{"title":"All","description":"","products":[{"product_id":"a-side-are-your-dreams-at-night-1985-sizes-too-big-by-graham-holliday","title":"A-SIDE: ARE YOUR DREAMS AT NIGHT 1985 SIZES TOO BIG? by Graham Holliday","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e130 x 180mm, 140pages, Perfect bound, Hand stamped cover, Includes a risograph printed bookmark, 2019 (second printing, open edition, 2022)\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eNew project from our own Matthew Walkerdine: The Grass is Green in the Fields for You. A small press publisher investigating the unsung corners of music culture, its participants and subculture fandom. Releases shun exaggerated self-opinion instead favouring collaboration, community and conversation.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eIn the early 1980's, in the small town of Rugby in the centre of England, three teenagers began melding early blues with feedback, one-chord drones, booming drums, smashing cymbals, gospel, Turkish Saz and two-note melodies. Natty Brooker, Pete Kember and Jason Pierce were Spacemen 3. On 3 August, 1985, they played a gig in the backroom of the Black Lion pub on St. Giles Street in the nearby town of Northampton. All these years laters, it is still the best gig I’ve ever seen. It is also the gig that led directly to the band’s first-ever recording deal.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eAs a teenager growing up in Rugby in the '80s I saw Spacemen 3 play in many pub backrooms. They were, and remain, an incredible band and over the years, their reputation has spread far beyond those sticky floored, fag ash filled, grubby backrooms. Sometime in the early part of the 21st century, in a house in the south of France, I rediscovered a shoebox filled with photos, posters, tickets, flyers and cassettes from the mid-'80s and I tipped the lot out onto the floor. In among the ephemera were the photographs and cassette recording from that gig on 3 August 1985, the earliest Spacemen 3 gig for which there was a recording and photographs. And I wondered: where were all the people who were at the gig that night? And did they remember it too?\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627025126,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/MW_TGIGITFFY_ASIDE_01_GPWEB.jpg?v=1673714400"},{"product_id":"punk-is-dad-by-jamie-johns","title":"PUNK IS DAD by Jamie Johns","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e210mm x 120mm, 16pp, black and white digital printing throughout, staple bound, hand stamped cover, includes a double sided poster, open edition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eTGIGITFFY is proud to present Punk is Dad by Jamie Johns; an engaging, powerful and important text now released in an open edition. Originally released in 2011 as a beautifully produced edition of 35 by Oso Press of Los Angeles, USA we're now able to deliver a near-facsimile edition with a wider distribution.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eOriginal and appropriated images and texts that convey gendered dialogues in punk and noise-related media. Fold-out of Dorothy single cover. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003eTo quote a dear friend and collaborator\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\"It is embarrassing to talk about PUNK IS DAD because Jamie's presentation is so succinct you end up using twice as many words as her only to clomp and lurch around its perfection. I will just say that this zine is sharply vindicating for people who love punk but also think about its contradictions, its recuperation, and its deep possibility so undermined by the alienating force of male punk attitude. And if you haven't really thought about these things so much, but you love punk, it will turn your body to a skeleton. ”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627057894,"sku":"","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/MW_TGIGITFFY_PID_01_GPWEB.jpg?v=1673714266"},{"product_id":"fix-the-mirrors-by-ethan-swan","title":"FIX THE MIRRORS by Ethan Swan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e130mm x 195mm, 228pp, perfect bound, hand stamped cover, oversize A6 risograph printed tip-in flyer, open edition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e‘Dude, you wrote an essay!’ he told me, ‘how do you expect us to sell it in one sentence if you can’t even describe it in one page?’ I was horrified, embarrassed, immediately offered to write a new one and send it. ‘No,’ he explained, ‘you’re being taught a lesson. Do better with the next release.’ I was too surprised to be angry. I also didn’t learn my lesson, and they didn’t carry the next record we put out either. The lesson I did learn, maybe not for a long time, is that I only really care about the records that take pages to describe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Grass is Green in the Fields for You is overjoyed to present a project which has been in the making—and mind—for some time: Fix The Mirrors by Ethan Swan. This collection, which starts itself in the year of 2000, collects writings on music and DIY activity from Swan’s back-catalogue. Musically it is broad, we begin with Meltdown moving to Shudder To Think; singular considerations on tracks by Tracey Thorn, Unrest and Jane’s Addiction. Further focuses on Saturday Looks Good to Me, Roy Harper, Panax, Slick Rick. There are documentary works and interviews covering Felix Kubin, The Homosexuals, Graham Lambkin \u0026amp; Spencer C. Yeah, Cass McCombs, and Bridget Cross. An expansive amount of ground is covered in this single collection, and this isn't the start of the wealth Swan has created. The writing is immediate, thoughtful, touching and honest—just like Ethan. Meticulously crafted, the painstaking layout is accompanied by photographs by Lisa Anne Auerbach documenting 1980’s Chicago punk shows—it seemed perfectly fitting to include them. It would not be an exaggeration to state that The Grass is Green in the Fields for You was born out of a love for projects like this and this publication is our proudest moment yet.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e- - - - -\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“I think the article about 222 Bowery, or the Morrissey zine, or even my parts in Silk Flowers songs are really just a way of sharing things that I feel happy to have learned.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e— from a gmail ‘interview’ July 2010\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEthan Swan is, to paraphrase from his own introduction to this book, a person that would take pages to describe and while this is no way an attempt to do so I wanted to present a snapshot of some of our experiences with him.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe first time we met Ethan Swan was in November 2009, when his band Silk Flowers came to play in Manchester. The show almost didn’t happen; we were tired of setting up shows, kind of jaded and stressed out in general and thinking about doing something different with our spare time \/energy\/ money. It’s not hyperbole to say that the fact we’re still doing the same things now (ten years later and the case against withstanding) is in no small part due to that night and that meeting.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEthan had asked us to arrange a birthday cake for Peter (Schuette, Silk Flowers)’s birthday and ended the evening meticulously washing dishes which apparently his technique had been refined while ‘ageing’ some china for a Nikhil Chopra show at the New Museum.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEnthusiasm is contagious, true community emboldens its members, music heals, someone believing in or understanding what you do validates your attempts. These are just a few of the thoughts from that meeting and they are sustenance. We loved their music and were inspired by meeting them.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHis ideas are presented with generosity and almost complete absence of ego (to the extent that his most-recent project, a series of oral histories and collected ephemera on Black Dice, Brontez Purnell and David Wojnarowicz and Ben Neill’s ITSOFOMO, does away with the authorial voice altogether) and it is a pleasure to spend time with them.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEthan’s belief in (and commitment to) people and his generosity in sharing information (which is STILL wielded as capital, as power even in radical or DIY communities) is remarkable and impressive and if this book presents a notion of the ‘fan’ it reveals its author to be a fan of people and their potential in a deep and true way. — RL Perry\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627123430,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/MW_TGIGITFFY_FTM_01_GPWEB.jpg?v=1673714509"},{"product_id":"inside-a-gleaming-feeling-by-craig-pollard","title":"INSIDE A GLEAMING FEELING by Craig Pollard","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e120mm x 180mm, 148pp, perfect bound, black and white digital printing, 20 monochrome tip-in images on 80gsm fluorescent paper, fluorescent stickers affixed to covers, open edition.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA collection of conference papers, lectures and excerpts on music, art making and the internet by Newcastle based practitioner Craig Pollard.