{"title":"Activism \u0026 Politics","description":"","products":[{"product_id":"charm-offensive-by-scott-caruth","title":"CHARM OFFENSIVE by Scott Caruth","description":"\u003cp style=\"margin-left: 0px; margin-right: 0px;\"\u003e190 x 250mm, 80 pages, black and white printing throughout, 130gsm silk stock, open thread binding, edition of 100, 2014.\u003c\/p\u003e\n\u003cp\u003eAlmost a feat of self-publishing right here. Ambitiously designed by Jamie Shaw (of Good Press fame), Scott Caruth collects a series of photographs and two essays from his time throughout the West Bank between February and June 2013.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Scott Caruth","offers":[{"title":"Default Title","offer_id":41886118478054,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/18_2048.jpg?v=1634664157"},{"product_id":"careful-engagement-by-lucy-watkins","title":"CAREFUL ENGAGEMENT by Lucy Watkins","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e14 x 21cm, 160 pages, hardcover, digital printing, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Careful Engagement is a collection of poetry and illustrations that aims to elevate the human traces hidden within the Report of the Iraq Inquiry. “Over 2.6 million words of political jargon make for an incredibly difficult read for anyone mildly interested in the workings behind the Iraq War,” she explains. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eUsing various methods of investigation, Watkins was able to surface elements of delicate human nature from the report, and a poetic language developed. “The intention is to challenge preconceptions that the document contains little feeling or emotion, and to create an uncomfortable dichotomy between poetry and politics,”\u003c\/p\u003e","brand":"Lucy Watkins","offers":[{"title":"Default Title","offer_id":41886128505062,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_0226.jpg?v=1634664496"},{"product_id":"carceral-capitalism-by-jackie-wang","title":"CARCERAL CAPITALISM by Jackie Wang","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e115 x 180mm, 360 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2018\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEssays on the contemporary continuum of incarceration: the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, and algorithmic policing.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhat we see happening in Ferguson and other cities around the country is not the creation of livable spaces, but the creation of living hells. When people are trapped in a cycle of debt it also can affect their subjectivity and how they temporally inhabit the world by making it difficult for them to imagine and plan for the future. What psychic toll does this have on residents? How does it feel to be routinely dehumanized and exploited by the police?—from \u003cem\u003eCarceral Capitalism\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn this collection of essays in Semiotext(e)'s Intervention series, Jackie Wang examines the contemporary incarceration techniques that have emerged since the 1990s. The essays illustrate various aspects of the carceral continuum, including the biopolitics of juvenile delinquency, predatory policing, the political economy of fees and fines, cybernetic governance, and algorithmic policing. Included in this volume is Wang's influential critique of liberal anti-racist politics, “Against Innocence,” as well as essays on \u003cem\u003eRoboCop\u003c\/em\u003e, techno-policing, and the aesthetic problem of making invisible forms of power legible.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWang shows that the new racial capitalism begins with parasitic governance and predatory lending that extends credit only to dispossess later. Predatory lending has a decidedly spatial character and exists in many forms, including subprime mortgage loans, student loans for sham for-profit colleges, car loans, rent-to-own scams, payday loans, and bail bond loans. Parasitic governance, Wang argues, operates through five primary techniques: financial states of exception, automation, extraction and looting, confinement, and gratuitous violence. While these techniques of governance often involve physical confinement and the state-sanctioned execution of black Americans, new carceral modes have blurred the distinction between the inside and outside of prison. As technologies of control are perfected, carcerality tends to bleed into society.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886130569446,"sku":"","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8244.jpg?v=1634664579"},{"product_id":"bitter-battle","title":"BITTER BATTLE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e500 x 330mm, 20 pages, black and white printing throughout, folded.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCollection of thoughts on the 2016 election.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003ePublished by:\u003c\/p\u003e","brand":"Anonymous","offers":[{"title":"Default Title","offer_id":41886131290342,"sku":"","price":3.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_4254.jpg?v=1634664526"},{"product_id":"a-divided-reader-what-the-fire-sees-by-various-artists","title":"A DIVIDED READER – WHAT THE FIRE SEES by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e216 x 139mm, 232 pages, black and white, perfect bound, softcover, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA collection of anti-capitalist poetry, philosophy, cultural analysis, legal studies, manifesto and critique spanning 1996 to the present by Alenka Zupančič, Alexander Kluge, Amy Ireland, Anne Boyer, Aurelia Guo, Bini Adamczak, Carolyn Lazard, Chi Chi Shi, Denis Ekpo, Feminist Judgments Project, Gili Tal, Houria Bouteldja, Huw Lemmey, Keziah Craven, Marina Vishmidt, Nat Raha, Sarah Lamble, Teflon and Vanessa Place.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePreface:\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDivided was incorporated in 2018. There were two books that drove this decision: Ian White’s \u003cem\u003eHere Is Information. Mobilise.\u003c\/em\u003e and Douglas Crimp’s \u003cem\u003eBefore Pictures\u003c\/em\u003e (both 2016). Both transcribe unvalidated states and formations, which makes you feel a different life is plausible, because it is in fact already here, unvalidated. Reading this writing, you sink into its rhythm and then keep searching for it. The rhythm was the message. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWhat the fire sees, the vision of the thing that produces light, is a primal thought and a reverse perspective. Wanting to know outcomes in advance – desiring a guarantee before the show – is a conservative position as it can only rely on established systems of value. Old modes, old institutions guarantee one’s legibility while breaking intuition. Forecasting is precisely the opposite of politics and what we believe is important in shared work: a risk taken together because things can be done differently. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThen how can difference not be a consumer choice? Conflicting positions are not a form of entertainment or titillation to be leveraged. Instead they make a case for what it means to remain torn, complex, unconsolidated, and for that not to be contrary to social cohesion. In this book, we are trying to make an architecture like this, with no world-building aspiration. The market singles one out as a consumer only, harnesses desire and makes it personal. It’s a sham and a bad rehearsal: desire is not connected to any single choice, it functions in the mutual realm.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSontag’s advice to a writer was to find a limb and go out on it. This was a way of speaking about form. If the unknown and emancipatory aspect of words is calibrated by the consensus of neoliberalism, there can be no limbs. We are interested in writing as a medium that decouples the grip of the status quo from the words themselves: putting everything in movement, disrupting patterns of thought and freeing (trusting) the reader. A kind of writing that has let go of the need for control.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Divided Publishing","offers":[{"title":"Default Title","offer_id":41886134370534,"sku":"","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01_D_dd249968-e208-4d6f-861f-098deaf9f775.jpg?v=1634664625"},{"product_id":"central-books-a-brief-history-1939-to-1999-by-dave-cope","title":"CENTRAL BOOKS: A BRIEF HISTORY 1939 TO 1999 by Dave Cope","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e197 x 127mm, 80 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2000\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCentral Books was set up in 1939 as the retail and wholesale outlet for Communist Party and other left-wing books and magazines. This is the story of its ups and downs over the years, and includes the portrayal of an array of interesting and sometimes unusual characters who worked there. The transition to its present position as a successful medium-sized independent distributor provides an entertaining and original perspective on the relationship between business and politics.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":41886137975014,"sku":"","price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/098_D_ff2f006d-7e79-4990-9221-4fe50063f9ef.jpg?v=1634664818"},{"product_id":"breathing-chaos-and-poetry-by-franco-bifo-berardi","title":"BREATHING: CHAOS AND POETRY by Franco \"Bifo\" Berardi","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 177mm, 160 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eSince the hopeful days of the Occupy movement, many things have changed in the respiration of the world, and we have entered a cycle of spasm, despair, and chaos. \u003cem\u003eBreathing\u003c\/em\u003e is a book about the increasingly chaotic rhythm of our respiration, about the sense of suffocation that grows everywhere.