taking you to the kitchen table, spare bedroom, home office, home studio, garage, shed, bedroom, bathroom, garden, closet and, on one occasion, car productions.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe book is accompanied by an audio compilation including ten homemade tracks that reflect the ways in which architectural spaces shape music produc- tion and how that music, in turn, transforms architecture’s atmospheric qualities.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributors: Alison Irvine, Andrea Cetrulo, Casper Laing Ebbensgaard, Cecily Chua, Charlotte Law, Cucina Povera, ENDGAME, Flora Pitrolo, Jason Bahbak Mohaghegh, John Bingham-Hall, Labeja Kodua Okullu, Lyall Hakaraia, Marta Michalowska, Meghana Bisineer, Michael Salu, Niall Campbell, Pol Esteve Castel- lo, RWP, Rut Blees Luxemburg, Satu Streatfield, Stephen Sutcliffe, Victor Ginesta, Vladimir Muratovski Divo, William Messenger\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Theatrum Mundi","offers":[{"title":"Default Title","offer_id":42033580343526,"sku":"","price":12.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5331046.jpg?v=1636564175"},{"product_id":"cloisterfck-by-various-artists","title":"CLOISTERF*CK by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e103 x 195mm, 108 pages, Full color, Rubber band bound, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe House of Common Affairs (HOCA) is a new, smashing journal about the Fourth Estate Utopias. It provides an opportunity to challenge the niche and yet popular field that exists in the overlap between design and journalism. HOCA invites a more diverse range of voices into the conversation with the aim to promote an international and interdisciplinary exchange of ideas, as well as knowledge. It seeks to offer a space for critical thinking with the aim of provoking further developments in this field. Cloisterf*ck is the second issue of HOCA and is about the role of architecture in relation to journalism. Contents: ‘Aesthetic Truth Work: Mixing Architecture with Journalism’ by Stijn Postema ‘Q\u0026amp;A on Architecture + Current Affairs’ interview with Paola Antonelli ‘Smokescreen’ by SITU \/ Bora Erden \u0026amp; Matt Cortright ‘Tears Topography’ by Timothy Chan ‘Data: the New Black Gold’ by Ibiye Camp ‘Land of Hope’ by Studio Hartzema \u0026amp; FRESH Research \/ Aikaterina Myserli \u0026amp; Henk Hartzema ‘Charting a Lean Middle Ground’ interview with James Dixon (Glenn Howells Architects) ‘Sustainable Architecture Avant la Lettre’ interview with Luc Deleu (T.O.P. Office) ‘Architecture is Always Late’ interview with Fernanda Canales ‘Lasting Glow’ by Yining Gao ‘The City Library for Common Collections’ by Mayssa Kanaan ‘The Future is Non-Binary’ interview with Christoph a. Kumpusch (Forward-slash) ‘Queering Crossrail’ by Francesca Rausa ‘Schrődinger’s City’ by Alexander Findley Forum 3: ‘Bogged Down in Cementics’ with Anne Boddington, Enok Gåsland, John Zhang, Lenka Hámošová, moderated by Paula Minelgaitė.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"House Of Common Affairs","offers":[{"title":"Default Title","offer_id":42033583816934,"sku":"","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1652001.jpg?v=1636564310"},{"product_id":"still-dancing-writing-about-dancing-about-architecture-infrastructure-access-economics-interalia-by-habib-william-kherbek","title":"STILL DANCING: WRITING ABOUT DANCING ABOUT ARCHITECTURE, INFRASTRUCTURE, ACCESS, ECONOMICS, INTERALIA by Habib William Kherbek","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e90 x 240mm, landscapes, 72 pages, Black and white printing, Perfect bound, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe texts included in this book were produced by several writers I have known and appreciated the work of as well as some people I was introduced to by other artists and performers. I wanted to produce a work that was one part ekphrasis and another part parlour game. The idea of dance as an intersection of discourses, themes, and forms was something I wanted to use as a starting positions for this volume. Where dance brings together embodiment, impermanence, performativity, desire, anxiety, spatiality, ephemerality, and many other states of being and experience, I was interested in the ways the ruptures inscribed in “sadler’s ills” might become loci of new approaches to thinking about dance. The arrangement of the texts offers the reader two possible starting points, one where poetry becomes the literary entrance, and another which begins with prose. Rather like the work itself, commissioning these texts was an exercise in discovery for me, and I hope it will be for the reader as well. And so it begins. En pointe! — Habib William Kherbek\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions by Sydney Beaumont, Alexis Calvas, Kitty Ray Harper Fedorec, Susan Finlay, M.E. Grey, Mina Khanlarzadeh, Habib William Kherbek, Greg Nissan\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"TLTRPreß","offers":[{"title":"Default Title","offer_id":42268897116390,"sku":"","price":11.