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInside a Gleaming Feeling\u003c\/em\u003e is a slender collection of texts commodious in scope, constantly inhabiting the paradoxes and contradictions at which it points its compass, or - in the case of the metamodernist metaphor cited in the chapter \u003cem\u003efor a while now, I’ve at least had a sense that whatever it is I am living is not something that is entirely resolved by the usual categories I have inherited - \u003c\/em\u003ethe pendulum oscillating between “innumerable poles”. Not with an exhausted drag from one portal, gate, debate, stage, screen or field to the next, but a delicate gathering force in dialogue with the present and its permutations. The texts gathered here enact an intersectional feminist praxis, a commitment to show all sides of this potent dodecahedron called ~culture. Craig’s is a goal not of placing this apart from that in binaried opposition, but tracing the threads and their interlopers, the ways in which they fold, crack and foreground “fissures of possibility”. Read its title \u003cem\u003eInside a Gleaming Feeling\u003c\/em\u003e as its “feeling structure”, a phrase which by the author’s own confession made its first attempt at utterance as a line which never made it into a song, could not be smoothly patterned in, but poses a fitting fly poster to read this book with. To gleam is to “shine brightly, especially with reflected light” and so the question leans: how is it even possible to be \u003cem\u003einside\u003c\/em\u003e a reflection, fleeting brief and shiny? This contradictive something at the tip of the tongue is the positive inarticulation of the hook or the hashtag, bobbing its head to the rhythm of “paradox as constitutive to contemporary experience.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCraig Pollard is a music maker and artist based in Newcastle, UK. He is also an academic and part time lecturer, having completed a practice-led PhD about the politics of contemporary music making and creative practice in 2018. He makes music and performs under the name Competition and intermittently hosts music and art events as one half of Wild Pop.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627221734,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/MW_TGIGITFFY_CP_01_GPWEB.jpg?v=1673714980"},{"product_id":"pit-by-lisa-anne-auerbach","title":"PIT by Lisa Anne Auerbach","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e180mm x 265mm, 80pages, black risograph and digital printing, various paper stocks, pink gloss foil cover title, perfect bound, first edition of 300\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe mosh pit was the first male space I cracked open, blinding everyone with my flash and shoving my camera in their faces. I didn’t ask permission, I just did it. All five foot four and one hundred twenty pounds of me armed with a Nikon F3 in one hand and a Vivitar 283 in the other. \u003c\/em\u003e\u003cstrong\u003e—Lisa Anne Auerbach\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLisa was the same age as the students she now teaches when taking these photographs, embodying a free, imaginative and yet-to-be-tainted-by-the-professional approach we seem to leave behind through age. The concept of bounding around a show with camera in hand, free and open to what comes—an amateurism!—is something I try so hard to catch day to day, only to fail and miss the mark. These images celebrate the wild energy of being young, the diversity and spirit of punk. Add each snapshot together and it’ll barely be a minute captured.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe images in PIT aren't necessarily difficult to imagine, lightning fast, all sweaty forms clambering together, claustrophobic and in a frenzy—the mosh pit exactly as we know it. Through Lisa’s approach of pile-in-and-shoot, we’re left with what settles between the leaps and the blows. You feel the breathless gasp, a two second smile and a glimpse into the eyes of another.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eYour heart stops and there is a rush of blood to the head as the familiarity of a hook lands and you’re thrown into a swell of people, I imagine the moment you bounce backward and notice Lisa. You smile. Others strike their poses; some remain expressionless, held like statues; some don’t notice her camera in that heartbeat, their body contorts and flails. What is held between these pages are not just these expressions but a representation of youth, fashion, enthusiasm and spirit that only a simple idea could capture.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePIT by Lisa Anne Auerbach collects photographs taken at Cabaret Metro and Cubby Bear in Chicago, Illinois between March and June 1985. The publication begins with an introduction by Lisa Anne Auerbach and ends with a conversation between Lisa and Ethan Swan. Eternal and ongoing thanks to Ethan for introducing me to these images when assembling Fix The Mirrors, and to Lisa for continuing to have courage and the faith in the amateur idea.