“I can't breathe.” These words panted by Eric Garner before dying, strangled by a police officer on the streets of Staten Island, capture perfectly catching the overall sentiment of our time. In \u003cem\u003eBreathing\u003c\/em\u003e, Franco \"Bifo\" Berardi comes back to the subject that was the core of his 2011 book, \u003cem\u003eThe Uprising\u003c\/em\u003e:\u003cem\u003e \u003c\/em\u003ethe place of poetry in the relations between language, capital, and possibility. In \u003cem\u003eThe Uprising\u003c\/em\u003e,\u003cem\u003e \u003c\/em\u003ehe focuses on poetry as an anticipation of the trend toward abstraction that led to the present form of financial capitalism. In \u003cem\u003eBreathing\u003c\/em\u003e, he tries to envision poetry as the excess of the field of signification, as the premonition of a possible harmony inscribed in the present chaos. \u003cem\u003eThe Uprising\u003c\/em\u003e was a genealogical diagnosis. \u003cem\u003eBreathing\u003c\/em\u003e is an essay on poetical therapy. How we deal with chaos, as we know that those who fight against chaos will be defeated, because chaos feeds upon war? How do we deal with suffocation? Is there a way out from the corpse of financial capitalism?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886138794214,"sku":"","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/01161112.jpg?v=1634664884"},{"product_id":"diagrams-of-power-ed-by-patricio-dvila","title":"DIAGRAMS OF POWER: VISUALIZING, MAPPING, AND PERFORMING RESISTANCE ed. by Patricio Dávila","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e170 x 240mm, 312 pages, Colour printing, Perfect bound, Softcover, 2024\u003c\/p\u003e\n\u003cp\u003eWe draw diagrams to help us think, communicate and put forth what we think is important or what we want to be true. While some diagrams are seen as statements of fact, they can also further agendas by discounting other realities beneath a cloak of perceived objectivity. Diagrams of power work against representations that claim omniscience by speaking from a position, and making visible what and who gets represented and who does the representing. They also make us consider how we create and maintain relations between producers and receivers of particular forms of knowledge.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiagrams of Power: Visualizing, Mapping, and Performing Resistance\u003c\/em\u003e, brings together the work of designers, artists, cartographers, geographers, researchers and activists who create diagrams to tell inconvenient stories that upset and resist the status quo.\u003c\/p\u003e\n\u003cp\u003eEdited by Patricio Dávila. Words and works by Joshua Akers, Burak Arikan, Josh Begley, Joseph Beuys, Alexis Bhagat, Vincent Brown, Bureau d’Études, Teddy Cruz, Department of Unusual Certainties, Peter Hall, Alex Hill, W.E.B. DuBois, Patricio Dávila, Catherine D’Ignazio, Forensic Architecture, Fonna Forman, Terra Graziani, Iconoclasistas, Lucas LaRochelle, Eliana MacDonald, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz, Sheila Sampath, and Visualizing Impact.\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Set Margins","offers":[{"title":"Default Title","offer_id":41886140989670,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_62651230.jpg?v=1634664880"},{"product_id":"capital-hates-everyone-fascism-or-revolution-by-maurizio-lazzarato","title":"CAPITAL HATES EVERYONE: FASCISM OR REVOLUTION by Maurizio Lazzarato","description":"\u003cp\u003e115 x 180mm, 248 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003eWhy we must reject the illusory consolations of technology and choose revolutiom over fascism.\u003c\/p\u003e\n\u003cp\u003eWe are living in apocalyptic times. In Capital Hates Everyone, famed sociologist Maurice Lazzarato points to a stark choice emerging from the magma of today's world events: fascism or revolution. Fascism now drives the course of democracies as they grow less and less liberal and increasingly subject to the law of capital. Since the 1970s, Lazzarato writes, capital has entered a logic of war. It has become, by the power conferred on it by financialization, a political force intent on destruction. Lazzarato urges us to reject the illusory consolations of a technology-abetted “new” kind of capitalism and choose revolution over fascism.\u003c\/p\u003e\n\u003cp\u003eThis offensive was made possible by the cycle of revolutions coming to an end. But while it was unfolding, critical thinking announced the suppression of social relations and the advent of a new capitalism, a milder one, more attentive to the comfort of workers. Today, the prophets of technology even boast of a solution to the climate crisis or an exit from capitalism by the very means of capital. In the face of these illusory consolations and the growing threat of fascism, Lazzarato argues it is urgent that we rediscover the meaning of strategic confrontations and the means of rebuilding a revolutionary war machine. Since capital hates everyone, everyone must hate capital.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886142398694,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7833jpg0311.jpg?v=1634665059"},{"product_id":"courageous-citizens-how-culture-contributes-to-social-change","title":"COURAGEOUS CITIZENS: HOW CULTURE CONTRIBUTES TO SOCIAL CHANGE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e210x150, 272 pages, Offset printed throughout, Perfect bound, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOver the past decades, the cultural and political map of Europe and the world has changed rapidly. Developments such as the changing status of the European Union, migration, and the wider repercussions of globalization have posed numerous social and political challenges. Instead of recognizing and valuing these challenges, there is a growing tendency to retreat into fixed ideas of culture and cultural divides. This book celebrates the capacity of individuals and small groups to contribute to social change through culture and art. It is a source of inspiration for renegotiating our understanding of the world and affirming culture as a critical space to practice courage and perseverance amid complex societal reconfigurations.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCourageous Citizens focuses on those whose daring, sharing, and inventing contribute to our collective future, and for whom culture and democracy are the starting points for vision and action. The cycle of (re-)thinking, doing, and changing that is inherent in remodelling the way we view the world and concurrently the potential of culture to contribute to positive social change is addressed through three key themes:\u003cbr\u003eI - Diversity and Equality;\u003cbr\u003eII - Communities and Democracy;\u003cbr\u003eIII - Fragmentation and Solidarity.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCourageous Citizens is published on the occasion of the 10th anniversary of the ECF Princess Margriet Award for Culture (PMA), an annual award acknowledging and amplifying the work of individuals and collectives whose creative work can truly make a difference in Europe’s societies.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditors: Bas Lafleur, Wietske Maas, Susanne Mors\u003cbr\u003eContributors: John Akomfrah, Borderland Foundation, Rosi Braidotti, Vasyl Cherepanyn, Bojana Cvejić, Fatima El-Tayeb, Pascal Gielen, Stuart Hall, David Harvey, Stefan Kaegi, Ivan Krastev, Wietske Maas, Marina Naprushkina, Lia Perjovschi, Saskia Sassen, Ana Vujanović, Katherine Watson\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886142693606,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7978jpg0313.jpg?v=1634665069"},{"product_id":"displacements-architecture-and-refugee-by-andrew-herscher","title":"DISPLACEMENTS: ARCHITECTURE AND REFUGEE by Andrew Herscher","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e110 x 150mm, 156 pages, full colour printing on various paper stocks, perfect bound, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by NIKOLAUS HIRSCH, MARKUS MIESSEN\u003cbr\u003eFeaturing artwork by OMER FAST\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn architectural history, just as in global politics, refugees have tended to exist as mere human surplus; histories of architecture, then, have usually reproduced the nation-state’s exclusion of refugees as people out of place. Andrew Herscher’s \u003cem\u003eDisplacements: Architecture and Refugee\u003c\/em\u003e, the ninth book in the Critical Spatial Practice series, examines some of the usually disavowed but arguably decisive intersections of mass-population displacement and architecture—an art and technology of population placement—through the twentieth century and into the present. Posing the refugee as the preeminent collective political subject of our time, \u003cem\u003eDisplacements \u003c\/em\u003eattempts to open up an architectural history of the refugee that could refract on the history of architecture and the history of the refugee alike.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":41886144004326,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_81280313.jpg?v=1634665090"},{"product_id":"abolishing-the-police","title":"ABOLISHING THE POLICE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e118 x 168mm, 255 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003e“This is the first time we are seeing… a conversation about defunding, and some people having a conversation about abolishing the police and prison state. This must be what it felt like when people were talking about abolishing slavery.”\u003c\/em\u003e – Patrisse Cullors, Black Lives Matter.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAbolishing the Police (An Illustrated Introduction) is both a contribution to this conversation and an invitation to join it. It provides rigorous and accessible analyses of \u003cem\u003ewhy we might want to abolish the police\u003c\/em\u003e, \u003cem\u003ewhat abolishing them would involve\u003c\/em\u003e, and \u003cem\u003ehow it might be achieved\u003c\/em\u003e, introducing readers to the rich existing traditions of anti-police theory and practice\u003cem\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIts authors draw on their diverse on-the-ground experiences of political organising, protest, and resistance to policing in the UK, France, Germany, and the United States, as well as their original research in academic fields ranging from law to security studies, political theory to sociology to public health.