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_6178054.jpg?v=1641386531"},{"product_id":"slow-spatial-reader-edited-by-carolyn-f-strauss","title":"SLOW SPATIAL READER Edited by Carolyn F. Strauss","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 210 mm, 320 pages, Single color offset printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA collection of essays about “slow” approaches to spatial practice and pedagogy from around the world featuring contributors from 22 countries. Each brings distinct philosophical and disciplinary approaches, from “spatial” fields like architecture, sculpture, and installation, to performative, somatic, and dramaturgical practices. The book explores how we think about and engage with space at a range of scales, tempos, and durations, with projects and processes that amplify the tangible and intangible qualities of spatial experience. The term “radical affection” unites these diverse approaches in hopes that new forms of caring, connection, and resilience might emerge.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eContributors: Lara Almarcegui, Marijke Annema, Martina Buzzi, Nicolas Buzzi, Sol Camacho, Cave_bureau (Kabage Karanja and Stella Mutegi), Renske Maria van Dam, Chiara Dorbolò, Cocky Eek, Anna Maria Fink, David Habets, Ian Hanesworth, Maria Hassabi, Beate Hølmebakk, Saba Innab, Kū Kahakalau, Bronwyn Lace, Daniel Lie, Pia Lindman, Ruth Little, Megumi Matsubara, Ash McAskill, Kate Morales, Salima Naji, Ligia Nobre, Alessandra Pomarico, Maria Popova, Raqs Media Collective (Monica Narula, Jeebesh Bagchi, and Shuddhabrata Sengupta) Jane Rendell, Angela Sakrison, Cristine Takuá, Li Tavor, Alice Van der Wielen-Honinckx, Françoise Vergès, Sara Wookey\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":42269963387110,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3014008.jpg?v=1641401931"},{"product_id":"the-architect-is-absent-approaching-the-cycladic-holiday-house-by-kyklada-press","title":"THE ARCHITECT IS ABSENT: APPROACHING THE CYCLADIC HOLIDAY HOUSE by Kyklada.press","description":"\u003cp\u003e100 x 162mm, 96 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe white cubical house, the vernacular architecture in the Aegean Archipelago, knows no author. Its capacity to resist harsh climatic and topographic circumstances has been improved and adjusted through time and seems today close to perfection. The white-washed Cycladic House has become iconic to the image of Greece through the construction of national and tourism narratives. What happens when an architect steps into this process of anonymous transmission of skills? In 1966 music composer, architect, and engineer Iannis Xenakis articulated a response to this tradition and designed, from his base in Paris, a holiday house on the island of Amorgos while choosing to remain absent throughout the construction process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Kyklada.press","offers":[{"title":"Default Title","offer_id":42357930623206,"sku":"","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8869057.jpg?v=1643216000"},{"product_id":"rights-of-way-the-body-as-witness-in-public-space-edited-by-amy-gowen","title":"RIGHTS OF WAY, THE BODY AS WITNESS IN PUBLIC SPACE Edited by Amy Gowen","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e 130 x 200mm, 236 pages, full colour printing, perfect bound, softcover, 2022\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRights of Way, the body as witness in public space takes our bodily movements as a departure point to cross into the terrains of art, culture, architecture, sociology, literature, and politics, to envision varied forms of witnessing, and apply them to our direct environments. When many must still campaign to claim their stake in the public realm; when hate crimes and acts of institutional violence persist in the public sphere; when cities continue to grapple with the effects of mass surveillance, precarious citizenship, widespread gentrification, and divisive body politics, we seek to question, challenge, and re-envision who have the rights of way.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis publication comprises a collection of essays, interviews, texts, and images from a range of artists, researchers, academics, architects, and historians. 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In this essay, Javier Fernández Contreras, Head of the Department of Interior Architecture at HEAD – Genève, offers an original approach to his field of expertise, which he defines as a node between architectural and visual culture.