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Grass is Green in the Fields for You","offers":[{"title":"Default Title","offer_id":41878627287270,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/MW_TGIGITFFY_PIT_01_GPWEB.jpg?v=1673713607"},{"product_id":"charm-offensive-by-scott-caruth","title":"CHARM OFFENSIVE by Scott Caruth","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e190 x 250mm, 80 pages, black and white printing throughout, 130gsm silk stock, open thread binding, edition of 100, 2014.\u003c\/p\u003e\n\u003cp\u003eAlmost a feat of self-publishing right here. Ambitiously designed by Jamie Shaw (of Good Press fame), Scott Caruth collects a series of photographs and two essays from his time throughout the West Bank between February and June 2013.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Scott Caruth","offers":[{"title":"Default Title","offer_id":41886118478054,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/18_2048.jpg?v=1634664157"},{"product_id":"anna-et-salome-by-adri-caameras","title":"ANNA ET SALOME By Adrià Cañameras","description":"\u003cp\u003e210 x 255mm, 64 pages, Full color offset throughout, Perfect bound, Softcover, Ed. of 500, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"The central focus of Anna et Salomé is the Mediterranean. Developed from a personal project which allowed Cañameras to reflect on the environment he grew up around, the images were captured in various locations along the Costa Brava in Spain and on the French island of Corsica. Shot between June 2012 and March 2013 these beautiful and striking photographs function on both an abstract and geological level, and can be viewed as part survey, part celebration and part meditation. (With thanks to Simon Roe)\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Lawson's Books","offers":[{"title":"Default Title","offer_id":41886118543590,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/71_2048.jpg?v=1634664157"},{"product_id":"a-day-without-olives-is-like-a-day-cd-by-jack-piers-scott","title":"A DAY WITHOUT OLIVES IS LIKE A DAY (CD) by Jack Piers Scott","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e1 x Compact Disc, 71 minutes, full colour card case, 2013\u003c\/p\u003e\n\u003cp\u003e'An audible experience that places Jack Piers Scott’s poetry and prose amid a wild and meditative world of manipulated audio, field recordings and electro-acoustic composition.\u003c\/p\u003e\n\u003cp\u003eExpect: runaway orchestras, kings with anxiety problems, bus rides, magpies, the half heard sounds of a distorted radio, three narrators loosely linked, volcanic vibrations and a whole host of other entities.\u003c\/p\u003e\n\u003cp\u003eAuthor: Jack Piers Scott\u003cbr\u003eComposer: Lucy Claire Thornton\u003cbr\u003eNarrators: Bill Milner, J.P.S., Paul McCleary'\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Corporeal","offers":[{"title":"Default Title","offer_id":41886118805734,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2609.jpg?v=1634664184"},{"product_id":"a-circular-2-by-various-artists","title":"A CIRCULAR 2  by Various Artists","description":"\u003cp\u003e 210×265mm, 96 pages, offset printed throughout, perfect bound, 2012.\u003c\/p\u003e\n\u003cp\u003e'CONTENTS:\u003c\/p\u003e\n\u003cp\u003eReal Estate by David Antin\u003cbr\u003eEmpty Words (Part III) (1.18–1.28) by David Morris\u003cbr\u003eFlags, Stars and Signs by Richard Hollis\u003cbr\u003e1972 by Pedro Neves Marques\u003cbr\u003eDieter Roth’s Trophies Rotated by James Langdon\u003cbr\u003eThe poet is a fake fancying feigner who feign and conceal is a faker pretender a feigner a forger a forger pretender are liars inventor pretending a feigner pretend is a faker by Patrick Coyle\u003cbr\u003eOut in the Streets (0.00–0.10) by David Morris\u003cbr\u003eExtract from ‘Fugue’, a Biography by Roger Laporte\u003cbr\u003ePositioning the Residual Wayne Daly in conversation with Sean Lynch\u003cbr\u003eTo Art (Reg. Intrans. V.) by Adrian Piper\u003cbr\u003eMiddle of Nowhere by Will Holder\u003cbr\u003eHappily Ever After (2.06–2.16) by David Morris'\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"A Circular","offers":[{"title":"Default Title","offer_id":41886118838502,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/073_D.jpg?v=1634664175"},{"product_id":"21-revolutions-by-various-artists-edited-by-adele-patrick","title":"21 REVOLUTIONS by Various Artists (Edited By Adele Patrick)","description":"\u003cp\u003e300 x 250 mm, 192 pages, Full colour offset printed, Perfect bound, Softcover, 2014\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Glasgow Women’s Library is unique, part of the international feminist art and archive movement that has proliferated since the 1970s, its collections include an unrivalled range of artefacts and material relating to the women’s movement in Scotland. 