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWithout assuming any prior specialist knowledge, they present the critical tools and insights these disciplines have to offer to ongoing struggles against the injustices of policing (and consider, in turn, what these disciplines must learn from these struggles.)\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThey examine the police’s history to understand its role in constructing today’s profoundly unequal and crisis-ridden social order. They explore the tensions between policing on the one hand and values like freedom, equality, and democracy on the other. They expose policing’s ongoing and complex entanglements with war and militarism, neo-colonial domination, and the politics of the far right. And they engage with concrete alternatives for preventing and responding to harms (such as sexual abuse and intimate partner violence – which police claim to deal with but in fact further entrench) in ways that move beyond the logic of crime and punishment and towards visions of justice that are both social and transformative.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eAbout the Authors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003ca href=\"https:\/\/www.nottingham.ac.uk\/humanities\/departments\/philosophy\/people\/koshka.duff\" target=\"_blank\"\u003e\u003cem\u003eKoshka Duff\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e is a lecturer in political philosophy at the University of Nottingham and campaigns against police strip search abuse.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003ca href=\"https:\/\/www.nottingham.ac.uk\/humanities\/departments\/philosophy\/people\/koshka.duff\" target=\"_blank\"\u003e\u003cem\u003eCat Sims\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e is a Birmingham-based illustrator.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eContributors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eGuy Aitchison, Phe Amis, Melanie Brazzell, Eddie Bruce-Jones, Tanzil Chowdhury, Becka Hudson, Tom Kemp, Sarah Lamble, Daniel Loick, Chris Rossdale, Arianne Shahvisi, Vanessa E. Thompson \u0026amp; Connor Woodman.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Dog Section Press","offers":[{"title":"Default Title","offer_id":41886144659686,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_87700416.jpg?v=1634665053"},{"product_id":"conversations-that-matter-by-ruth-beale-amp-amy-feneck","title":"CONVERSATIONS THAT MATTER by Ruth Beale and Amy Feneck","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA6, 36 pages, Digitally printed, Saddle stitch, Embossed cover, 2016\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eConversations That Matter is a small publication considers ways in which we might learn collaboratively and democratically, and what the political implications of this are. As the culmination of The Alternative School of Economics’s weekly Conversation Club at Rabbits Road Institute, it asks both ‘what’s political about learning English?’ and ‘how can we learn English politically?’.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe premise of a Conversation Club has been to bring together non-native English speakers to give space and time to ‘conversations that matter’ – to practise speaking English whilst talking about personal, political and social issues, and trying to get to grips with how the things that affect our lives are connected to the bigger picture.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"The Alternative School Of Economics","offers":[{"title":"Default Title","offer_id":41886145347814,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/1jpg0519.jpg?v=1634665167"},{"product_id":"a-town-three-cities-a-fig-a-riot-by-lotte-ls","title":"A TOWN, THREE CITIES, A FIG, A RIOT... by Lotte L.S.","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 60 pages, Black and white printed, Saddle stitched, Softcover, 2021 \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis pamphlet gathers four wide-ranging essays that together track a politics and a poetics through the cities of Marseille, Athens, Kyiv, and the town of Great Yarmouth, in order to ask: “When are your poetics, your politics, not implicated in another’s?” amidst the crises of our times. With a new afterword, these reflections on riots and collectivity and poetry and solitude seek to understand what is included or excluded in the lived and languaged record of individual and communal memory.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Tripwire","offers":[{"title":"Default Title","offer_id":41886145675494,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/34jpg0602.jpg?v=1634665076"},{"product_id":"all-incomplete-by-stefano-harney-and-fred-moten","title":"ALL INCOMPLETE by Stefano Harney and Fred Moten","description":"\u003cp\u003e150 x 225mm, 178 pages, Colour printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp\u003eBuilding on the ideas Harney and Moten developed in The Undercommons, All Incomplete extends the critical investigation of logistics, individuation and sovereignty. It reflects their chances to travel, listen and deepen their commitment to and claim upon partiality.\u003c\/p\u003e\n\u003cp\u003eAll Incomplete studies the history of a preference for the force and ground and underground of social existence. Engaging a vibrant constellation of thought that includes the work of Amilcar Cabral, Erica Edwards, Denise Ferreira da Silva, Cedric Robinson, Walter Rodney, Hortense Spillers and many others, Harney and Moten seek to share and understand that preference.\u003c\/p\u003e\n\u003cp\u003eIn so doing, Moten and Harney hope to have forged what Manolo Callahan, echoing Ivan Illich, calls a convivial tool that – despite the temptation to improve and demand, develop and govern, separate and grasp – helps us renew our habits of assembly.\u003c\/p\u003e\n\u003cp\u003eAll Incomplete features the work of award winning photographer Zun Lee, exploring and celebrating the everyday spaces of Black sociality, intimacy, belonging, and insurgency, and a preface by Denise Ferreira da Silva.\u003c\/p\u003e\n\u003cp\u003eStefano Harney and Fred Moten are authors of The Undercommons: Fugitive Planning and Black Study. Fred teaches at New York University. Stefano taches at Royal Holloway, University of London. They are students of the black radical tradition and members of Le Mardi Gras Listening Collective.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Minor Compositions","offers":[{"title":"Default Title","offer_id":41886146035942,"sku":"","price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9413001.jpg?v=1634665096"},{"product_id":"break-through-by-ethan","title":"BREAK THROUGH by Ethan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, black and white printing, saddle stitched, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA work about commons and communism with words borrowed from the anabaptist Bruderhof group\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003cbr\u003e\u003c\/p\u003e","brand":"Ethan","offers":[{"title":"Default Title","offer_id":41886146199782,"sku":"","price":1.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9620013.jpg?v=1634665138"},{"product_id":"doing-time-essays-on-using-people-by-kristian-vistrup-madsen","title":"DOING TIME: ESSAYS ON USING PEOPLE by Kristian Vistrup Madsen","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15 x 22 cm, 168 pages, Offset printed, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA series of essays concerned with the ethics of writing (about people and art), as well as a reflection on the identity politics of the early 2000s.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTo write about someone else means both to expose and transform them. This is the dilemma of writing that Janet Malcolm describes as \"morally indefensible.\" In \u003cem\u003eDoing Time: Essays on Using People\u003c\/em\u003e, Kristian Vistrup Madsen deliberates on his correspondence with an inmate in a California prison named Michael. Over several years, this spawns a series of reflections about the politics of solidarity and appropriation, but also about writing itself and what happens when life is turned into art. This book is a portrait of a friendship interpolated by great difference, and of a fearful time in which experience and identity are everything, and thinking not enough.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first few letters on my part were punctuated by hesitancy, a dutiful respect for the difference between us: that I couldn't possibly understand, or even with the moral implication that I oughtn't. Heavy with sarcasm, I wrote to Michael in prison: 'Meanwhile, I am working in an art gallery. We sit in a room full of MacBook Airs in minimalist outfits and talk about the migrant crisis.' But he had written nothing to warrant such pleas for reassurance. My respect for difference, then, was not the same as respect for Michael, but rather a way of excusing my own position, working through my own guilt.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Floating Opera Press","offers":[{"title":"Default Title","offer_id":41886147215590,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/38032.jpg?v=1634665155"},{"product_id":"counter-signals-4-identity-is-the-crisis","title":"COUNTER-SIGNALS #4: IDENTITY IS THE CRISIS","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e16.5 x 23.5cm, 352 pages, offset printed, softcover. 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe fourth issue of Counter Signals aims to invoke and assemble writing and images that query the aesthetic claims and political-economic stakes of identity, in design and in cultural production more generally. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Visual identity” names the highest order project within the discipline of graphic design, historically constituted in post-war capitalist europe and the us. it enlisted the concepts, forms, and techniques of design modernism towards the consolidation of globalizing language technology corporations like olivetti and ibm. the project of “corporate identity,” as it became known, reflected and advanced the dematerializing production trajectories of industrial capitalism, organized by concepts of “scientific” and then cybernetic management. graphic design was used to formally unify corporate information products and their publicity, through totalizing identity systems and the powers of the logo. in this advanced capitalist superstructural project, the corporate identity standards manual produced not only signs and products, but subjectivities as well: the white-skinned, white-collared, grey-flanneled heterosexual male professional class. the production of these subjectivities was understood, within the dystopian collectivity of the corporation, to compose a distinct and homogeneous “corporate culture,” and thus to extend a process by which corporations came to aesthetically appear as sovereign entities on an equal footing with nation states.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith contributions from Jack Henrie Fisher, Nathan Brown, Ulrike Jordan, Gerd Conradt, Lisa Vinebaum, Samo Tomšič, Bea Walker, Verónica Casado Hernández, Nat Pyper, Werker Collective, Evan Fusco, Michaelis Pichler, Andrea Garcia Flores, Angel Gonzalez, Chris Lee, Mahmoud Keshavarz, Hannah Bruckmüller, Michal B. Ron, Jorge Cano \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFebles\u003c\/span\u003e, Anuar Portugal, Carlos Quiroz, Erin Madarieta, Alex Lahr, Sean Martin-Iverson, Jacob Lindgren.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Other Forms","offers":[{"title":"Default Title","offer_id":41886149804262,"sku":"","price":21.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2799001.jpg?v=1634665308"},{"product_id":"in-pursuit-of-autonomy-by-scott-caruth","title":"IN PURSUIT OF AUTONOMY... By Scott Caruth","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e15 x \u003cmeta charset=\"utf-8\"\u003e21cm, 34 pages, Black \u0026amp; white printing, Saddle stitch, Softcover, Hand numbered ed. of 40, 2015\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAs previous publications show, Scott is someone to fully commit himself to his subject matter, intellectually and empathetically, and this beautiful volume is yet another proof of that. Working with the archive of the Fondazione Fotografia in Modena, where he was staying as an Artist in Residence, he investigates the correlation of the archive and the so called 'Autonomia' movement of the 1970s in both word and image.\u003c\/p\u003e","brand":"Scott Caruth","offers":[{"title":"Default Title","offer_id":41886259445990,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/1.jpg?v=1634667575"},{"product_id":"molatham-by-scott-caruth","title":"MOLATHAM by Scott Caruth","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e19.75 x 16cm, 152 pages, Full colour printed, Sewn \u0026amp; glue bound, Softcover, 2019\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e“In Arabic \u003cem\u003emolatham\u003c\/em\u003e literally translates to “to cover up one’s face,” but within the context of the occupied West Bank, where the omnipresence of photographic surveillance is an extension of Israeli state violence, \u003cem\u003emolatham\u003c\/em\u003e is Palestinian vernacular for “resisting the Israeli occupation.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThis beautifully bound and printed volume by Scott Caruth is a thoughtful meditation on the political implications of image making, its weaponization by the Israeli army, the “terrorist\/victim polarity” of photo-journalism, and the liberatory potential of studio portrait photography.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThrough transcribed interviews and the artist’s own analysis, a socio-political context of agency and defiance is revealed in the kitsch of palm tree studio backdrops (now aspirational positioning) and awkward hand-to-chin posing (now an exercise in identity creation), repositioning what was once personal into political icon.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Trolley Books","offers":[{"title":"Default Title","offer_id":41886268260582,"sku":"","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/12_2048_6ba3179f-a0a7-49b9-a218-71e2f41789e8.jpg?v=1634667995"},{"product_id":"marx-in-the-woods-by-jacques-rancire","title":"MARX IN THE WOODS by Jacques Rancière","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e140 x 210mm, 64 pages, Single colour printing throughout, Perfect bound, Ed. of 600, 2019.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“\u003cem\u003eMarx in the Woods\u003c\/em\u003e presents the first English translation of Jacques Rancière’s early philosophical text “The Dialectic of Reason and Private Interest”, originally published in 1963. Written under the influence of Louis Althusser, the text is discussing the forms of law in Karl Marx’s writings on the “debates on the law on thefts of wood”. As a break from the idealist philosophy, Marx’s writings on thefts of wood is considered to be a turning point in the history of communist theory.\u003cbr\u003e\u003cbr\u003eIn his text, Rancière does not only discuss the complex structure of Marx’s early concepts, but he does this by such ‘wild formalism’ that opens the communist horizon towards unfamiliar realms.\u003cbr\u003e\u003cbr\u003eDefending this approach still today, Rancière in the new introduction written to the book gives also some clues about his difficult relationship with Althusser.\u003cbr\u003e\u003cbr\u003eThe book is translated by Jussi Pamussari, who also wrote an afterword where he discusses the way Rancière subjects time and history to a certain formalisation through spatiality.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Rab-Rab Press","offers":[{"title":"Default Title","offer_id":41886273601766,"sku":"","price":11.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/6_2048_2c5d0433-f948-4c00-ad4d-e34179c1aff8.jpg?v=1634668171"},{"product_id":"bmzvbuwuox6bgf3zcleos6ewqisitg","title":"I AM YOUR WORST FEAR I AM YOUR BEST FANTASY \/ FIRST GAY AMERICANS by Be Oakley","description":"\u003cp class=\"\"\u003e12.9 x 18.8 cm, 28 pages, Black \u0026amp; blue risograph printing, Saddle stitch, Card cover, Ed. of 100, 2020\u003c\/p\u003e\n\u003cp class=\"\"\u003e“i am your worst fear i am your best fantasy \/ FIRST GAY AMERICANS is a publication based on a typeset sourced from two protest signs from the gay liberation movement. The publication features an essay talking to the Oakley's protest sign typesets. In the publication designer Kelsey Elder states \"Leveraging the authority afforded to language by typographic form, oakley’s typefaces pull dissenting letterform's and narratives from queer history into contemporary context. Through the act of digitization, the work simultaneously functions as an archive as well as a platform of visibility for voices largely excluded from the field in which the work is positioned. Formally ‘nice,’ the letter forms transcend static interpretation when in context of the language present on their specimens and Oakley's open source distribution model. The letter forms become a site of significance. The typeface a metaphor. The publishing model and access to the typefaces, an act of dissent. The work is unapologetic to its trespasses, and pushes against hegemonic aesthetics and values. By employing aspects of lived experience and culture which are external to the typographic field itself, Oakley importantly exposes the lack of divergent narratives currently present while simultaneously providing a platform for them.\"\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by \u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886277304550,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/C81B8BA7-C2E8-47D0-A9DE-71C219707177.jpg?v=1634668330"},{"product_id":"60wx31pq2cr1zrxwxjthu4o4l4fqfr","title":"POLITICS OF STUDY by Various Artists","description":"\u003cp style=\"text-align: start;\" class=\"\"\u003e21.5 x 15.7 cm, 128 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2015\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: start;\" class=\"\"\u003eThere's not a single contemporary art college or university today that isn't a battleground. These wars are wars about value, meaning, pedagogy, criticality, and above all, unfortunately, the market. Whether we rise above them, move sideways, go underground, embrace or escape these fights, we did not choose them and their terms generate increasing losses for all those who still desire a relationship to something irreducible to money. This collection of interviews contains passionate visions and analyses that lay bare the stakes of our contemporary political, emotional and educational predicament.\u003c\/p\u003e\n\u003cp style=\"text-align: start;\" class=\"\"\u003eEdited by Sidsel Meineche Hansen \u0026amp; Tom Vandeputte\u003c\/p\u003e\n\u003cp style=\"text-align: start;\" class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Open Editions","offers":[{"title":"Default Title","offer_id":41886279827686,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_57931212.jpg?v=1634668543"},{"product_id":"injustice-for-all-by-various-artists","title":"INJUSTICE FOR ALL by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, black and white printing, risograph printed cover, saddle stitched, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRiso cover A5 zine containing contributed texts from across the globe based on sharing experiences of injustice and how we can learn from each other and fight injustice together. Submission by Hannah James, Jake Farrell and Ibrahim Abraham among others.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Visions","offers":[{"title":"Default Title","offer_id":41886280646886,"sku":"","price":3.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_61291222.jpg?v=1634668597"},{"product_id":"how-to-set-up-a-workers-co-op","title":"HOW TO SET UP A WORKERS CO-OP","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 172 pages, black and white printing, spiral bound, comes with bookmark, 2015 edition.