\u003c\/p\u003e\n\u003cp\u003eThe author posits that our experience of architecture is shaped as much by a direct relationship as by a network of mediatic representations. If cinema and the web have accelerated the overlapping of these multiple modes of experience and mediation, the author suggests viewing these mutations in the context of a longer history. Hence, he traces the technical mediation of the representation of space back to the Renaissance, with the invention of perspective and projection techniques. In modern times, Le Corbusier was the forerunner of a multimedia architectural experience through a cinematic approach to space and the addition of slogans and images that complemented the experience of the built environment. 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Javier Fernández Contreras’ text, in the form of a historical investigation of the relationships and hybridisations between objects and images, advocates interior architecture as a transdisciplinary laboratory of our late modernity.\u003c\/p\u003e\n\u003cp\u003eThe work is accompanied by a rich iconography relating to key moments in the spatialisation of images in art and, at the same time, to new ways of representing architecture from plans for a Palladian villa to the Cubist avant-garde in painting, architecture as propaganda by Albert Speer, or the staging of family life according to IKEA.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"HEAD – Genève","offers":[{"title":"Default Title","offer_id":42715176829158,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5975009.jpg?v=1648141503"},{"product_id":"neighbourhoods-for-the-future-by-various-artists","title":"NEIGHBOURHOODS FOR THE FUTURE by Various Artists","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e170 x 240mm, 224 pages, full colour printing, perfect bound, softcover, 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe current ecological crisis will transform the face and fate of cities. Neighbourhoods for the Future is based on the conviction that we should rethink cities from the ambit of the neighbourhood. It revisits the neighbourhood as the designated scale and arena to build our urban futures. The neighbourhood is small enough to be tangible, yet big enough to make a difference. 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A selection of the drawings, sketches, and writings that led to the conception and production of the wall drawing are included, as are stills from the video Psychography, which shows the writing of a series of text-like forms in reverse, a text by Louis Lüthi called ‘Compass Rose’, and documents from the museum’s archive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Rijksbouwmeester","offers":[{"title":"Default Title","offer_id":43165762060518,"sku":"","price":18.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3316037.jpg?v=1658923449"},{"product_id":"orthodox-chic-by-alex-bykov-oleksandr-burlaka-and-sasha-kurmaz","title":"ORTHODOX CHIC by Alex Bykov, Oleksandr Burlaka and Sasha Kurmaz","description":"\u003cp\u003e165 x 190mm, 136 pages, full colour, hardback, 2020\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA photography book of religious architecture in Ukraine made by Alex Bykov, Oleksandr Burlaka, and Sasha Kurmaz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Osnovy","offers":[{"title":"Default Title","offer_id":43193851871462,"sku":"","price":34.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2989020.jpg?v=1659698465"},{"product_id":"pseuburbia-kottonopolis-by-pseudokulture","title":"PSEUBURBIA: KOTTONOPOLIS by Pseudokulture","description":"\u003cp\u003eA5, 16 pages, Colour printing, Saddle stitched, Softcover, 2022\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhat was the last thing that you purposefully postponed? Maybe, it was calling an old friend - or doing the dishes - even beginning that book. How often do we say: ‘I’ll do it tomorrow’ - with little to no time to slow the treadmill of the wake-work cycle or, in the comfort of knowing that tomorrow will look \u0026amp; feel pretty similar to yesterday? In turn, we can put our hobbies, and the people we love on hold. In the face of the global humanitarian crisis in COVID-19, and the conflict in Ukraine, if there was ever a time to wake up and realise that we can’t keep postponing ‘today’ it was now. With this, we picked up the phone - reached out - walked \u0026amp; talked our way through Manchester’s ‘kottonopolis’; two friends inspired by our growing creative community. With two disposable cameras \u0026amp; 120 mm PORTRA film in hand, this is ‘pseuburbia’; our perspective of this city in a day. No kompass - no planned destination - just the want to step loose of the working week’s shackles, take a break and kreate; having the luxury of doing so in freedom \u0026amp; in peace. PSEUDOKULTURE is an independent creative platform, brand \u0026amp; small press based in Northern England. Showcasing well-known talents \u0026amp; lesser heard fables \u0026amp; projects in music, art \u0026amp; photography, ‘pseudo’ aims to inspire \u0026amp; support local \u0026amp; international creatives in their jump between an online \u0026amp; print audience; focusing on those emerging into the industry via a non-traditional path or background. The community was established in 2018 by two friends \u0026amp; flatmates as an instagram curation account - first asking ‘what does culture mean’ to our favourite creators as the basis of our passion project - a distraction from the dull ache of the university sleep-study-work cycle. 