21 Revolutions is a beautiful full colour, coffee table book celebrating the Library’s twenty first anniversary and featuring work by 21 artists and 21 writers, including some of Scotland’s most celebrated women creatives.\"\u003c\/p\u003e\n\u003cp\u003e\"Jackie Kay, Jen Hadfield, Anne Donovan, Karen Campbell, Denise Mina, Elizabeth Reeder, A.L. Kennedy, Helen Fitzgerald, Zoe Wicomb, Muriel Gray, Louise Welsh, Janice Galloway, Lucy Skaer, Karla Black, Claire Barclay, Sam Ainsley, Corin Sworn and many others have created extraordinary art, poetry and prose, each inspired by individual artefacts in the library, across the fields of social and women’s history, feminism and equality.\"\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Freight Books","offers":[{"title":"Default Title","offer_id":41886118969574,"sku":"","price":16.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/054_D.jpg?v=1634664186"},{"product_id":"black-mirrors-by-julien-lagendorff","title":"BLACK MIRRORS by Julien Lagendorff","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e16.5cm x 23cm, 48 pages, full colour offset printing throughout, perfect bound, embossed-cloth hardcover, edition of 1000, 2012.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e'’I've always been a bit jealous of people who are able to paint and draw well. It’s not easy to write about drawings or paintings, they seem to be even more personal than photographs or video clips because they are so many things funneled into one image that is completely controlled and original.\u003c\/p\u003e\n\u003cp\u003eBelow is a short list of some places that my mind goes when i see Julien’s.\u003cbr\u003e-the best parts of saturday morning cartoons, with all the shitty parts stripped away.\u003cbr\u003e-the movie KRULL always sitting at the video rental store on VHS but i was too young to rent it.\u003cbr\u003e-the feeling of what it might be like to get tasered.\u003cbr\u003e-dark places mixed with light ones, literallly and figuratively.\u003cbr\u003e-being covered in sweat and falling in dirt, but maybe colorful dirt.\u003cbr\u003e-colored rocks at the bottom of a fish tank.\u003c\/p\u003e\n\u003cp\u003eIt seems that a lot of artists (myself included) are attracted to counter culture groups from the past; hippies, goths, satanists, etc. I’m not sure why these movements still resonate today. Is it because we haven’t had anything comparable in very recent times? Sometimes it feels like we are living in a time when it’s all about the same, everything has been referenced so much that it has all become dust and the peace sign has about as much meaning as the swastica. I’m not saying this in a negative way, i think it’s kind of exciting. For me these works create that feeling, they reference several times and things but still completely fresh. It’s like starting all over. (…)\u003c\/p\u003e\n\u003cp\u003ePeter Sutherland, NYC, 2011'\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Shelter Press","offers":[{"title":"Default Title","offer_id":41886119035110,"sku":"","price":16.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/017_D.jpg?v=1634664191"},{"product_id":"albeit-by-zane-morris","title":"ALBEIT By Zane Morris","description":"\u003cp\u003e8.5\" x 11\", 84 pages, Black \u0026amp; white xerox printed onto various paper stocks (each book unique), Velo binding, Softcover, 2015\u003c\/p\u003e\n\u003cp\u003e\"Albeit\/ the end\u003cbr\u003eartist\/ exhibit\u003cbr\u003efather\/ son\u003cbr\u003eZane Morris\/ Chris Morris\u003cbr\u003ephoto\/ fragment\u003cbr\u003eostensible\/ deviation\u003cbr\u003efront to back\/ back to front\u003cbr\u003e1979\/ 2015\u003cbr\u003eriot\/ dancing\u003cbr\u003ewall\/ page\u003cbr\u003eviolence\/ architecture\u003cbr\u003etop to bottom\/ side to side\u003cbr\u003epunks\/ police\u003cbr\u003edesign\/ demolition\u003cbr\u003eprovocation\/ protest\"\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Rock Bottom","offers":[{"title":"Default Title","offer_id":41886119067878,"sku":"","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7524.jpg?v=1634664207"},{"product_id":"40-by-paul-mcdevitt","title":"40  by Paul McDevitt","description":"\u003cp\u003e130 x 180 mm, 120 pages, black and white and single colour offset printing throughout, perfect bound with dustjacket, edition of 400, 2012\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e'An unedited collection of images and text generated on the artist’s 40th birthday. 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