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWorkers' co-ops give us a way to reclaim a small but significant part of the world - our working lives. In this book you'll find lots of information you need to set up your workers' co-op, including organising your workplace, making decisions, choosing legal structures, registration with companies house, market research, business plans, democratic decision making, legal requirements \u0026amp; responsibilities, finances and a few bits on running the thing once you've set it up\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIf you don't want to buy this lovely book, but do want the information then please feel free to download one of the following low resolution (but still 3.4Mb) PDFs of the insides. \u003ca href=\"https:\/\/www.radicalroutes.org.uk\/publicdownloads\/How2WorkersCo-op2019A5Lo-Res.pdf\" title=\"How to Set Up a Workers Co-op, read on screen\" target=\"_self\"\u003eThis copy\u003c\/a\u003e is laid out one page to an A5 sheet. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIt includes model company articles of association, which can be downloaded in an editable form from Seeds for Change.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Radical Routes","offers":[{"title":"Default Title","offer_id":41886282350822,"sku":"","price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7289jpg0218.jpg?v=1634668651"},{"product_id":"finally-got-the-news-the-printed-legacy-of-the-us-radical-left-1970-79","title":"FINALLY GOT THE NEWS: THE PRINTED LEGACY OF THE U.S. RADICAL LEFT, 1970-79","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e175 x 250mm, 256 pages, full colour printing, perfect bound, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eFinally Got the News\u003c\/em\u003e uncovers the hidden legacy of the radical Left of the 1970s, a decade when vibrant social movements challenged racism, imperialism, patriarchy and capitalism itself. It combines written contributions from movement participants with original printed materials—from pamphlets to posters, flyers to newspapers—to tell this politically rich and little-known story.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe dawn of the 1970s saw an absolute explosion of interest in revolutionary ideas and activism. Young people radicalized by the antiwar movement became anti-imperialists, veterans of the Civil Rights and Black Power movements increasingly identified with communism and Pan-Africanism, and women were organizing for autonomy and liberation. While these movements may have different roots, there was also an incredible overlapping and intermingling of activists and ideologies.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThese diverse movements used printed materials as organizing tools in every political activity, creating a sprawling and remarkable array of printing styles, techniques, and formats. Through the lens of printed materials we can see the real nuts and bolts of revolutionary organizing in an era when thousands of young revolutionaries were attempting to put their beliefs into practice in workplaces and neighborhoods across the U.S.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eTable of Contents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eForeword\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn the Factories and in the Streets: Going to the Working Class\u003c\/em\u003e — Dan La Botz\u003cbr\u003e\u003cem\u003eFlashpoint: The Revival of May Day\u003c\/em\u003e — Elly Leary\u003cbr\u003e\u003cem\u003eSolidarity and Global Liberation: Anticolonial Struggles\u003c\/em\u003e — Bill Fletcher\u003cbr\u003e\u003cem\u003eWomen! Nothing to Lose but Our Chains!\u003c\/em\u003e — Johanna Brenner\u003cbr\u003e\u003cem\u003eFlashpoint: International Women’s Day\u003c\/em\u003e — Silvia Federici\u003cbr\u003e\u003cem\u003eNation, Class, and Culture: People of Color Majority Communist Organizations\u003c\/em\u003e — Kazembe Balagun\u003cbr\u003e\u003cem\u003eFlashpoint: Boston Busing Crisis\u003c\/em\u003e — Ethan Young\u003cbr\u003e\u003cem\u003eToward New Afrika: Black Self-Determination Politics in the Seventies\u003c\/em\u003e — Akinyele Umoja\u003cbr\u003e\u003cem\u003eFlashpoint: African Liberation Day\u003c\/em\u003e — Badili Ifadoyin Jones-Goodhope\u003cbr\u003e\u003cem\u003eBreak De Chains: Resisting Police and Prisons\u003c\/em\u003e — Dan Berger\u003cbr\u003e\u003cem\u003eLove and Solidarity: Queer Liberation\u003c\/em\u003e — Emily K. Hobson\u003cbr\u003e\u003cem\u003eNo More Business as Usual: Anarchists, Antiauthoritarians, and other Troublemakers\u003c\/em\u003e — Stephanie Browner\u003cbr\u003e\u003cem\u003eRadical Roundtable\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGlossary\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Interference Archive","offers":[{"title":"Default Title","offer_id":41886283006182,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7714jpg0304.jpg?v=1634668927"},{"product_id":"lost-in-media-migrant-perspectives-and-the-public-sphere-by-ismail-einashe-and-thomas-rouech","title":"LOST IN MEDIA: MIGRANT PERSPECTIVES AND THE PUBLIC SPHERE by Ismail Einashe and Thomas Roueché","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x \u003cmeta charset=\"utf-8\"\u003e210mm, 168 pages, Colour printing, Perfect bound, Softcover, 2019\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Lost in Media: Migrant Perspectives and the Public Sphere gathers critical responses to the representations of migrants in the media in Europe through nine essays by prominent writers, artists and journalists. The starting point is the assertion that migrants have entered European countries, but they haven’t entered the public sphere. When they do, it is as characters in other people’s stories as something other. They are spoken about, but rarely asked. Pointed at, but rarely heard. Decided for, but rarely involved. We hardly ever hear from young migrants as legitimate voices. If migrants and refugees are to become fully recognized citizens of Europe, we believe they need to be participants in—rather than subjects of—the public debate.\u003cbr\u003e\u003cbr\u003eLost in Media: Migrant Perspectives and the Public Sphere is conceived from the ‘Displaced in Media’ project and is created in cooperation with the European Cultural Foundation.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditors: Ismail Einashe, Thomas Roueché\u003cbr\u003eText essays: Tania Bruguera, Moha Gerehou, Aleksandar Hemon, Lubaina Himid, Dawid Krawczyk, Antonija Letinić, Nesrine Malik, Nadifa Mohamed, Ece Temelkuran, Daniel Trilling, Menno Weijs, André Wilkens”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886283825382,"sku":"","price":19.9,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7969jpg0313.jpg?v=1634668747"},{"product_id":"feminist-art-activisms-and-artivisms-by-katy-deepwell","title":"FEMINIST ART ACTIVISMS AND ARTIVISMS by Katy Deepwell","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e168 x 240mm, 448 pages, black and white printing, perfect bound, softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles\/ positions\/ lives\/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRichly illustrated with c. 300 black and white illustrations and photos.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis is the first volume in the new PLURAL series. The series focuses on how the intersections between identity, power, representation and emancipation, play out in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from artists, arts professionals, activists, cultural and social researchers, journalists and theorists.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEditor: Katy Deepwell \u003cbr\u003eContributors: Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Valiz","offers":[{"title":"Default Title","offer_id":41886283956454,"sku":"","price":27.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8038jpg0313.jpg?v=1634668748"},{"product_id":"economic-science-fictions-edited-by-william-davies","title":"ECONOMIC SCIENCE FICTIONS edited by William Davies","description":"\u003cp\u003e135 x 200mm, 400 pages, Black and white printing, Perfect bound, 2019\u003c\/p\u003e\n\u003cp\u003eFrom the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In Economic Science Fictions, editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking. \u003c\/p\u003e\n\u003cp\u003eRooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures. It asks how science fiction can motivate new approaches to economics and provides surprising new syntheses, merging social science with fiction, design with politics, scholarship with experimental forms. \u003c\/p\u003e\n\u003cp\u003eWith an opening chapter from Ha-Joon Chang as well as theory, short stories, and reflections on design, this book challenges and changes the notion that economics and science fiction are worlds apart. The result is a wealth of fresh and unusual perspectives for anyone who believes the economy is too important to be left solely to economists.\u003c\/p\u003e\n\u003cp\u003eContributors\u003c\/p\u003e\n\u003cp\u003eAudint, Khairani Barokka, Carina Brand, Ha-Joon Chang, Miriam A. Cherry, William Davies, Mark Fisher, Dan Gavshon Brady, Owen Hatherley, Laura Horn, Tim Jackson, Mark R. Johnson, Bastien Kerspern, Nora O Murchú, Justin Pickard, James Pockson, Tobias Revell, Judy Thorne, Sherryl Vint, Georgina Voss, Jo Lindsay Walton, Brian Willems\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Goldsmiths Press","offers":[{"title":"Default Title","offer_id":41886284841190,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_81570318.jpg?v=1634668803"},{"product_id":"how-does-the-world-breathe-now-film-as-witness-archive-and-political-tool","title":"HOW DOES THE WORLD BREATHE NOW? – FILM AS WITNESS, ARCHIVE, AND POLITICAL TOOL","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x 230mm, 192 pages, Black \u0026amp; white printing, Perfect bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHow film may be a constructive tool to examine the state of the world and its cruelties, and how to form a more stable and supportive culture of film production and distribution.