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Le Guin’s father, anthropologist Alfred Kroeber, in addition to facsimile copies of texts from A Natural History of Vacant Lots, Michael Taussig, Eduardo Viveiros de Castro, survivalist message boards, publications about DIY shelters, and more.\u003cbr\u003e\u003cbr\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Inga","offers":[{"title":"Default Title","offer_id":43501040926950,"sku":"","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5935012.jpg?v=1667313947"},{"product_id":"what-makes-an-assembly-stories-experiments-and-inquiries-edited-by-anne-davidian-laurent-jeanpierre","title":"WHAT MAKES AN ASSEMBLY? 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It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWritten collaboratively by the feminist collective Matrix, the book provide a full blown critique of the patriarchal built environment both in the home and in public space, and outline alternative forms of practice that are still relevant today. Making Space remains a path breaking book pointing to possibilities of a feminist future.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSome authors worked for the London-based Matrix Feminist Architect’s collective, an architectural practice set up in 1980 seeking to establish a feminist approach to design. They worked on design projects—such as community, children and women’s centres. 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The library was a gift from the American people to the population of West Berlin after enduring the Berlin Blockade, promoting the “illimitable freedom of the human mind”, as it reads in a quote on the library’s wall from US President Thomas.\u003c\/p\u003e\n\u003cp\u003eThe book brings together the charged political history of this library, and the recent events connected to the revelations of NSA files by Edward Snowden.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Onomatopee","offers":[{"title":"Default Title","offer_id":43621888688358,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9842006.jpg?v=1674138026"},{"product_id":"flat-by-josh-dodds","title":"FLAT by Josh Dodds","description":"\u003cp\u003e144 x 200mm, 60 pages, Colour printing, Perfect bound, Softcover, 2023\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFLAT is an attempt to catalogue all 23 flats Josh Dodds and Lucy Stewart went to view when they were forced to look for a new place to live. Part memoir and part memory exercise, FLAT reflects on the tribulations of renting and the monotony of flat hunting while touching on the broader housing crisis in Glasgow. Written by Josh Dodds with drawings, photographs and photo-collages by Josh Dodds. Additional photographs and re-creations of flats on The Sims 4 by Lucy Stewart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003c\/p\u003e","brand":"Basic Butchery","offers":[{"title":"Default Title","offer_id":43639586783462,"sku":"","price":6.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1842030.jpg?v=1675356043"},{"product_id":"the-commonist-horizon-futures-beyond-capitalist-urbanization-edited-by-mary-n-taylor-noah-brehmer","title":"THE COMMONIST HORIZON: FUTURES BEYOND CAPITALIST URBANIZATION Ed. by Mary N. Taylor \u0026 Noah Brehmer","description":"\u003cp\u003e140 x 205mm, 192 pages, black and white printing, perfect bound, softcover, 2023\u003c\/p\u003e\n\u003cp class=\"\"\u003eHow do we move from defensive tactics that respond to the latest stages of capitalist urbanization, to transformative, strategic revolts, attacking the root causes and putting into practice alternative forms of urban life? One proposal for such a revolutionary alternative to capital’s organization of our lived environment has been the commons, wherein inhabitants communally control the multi-faceted conditions that make up their daily reproduction.\u003c\/p\u003e\n\u003cp class=\"\"\u003eAs a district behind the train station in the post-socialist city of Vilnius, Lithuania faces gentrification, an autonomous community center there has sought to use commoning to resist. Taken up in the former state-socialist Eastern Bloc, commoning practices are embraced as a method for criticising the vicious wave of enclosures that began after the fall of state-socialism while at the same time not relying on the heavily stigmatized politics of state-socialism.