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOut of frustration and exasperation with the state of the world in 1960, Indonesian poet Willibrordus Surendra Broto Rendra asked himself: \"How does the world breathe now?\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe film series conceived of by SAVVY Contemporary, which ran from September 2016 through March 2018, was a response to our own dismay at the continued injustices that the world faces. Each week SAVVY invited a different speaker who would choose a film that she or he felt answered, or asked more questions of, the question, \"how does the world breathe now?\" More than just a series of screenings, the film series became a kind of ciné-club where we also ate, drank, and danced together, and out of which new concepts, collaborations, and polemics emerged. With this publication we hope to offer readers another mode of thinking about films, and to pick up on some loose threads or unfinished conversations of the film series.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOver the course of the publication's three sections: Bearing Witness: old \u0026amp; new filmic practices with political clout; Archiving, Preserving, and Accessing Film; and New Relationships, New Practices: Towards sustainable \u0026amp; ethical filmmaking, SAVVY brings together the voices of contributors such as Sarah Maldoror, Filippos Koutsaftis, the Spotters of the TRIBUNAL \"Unraveling the NSU Complex,\" Stefanie Schulte Strathaus, Talal Afifi and Viola Shafik, the *foundationClass, and Olivier Marboeuf, among others. Together, we explore how film may be a constructive tool to examine the state of the world and its cruelties, and we ponder how to form a more stable and supportive culture of film production and distribution.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":41886286217446,"sku":"","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7946jpg0422.jpg?v=1634668857"},{"product_id":"immunodemocracy-by-donatella-di-cesare","title":"IMMUNODEMOCRACY by Donatella Di Cesare","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e11 x \u003cmeta charset=\"utf-8\"\u003e17.8 cm, 120 pages, black and white printed, perfect bound, softcover, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eImmunodemocracy\u003c\/em\u003e offers a stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Moving from the ecological question to the rule of experts, from the state of exception to immunitarian democracy, from rule by fear to the contagion of conspiracy theory, from forced distancing to digital control, Donatella Di Cesare examines how existence is already changing—and what its future political effects may be. In her own personal style, the author reconstructs the dramatic phases of what she calls \"the breathing catastrophe.\" Coronavirus is a sovereign virus that skirts its way around the walls of patriotism and the sovereignists' imperious frontiers. And it reveals in all its terrible crudeness the immunitarian logic that excludes the weakest and hits the poorest.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe \u003cem\u003ecordon sanitaire\u003c\/em\u003e of disengagement risks expanding beyond all proportion. The disparity between the protected and the helpless—a challenge to any idea of justice—has never been so blatant. The virus has not introduced, but merely brought out into the open the ruthlessness of the capitalism that is now wrapping us in its devastating spiral, in its compulsive, asphyxial vortex. Is it our final warning? The violent global pandemic shows that it is impossible for us to survive if we don't help each other. We will need to protect ourselves from protection and the specter of absolute immunization. When breathing can no longer be taken for granted, we need to rethink our way of living together.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":41886286610662,"sku":"","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/24jpg0505.jpg?v=1634668946"},{"product_id":"ejournal-volume-1-3-by-robin-netherton","title":"EJOURNAL Volume 1-3 by Robin N","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e25.7 x 19cm, 160 pages, Digitally printed, Coil bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“EJOURNAL was an academic journal published electronically out of the University of Albany, it discussed issues of ownership, personal expression, and the electronic dissemination of information. Reproduced from an online archive and formatted for print, EJOURNAL was originally distributed online exclusively, the books together most of the entire EJOURNAL run.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Crisis Editions","offers":[{"title":"Default Title","offer_id":41886287462630,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/13jpg0602.jpg?v=1634669174"},{"product_id":"ejournal-volume-4-6-by-robin-netherton","title":"EJOURNAL VOLUME 4-6 by Robin N","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e25.7 x 19cm, 136 pages, Digitally printed, Coil bound, Softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“EJOURNAL was an academic journal published electronically out of the University of Albany, it discussed issues of ownership, personal expression, and the electronic dissemination of information. Reproduced from an online archive and formatted for print, EJOURNAL was originally distributed online exclusively, the books together most of the entire EJOURNAL run.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Crisis Editions","offers":[{"title":"Default Title","offer_id":41886287495398,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/24jpg0602.jpg?v=1634668988"},{"product_id":"ideas-arrangements-effects-systems-design-and-social-justice-by-the-design-studio-for-social-intervention","title":"IDEAS ARRANGEMENTS EFFECTS: SYSTEMS DESIGN AND SOCIAL JUSTICE by The Design Studio for Social Intervention","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x 225mm, 180 pages, full colour printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eForeword by Arturo Escobar\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eA guide for using design principles to inform and shape radical politics\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIdeas are embedded in social arrangements, which in turn produce effects.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith this simple premise, this radically accessible systems design book makes a compelling case for \u003cem\u003earrangements \u003c\/em\u003eas a rich and overlooked terrain for social justice and world building. Unpacking how ideas like racism and sexism remain sturdy by embedding themselves in everything from physical and social infrastructure to everyday speech and thought habits, this book gives readers the tools to sense, intervene in and imagine new arrangements. Using diverse examples from their work and others, DS4SI offers readers a roadmap for using social interventions to invite the larger public into imagining and creating a more just and vibrant world.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“Throughout their work, DS4SI strives to enact the principle that design is not just about problem-solving within existing paradigms and social orders, it is about world building, about imagining and constructing new territories of life and difference… This is design’s imagination at its best, the grounds for a genuinely transformative design praxis. It is a route to disclosing new worlds and bringing them into existence.” – Arturo Escobar, author of \u003cem\u003eDesigning the Pluriverse\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Minor Compositions","offers":[{"title":"Default Title","offer_id":41886288117990,"sku":"","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9434022.jpg?v=1634668972"},{"product_id":"holding-our-own-under-fascism-by-ethan","title":"HOLDING OUR OWN UNDER FASCISM by Ethan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 16 pages, black and white printing, saddle stitched, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA work about theft and enclosure found through an evangelical pamphlet found on Old Kent Road.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Ethan","offers":[{"title":"Default Title","offer_id":41886288445670,"sku":"","price":1.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9618011.jpg?v=1634669245"},{"product_id":"manifesto-profit-for-survival-by-genderfail","title":"MANIFESTO, PROFIT-FOR-SURVIVAL by Be Oakley","description":"\u003cp\u003e12 x 18cm, 20 pages, Risograph printed, Saddle stitch, Softcover, 3rd Edition, 2022\u003c\/p\u003e\n\u003cp\u003e“Manifesto, Profit-for-Survival was first written for Towards a Self Sustaining Publishing Model, a panel created by Be Oakley with Marc Fischer, Vivian Sming, Yuri Ogita, and Devin Troy Strother apart of the 2021 Printed Matter Virtual Art Book Fair. This Manifesto looks at the word profit through an anti-capital lens from the perspective of small and self publishing practices. From the manifesto Oakley states:\u003cbr\u003e\u003cbr\u003eWhen we say “profit” (in the non-for-profit to for-profit spectrum) what do we mean? As a person trying to live off the “profit” they generate from their work, profit is essential to my livelihood and my ability to continue producing work that I am passionate about. So to say that I am for-profit does not yet speak to the complexities of a non-capitalist small publishing project. The word “profit” without any other context is a simplification, it can’t speak to the complexities of what making profit means for my life, my work and my future. GenderFail is not non-for-profit but profit-for-survival, or profit-to-continue-our-work-without-other-means-of-capital -- and most importantly to make money for the people I publish, to create profit-for-labor. Defining the means of Non-Exploitative-Profit, through describing how our work is created, who is being paid and the ethics behind its creation, is essential when trying to define the terms of any engagement with “profit.”\u003c\/p\u003e\n\u003cp\u003eThis new edition features a new essay Notes on Anti-Capitalist Solidarity: An Essay for the Working Class Artist expanding on our Manifesto, Profit for Survival essay. This new essay explores chapters including Class Solidarity in the Art World, Against Growth Towards Sustainability, Breaking with Capitalism: Identity Politics and Working Class Solidarity, Anti-Capitalist Pedagogy? Pedagogy for Low Wage Workers? and Anti Capitalist Art Practice?\u003cbr\u003e\u003cbr\u003e20% from each zine will be invested in a publishing grant established by GenderFail to be given out to a self and small publishers in a series of $100 grants.”\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886289232102,"sku":"","price":9.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_8444001.jpg?v=1673890278"},{"product_id":"moments-of-rupture-spaces-militancy-amp-film-by-sandra-schfer","title":"MOMENTS OF RUPTURE - SPACES, MILITANCY AND FILM by Sandra Schäfer","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e150 x 220mm, 232 pages, full colour printing, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFilms and spaces have the capacity to intervene in the nexus of power, violence, and liberation. Sandra Schäfer’s book examines the methods of militant cinema within the decolonisation and liberation struggles of the 1960s and 1970s. The author analyses contemporary film and the media produced during the radicalisation of the student movement in West Germany.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eUsing her own cinematic work as a foundation, Schäfer focuses on two “projects” undertaken by Hezbollah in Lebanon: the Resistance Museum in the south of the country and the reconstruction of Beirut’s Haret Hreik district after it was bombed by the Israeli military in 2006. How does Hezbollah use space and architecture to shift power relations?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHow do these relations influence memory and identity? In the process of her investigation, Schäfer examines different geopolitical contexts as well as her own position as an artist.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Spector Books","offers":[{"title":"Default Title","offer_id":41886294311142,"sku":"","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_2389034.jpg?v=1634669246"},{"product_id":"poster-workshop-1968-1971-by-by-sam-lord-with-peter-dukes-jo-robinson-and-sarah-wilson","title":"POSTER WORKSHOP 1968-1971 by by Sam Lord, with Peter Dukes, Jo Robinson and Sarah Wilson","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 128 pages, full colour printing, perfect bound, hardback, 2018\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWith a foreword by Jess Baines\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom 1968 to 1971, anyone could drop in to the basement in Camden Town and commission a poster from the Poster Workshop. In walked workers on strike, tenants associations, civil rights groups and liberation movements from all over the world. Inspired by the Atelier Populaire, set up in Paris, in May 1968, the posters could be made quickly to respond to what was needed, on a great number of themes: Vietnam, Northern Ireland, South Africa, housing, workers rights, and revolution.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Poster Workshop existed at an exceptional time. It thrived on the energy generated by the belief that huge changes were possible, through movements for equality, civil rights, freedom and revolution. It was an expression of that time - of excitement, change and hope.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis book is the third in the Irregulars series of aspects of modern British visual history. It reproduces all of the Poster Workshop's posters which give a unique perspective on the key political issues in 1960s and 1970s Britain - many of which still resonate today.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296047846,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3719057.jpg?v=1634669220"},{"product_id":"nuclear-war-in-the-uk-by-taras-young","title":"NUCLEAR WAR IN THE UK by Taras Young","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e160 x 220mm, 128 pages, full colour printing, perfect bound hardcover, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFor almost five decades, the United Kingdom made plans for a nuclear attack that never came (Correct at time of publication). To help their citizens, civil servants and armed forces prepare, those in power designed and published a variety of booklets, posters and how-to guides. Most infamous among these was the Protect and Survive campaign, but just as fascinating are lesser-known materials made for the United Kingdom Warning and Monitoring Organisation and the Royal Observer Corps, many of which are reproduced for the first time. From terrifying images issued by central government, to local councils’ sometimes amateurish guides, Nuclear War in the UK is an eye-opening look at the way Britain’s authorities reacted to the Soviet nuclear threat.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eTaras Young is a researcher and writer with an interest in weird, hidden and forgotten history. Nuclear War In The UK is the seventh volume in the Irregulars series of introductions to aspects of modern British visual culture.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296113382,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3758096.jpg?v=1634669304"},{"product_id":"posters-from-paddington-printshop-by-john-phillips","title":"POSTERS FROM PADDINGTON PRINTSHOP by John Phillips","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e216 × 310 cm., 144 pages, Colour printing, Perfect bound, Softcover, 2019\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eIn the mid-1970s, in a disused taxi-meter factory, a group of artists and designers opened Paddington Printshop. Specialising in making posters for local campaigns, it quickly became a model of community activism, crystallising a wide range of causes into brilliant and memorable images. Anyone could come in to request a poster (although ‘nothing sexist, racist or commercial please!’).\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFocusing on housing rights, neighbourhood initiatives as well as gigs and festivals, this local community resource used vibrant images to make the voices of underrepresented groups heard in local, national and international campaigns. 100 posters (1974–1988) in this large format book form a remarkable collection: powerful and passionate, with messages that still resonate today.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Four Corners Books","offers":[{"title":"Default Title","offer_id":41886296146150,"sku":"","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3765103.jpg?v=1634669213"},{"product_id":"post-internet-far-right-by-12-rules-for-what","title":"POST-INTERNET FAR RIGHT by 12 Rules For What","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e17 x 12cm, 230 pages, Black \u0026amp; White, Perfect bound, Softcover, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“The far right has changed. Since the rise of the internet, it has scattered, diversified, and stuck itself back together. The internet has facilitated these tendencies, filtering and contorting familiar forms of activity and ideology, and pushed far-right groups to adapt, causing the decline of some formations and the break-up of others. But the far right has not gone away – far from it – it is more powerful now than it has been for a generation. It has produced new configurations of tactics, priorities, and goals. Those who have survived the arrival of the internet have found a greater capacity to exert power than at any point since the Second World War.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe far right is in a state of productive diversification. It has yet to cohere around a new stable formulation; however, it almost certainly will, and we must be ready for it.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"Dog Section Press","offers":[{"title":"Default Title","offer_id":41886298210534,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3365009.jpg?v=1634669672"},{"product_id":"no-against-adult-supremacy","title":"NO! AGAINST ADULT SUPREMACY","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e15 x 21cm, 320 pages, black \u0026amp; white printing, perfect bound, softcover, 2021\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e“… a collection of Youth Liberation writing, originally published online by Stinney Distro. This anthology draws together all 20 issues of the NO! zine series into one print edition. It is jointly published with Active Distribution.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-style=\"white-space: pre-wrap;\"\u003e“Every hierarchy, every abuse, every act of domination that seeks to justify or excuse itself appeals through analogy to the rule of adults over children. We are all indoctrinated from birth in ways of ‘because I said so.’ The flags of supposed experience, benevolence, and familial obligation are the first of many paraded through our lives to celebrate the suppression of our agency, the dismissal of our desires, the reduction of our personhood. Our whole world is caught in a cycle of abuse, largely unexamined and unnamed. And at its root lies our dehumanisation of children.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Dog Section Press","offers":[{"title":"Default Title","offer_id":41886298243302,"sku":"","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_3356001.jpg?v=1634669454"},{"product_id":"te1-by-fiona-allan-olivia-jones","title":"TE1 By Fiona Allan \u0026 Olivia Jones","description":"\u003cp\u003eA5, 28 pages, Full colour printed, Saddle stitch, Softcover, Comes in screen printed jacket, 2016\u003c\/p\u003e\n\u003cp\u003eThis zine engages with archival material found at CCA's archive - in box 'TE1' or Third Eye One - belonging to The Campaign Against Racialism Committee that was based on Cochrane Street in Glasgow city centre throughout the late 1970's.