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEmerging from a process of thinking together, \u003cem\u003eThe Commonist Horizon \u003c\/em\u003efeatures five interventions by movement thinkers. Beginning in the post-Soviet city of Vilnius, the dialogical process stretches outward to two other formerly state-socialist countries, and then beyond. Speaking from their experiences in social movement formations, the authors take up the lived experience of building what might be called urban commons, offering insights on the conceptual and political potentials and limitations of this terminology and associated practices.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Common Notions","offers":[{"title":"Default Title","offer_id":43665862918374,"sku":"","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2978021.jpg?v=1677160131"},{"product_id":"not-brittle-not-rigid-not-fixed-by-janice-parker-and-emmie-mcluskey-et-al","title":"NOT BRITTLE, NOT RIGID, NOT FIXED by Janice Parker and Emmie McLuskey Et al.","description":"\u003cp\u003e148 x 210mm, 96 pages, black and white printing, perfect bound, softcover, 2023\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith foreword by artist Emmie McLuskey, and afterword by dancer and choreographer Janice Parker, delve into a fourteen-day journey along one of Edinburgh’s best-known waterways. Stretching from the Lochrin Basin to Wester Hailes, Janice Parker’s movement work saw her create a point-to-point journey during Edinburgh Art Festival 2022. Janice used her body to respond to the architecture, people and nature of the Union Canal, as it celebrated its 200th anniversary. Janice invited artist Audrey Grant, artist and photographer Matthew Arthur Williams, and architect, academic and educator Susanne Ewing to respond to her movements through sketching, photography and writing. Janice kept a log of each day of activity along the canal – documenting conversations and observations. Moments were also captured in photography by Sally Jubb and Duncan McGlynn. This publication of 300 designed by artist and graphic designer Maeve Redmond brings together these responses, allowing the reader to connect with their local environments. Not Brittle, Not Rigid, Not Fixed is commissioned as part of Channels, a programme curated by Associate Artist Emmie McLuskey for Edinburgh Art Festival 2022. This publication is supported by the Scottish Government’s Festivals EXPO Fund and EventScotland. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by\u003c\/span\u003e\u003c\/p\u003e","brand":"Edinburgh Art Festival","offers":[{"title":"Default Title","offer_id":43670846472422,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3045045.jpg?v=1677326674"},{"product_id":"loving-the-highline-by-alan-smart","title":"LOVING THE HIGHLINE by Alan Smart","description":"\u003cp\u003eA6, 80 pages, three colour risograph, perfect bound, softcover, 2022\u003c\/p\u003e\n\u003cp\u003eAll books are printed on different coloured paper stocks and will be picked at random.\u003c\/p\u003e\n\u003cp\u003eAs an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea.\u003c\/p\u003e\n\u003cp\u003eThese processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured.\u003c\/p\u003e\n\u003cp\u003eThe High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Other Forms","offers":[{"title":"Default Title","offer_id":43670875242726,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3063063.jpg?v=1677328093"},{"product_id":"ism-magazine-issue-01-displacement","title":"-ISM MAGAZINE ISSUE 01: DISPLACEMENT","description":"\u003cp\u003e174 x 250mm, 60 pages, Colour printing, Saddle stitched, Softcover, 2019\u003c\/p\u003e\n\u003cp\u003eEach issue manifests as an opportunity to analyse and dissect the various movements and -isms of our time, whilst at the same time confronting and questioning the -isms of the past. By focusing on seemingly every-day factors of society, and dissecting their relevance in our built environment, we hope to unearth an abundance of knowledge and new understanding.\u003c\/p\u003e\n\u003cp\u003eContents include: Capitol Over Community by Kristina Enberg, Displacing Architectural Perspectives by Andy Jack, The Displacement of Bodies as Apparatuses by Stephanie  Goytortúa A., The War on Humanity, Identity and the Notion of Home by Alissar Riachi, One Eternal, Minute by Francisco Campos Fernández, Brick - House - Town by Fraser Birtwistle, Observe, Measure, Draw, Understand - Strathclyde Architecture Students, Year 1 \u0026amp; 2, Re-defining Sustainability by Fraser Morrison, Interview with Jonathan Charley by Aoife B. Nolan and Alissar Riachi, Out with the Sustainable, In with the Restorative by Scott McAulay.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"-Ism Magazine","offers":[{"title":"Default Title","offer_id":43691756749030,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5733024.jpg?v=1678374634"}],"url":"https:\/\/goodpress.co.uk\/collections\/architecture.oembed?page=8","provider":"Good Press — good books \u0026 more","version":"1.0","type":"link"}