\u003c\/p\u003e\n\u003cp\u003ePublished by\u003c\/p\u003e","brand":"Fiona Allan \u0026 Olivia Jones","offers":[{"title":"Default Title","offer_id":41886372233446,"sku":"","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_1690.jpg?v=1634671523"},{"product_id":"riffraff-by-franziska-brandt-amp-moritz-grnke","title":"RIFFRAFF by Franziska Brandt and Moritz Grünke","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e21 x 28cm, 44 pages, Full colour printed, Saddle stitch, Softcover, Hand numbered, Ed. of 200, 2018\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e“…an artzine focusing on political activism in relation to fashion, the liquidation of individuality but also uniformity as a way of protection.”\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Gloria Glitzer","offers":[{"title":"Default Title","offer_id":41886383571174,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/030_D_93a4ed20-4a54-4bac-8f01-03a55f34391a.jpg?v=1634671702"},{"product_id":"repeal-the-8th-by-olivia-furey","title":"REPEAL THE 8TH by Olivia Furey","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 12 pages, black and white printing, staple bound\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA zine recounting the drive to repeal the 8th Amendment in Ireland \u0026amp; make abortion a legal right.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e","brand":"Olivia Furey","offers":[{"title":"Default Title","offer_id":41886394679526,"sku":"","price":2.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/45_web_21a68fba-c5cb-4977-8154-9103e12884ff.jpg?v=1634671842"},{"product_id":"shy-radicals-the-antisystemic-politics-of-the-militant-introvert-by-hamja-ahsan","title":"SHY RADICALS: THE ANTISYSTEMIC POLITICS OF THE MILITANT INTROVERT by Hamja Ahsan","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e113 mm x 179 mm, 164 pages, Black \u0026amp; white printed, Perfect bound, Softcover, Ed. of 1500, 2017\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eDrawing together communiqués, covert interviews, oral and underground history of introvert struggles (Introfada), here for the first time is a detailed documentation of the political demands of shy people.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eRadicalised against the imperial domination of globalised PR projectionism, extrovert poise and loudness, the Shy Radicals and their guerrilla wing the Shy Underground are a vanguard movement intent on trans-rupting consensus extrovert-supremacist politics and assertiveness culture of the twenty first century. The movement aims to establish an independent homeland – Aspergistan, a utopian state for introverted people, run according to Shyria Law and underpinned by Pan-Shyist ideology, protecting the rights of the oppressed quiet and shy people.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eShy Radicals are the Black Panther Party of the introvert class, and this anti-systemic manifesto is a quiet and thoughtful polemic, a satire that uses anti-colonial theory to build a critique of dominant culture and the rising tide of Islamophobia.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"Book Works","offers":[{"title":"Default Title","offer_id":41886396023014,"sku":"","price":11.95,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_7636.jpg?v=1634671951"},{"product_id":"the-conclusive-scene","title":"THE CONCLUSIVE SCENE","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e215 x 300mm, 108 pages, Black and white printing, Perfect bound, Ed. of 300, 2020\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cmeta charset=\"utf-8\"\u003eRab-Rab Press is pleased to present this theatrical and political document as evidence of the fact that real learning happens in the scenes of antagonisms and contradictions, violating the limits of liberal equilibrium. By collecting bits and pieces of subjective traces from this divisive and confrontational historical period, we discover that it also included plenty of humour, irony, elan, youthfulness, and brightness.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eUltimately, we hope this book will give a clue to the idea of what Mao actually meant when he asked professional writers and students to \"write a novel per week.\"\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eThe Conclusive Scene - Mao Zedong’s Last Meeting with the Red Guards, 28 June 1968\u003c\/em\u003e includes the first complete English translation of the Chinese Cultural Revolution document “Conversation in a Meeting with the Responsible Persons of the Capital Red Guards.”\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe document is a transcribed conversation between Mao Zedong and the Central Group for the Cultural Revolution with the five most famous Red Guards leaders, which took place on 28th June 1968 at Beijing University.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThis unique historical document is presented with detailed annotations by the translator of the text Andrea Piazzaroli Longobardi, who has given historical insight into the complex relations within the Cultural Revolution. Both the foreword and afterword to the document are written by Alessandro Russo, a theoretician and sinologist, whose work on the Cultural Revolution has given a fresh philosophical perspective for grasping the subjective dimension of this antagonistic episode in modern politics. By discussing the document as a ‘script’ for a stage performance, Russo claims that the artistic approaches, rather than the supposed classical socio-historical scholarly wisdom, are better qualified to “look at the document as deeply subjective, that is, as intrinsically political.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003ePublished by\u003cbr\u003e\u003c\/p\u003e","brand":"Rab-Rab Press","offers":[{"title":"Default Title","offer_id":41886396317926,"sku":"","price":16.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/30_2048_c6e7d95d-4129-47c5-84aa-428ed966d560.jpg?v=1634671941"},{"product_id":"rabrab-journal-issue05","title":"RABRAB JOURNAL ISSUE#05","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003ePublished by\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003e170mm x 245mm, 280 pages, Black and green printed throughout, Perfect bound, Ed. of 600, 2019.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003e“The new issue of Rab-Rab includes stories about nation traitors, fierce masses, socialist women struggles, love-forms, psychedelic counter-revolutionaries, workers unions, Brecht fiddlers, jazz surrealism, Soviet trains, and anti-fascism.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\" data-mce-style=\"white-space: pre-wrap;\"\u003eAmong the contributors to the fifth issue are Anna Thew, Yehuda Safran, Peter Gidal, Cana Bilir-Meier, David Black, Marjo Liukkonen, Alejandro Pedregal, Peter Hallward, Minna Henriksson, and Jyrki Siukonen.\u003cbr\u003e\u003cbr\u003eIt has also two extensive dossiers. One dedicated to Franklin Rosemont is presented by Joe Feinberg and is introducing some unpublished and difficult-to-find texts of Rosemont, and writings of T-Bone Slim and Joe Hill. The other dossier on Robert Linhart is presented by Tevfik Rada and it includes translation of a chapter from Linhart's book on productivism, article against Western bourgeois dissidents, and an interview with him.”\u003c\/p\u003e","brand":"Rab-Rab Press","offers":[{"title":"Default Title","offer_id":41886396383462,"sku":"","price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_5836_2048.jpg?v=1634671998"},{"product_id":"the-utopia-project-by-various-artists","title":"THE UTOPIA PROJECT by Various Artists","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eA5, 68 pages, full colour printing throughout, perfect bound, 2020\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eEdited by Christopher James and James Middleton\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe Utopia Project is an art and literature magazine, publishing work that uses its creative voice to speak to the political realities that we face, as individuals and in our communities, and to put forward a positive vision of what lies ahead. Issue one includes the work of 26 artists and writers from 13 countries and discusses the impact of time on our lives, how it is controlled in the factory, in schools, and in prisons, and how time can be a tool for reflection and action.\u003c\/p\u003e\n\u003cp class=\"\"\u003ePublished by\u003c\/p\u003e","brand":"The Utopia Project","offers":[{"title":"Default Title","offer_id":41886398284006,"sku":"","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/014_D_193e41ef-c912-45bd-b993-ed8afbd8e6b1.jpg?v=1634672042"},{"product_id":"4gnb6yecwdb46ijobimc3cncbnskaw","title":"RADICAL SOFTNESS AS A BOUNDLESS FORM OF RESISTANCE 6TH EDITION by Various Artists","description":"\u003cp class=\"\"\u003e175 x 105 mm, 130 pages, Black \u0026amp; white printed, Perfect bound, Softcover, Ed. of 125, 2021\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis new edition features an extended essay by Be Oakley featuring translations of “Radical Softness as a Boundless Form of Resistance”. The book features five written works from Be Oakley, Lora Mathis, Alexis Ruiseco-Lombera, Noah LeBien and Kimi Hanauer on how the statement \"Radical Softness as a Boundless Form of Resistance\" resonates with their practice. Oakley states “In this, “Radical Softness as a Boundless Form of Resistance” is not a utopian idea but rather one that tries to grapple with the unique realities we face. This 6th edition also includes a brand new essay, Collective Self Isolation: In the Care of Others.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEdited by Be Oakley\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by\u003c\/p\u003e","brand":"GenderFail","offers":[{"title":"Default Title","offer_id":41886404804838,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/5338\/0582\/products\/IMG_9512026.jpg?v=1650461890"}],"url":"https:\/\/goodpress.co.uk\/collections\/activism-politics.oembed?page=28","provider":"Good Press — good books \u0026 more","version":"1.0","type":"link"}